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SUMMARY:Festival of Monsters 2025
DESCRIPTION:The Festival of Monsters returns for the annual academic conference with public performances\, installations\, readings\, and more. Learn more about the Center for Monster Studies here and refer to the full schedule of events\, below\, for individual event details. \nCo-presented by the UC Santa Cruz Center for Monster Studies\, Department of Performance\, Play & Design\, The Humanities Institute (THI)\, and Porter College.\n—\nADMISSION\n– Open to the public\n– Some events have required registration; refer to individual event listings in the full schedule of events\n– UCSC students\, faculty\, and staff registration HERE\n– Academic conference registration for non-affiliates HERE\n—\nAUDIENCE ADVISORIES\n– Mature themes and content\n—\nFULL SCHEDULE OF EVENTS\n– Wed. Oct. 15\, 5:30 p.m\, Museum of Art & History (MAH): David Livingstone Smith Keynote \n– Thurs. Oct. 16\, 9:00 a.m.–6:30 p.m\, UCSC Digital Arts Research Center (DARC): Conference Panels\, Kim Lau keynote\n– Fri. Oct. 17\, 9:00 a.m.–6:30 p.m\, UCSC Digital Arts Research Center (DARC): Conference Panels\, Jeffery Jerome Cohen keynote\n– Fri. Oct. 17\, 8:30 p.m.–11:30 p.m\, UCSC Digital Arts Research Center—DARC 108: Monsters Ball (previously advertised location of the Hay Barn was incorrect)\n– Sat. Oct. 18\, 11:00 a.m\, Bookshop Santa Cruz: “Oh! The Horror” Writers Panel\n– Sat. Oct. 18\, 2:00 p.m.–5:00 p.m\, Atlantis Fantasyworld: Cole Lemke\, Horror Comic Artist \n– Sat. Oct. 18\, 6:00 p.m\, Game Santa Cruz: “Blood on the Clocktower”\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/festival-of-monsters-2025/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits,Lectures & Presentations,Meetings & Conferences,Performances
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SUMMARY:Creative Interventions (CI) Series
DESCRIPTION:Creative Interventions (CI) is a community colloquium in contemporary creativity and creative practices that addresses the interconnected work of artists\, designers\, activists\, and knowledge workers—and the intrinsic and transformative capacity of that work to cultivate a just society. \nThe CI Speaker Series raises questions of import to contemporary creative workers in media and technology:\n– How do creative workers address their most challenging problems?\n– How does creative labor intersect with other forms of labor to nurture the world views and cultural practices of our democracy? \nThe Creative Interventions (CI) Series is co-sponsored by the Arts Division’s Creative Technologies program and Porter College at UC Santa Cruz.\n—\nADMISSION\n– Free and open to UCSC affiliates.\n– All events in the series are presented online with registration required.\n– Refer to the individual event listings for more information and a link to register.\n—\nFULL SCHEDULE OF EVENTS\n– Wed.\, Oct 15\, 4:00 p.m.: “Expensive-Sounding Sounds” with Catherine Provenzano\n– Wed.\, Oct 29\, 4:00 p.m.: “Asymptote: Computation\, Disillusion\, and Enchantment” with Nora Khan\n– Additional event dates to be announced on the Creative Interventions events page here\n—\nThis program is open to all UC Santa Cruz affiliates consistent with state and federal law.
URL:https://events.ucsc.edu/event/ci-series/2025-10-15/
LOCATION:CA
CATEGORIES:Exhibits,Lectures & Presentations
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DTSTART;TZID=America/Los_Angeles:20251016T160000
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SUMMARY:Sesnon Salon: History of Art & Visual Culture
DESCRIPTION:The Arts Division welcome students\, faculty\, staff\, and the general community to a salon-style gathering presenting the work of UC Santa Cruz’s History of Art and Visual Culture (HAVC) Department. \nAssistant Professor Clementine Bordeaux\, an enrolled member of the Sičáŋǧu Lakóta Nation (Rosebud Sioux Tribe)\, grew up on the Pine Ridge Reservation (South Dakota). Bordeaux received her Ph.D. in Culture and Performance from the World Arts and Cultures/Dance Department at the University of California\, Los Angeles. She works across multi- and interdisciplinary fields and collaborates with artists\, cultural bearers\, and community activists\, and employs Lakota concepts of ikčé\, the everyday\, and ingenuity\, to illustrate a continuum of Očéti Šakówiŋ artistic engagements. \nThis presentation offers a brief overview of her research\, which methodologically and theoretically utilizes relationality as the primary tool to communicate the interrelatedness of Lakota kinship values\, a cultural connection to other-than-human beings\, and creative practice\, as demonstrated through storytelling\, poetry\, and material culture. \nThe event will take place outdoors by the Porter Koi Pond. Light refreshments will be served. \n—\nADMISSION\nFree and open to the public.\n—\nFULL SCHEDULE OF EVENTS\nOct 16: History of Art and Visual Culture Department\nNov 20: Music Department \nJan 15: Art Department\nFeb 19: Film and Digital Media Department \nApril 16: Creative Technologies\nMay 21: Department of Performance\, Play & Design \n—\nPARKING\nLot 124 & 125 are the closest parking lots to the event.\nParking via permit or ParkMobile.\nSee TAPS for parking information. \n— \nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/sesnon-salon-history-of-art-visual-culture/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits,Lectures & Presentations
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