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DTSTAMP:20260512T013716
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SUMMARY:Creative Interventions (CI) Series
DESCRIPTION:Creative Interventions (CI) is a community colloquium in contemporary creativity and creative practices that addresses the interconnected work of artists\, designers\, activists\, and knowledge workers—and the intrinsic and transformative capacity of that work to cultivate a just society. \nThe CI Speaker Series raises questions of import to contemporary creative workers in media and technology:\n– How do creative workers address their most challenging problems?\n– How does creative labor intersect with other forms of labor to nurture the world views and cultural practices of our democracy? \nThe Creative Interventions (CI) Series is co-sponsored by the Arts Division’s Creative Technologies program and Porter College at UC Santa Cruz.\n—\nADMISSION\n– Free and open to UCSC affiliates.\n– All events in the series are presented online with registration required.\n– Refer to the individual event listings for more information and a link to register.\n—\nFULL SCHEDULE OF EVENTS\n– Wed.\, Oct 15\, 4:00 p.m.: “Expensive-Sounding Sounds” with Catherine Provenzano\n– Wed.\, Oct 29\, 4:00 p.m.: “Asymptote: Computation\, Disillusion\, and Enchantment” with Nora Khan\n– Additional event dates to be announced on the Creative Interventions events page here\n—\nThis program is open to all UC Santa Cruz affiliates consistent with state and federal law.
URL:https://events.ucsc.edu/event/ci-series/2025-10-15/
LOCATION:CA
CATEGORIES:Exhibits,Lectures & Presentations
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DTSTART;TZID=America/Los_Angeles:20251027T104000
DTEND;TZID=America/Los_Angeles:20251027T114500
DTSTAMP:20260512T013716
CREATED:20251020T180828Z
LAST-MODIFIED:20251022T183100Z
UID:10004951-1761561600-1761565500@events.ucsc.edu
SUMMARY:ECE 290 Seminar: Performance Bounds and Bottlenecks for Neuromorphic ML Accelerators
DESCRIPTION:Presenter: Jason Yik\, PhD Candidate\, Harvard SEAS \nDescription: Recent research on neuromorphic accelerators has investigated their efficiency and performance benefits for machine learning (ML) inference at the edge. This talk will focus on the performance implications of the fully-on-chip\, manycore-distributed memory architecture used by current neuromorphic accelerators. In conventional architectures\, the roofline model is a well-known performance model for denoting performance bounds and bottlenecks. For neuromorphics\, we show that bounds create a different shape\, a floorline\, and we demonstrate how to optimize ML deployment using the floorline as a performance guide. \nBio: Jason Yik is a PhD candidate at Harvard SEAS\, with a research focus in neuromorphic computing architectures. His prior work includes designing benchmark frameworks and tools for neuromorphic research\, and modeling and optimizing neuromorphic system performance. Currently\, he is an intern with the ASIC architecture team at Cerebras Systems. \nHosted by: Professor Soumya Bose\, ECE Department \nZoom Link: https://ucsc.zoom.us/j/97975378707?pwd=ljcgaCfhMmhZ88Vt5dqQUBVQRjehOx.1 \nRoom: E2-192
URL:https://events.ucsc.edu/event/ece-290-seminar-performance-bounds-and-bottlenecks-for-neuromorphic-ml-accelerators/
LOCATION:Engineering 2\, Engineering 2 1156 High Street\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251027T120000
DTEND;TZID=America/Los_Angeles:20251027T120000
DTSTAMP:20260512T013716
CREATED:20251003T195531Z
LAST-MODIFIED:20251003T195531Z
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SUMMARY:BIPOC Outdoors: Fall Garden Tour
DESCRIPTION:Join the People of Color Sustainability Collective for our annual Fall Garden Tour! This event was created to give students of color an opportunity to explore green spaces around campus and be in community with one another. The first part of the day will consist of students taking a walking tour through several campus gardens\, beginning at Stevenson Garden and ending the tour at Oakes College\, where we will eat free food\, play games\, listen to music\, and get to know one another in the sunshine. This supports the PoCSC's goal of providing students of color with community building opportunities\, and representing BIPOC sustainability practices.
URL:https://events.ucsc.edu/event/bipoc-outdoors-fall-garden-tour/
LOCATION:Stevenson Community Garden\, Stevenson College\, Santa Cruz\, CA\, 95064
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251027T120000
DTEND;TZID=America/Los_Angeles:20251027T170000
DTSTAMP:20260512T013716
CREATED:20251003T174320Z
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SUMMARY:Road Trip! Light in the American West\, from Baja to the Yukon
DESCRIPTION:The photographs in this exhibition\, made between 2004 and 2025\, span across the American West from the Baja California Peninsula in Mexico to The Yukon territory in Canada. Paul Schoellhamer’s (Cowell ‘69) color photographs invite us to travel with him and reflect on our relationship to land\, the light that shapes it\, and the freedom – contested but essential – to move across it. \nThe exhibition draws on voices across time and perspective that frame the American landscape as more than a stage for beauty and awe. For Chief Satanta of the Kiowa Nation\, to roam the land freely was life itself. For N. Scott Momaday\, land must be “believed to be seen.” For Eliot Porter\, light and reflection imparted magic to Glen Canyon’s waters. For Wallace Stegner\, saving natural places meant saving fragments of our collective sanity. For Brook M. Thompson\, the Klamath River is recognized with personhood. Alongside these perspectives\, Paul’s images press us to see public land not as scenery to extract or aestheticize\, but as sustenance and history. Land is alive and contested. To see closely is not to linger on a romanticized vision of the American landscape\, but to reckon with responsibility: how we safeguard access\, how we imagine “wildness\,” and how we hold space for futures beyond our own. For Paul\, this exhibition is a call for students to encounter land and light firsthand and let those encounters be their teachers. \nOpening Reception\nOctober 4\, 2025\n1-4pm \n—– \nJoin us every Friday for Art Fridays.\nNo experience necessary. Supplies and snacks provided. \n\nSep 26 Snail Mail/Postcards\nOct 3 Souvenir Keychains\nOct 10 Stamp Magnets\nOct 17 Cyanotype Totebags/Pouches/Pencil cases\nOct 24 Candy Around The World Linocuts\nOct 31 Abstract Felt Collages\nNov 7 Phone Photos/Buttons\nNov 14 Travel Related Patches With Upcycled Materials\nNov 21 Thanksgiving Break! No Art Friday\nNov 28 Unexpected Landscape Surrealist Collage\n\nPlease note that the date and the project is subject to change.
URL:https://events.ucsc.edu/event/road-trip-light-in-the-american-west-from-baja-to-the-yukon/2025-10-27/
LOCATION:Eloise Pickard Smith Gallery\, 11 Cowell Service Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251027T160000
DTEND;TZID=America/Los_Angeles:20251027T170000
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SUMMARY:Statistics Seminar: Sampling Depth Trade-Off in Function Estimation Under a Two-Level Design
DESCRIPTION:Presenter: Akira Horiguchi\, Visiting Assistant Professor\, University of California\, Davis \nDescription: Many modern statistical applications involve a two-level sampling scheme that first samples subjects from a population and then samples observations on each subject. These schemes often are designed to learn both the population-level functional structures shared by the subjects and the functional characteristics specific to individual subjects. Common wisdom suggests that learning population-level structures benefits from sampling more subjects whereas learning subject-specific structures benefits from deeper sampling within each subject. Oftentimes these two objectives compete for limited sampling resources\, which raises the question of how to optimally sample at the two levels. We quantify such sampling-depth trade-offs by establishing the L_2 minimax risk rates for learning the population-level and subject-specific structures under a hierarchical Gaussian process model framework where we consider a Bayesian and a frequentist perspective on the unknown population-level structure. These rates provide general lessons for designing two-level sampling schemes given a fixed sampling budget. Interestingly\, they show that subject-specific learning occasionally benefits more by sampling more subjects than by deeper within-subject sampling. We show that the corresponding minimax rates can be readily achieved in practice through simple adaptive estimators without assuming prior knowledge on the underlying variability at the two sampling levels. We validate our theory and illustrate the sampling trade-off in practice through both simulation experiments and two real datasets. While we carry out all the theoretical analysis in the context of Gaussian process models for analytical tractability\, the results provide insights on effective two-level sampling designs more broadly. \nBio: Akira Horiguchi is a Visiting Assistant Professor in the Department of Statistics at the University of California\, Davis. He was a Postdoctoral Associate in the Department of Statistical Science at Duke University\, advised by Professors Li Ma and Cliburn Chan. He completed his Ph.D. in Statistics at The Ohio State University\, advised by Professors Matthew T. Pratola and Thomas J. Santner. His research interests include improving nonparametric inference for flow cytometry data\, developing sensitivity analysis tools for regression trees\, and developing tree-based methods for tensor regression. \nHosted by: Professor Paul Parker
URL:https://events.ucsc.edu/event/statistics-seminar-sampling-depth-trade-off-in-function-estimation-under-a-two-level-design/
LOCATION:CA
CATEGORIES:Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251027T160000
DTEND;TZID=America/Los_Angeles:20251027T170000
DTSTAMP:20260512T013716
CREATED:20251006T190306Z
LAST-MODIFIED:20251022T182854Z
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SUMMARY:AM Seminar: Why do we care about inertial waves on the Sun?
DESCRIPTION:Presenter: Ms. Catherine Blume\, University of Colorado-Boulder \nDescription: Recent observations of Rossby waves and other inertial oscillations in the Sun’s convection zone have kindled the hope that such waves might be used as a seismic probe of the Sun’s interior. Here\, we present a 3D numerical simulation in spherical geometry that models the Sun’s convection zone and upper radiative interior. This model features a wide variety of inertial oscillations\, including both sectoral and tesseral Rossby waves\, retrograde mixed inertial modes\, prograde thermal Rossby waves\, and the recently observed high-frequency retrograde (HFR) vorticity modes. In this talk\, we’ll explore these different waves\, their physical impact\, and their potential helioseismic utility. \nBio: Catherine Blume is an astrophysics PhD student at the University of Colorado Boulder\, where she works with Brad Hindman studying solar inertial waves. \nHosted by: Professor Julie Simons
URL:https://events.ucsc.edu/event/am-seminar-why-do-we-care-about-inertial-waves-on-the-sun/
LOCATION:CA
CATEGORIES:Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251027T190000
DTEND;TZID=America/Los_Angeles:20251027T200000
DTSTAMP:20260512T013716
CREATED:20251009T175812Z
LAST-MODIFIED:20251009T181921Z
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SUMMARY:Julian Brave NoiseCat - We Survived the Night
DESCRIPTION:Bookshop Santa Cruz welcomes Julian Brave NoiseCat who will share his stunning debut We Survived the Night. Drawing from five years of on-the-ground reporting\, We Survived the Night paints a profound and unforgettable portrait of contemporary Indigenous life\, alongside an intimate and deeply powerful reckoning between a father and a son. Soulful\, formally daring\, indelible work from an important new voice. \nThis event is cosponsored by the American Indian Resource Center and The Humanities Institute at UC Santa Cruz. It will take place at the London Nelson Community Center. \n \n“Written in gorgeous\, sparse prose\, We Survived the Night reads like a novel. Told with a blistering honesty\, the truth and grit create a beautifully woven coyote story we haven’t heard before. This is a love letter to Oakland\, to the Canim Lake Band Tsq’secen of the Secwepemc Nation\, to a father from his son\, to the act of being a Native person in the twenty first century finding ways to love even through all that wounds have opened and wrought. With this\, Julian Brave NoiseCat has written a book I’ve been waiting my whole life to read.” —Tommy Orange \nA stunning narrative from one of the most powerful young writers at work today—We Survived the Night (Knopf) interweaves oral history with hard-hitting journalism and a deeply personal father-son journey into a searing portrait of Indigenous survival\, love\, and resurgence. \nJulian Brave NoiseCat’s childhood was rich with culture and contradictions. When his Secwépemc and St’at’imc father\, an artist haunted by a turbulent past\, abandoned the family\, he and his non-Native mother were embraced by the urban Native community in Oakland\, California\, as well as by family on the Canim Lake Indian Reserve in British Columbia. In his father’s absence\, NoiseCat immersed himself in Native history and culture to understand the man he seldom saw—his past\, his story\, where he came from—and\, by extension\, himself. \nYears later\, NoiseCat sets out across the continent to correct the erasure\, invisibility\, and misconceptions surrounding the First Peoples of this land\, as he develops his voice as a storyteller and artist in his own right. \nJulian Brave NoiseCat is a writer\, Oscar-nominated filmmaker\, champion powwow dancer\, and student of Salish art and history. His writing has appeared in dozens of publications\, including The New York Times\, The Washington Post\, and The New Yorker. NoiseCat has been recognized with numerous awards including the 2022 American Mosaic Journalism Prize and many National Native Media Awards. He was a finalist for the Livingston Award and multiple Canadian National Magazine Awards\, and was named to the TIME100 Next list in 2021. His first documentary\, Sugarcane\, was nominated for an Academy Award for Best Documentary. Directed alongside Emily Kassie\, Sugarcane premiered at the 2024 Sundance Film Festival\, where NoiseCat and Kassie won the Directing Award in U.S. Documentary. NoiseCat is a proud member of the Canim Lake Band Tsq̓éscen̓ and descendant of the Líl̓wat Nation of Mount Currie. We Survived the Night is his first book.
URL:https://events.ucsc.edu/event/julian-brave-noisecat-we-survived-the-night/
LOCATION:London Nelson Community Center\, 301 Center St.\, Santa Cruz\, United States
CATEGORIES:Lectures & Presentations
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