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DTSTART;TZID=America/Los_Angeles:20260402T120000
DTEND;TZID=America/Los_Angeles:20260502T170000
DTSTAMP:20260403T201602
CREATED:20260309T212430Z
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SUMMARY:M.F.A. Exhibition for Environmental Art & Social Practice (EASP)—"Picking up Shells Amid a Tsunami"
DESCRIPTION:The culminating exhibition of the Environmental Art and Social Practice (EASP) M.F.A. program at UC Santa Cruz presents new projects—Picking up Shells Amid a Tsunami 쓰나미가 밀려오는데\, 조개나 줍고 있네—developed through concentrated inquiry over a two-year period and offers a window into the artists’ unique long-term research projects that expand beyond the gallery space.\n—\nFULL SCHEDULE OF EVENTS\n– Ongoing Exhibition: Thurs..\, April 2–Sat.\, May 2\, 2026\n– Opening Celebration: Thurs.\, April 2\, 5:00–7:00 p.m.\n– Artist Roundtable: Thurs.\, April 23\, 5:00–6:00 p.m.\n—\nADMISSION\n– FREE and open to the public\n– Gallery hours are Tues.–Sun.noon–5:00 p.m (closed Mondays)\n—\nPARKING\n– Lot 124 & 125 are the closest parking lots to the event.\n– Parking is by permit or ParkMobile.\n– Refer to TAPS for more parking information.\n—\nABOUT THE EXHIBITION \nNotes from the EASP cohort: \n“The phrase evokes a scene in which\, amid an approaching catastrophe\, someone appears to be idly picking up seashells. In South Korea\, it gained political currency during the 2017 presidential impeachment protests\, when feminist\, disability rights\, and animal rights groups were criticized for bringing their demands into the demonstrations. Their interventions were dismissed as distractions—acts of “picking up shells” at a moment when the sole priority was said to be the president’s removal. \n“We choose to pick up shells nonetheless. Not because the crisis is small\, but because the shells matter. They are the body of the future\, what accumulates slowly\, what endures. One day\, shells become mountains\, and mountains become home. To pick up shells is not to turn away from urgency\, but to insist on a future beyond it. \n“This exhibition comes together through an insistence on the opposite premise: that picking up shells while disaster is at our doorstep is not a distraction\, but a necessity. What gets dismissed as marginal\, secondary\, a mere luxury\, or mistimed\, is precisely where social and political life becomes livable and where dreams\, desire and the imagination open lines of flight towards other worlds. \n“Waves can level buildings once on the shore\, dragging and revealing the damage as they recede. Rather than turning away from the storm\, we acknowledge the multilayered and epistemic devastation caused by centuries of colonial\, patriarchal\, racist violence upon people\, earth and more than human life. We witness the ongoing bifurcation of human and nature that is sedimented into our lives\, languages and social\, material\, infrastructures. \n“The act of bending down to gather shells\, ردم\,  fragments\, sounds\, 뼈\, blue bottles\, grotta\, relationships\, bodies\, cries—composes a score that moves towards forms of care through minor gestures\, embodiment\, ritual\, ofrendas\, listening and beholding.  Mundane and everyday poetics do not negate the scale of devastation and loss\, nor do they refuse engagement. Rather\, they bear witness. They reveal pathways towards endurance\, negotiation\, memory and imagination beyond colonial catastrophe. In this sense\, the exhibition reframes the tsunami not as a singular event or metaphor\, but an invitation us to behold\, actively look\, to sit within the textures of tectonic plates and energy flows\, at the conjuncture where plates meet\, in the flow of energy through tempo\, liquid\, movement\, land\, sound\, ecotone. \n“The wave does not demand one unified response. It forms part of a condition\, a form of everyday accretion\, a movement in and out of different temporalities. Picking up shells while the tsunami unfolds\, amid the tsunami\, alongside the water’s ebbs and flows\, calls us to pay attention to overlooked lives\, stories\, bodies\, memories\, flows and relations\, to transform materials so that they become reconstituted and are able to hold new and ongoing narratives that refuse to remain silent.”
URL:https://events.ucsc.edu/event/easp-2026/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260413T080000
DTEND;TZID=America/Los_Angeles:20260508T170000
DTSTAMP:20260403T201602
CREATED:20260214T011406Z
LAST-MODIFIED:20260319T220918Z
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SUMMARY:2026 Right Livelihood International Conference
DESCRIPTION:The Right Livelihood International Conference is a four-week global conference exploring how education can strengthen democracy\, collective intelligence\, and just futures. Bringing together Right Livelihood Laureates\, students\, faculty\, and community partners across continents\, the conference combines asynchronous learning with participatory dialogue and collaborative action. Rather than advocating specific outcomes\, the conference positions education as a democratic practice and the Right Livelihood College as a steward of dialogue\, student voice\, and long-term institutional learning. \nRegistration is free and open to the public. Sign up to receive conference updates\, session links\, and participation opportunities.
URL:https://events.ucsc.edu/event/2026-right-livelihood-international-conference/
CATEGORIES:Film Screening,Lectures & Presentations,Meetings & Conferences,Ph.D. Presentations,Seminars,Social Gathering,Training,Undergraduate,Workshop
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LOCATION:
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260501T090000
DTEND;TZID=America/Los_Angeles:20260501T170000
DTSTAMP:20260403T201602
CREATED:20251009T203759Z
LAST-MODIFIED:20251014T225625Z
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SUMMARY:Summer Session Enrollment Open
DESCRIPTION:  \nSummer Session enrollment is now open! All continuing students can add classes in MyUCSC. Incoming students must register to enroll. Get ahead on your degree\, explore new subjects\, or catch up on requirements. Financial aid is available. Learn more and enroll at summer.ucsc.edu
URL:https://events.ucsc.edu/event/summer-session-enrollment-open/2026-05-01/
CATEGORIES:Lectures & Presentations
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LOCATION:https://events.ucsc.edu/event/summer-session-enrollment-open/2026-05-01/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260501T120000
DTEND;TZID=America/Los_Angeles:20260501T170000
DTSTAMP:20260403T201602
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-01/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260501T130000
DTEND;TZID=America/Los_Angeles:20260501T134500
DTSTAMP:20260403T201602
CREATED:20260325T185638Z
LAST-MODIFIED:20260325T185638Z
UID:10011376-1777640400-1777643100@events.ucsc.edu
SUMMARY:Note Taking and Reading Strategies
DESCRIPTION:In this workshop\, you will: Learn reading and note-taking methods and why they work to help you learn. \nThe Successful Slug Workshop series\, hosted by Learning Support Services Peer Coaches\, are open to all UCSC undergraduate students and focus on academic skills and tools to support your success as a student. At each workshop\, you will be introduced to a topic\, engage in active learning\, be given resources to begin implementing the same day\, and have an opportunity to learn more if you are interested. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/note-taking-and-reading-strategies-2/
CATEGORIES:Undergraduate,Workshop
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LOCATION:https://ucsc.zoom.us/j/7372922776?pwd=WXUag0pdlpMjibChAbciSUWsBiW3Oe.1
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260501T130000
DTEND;TZID=America/Los_Angeles:20260501T170000
DTSTAMP:20260403T201602
CREATED:20260316T192840Z
LAST-MODIFIED:20260403T193637Z
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SUMMARY:Sequence to Survival: Using Genomics to Save Biodiversity
DESCRIPTION:A Free Public Symposium \nFriday\, May 1\, 2026 Merrill Cultural Center\, UC Santa Cruz Main Campus Doors open at 12:30 PM | Program begins at 1:00 PM \nRegistration is free but required! \n\nIn the 25 years since the Human Genome Project\, scientists have sequenced the DNA of thousands of species. But what can genomics actually do for conservation? The answers are more surprising — and more urgent — than you might expect. From the science of de-extinction to identifying the genes that help kelp forests survive warming oceans\, join us for an afternoon at the cutting edge of conservation genomics\, featuring the researchers at UC Santa Cruz who are turning DNA into a tool for protecting life on Earth. \nKeynote Speaker: Beth Shapiro Chief Science Officer\, Colossal Biosciences Professor of Ecology and Evolutionary Biology\, UC Santa Cruz \nBeth Shapiro leads the science behind Colossal Biosciences’ efforts to bring back the woolly mammoth and dire wolf. In her talk\, “How and Why to Clone a Mammoth\,” she’ll share what the science of de-extinction is revealing about how we can protect the species we still have — and why the tools being built for resurrection may be our best hope for preventing extinction in the first place. \nPanel Discussion: Conservation Genomics in Action \nFollowing the keynote\, Beth joins a panel of researchers working on the front lines of conservation: helping kelp forests survive warming oceans\, tracking the genetic health of California’s brown bears\, monitoring biodiversity through DNA collected from soil and water\, and partnering with Indigenous communities to protect species around the world. Panel participants include: \n\nBeth Shapiro- Professor of Ecology and Evolutionary Biology at UC Santa Cruz\, CSO of Colossal Biosciences\nDavid Haussler- Scientific Director of the UCSC Genomics Institute\, Distinguished Professor of Biomolecular Engineering at UC Santa Cruz\nMeaghan Clark- Postdoctoral Scholar in Ecology and Evolutionary Biology at UCSC\nKatie Jones- Director of Community Engagement at Wise Ancestors\nJoanna Kelly- Professor of Ecology and Evolutionary Biology at UC Santa Cruz\nRachel Meyers – Assistant Professor of Ecology and Evolutionary Biology at UC Santa Cruz\, CSO of eDNA Explorer\n\nScience Fair Showcase \nExplore live demos and talk directly with researchers from some of the top conservation genomics labs in the country. Come curious. \nFull list of table topics to come! \nSchedule \n12:30 PM — Doors open\n1:00 PM — Welcome remarks\n1:10 PM — Keynote: Beth Shapiro\n1:50 PM — Panel discussion and Q&A\n2:50 PM — Refreshments and science fair showcase\n4:30 PM — Event close
URL:https://events.ucsc.edu/event/sequence-to-survival-using-genomics-to-save-biodiversity/
LOCATION:Cultural Center – Merrill College\, 641 Merrill Rd\, Santa Cruz\, 95064\, United States
CATEGORIES:Conference,Lectures & Presentations
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260501T193000
DTEND;TZID=America/Los_Angeles:20260501T213000
DTSTAMP:20260403T201602
CREATED:20260401T203716Z
LAST-MODIFIED:20260403T161532Z
UID:10011840-1777663800-1777671000@events.ucsc.edu
SUMMARY:Percussionist Christopher Clarino—April in Santa Cruz
DESCRIPTION:Join percussionist Christopher Clarino in a concert of revolutionary work that invites listeners of all kinds to rethink hearing itself. This concert features a wide range of pieces—some well known and others newly commissioned—that explore sound\, language\, and gesture through electronics\, field recordings\, text\, and American Sign Language (ASL). Framed in dialogue with these premieres is UC Santa Cruz professor emeritus Larry Polansky’s VEDITZ (written for the performer)\, highlighting a deeply personal and interdisciplinary approach to performance that bridges music\, communication\, accessibility\, and embodied expression. Featuring the music of Nilufar Habibian\, Marc Perez\, and Shanna Sordahl. \nThis event is presented as part of the April in Santa Cruz Festival of Creative Music.\n—\nADMISSION\n– Free and open to the public\n– Attend in-person at the Music Center Recital Hall at UC Santa Cruz\n– Open admission (no ticket or registration required)\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nFULL SCHEDULE OF EVENTS\n– This year’s festival includes seven events between April 15 and May 21\, 2026\n– Additional April in Santa Cruz events and information at aprilsc.ucsc.edu\n—\nPERCUSSIONIST CHRISTOPHER CLARINO\nSOUND\, LANGUAGE\, and GESTURE EMBODIED\n\nimage: photo of Christopher Clarino\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/aisc-percussionist-christopher-clarino-05-01-26/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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