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DTSTART;TZID=America/Los_Angeles:20251114T170000
DTEND;TZID=America/Los_Angeles:20251114T190000
DTSTAMP:20260408T191944
CREATED:20250908T070000Z
LAST-MODIFIED:20251107T204129Z
UID:10000151-1763139600-1763146800@events.ucsc.edu
SUMMARY:Korean Experimental Music Festival—Featuring the National Gugak Center and Del Sol Quartet
DESCRIPTION:The National Gugak Center—Korea’s foremost institution for traditional music—joins forces with the Bay Area’s acclaimed Del Sol String Quartet to offer California audiences a rare and resonant experience. The festival blends traditional Korean musical practices\, Western classical instrumentation\, and cutting edge music technology in the world premiere of a over 20 newly commissioned works by faculty and graduate student composers from UC Santa Cruz\, UC Berkeley\, and Stanford University. \nTwo concerts on Fri.\, Nov. 14 feature a first-of-its-kind ensemble pairing two gayageums—Korea’s zither-like string instrument—with a Western string quartet. In two additional performances on Sat.\, Nov. 15\, traditional Korean wind instruments—the piri\, saenghwang\, and daegeum—are transformed through real-time computer sound processing into a striking electroacoustic experience. \nThe festival culminates a two-year collaboration among the National Gugak Center\, the UC Santa Cruz Music Department\, UC Berkeley’s Center for New Music and Audio Technologies (CNMAT)\, and Stanford’s Department of Music and Center for Computer Research in Music and Acoustics (CCRMA). We hope you enjoy these concerts of new works shaped by deep intercultural dialogue and inspired by the enduring legacy of traditional Korean music. \n—\nADMISSION\n– Open admission/first-come\, first-served seating (no ticket required)\n– Free and open to the public\n– Doors are scheduled to open 30 minutes prior to event start time\n—\nFULL SCHEDULE OF EVENTS \nKorean Experimental Music Festival includes two-days of events at UC Santa Cruz\, each with two back-to-back concerts\, including: \nKEMF: Traditional Korean Gayageum with String Quartet Part I\nFri. Nov. 14\, 5:00 p.m.\, UCSC Music Center Recital Hall \nNew works for Korean gayageums—traditional zither-like stringed instruments—and Western string quartet\, by Maisha Lani\, Ben Dorfan\, Michael J. Fleming\, Nina Barzegar\, Siamak Barghi\, Chris Everingham\, and Jinwei Sun. Featuring musicians from the National Gugak Center in Seoul\, and San Francisco’s Del Sol Quartet.\n— \nKEMF: Traditional Korean Gayageum with String Quartet Part II\nFri. Nov. 14\, 8:00 p.m.\, UCSC Music Center Recital Hall \nNew works for gayageums—traditional zither-like stringed instruments—and Western string quartet\, by UC Santa Cruz Professor Ben Leeds Carson\, and by UC Berkeley faculty Cindy Cox\, Edmund Campion\, and Jean Ahn. Featuring musicians from the National Gugak Center in Seoul\, and San Francisco’s Del Sol Quartet.\n— \nKEMF: Korean Winds and Electronics Part I\nSat. Nov. 15\, 5:00 p.m.\, UCSC Music Center Recital Hall \nMusic for traditional Korean wind Instruments\, including piri (a traditional Korean double-reed instrument similar to a shawm or oboe)\, saenghwang (a traditional Korean free-reed mouth organ\, like a large\, complex harmonica)\, and daegeum (a large\, traditional transverse bamboo flute)—all of which are combined with experimental electronics. New works by UC Santa Cruz Professor Emeritus David Evan Jones\, and by composers Michael J. Fleming\, Mat Muntz\, and Dion Nataraja. Featuring musicians from the National Gugak Center in Seoul.\n— \nKEMF: Korean Winds and Electronics Part II\nSat. Nov. 15\, 8:00 p.m.\, UCSC Music Center Recital Hall \nMusic for traditional Korean wind Instruments\, including piri (a traditional Korean double-reed instrument similar to a shawm or oboe)\, saenghwang (a traditional Korean free-reed mouth organ\, like a large\, complex harmonica)\, and daegeum (a large\, traditional transverse bamboo flute)—all of which are combined with experimental electronics. New works by UC Santa Cruz Professors Matt Schumaker and David Evan Jones; UC Berkeley Professors Ken Ueno and Edmund Campion; and Stanford Professor Jarosław Kapuściński. Featuring musicians from the National Gugak Center in Seoul.\n— \nAdditional events at Stanford and at UC Berkeley Nov. 7–12 \n—\nVISITOR PARKING AT UCSC\n– Parking by permit\, ParkMobile\, or $5 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nABOUT THE FESTIVAL \nThe festival is the culmination of a two-year collaboration between the National Gugak Center\, the UC Santa Cruz Music Department\, UC Berkeley’s Center for New Music and Audio Technologies (CNMAT) and the Department of Music at UC Berkeley\, and Stanford’s Center for Computer Research in Music and Acoustics (CCRMA). \nThe Korean Experimental Music Festival is supported by: The National Gugak Center; the UC Santa Cruz Music Department; The Hellman Fellows Program; The Arts Research Institute\, UC Santa Cruz; Porter College\, UC Santa Cruz; the Center for New Music and Audio Technologies\, UC Berkeley; the UC Berkeley Music Department; CCRMA at Stanford University\, and others. \nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/kemf-2025/2025-11-14/1/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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DTSTART;TZID=America/Los_Angeles:20251114T193000
DTEND;TZID=America/Los_Angeles:20251114T213000
DTSTAMP:20260408T191944
CREATED:20250905T070000Z
LAST-MODIFIED:20251117T233403Z
UID:10003968-1763148600-1763155800@events.ucsc.edu
SUMMARY:The SpongeBob Musical
DESCRIPTION:The SpongeBob Musical is a Broadway production based on the popular animated series\, SpongeBob SquarePants. It premiered in Chicago in 2016 and then debuted on Broadway in 2017\, receiving 12 Tony Award nominations. The musical tells the story of SpongeBob and his friends in Bikini Bottom as they face the potential destruction of their town by a volcano\, with songs written by David Bowie\, Cyndi Lauper\, The Flaming Lips\, and more. \nDirected by Rebecca Wear\, assistant professor\nMusical Direction by Luke Shepherd\, lecturer\nChoreography by Cid Pearlman\, lecturer \nRead more about this production on Lookout Santa Cruz. \n—\nAUDIENCE ADVISORIES\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nADMISSION\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” tickets $5–25\n– Tickets issued online through Eventbrite only.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n—\nFULL SCHEDULE OF EVENTS\nThis is a two-week production with nine performances\, including :\nFri. Nov. 14: 7:30 p.m.\nSat. Nov. 15: 2:00 p.m. & 7:30 p.m.\nSun. Nov. 16: 2:00 p.m.\nThu. Nov. 20: 7:30 p.m.\nFri. Nov. 21: 7:30 p.m.\nSat. Nov. 22: 2:00 p.m. & 7:30 p.m.\nSun. Nov. 23: 2:00 p.m.\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $5 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nDONATIONS welcome!\n—
URL:https://events.ucsc.edu/event/spongebob-musical/2025-11-14/
LOCATION:Theater Arts Mainstage\, 411 Kerr Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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DTSTART;TZID=America/Los_Angeles:20251114T193000
DTEND;TZID=America/Los_Angeles:20251114T213000
DTSTAMP:20260408T191944
CREATED:20250917T070000Z
LAST-MODIFIED:20251121T192332Z
UID:10004997-1763148600-1763155800@events.ucsc.edu
SUMMARY:Barnstorm Presents—1972: The Future of Sex
DESCRIPTION:It is 1972: an era of possibility and polyester and pubic hair. While Ziggy Stardust is on Top of the Pops\, Penny is writing an essay on Lady Chatterley’s Lover\, Christine is watching Deep Throat and Brian is confused. Devised by The Wardrobe Ensemble\, 1972: The Future of Sex incorporates the company’s trademark theatricality\, irreverent humour and ensemble ingenuity to tell the story of three couples having sex for the first time—and a country on the brink of a sexual awakening. Commissioned by Shoreditch Town Hall\, the play was first seen there in 2014\, before a UK tour in 2015\, including performances at Bristol Old Vic and the Edinburgh Festival Fringe. It was revived at the Bristol Old Vic in 2019.\n—\nADMISSION\n– General admission “Pay What You Like” options $5–20\n– Free for UCSC undergraduate students (ticket required).\n– Tickets issued through Eventbrite; Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 10 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n– A limited number of tickets/seats may be available at the door\, even after online ticket sales end or reach full capacity.\n—\nFULL SCHEDULE OF EVENTS\nThis production runs for two weekends and includes six performances:\nFri. Nov. 14: 7:30 p.m.\nSat. Nov. 15: 7:30 p.m.\nSun. Nov. 16: 3:00 p.m.\nThu. Nov. 20: 7:30 p.m.\nFri. Nov. 21: 7:30 p.m.\nSat. Nov. 22: 7:30 p.m.\nSun. Nov. 23: 3:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/barnstorm-presents-the-future-of-sex/2025-11-14/
LOCATION:Theater Arts Center\, 453 Kerr Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251114T200000
DTEND;TZID=America/Los_Angeles:20251114T220000
DTSTAMP:20260408T191944
CREATED:20250908T070000Z
LAST-MODIFIED:20251107T204129Z
UID:10003980-1763150400-1763157600@events.ucsc.edu
SUMMARY:Korean Experimental Music Festival—Featuring the National Gugak Center and Del Sol Quartet
DESCRIPTION:The National Gugak Center—Korea’s foremost institution for traditional music—joins forces with the Bay Area’s acclaimed Del Sol String Quartet to offer California audiences a rare and resonant experience. The festival blends traditional Korean musical practices\, Western classical instrumentation\, and cutting edge music technology in the world premiere of a over 20 newly commissioned works by faculty and graduate student composers from UC Santa Cruz\, UC Berkeley\, and Stanford University. \nTwo concerts on Fri.\, Nov. 14 feature a first-of-its-kind ensemble pairing two gayageums—Korea’s zither-like string instrument—with a Western string quartet. In two additional performances on Sat.\, Nov. 15\, traditional Korean wind instruments—the piri\, saenghwang\, and daegeum—are transformed through real-time computer sound processing into a striking electroacoustic experience. \nThe festival culminates a two-year collaboration among the National Gugak Center\, the UC Santa Cruz Music Department\, UC Berkeley’s Center for New Music and Audio Technologies (CNMAT)\, and Stanford’s Department of Music and Center for Computer Research in Music and Acoustics (CCRMA). We hope you enjoy these concerts of new works shaped by deep intercultural dialogue and inspired by the enduring legacy of traditional Korean music. \n—\nADMISSION\n– Open admission/first-come\, first-served seating (no ticket required)\n– Free and open to the public\n– Doors are scheduled to open 30 minutes prior to event start time\n—\nFULL SCHEDULE OF EVENTS \nKorean Experimental Music Festival includes two-days of events at UC Santa Cruz\, each with two back-to-back concerts\, including: \nKEMF: Traditional Korean Gayageum with String Quartet Part I\nFri. Nov. 14\, 5:00 p.m.\, UCSC Music Center Recital Hall \nNew works for Korean gayageums—traditional zither-like stringed instruments—and Western string quartet\, by Maisha Lani\, Ben Dorfan\, Michael J. Fleming\, Nina Barzegar\, Siamak Barghi\, Chris Everingham\, and Jinwei Sun. Featuring musicians from the National Gugak Center in Seoul\, and San Francisco’s Del Sol Quartet.\n— \nKEMF: Traditional Korean Gayageum with String Quartet Part II\nFri. Nov. 14\, 8:00 p.m.\, UCSC Music Center Recital Hall \nNew works for gayageums—traditional zither-like stringed instruments—and Western string quartet\, by UC Santa Cruz Professor Ben Leeds Carson\, and by UC Berkeley faculty Cindy Cox\, Edmund Campion\, and Jean Ahn. Featuring musicians from the National Gugak Center in Seoul\, and San Francisco’s Del Sol Quartet.\n— \nKEMF: Korean Winds and Electronics Part I\nSat. Nov. 15\, 5:00 p.m.\, UCSC Music Center Recital Hall \nMusic for traditional Korean wind Instruments\, including piri (a traditional Korean double-reed instrument similar to a shawm or oboe)\, saenghwang (a traditional Korean free-reed mouth organ\, like a large\, complex harmonica)\, and daegeum (a large\, traditional transverse bamboo flute)—all of which are combined with experimental electronics. New works by UC Santa Cruz Professor Emeritus David Evan Jones\, and by composers Michael J. Fleming\, Mat Muntz\, and Dion Nataraja. Featuring musicians from the National Gugak Center in Seoul.\n— \nKEMF: Korean Winds and Electronics Part II\nSat. Nov. 15\, 8:00 p.m.\, UCSC Music Center Recital Hall \nMusic for traditional Korean wind Instruments\, including piri (a traditional Korean double-reed instrument similar to a shawm or oboe)\, saenghwang (a traditional Korean free-reed mouth organ\, like a large\, complex harmonica)\, and daegeum (a large\, traditional transverse bamboo flute)—all of which are combined with experimental electronics. New works by UC Santa Cruz Professors Matt Schumaker and David Evan Jones; UC Berkeley Professors Ken Ueno and Edmund Campion; and Stanford Professor Jarosław Kapuściński. Featuring musicians from the National Gugak Center in Seoul.\n— \nAdditional events at Stanford and at UC Berkeley Nov. 7–12 \n—\nVISITOR PARKING AT UCSC\n– Parking by permit\, ParkMobile\, or $5 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nABOUT THE FESTIVAL \nThe festival is the culmination of a two-year collaboration between the National Gugak Center\, the UC Santa Cruz Music Department\, UC Berkeley’s Center for New Music and Audio Technologies (CNMAT) and the Department of Music at UC Berkeley\, and Stanford’s Center for Computer Research in Music and Acoustics (CCRMA). \nThe Korean Experimental Music Festival is supported by: The National Gugak Center; the UC Santa Cruz Music Department; The Hellman Fellows Program; The Arts Research Institute\, UC Santa Cruz; Porter College\, UC Santa Cruz; the Center for New Music and Audio Technologies\, UC Berkeley; the UC Berkeley Music Department; CCRMA at Stanford University\, and others. \nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/kemf-2025/2025-11-14/2/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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