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DTSTART;TZID=America/Los_Angeles:20260515T180000
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SUMMARY:NemoClaw NVIDIA x ASUS Hackathon @ UC Santa Cruz
DESCRIPTION:Welcome to the premier physical AI hackathon on the West Coast. We are bringing together the top 200 AI\, infrastructure\, and hardware engineers to build autonomous\, agentic applications on the NVIDIA NemoClaw stack. \n​You aren’t just calling APIs\, you are building on enterprise-grade hardware. \n​The Tracks: \n\nThe Edge Track: 40 exclusive teams will be granted physical\, on-site access to an ASUS DGX Spark unit to build and deploy locally.\n​The Cloud Track: Teams will build the exact same stack utilizing fully sponsored cloud compute instances via Brev.dev.\n\n​The Arsenal & Prizes: Every team builds on a unified playing field. The top projects will take home heavy enterprise hardware\, including: \n\n​NVIDIA Jetson Orin Nanos\n​The ASUS Ascent (DGX Spark)\n​Jensen Huang signed NVIDIA hats & premium swag\n​High-value Brev.dev compute credits\n​Monitors\n​Internship Opportunities\n\n​The Details: \n\n​Who: Open to the top engineers at UC Santa Cruz and local feeder universities.\n​Food: Fully catered for 24 hours. Energy\, caffeine\, and meals are on us.\n​Special Guests*: Opening and closing ceremonies featuring VIP industry leaders (to be announced).\n​Title Sponsors: Nvidia\, ASUS\, Baskin School of Engineering\n\nRegister today!  \n​Space is strictly capped at 200 builders. Registration requires application approval. \n*May subject to change \n 
URL:https://events.ucsc.edu/event/nvidia-hackathon-2026/
LOCATION:Kresge College\, R-3 Suites\, Santa Cruz\, CA\, 95064
CATEGORIES:Competition,Meetings & Conferences
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DTSTART;TZID=America/Los_Angeles:20260516T090000
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SUMMARY:Berry U-Pick at the UCSC Farm
DESCRIPTION:Come enjoy picking your own organic strawberries and/or blueberries at the campus farm! Our delicious\, organic berries will be plentiful this spring and we hope you can come enjoy the bounty. \nWhen: U-picks will take place on Saturdays from 9am to 12pm while supplies last. Blueberries will be available approximately through June\, and strawberries will be available into the summer season. PLEASE NOTE that u-picks will not occur on Saturday\, June 13 due to campus commencement ceremonies that will impact traffic and parking. \nWhere: Free parking will be available in the Hay Barn lot or lot 115/116 during u-pick hours. Please do not park in the dirt lot at the farm’s back gate. Please walk to the pinned location at the farm to pre-pay and collect your u-pick container(s). We will have directional signage displayed. There is one ADA parking spot on the farm. The UCSC Farm has uneven\, hilly terrain. If you require accommodations  to fully participate\, please email agroecology@ucsc.edu and we will do our best to accommodate. \nCost: UCSC students with valid ID get 25% off. \n\nStrawberry pints – $4 each\nStrawberry flats (12 pints) – $44\nBlueberry pints – $4.50 each\nBlueberry flats (12 pints) – $50\n\nPayment: Credit card payments only (you will need a smartphone to scan a QR code and enter your card info manually). \nDogs are not allowed on the UC Santa Cruz campus (service animals are OK).
URL:https://events.ucsc.edu/event/berry-u-pick-at-the-ucsc-farm/2026-05-16/
LOCATION:UCSC Farm\, 152 Farm Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
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DTSTART;TZID=America/Los_Angeles:20260516T120000
DTEND;TZID=America/Los_Angeles:20260516T160000
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SUMMARY:Cantú Pool Party at East Field House
DESCRIPTION:The 4th Annual Cantú & Athletics Pool Party! \nCome celebrate our 4th annual pool party hosted by the Cantú Queer Center and the Athletics and Recreation Department on May 16 from noon–4 p.m.! \nThis event is all about building community and creating a welcoming\, low-stress day for everyone. It’s a perfect chance to relax\, meet new people\, and enjoy the pool together. Come down\, make a splash\, and enjoy the day. We hope to see you there! \n  \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/cantu-pool-party-at-east-field-house/
LOCATION:East Field House\, East Field House\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
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DTSTART;TZID=America/Los_Angeles:20260516T120000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-16/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260516T120000
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-16/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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SUMMARY:Rules Are Not Neutral: Play As Sense-Making\, Acts Of Resistance\, And Imagining Otherwise
DESCRIPTION:This exhibition brings together a range of analog games – including board\, card\, role-playing\, and other participatory works – that engage social and political realities in different ways. The works span widely circulated commercial games to independently produced projects\, one-of-a-kind artworks by artists\, faculty\, alumni\, and students\, and materials drawn from UC Santa Cruz Special Collections and Archives. \nIn part\, the exhibition challenges the persistent assumption that games and play are detached from social and political life. On the contrary\, game designers and artists across diverse perspectives and positions have long used play to engage questions of social systems\, lived experience\, and how power operates. This exhibition does not attempt to represent that full spectrum. Instead\, it brings together a particular set of works that foreground how games can make systems visible\, intervene in them\, and imagine alternatives. \nAll games embody values\, whether intentional or not.  \n– Mary Flanagan\, game designer and scholar \nAcross all of these works\, games are not only forms of entertainment\, though they may be that as well. They are encountered in multiple ways: as objects\, as systems\, as artworks\, and as experiences that unfold unpredictably through interaction. In each case\, rules and constraints shape what participants can do. In these different forms\, the works stage systems – such as housing and land ownership\, capitalism\, race and identity\, civil rights and protest\, fascism\, and colonialism – in ways that are simplified and easy to see\, opening space to recognize similar structures beyond the game. In this sense\, the works suggest that rules are not neutral – they organize experience\, distribute power\, and produce meaning. \nGames are the art of agency. \n– C. Thi Nguyen\, philosopher \nThe exhibition is intentionally dense. This abundance reflects the breadth of ways games operate across contexts\, from activism and education to art and everyday life. While it celebrates creativity and difference\, it also asks how these works engage critically with the structures that shape our lives.  \nSome works use rules to model systems\, helping players understand how those systems operate. Others use play to rehearse action\, asking players to practice navigating or challenging those systems. Still others turn toward speculation\, inviting players to imagine alternative futures\, worlds\, and the systems that might shape them.  \nThe imagination is an instrument of change. \n– Ursula K. Le Guin\, author \nThe focus on analog games reflects how they foreground materiality and shared physical presence. Played face-to-face\, handled\, read aloud\, and experienced together\, these works show how rules operate not in abstraction\, but through lived\, embodied experience. \nUltimately\, the exhibition asks us to consider not only how games represent the world\, but how they shape our engagement with it – and how through play\, the social and political systems they model might be understood\, challenged\, and reimagined. \nGames are not apolitical. \n– Kishonna L. Gray\, media scholar \n  \nGallery Reception\nMay 15 from 1 to 4pm at the Eloise Pickard Smith Gallery \n  \nArt Friday\nHands-on art activities drawing from the current exhibition.\nALL ARE WELCOME regardless of skill level. Art supplies and free snacks are provided!
URL:https://events.ucsc.edu/event/rules-are-not-neutral-play-as-sense-making-acts-of-resistance-and-imagining-otherwise/2026-05-16/
LOCATION:Eloise Pickard Smith Gallery\, 11 Cowell Service Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260516T140000
DTEND;TZID=America/Los_Angeles:20260516T160000
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SUMMARY:Opening Celebration for Visions from Within: Resilience
DESCRIPTION:Join us at Santa Cruz Barrios Unidos for the opening celebration of Visions from Within: Resilience. \nVisions From Within is a continued series of art exhibitions dedicated to uplifting and platforming artists who are currently system impacted. The series is curated by Anthony Alejandrez and Sonny Trujillo\, Transitions Fellows for Visualizing Abolition. \n 
URL:https://events.ucsc.edu/event/opening-celebration-for-visions-from-within-resilience/
LOCATION:Santa Cruz Barrios Unidos\, 1817 Soquel Ave\, Santa Cruz\, 95062\, United States
CATEGORIES:Exhibits,Social Gathering
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DTSTART;TZID=America/Los_Angeles:20260516T193000
DTEND;TZID=America/Los_Angeles:20260516T193000
DTSTAMP:20260516T034322
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SUMMARY:Who Can I Run To?\, by Alyssa Windom—2026 Dharma Grace Creative Writing Award and Theatrical Production
DESCRIPTION:Through their belief in Ifá and the divine\, three generations of women grow their relationships with each other and navigate living within their African diasporic identities in undergraduate student Alyssa Windom‘s award-winning script\, Who Can I Run To? Windom is a 3rd year History of Art and Visual Culture (HAVC) major with the Arts Division at UC Santa Cruz and is the recipient of the 2026 Dharma Grace Creative Writing Award. The award includes a full theatrical production of their script. \nIn a modern\, undisclosed time and a familiar yet unvisited space within the Americas\, the audience meets four women\, Lucia\, Esme\, Naia\, and Aviva\, three generations of the Sanderson family. The play follows each woman as they navigate how to live within the African diaspora\, as well as grow their relationships with each other. Families are complex\, but audiences learn this family does not have to figure out this life alone. Their belief in Ifá\, and the divine\, connects each woman with a guiding orisha that aids them in discovering themselves and their life paths. \nWho Can I Run To? is directed by Theater Arts graduate student Darren Jackson-Wilkins.\nThe character of Mrs. Sanderson is played by hip hop artist\, poet\, producer\, playwright\, performer\, and Assistant Professor akua naru from the UCSC Music Department. \nThere will be music and light refreshments on opening night and a talk-back with the production team after each Saturday performance.\n—\nADVISORIES\n– Content includes: strobe lighting effects\, electronic cigarettes\, loud noises\, and strong language.\n– This presentation is approximately 1hr. 15 min. with no intermission.\n– To request accessibility accommodations\, or for more information\, contact theaterartstickets@ucsc.edu.\n—\nADMISSION\n– Attend in person at UCSC’s Theater Arts Second Stage.\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” options $5–20.\n– Tickets issued  online through Eventbrite only.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n—\nFULL SCHEDULE OF EVENTS\nThis production has seven performances over two weekends between May 15 and May 24\, 2026\, with 7:30 p.m. evening performances Thurs.–Sat.\, and Sun. matinees at 2:00 p.m.\, including:\n– Fri. May 15\, 7:30 p.m. (7:00 p.m. opening night celebration before the show)\n– Sat. May 16\, 7:30 p.m. (9:30 p.m. talk-back after the show)\n– Sun. May 17\, 2:00 p.m. matinee\n– Thu. May 21\, 7:30 p.m.\n– Fri. May 22\, 7:30 p.m.\n– Sat. May 23\, 7:30 p.m. (9:30 p.m. talk-back after the show)\n– Sun. May 24\, 2:00 p.m. matinee\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nABOUT THE PLAYWRIGHT\nThe 2026 Dharma Grace Creative Writing Award recipient\, Alyssa Windom\, is currently the chair of the Student Union Governance Board and co-Chair of the Black Student Union at UC Santa Cruz. Outside of organizing\, she is a resident advisor for African\, Black and Caribbean housing\, a volunteer with Engaging Education\, a frequenter in Cultural Arts and Diversity Resource Center (CADrc) spaces—such as Rainbow Theater and the African American Theater Arts Troupe—and is a member of Kasama\, a Filipino Ballroom Dance Troupe. Windom is a 3rd year History of Art and Visual Culture major at UC Santa Cruz.\n—\nABOUT THE AWARD\nEstablished in 2005\, the Dharma-Grace Foundation Creative Writing Award Fund\, an endowed fund\, provides an award for an outstanding script\, written by a junior or senior undergraduate student (from any discipline) who is in good academic standing. The award is designated to provide funding for a full production of the script. Eligible candidates for the award are selected by a faculty committee of the Department of Performance\, Play & Design and recommended to the Dean of the Division of Arts for final approval. UCSC students interested in submitting a dramatic work to the 2028 award cycle are invited to learn more at the PPD website here.\n—\nThis program is open to all members of the public consistent with state and federal law. \n 
URL:https://events.ucsc.edu/event/dharma-grace-2026/2026-05-16/
LOCATION:Second Stage\, Second Stage\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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DTSTART;TZID=America/Los_Angeles:20260516T193000
DTEND;TZID=America/Los_Angeles:20260516T213000
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SUMMARY:La Alegria del Mariachi with guest artist Lupita Infante
DESCRIPTION:Audiences are invited to Alegria Del Mariachi\, featuring international guest artist/composer Lupita Infante\, granddaughter of the legendary Pedro Infante\, and students performing with the UCSC Mariachi Ensemble and Mariachi Eterno de UCSC.\n—\nADMISSION\n– Attend in person at the Music Center Recital Hall at UC Santa Cruz.\n– Free for UCSC students (ticket required).\n– General admission tickets $5–12.\n– Tickets online through Eventbrite only.\n– Follow the Music Dept on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/la-alegria-del-mariachi/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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