BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Events - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Events
X-ORIGINAL-URL:https://events.ucsc.edu
X-WR-CALDESC:Events for Events
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20250309T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20251102T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20260308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20261101T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20270314T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20271107T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260402T120000
DTEND;TZID=America/Los_Angeles:20260502T170000
DTSTAMP:20260410T063145
CREATED:20260309T212430Z
LAST-MODIFIED:20260324T154133Z
UID:10011284-1775131200-1777741200@events.ucsc.edu
SUMMARY:M.F.A. Exhibition for Environmental Art & Social Practice (EASP)—"Picking up Shells Amid a Tsunami"
DESCRIPTION:The culminating exhibition of the Environmental Art and Social Practice (EASP) M.F.A. program at UC Santa Cruz presents new projects—Picking up Shells Amid a Tsunami 쓰나미가 밀려오는데\, 조개나 줍고 있네—developed through concentrated inquiry over a two-year period and offers a window into the artists’ unique long-term research projects that expand beyond the gallery space.\n—\nFULL SCHEDULE OF EVENTS\n– Ongoing Exhibition: Thurs..\, April 2–Sat.\, May 2\, 2026\n– Opening Celebration: Thurs.\, April 2\, 5:00–7:00 p.m.\n– Artist Roundtable: Thurs.\, April 23\, 5:00–6:00 p.m.\n—\nADMISSION\n– FREE and open to the public\n– Gallery hours are Tues.–Sun.noon–5:00 p.m (closed Mondays)\n—\nPARKING\n– Lot 124 & 125 are the closest parking lots to the event.\n– Parking is by permit or ParkMobile.\n– Refer to TAPS for more parking information.\n—\nABOUT THE EXHIBITION \nNotes from the EASP cohort: \n“The phrase evokes a scene in which\, amid an approaching catastrophe\, someone appears to be idly picking up seashells. In South Korea\, it gained political currency during the 2017 presidential impeachment protests\, when feminist\, disability rights\, and animal rights groups were criticized for bringing their demands into the demonstrations. Their interventions were dismissed as distractions—acts of “picking up shells” at a moment when the sole priority was said to be the president’s removal. \n“We choose to pick up shells nonetheless. Not because the crisis is small\, but because the shells matter. They are the body of the future\, what accumulates slowly\, what endures. One day\, shells become mountains\, and mountains become home. To pick up shells is not to turn away from urgency\, but to insist on a future beyond it. \n“This exhibition comes together through an insistence on the opposite premise: that picking up shells while disaster is at our doorstep is not a distraction\, but a necessity. What gets dismissed as marginal\, secondary\, a mere luxury\, or mistimed\, is precisely where social and political life becomes livable and where dreams\, desire and the imagination open lines of flight towards other worlds. \n“Waves can level buildings once on the shore\, dragging and revealing the damage as they recede. Rather than turning away from the storm\, we acknowledge the multilayered and epistemic devastation caused by centuries of colonial\, patriarchal\, racist violence upon people\, earth and more than human life. We witness the ongoing bifurcation of human and nature that is sedimented into our lives\, languages and social\, material\, infrastructures. \n“The act of bending down to gather shells\, ردم\,  fragments\, sounds\, 뼈\, blue bottles\, grotta\, relationships\, bodies\, cries—composes a score that moves towards forms of care through minor gestures\, embodiment\, ritual\, ofrendas\, listening and beholding.  Mundane and everyday poetics do not negate the scale of devastation and loss\, nor do they refuse engagement. Rather\, they bear witness. They reveal pathways towards endurance\, negotiation\, memory and imagination beyond colonial catastrophe. In this sense\, the exhibition reframes the tsunami not as a singular event or metaphor\, but an invitation us to behold\, actively look\, to sit within the textures of tectonic plates and energy flows\, at the conjuncture where plates meet\, in the flow of energy through tempo\, liquid\, movement\, land\, sound\, ecotone. \n“The wave does not demand one unified response. It forms part of a condition\, a form of everyday accretion\, a movement in and out of different temporalities. Picking up shells while the tsunami unfolds\, amid the tsunami\, alongside the water’s ebbs and flows\, calls us to pay attention to overlooked lives\, stories\, bodies\, memories\, flows and relations\, to transform materials so that they become reconstituted and are able to hold new and ongoing narratives that refuse to remain silent.”
URL:https://events.ucsc.edu/event/easp-2026/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/jpeg:https://events.ucsc.edu/wp-content/uploads/2026/03/MFA-exhbition-webpage-placeholder.jpg
GEO:36.9946557;-122.0606254
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary Porter Sesnon Art Gallery Baskin Service Road Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=Baskin Service Road:geo:-122.0606254,36.9946557
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260410T120000
DTEND;TZID=America/Los_Angeles:20260410T170000
DTSTAMP:20260410T063145
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
UID:10011847-1775822400-1775840400@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-10/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/jpeg:https://events.ucsc.edu/wp-content/uploads/2026/04/IAS-3-1024x683-1.jpg
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260410T120000
DTEND;TZID=America/Los_Angeles:20260410T170000
DTSTAMP:20260410T063145
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011851-1775822400-1775840400@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-04-10/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/04/017–CLS_Pre-ExistingCondition_2019_02-e1774380409661-1024x606.jpg.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260410T130000
DTEND;TZID=America/Los_Angeles:20260410T134500
DTSTAMP:20260410T063145
CREATED:20260325T185529Z
LAST-MODIFIED:20260325T185529Z
UID:10011368-1775826000-1775828700@events.ucsc.edu
SUMMARY:Getting Involved in Your Campus Community
DESCRIPTION:In this workshop\, you will: Learn how to get involved with the campus community and how it supports student success. \nThe Successful Slug Workshop series\, hosted by Learning Support Services Peer Coaches\, are open to all UCSC undergraduate students and focus on academic skills and tools to support your success as a student. At each workshop\, you will be introduced to a topic\, engage in active learning\, be given resources to begin implementing the same day\, and have an opportunity to learn more if you are interested. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/getting-involved-in-your-campus-community/
LOCATION:Academic Resources Center (ARC)\, 408 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Undergraduate,Workshop
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/03/Successful-Slug-Workshop-Logo-1.png
GEO:36.9944159;-122.0593762
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Academic Resources Center (ARC) 408 McHenry Road Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=408 McHenry Road:geo:-122.0593762,36.9944159
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260410T132000
DTEND;TZID=America/Los_Angeles:20260410T142500
DTSTAMP:20260410T063145
CREATED:20260407T233816Z
LAST-MODIFIED:20260407T233816Z
UID:10012072-1775827200-1775831100@events.ucsc.edu
SUMMARY:BME 80G Seminar: Sara Ackerman - Doing Ethics From The Inside: Collaboration\, Critique\, and Contradiction in Team Science
DESCRIPTION:Presenter: Sara Ackerman\, Medical Anthropologist and Professor of Social and Behavioral Sciences\, University of California\, San Francisco \nDescription: Team science has been widely promoted as a collaborative\, cross-disciplinary approach to addressing key scientific questions\, yet power differences and epistemic hierarchies persist. This talk explores "embedded ethics"—a model in which social scientists and ethicists work directly with scientific research teams. Drawing on findings from an empirical ethics project embedded in a multi-year clinical genomics study\, I demonstrate how qualitative methods and participatory design can shift the researcher-participant dynamic toward greater reciprocity and attention to enrolled families’ experiences. At the same time\, ethicists and social scientists can find themselves in an uncomfortable and even paradoxical position\, expected to facilitate project goals—such as recruitment of historically underrepresented groups—while simultaneously critically assessing the very categories of difference and measures being used. In the future\, team science collaborations can result in more just and broadly beneficial science if social science\, humanities and community partners are able to meaningfully contribute to the research agenda itself. \nBio: Sara Ackerman\, PhD\, MPH\, is a medical anthropologist and Professor of Social and Behavioral Sciences at the University of California\, San Francisco. Her research draws on ethnographic methods and public engagement to examine how genomics\, artificial intelligence and other emerging medical technologies affect the lives of patients and caregivers and shape conceptions of health\, illness and the public good. Sara teaches courses on community-engaged research\, qualitative methods\, and research ethics at UCSF. As Director of the Bioethics and Regulatory Support Program for UCSF’s Clinical and Translational Science Institute\, she is working to increase patient and public participation in decisions about the use of AI in clinical care and the sharing of patients’ clinical data for research. \nHosted by: Professor Karen Miga\, BME Department
URL:https://events.ucsc.edu/event/bme-80g-seminar-sara-ackerman-doing-ethics-from-the-inside-collaboration-critique-and-contradiction-in-team-science/
LOCATION:Jack Baskin Auditorium\, 191 Baskin Cir\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Seminars
ATTACH;FMTTYPE=image/jpeg:https://events.ucsc.edu/wp-content/uploads/2026/04/Ackerman_headshot_2024.jpeg
GEO:37.0001832;-122.0623528
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jack Baskin Auditorium 191 Baskin Cir Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=191 Baskin Cir:geo:-122.0623528,37.0001832
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260410T170000
DTEND;TZID=America/Los_Angeles:20260410T200000
DTSTAMP:20260410T063145
CREATED:20260402T190048Z
LAST-MODIFIED:20260403T223059Z
UID:10011849-1775840400-1775851200@events.ucsc.edu
SUMMARY:Celebration of Spring Exhibitions at the IAS
DESCRIPTION:Join us to celebrate the opening of three new exhibitions at the IAS: \nLibia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe artists will be in attendance. The event will also feature music by DJ Monk Earl and empanadas from Fonda Feliz. The exhibitions and opening event are free and open to the public.
URL:https://events.ucsc.edu/event/celebration-of-spring-exhibitions-at-the-ias/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/04/Ulysse-Option-1-smaller-edited.jpg.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
END:VCALENDAR