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DTSTART;TZID=America/Los_Angeles:20260402T120000
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DTSTAMP:20260420T224723
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SUMMARY:M.F.A. Exhibition for Environmental Art & Social Practice (EASP)—"Picking up Shells Amid a Tsunami"
DESCRIPTION:The culminating exhibition of the Environmental Art and Social Practice (EASP) M.F.A. program at UC Santa Cruz presents new projects—Picking up Shells Amid a Tsunami 쓰나미가 밀려오는데\, 조개나 줍고 있네—developed through concentrated inquiry over a two-year period and offers a window into the artists’ unique long-term research projects that expand beyond the gallery space.\n—\nFULL SCHEDULE OF EVENTS\n– Ongoing Exhibition: Thurs..\, April 2–Sat.\, May 2\, 2026\n– Opening Celebration: Thurs.\, April 2\, 5:00–7:00 p.m.\n– Artist Roundtable: Thurs.\, April 23\, 5:00–6:00 p.m.\n—\nADMISSION\n– FREE and open to the public\n– Gallery hours are Tues.–Sun.noon–5:00 p.m (closed Mondays)\n—\nPARKING\n– Lot 124 & 125 are the closest parking lots to the event.\n– Parking is by permit or ParkMobile.\n– Refer to TAPS for more parking information.\n—\nABOUT THE EXHIBITION \nNotes from the EASP cohort: \n“The phrase evokes a scene in which\, amid an approaching catastrophe\, someone appears to be idly picking up seashells. In South Korea\, it gained political currency during the 2017 presidential impeachment protests\, when feminist\, disability rights\, and animal rights groups were criticized for bringing their demands into the demonstrations. Their interventions were dismissed as distractions—acts of “picking up shells” at a moment when the sole priority was said to be the president’s removal. \n“We choose to pick up shells nonetheless. Not because the crisis is small\, but because the shells matter. They are the body of the future\, what accumulates slowly\, what endures. One day\, shells become mountains\, and mountains become home. To pick up shells is not to turn away from urgency\, but to insist on a future beyond it. \n“This exhibition comes together through an insistence on the opposite premise: that picking up shells while disaster is at our doorstep is not a distraction\, but a necessity. What gets dismissed as marginal\, secondary\, a mere luxury\, or mistimed\, is precisely where social and political life becomes livable and where dreams\, desire and the imagination open lines of flight towards other worlds. \n“Waves can level buildings once on the shore\, dragging and revealing the damage as they recede. Rather than turning away from the storm\, we acknowledge the multilayered and epistemic devastation caused by centuries of colonial\, patriarchal\, racist violence upon people\, earth and more than human life. We witness the ongoing bifurcation of human and nature that is sedimented into our lives\, languages and social\, material\, infrastructures. \n“The act of bending down to gather shells\, ردم\,  fragments\, sounds\, 뼈\, blue bottles\, grotta\, relationships\, bodies\, cries—composes a score that moves towards forms of care through minor gestures\, embodiment\, ritual\, ofrendas\, listening and beholding.  Mundane and everyday poetics do not negate the scale of devastation and loss\, nor do they refuse engagement. Rather\, they bear witness. They reveal pathways towards endurance\, negotiation\, memory and imagination beyond colonial catastrophe. In this sense\, the exhibition reframes the tsunami not as a singular event or metaphor\, but an invitation us to behold\, actively look\, to sit within the textures of tectonic plates and energy flows\, at the conjuncture where plates meet\, in the flow of energy through tempo\, liquid\, movement\, land\, sound\, ecotone. \n“The wave does not demand one unified response. It forms part of a condition\, a form of everyday accretion\, a movement in and out of different temporalities. Picking up shells while the tsunami unfolds\, amid the tsunami\, alongside the water’s ebbs and flows\, calls us to pay attention to overlooked lives\, stories\, bodies\, memories\, flows and relations\, to transform materials so that they become reconstituted and are able to hold new and ongoing narratives that refuse to remain silent.”
URL:https://events.ucsc.edu/event/easp-2026/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260403T000000
DTEND;TZID=America/Los_Angeles:20260404T235959
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SUMMARY:Oceans of Dissent: Towards a Feminist Commons Workshop
DESCRIPTION:We gather to forge new vernaculars of the geopolitical\, to assemble spatial imaginaries of the “oceanic” that refuse rather than relent to the insistent march of capital and empire. To dissent here is an invitation to think more about the messiness and stuckness of our intellectual labors across histories of slavery\, indenture\, colonialism and more. This event is open to the campus community. Further details about registration to come. With questions email Sadie Lynn at sklynn@ucsc.edu \nThis workshop put on by the chair of Feminist Studies. Co-sponsored by the Humanities Division\, the Center for South Asian Studies\, and the Center for the Middle East and North Africa. \n 
URL:https://events.ucsc.edu/event/oceans-of-dissent-towards-a-feminist-commons-workshop/
LOCATION:Humanities 1 Building\, 257 Cowell-Stevenson Road\, Santa Cruz\, CA\, 95064\, United States
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DTSTART;TZID=America/Los_Angeles:20260403T132000
DTEND;TZID=America/Los_Angeles:20260403T142500
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SUMMARY:BME 80G Seminar: To Infinity and Beyond? Ethical\, legal\, and social issues of human research in space”
DESCRIPTION:Presenter: Vaso Rahimzadeh\, Assistant Professor\, Baylor College of Medicine \nDescription: As humans venture farther into outer space\, new scientific discovery awaits including in genomics; but so do new ethical dilemmas.  Who bears the risks (and rewards) of space exploration and how should humanity ethically expand beyond our planet? This session will have students think critically about the ethical\, legal\, and social issues of human genomic research in space and offer frameworks for analyzing them. Students will learn about the contemporary challenges and opportunities of genomic research for the upcoming lunar missions\, and in anticipation of future Mars exploration. \nBio: I am Assistant Professor at the Center for Medical Ethics and Health Policy at Baylor College of Medicine. In my National Institutes of Health-funded research\, I investigate the ethical\, legal\, and social issues of health data sharing on earth and in space. I aim to inform policy and practice in ways that maximize the scientific value of data while respecting the rights and interests of individuals and communities. I director the METEORS program (Mission to Enhance eThics Education\, Outreach\, and Research in Space) and serve on the Bioethics Advisory Panel for the National Aeronautics and Space Administration (NASA). I am a proud UC alum\, earning my BS in Microbial Biology from UC Berkeley in 2012\, and hold a PhD from McGill University with a specialization in biomedical ethics. You can read more about my background and read my work here. \nHosted by: Professor Karen Miga\, BME Department
URL:https://events.ucsc.edu/event/bme-80g-seminar-to-infinity-and-beyond-ethical-legal-and-social-issues-of-human-research-in-space/
LOCATION:Jack Baskin Auditorium\, 191 Baskin Cir\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Seminars
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DTSTART;TZID=America/Los_Angeles:20260403T190000
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SUMMARY:UC Santa Cruz Alumni at the Sacramento Kings
DESCRIPTION:Head to a Sacramento Kings game with fellow UC Santa Cruz alumni on Friday\, April 3. Sit together\, cheer loudly\, and connect with Sacramento Slugs at Golden1 Center! \nClick here to purchase tickets in our section. \n 
URL:https://events.ucsc.edu/event/uc-santa-cruz-alumni-at-the-sacramento-kigns/
LOCATION:Golden1 Center\, 500 David J Stern Walk\, Sacramento\, 95814\, United States
CATEGORIES:Social Gathering
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DTSTART;TZID=America/Los_Angeles:20260403T190000
DTEND;TZID=America/Los_Angeles:20260403T230000
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SUMMARY:The Garden - Quarry Amphitheater (April 3rd)
DESCRIPTION:Tickets are on sale at quarryamphitheater.com\, starting at $49.04 for general admission\, and $72.11 VIP seating. \nTHE GARDEN IS A CONSTANTLY EVOLVING BAND ORIGINALLY FROM ORANGE COUNTY\, CALIFORNIA. ESTABLISHED IN 2011 BY WYATT AND FLETCHER SHEARS. THEY HAVE BEEN TOURING SINCE 2012 AND HAVE PLAYED IN DIFFERENT REGIONS INCLUDING THE UNITED KINGDOM\, EUROPE\, UNITED STATES\, ASIA\, AUSTRALIA\, MEXICO & CANADA\, THEY CREATED THE TERM\, “VADA VADA” IN 2011 TO REPRESENT THEIR MUSIC AND OTHER CREATIONS. VADA VADA IS A TERM THAT REPRESENTS TOTAL FREEDOM OF EXPRESSION WITHOUT BOUNDARIES OR GUIDELINES OF ANY SORT. THEY HAVE BECOME KNOWN FOR THEIR ENERGETIC AND OFF THE WALL PERFORMANCES AROUND THE WORLD\, AND ARE PROLIFICALLY TOURING\, RELEASING MUSIC AND OTHER CONTENT.
URL:https://events.ucsc.edu/event/the-garden-quarry-amphitheater-april-3rd/
LOCATION:Upper Quarry Amphitheater\, 15 McLaughlin Drive\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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