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DTSTART;TZID=America/Los_Angeles:20260523T120000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-23/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-23/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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SUMMARY:Who Can I Run To?\, by Alyssa Windom—2026 Dharma Grace Creative Writing Award and Theatrical Production
DESCRIPTION:The 2026 Dharma Grace Creative Writing Award is presented to undergraduate student Alyssa Windom\, a 3rd year History of Art and Visual Culture (HAVC) major with the Arts Division at UC Santa Cruz. Audiences are invited to attend a full theatrical production of Windom’s award-winning script\, directed by Theater Arts graduate student Darren Jackson-Wilkens.\n—\nADVISORIES\n– May contain mature themes.\n– To request accessibility accommodations\, or for more information\, contact theaterartstickets@ucsc.edu.\n—\nADMISSION\n– Attend in person at UCSC’s Theater Arts Second Stage.\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” options $5–20.\n– Tickets issued through Eventbrite only.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– A limited number of tickets/seats may be available at the door\, even after online ticket sales end or reach full capacity.\n– Doors are scheduled to open 30 minutes prior to event start time.\n—\nFULL SCHEDULE OF EVENTS\nThis production has seven performances over two weekends between May 15 and May 24\, 2026\, with 7:30 p.m. evening performances Thurs.–Sat.\, and Sun. matinees at 2:00 p.m.\, including:\n– Fri. May 15\, 7:30 p.m.\n– Sat. May 16\, 7:30 p.m.\n– Sun. May 17\, 2:00 p.m. matinee\n– Thu. May 21\, 7:30 p.m.\n– Fri. May 22\, 7:30 p.m.\n– Sat. May 23\, 7:30 p.m.\n– Sun. May 24\, 2:00 p.m. matinee\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nABOUT THE PLAYWRIGHT\nThe 2026 Dharma Grace Creative Writing Award recipient\, Alyssa Windom\, is currently the chair of the Student Union Governance Board and co-Chair of the Black Student Union at UC Santa Cruz. Outside of organizing\, she is a research assistant for African\, Black and Caribbean housing\, a volunteer with Engaging Education\, a frequenter in Cultural Arts and Diversity Resource Center (CADrc) spaces—such as Rainbow Theater and the African American Theater Arts Troupe—and is a member of Kasama\, a Filipino Ballroom Dance Troupe. Windom is a 3rd year History of Art and Visual Culture major at UC Santa Cruz.\n—\nABOUT THE AWARD\nEstablished in 2005\, the Dharma-Grace Foundation Creative Writing Award Fund\, an endowed fund\, provides an award for an outstanding script\, written by a junior or senior undergraduate student (from any discipline) who is in good academic standing. The award is designated to provide funding for a full production of the script. Eligible candidates for the award are selected by a faculty committee of the Department of Performance\, Play & Design and recommended to the Dean of the Division of Arts for final approval. UCSC students interested in submitting a dramatic work to the 2028 award cycle are invited to learn more at the PPD website here.\n—\nThis program is open to all members of the public consistent with state and federal law. \n 
URL:https://events.ucsc.edu/event/dharma-grace-2026/2026-05-23/
LOCATION:Second Stage\, Second Stage\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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