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DTSTART;TZID=America/Los_Angeles:20260521T120000
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DTSTAMP:20260529T160332
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SUMMARY:Beautiful Universe - An astrophotography exhibit
DESCRIPTION:Beautiful Universe is a pop-up exhibit in collaboration with the UC Santa Cruz Department of Astronomy & Astrophysics that will be on display at the Santa Cruz Museum of Art and History from May 21 to 31.\nIn over more than 20 photos\, you will see galaxies\, novae\, supernovae\, reflection and emission nebulae\, and interstellar dust clouds that give birth to new stars and planets. They are artistic images filled with scientific information. The astrophotography exhibit bridges the gap that often exists in our minds between art and science. \nAsk an astronomer! Astronomers will be on site at the Museum of Art and History in downtown Santa Cruz from 2 p.m. to 6 p.m. on weekends (May 23\, 24\, 30\, and 31) to answer your questions. \nImages are by Steve Mandel and Bob Fera\, Deep Space Remote Observatories\, and once the pop-up exhibit concludes\, the photos on display will be permanently installed on the UC Santa Cruz campus\, courtesy of Steve Mandel\, research associate for the UC Santa Cruz Department of Astronomy & Astrophysics and sponsor of the Mandel Lecture Series. \nLearn more.
URL:https://events.ucsc.edu/event/beautiful-universe-astrophotography-exhibit/
LOCATION:Museum of Art & History\, 705 Front St\, Santa Cruz\, CA\, 95060\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260529T110000
DTEND;TZID=America/Los_Angeles:20260529T120000
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SUMMARY:Let's Talk
DESCRIPTION:Need to talk? We’re here to listen! Drop in for a confidential chat with a professional counselor who can provide support\, advice and information. \nZoom Meeting Link\nMeeting ID: 635 182 8273\nPasscode: 231831 \nFacilitator: Mitchell Rees\, PhD (831) 459-2628 \n  \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/lets-talk-5/2026-05-29/
LOCATION: https://ucsc.zoom.us/j/8704358865?pwd=aGRaZDEydGJkMWdqOWhOSkpid1kyZz09
CATEGORIES:Drop-In Support
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T110000
DTEND;TZID=America/Los_Angeles:20260529T123000
DTSTAMP:20260529T160332
CREATED:20260515T164420Z
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SUMMARY:Zhou\, K. (CSE) - Toward Safer Frontier AI: From Evaluation and Red-Teaming to Alignment and Oversight
DESCRIPTION:This dissertation investigates how to make modern AI systems safer as they grow more capable. It addresses two central sources of risk: malicious misuse\, in which adversarial users coerce models into harmful behavior\, and internal misalignment\, in which models themselves pursue goals that diverge from human intent through deception\, sandbagging\, or other covert behaviors. The dissertation identifies novel safety risks in frontier multimodal large language models and AI agents\, introduces a black-box red-teaming framework for AI agents\, proposes new safety alignment algorithms\, and builds the first probe-based misalignment monitoring system\, developing practical approaches for evaluating\, red-teaming\, aligning\, and overseeing frontier language models and agents. The central conclusion is that responsible AI cannot rest on any single guardrail: capability-scaled evaluation\, active red-teaming\, training-time alignment\, and scalable monitoring together form a coordinated stack for frontier AI safety. \nEvent Host: Kaiwen Zhou\, Ph.D. Candidate\, Computer Science & Engineering  \nAdvisor: Xin Wang \nZoom: https://ucsc.zoom.us/j/94196702062?pwd=b9LJMfL232ixG2THMab8XuJ32a4FVD.1 \nPasscode:  584794
URL:https://events.ucsc.edu/event/zhou-k-cse-toward-safer-frontier-ai-from-evaluation-and-red-teaming-to-alignment-and-oversight/
LOCATION:
CATEGORIES:Ph.D. Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T110000
DTEND;TZID=America/Los_Angeles:20260529T150000
DTSTAMP:20260529T160332
CREATED:20260520T173337Z
LAST-MODIFIED:20260520T173337Z
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SUMMARY:Grad Cap Decorating with the ERCs
DESCRIPTION:Calling all graduating seniors! ✨🎓 \nGet creative and celebrate your achievements at our Grad Cap Decorating event hosted by El Centro\, AA/PIRC\, and AARCC! 💙 \nSupplies\, pizza\, and cake will be provided while they last! 🍕🎂 \n📍 Crown Provost House\n📅 Friday\, May 29th\n⏰ Drop in anytime from 11 AM – 3 PM \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/grad-cap-decorating-with-the-ercs/
LOCATION:Crown Provost House\, 660 Crown Service Road\, Santa Cruz\, CA\, 95064
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T113000
DTEND;TZID=America/Los_Angeles:20260529T133000
DTSTAMP:20260529T160332
CREATED:20260522T161630Z
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SUMMARY:Qureshi\, A. (ECE) - ISoC: A Universal Impedance Spectroscopy Instrument-on-Chip in SKY130 130 nm CMOS
DESCRIPTION:Electrochemical impedance spectroscopy (EIS) is the workhorse measurement behind lithium-ion battery diagnostics\, biosensing\, and corrosion science — yet no integrated circuit has ever delivered the complete capability of a benchtop analyzer on a single die. \nThis dissertation presents ISoC\, the first universal Impedance Spectroscopy instrument-on-chip. Designed in SkyWater 130 nm CMOS process\, ISoC supports all four standard electrochemical measurement modes and performs Fourier analysis\, calibration\, and model fitting directly on-chip. The work introduces a new delta-sigma transimpedance amplifier that breaks a long-standing sensitivity–bandwidth tradeoff in current measurement. It also presents the first application of digital predistortion — a technique borrowed from wireless transmitter design — to electrochemical instrumentation\, reducing calibration error by more than an order of magnitude. The design is validated through a ten-level verification methodology spanning from transistor-level simulation to FPGA emulation — an approach that uncovered silicon-critical bugs prior to fabrication. \nEvent Host: Azzam Qureshi\, Ph.D. Candidate\, Electrical & Computer Engineering \nAdvisor: Ken Pedrotti \nZoom: https://ucsc.zoom.us/j/93312223921?pwd=jzCP7f8gbzqbkFGabEd4wM7O5TgHIH.1 \nPasscode: 342251
URL:https://events.ucsc.edu/event/qureshi-a-ece-isoc-a-universal-impedance-spectroscopy-instrument-on-chip-in-sky130-130-nm-cmos/
LOCATION:
CATEGORIES:Ph.D. Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T120000
DTEND;TZID=America/Los_Angeles:20260529T133000
DTSTAMP:20260529T160332
CREATED:20260529T164454Z
LAST-MODIFIED:20260529T164454Z
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SUMMARY:Insurance\, Risk\, and Resilience in a Changing World
DESCRIPTION:Climate change is reshaping every system it touches. This panel examines one that most people haven’t much considered in climate terms: insurance. When the industry built to share risk retreats from it\, the consequences fall hardest on communities least able to absorb them. Three panelists examine what that failure looks like from the inside\, where financial instruments to do better already exist\, and what it would take to build a system designed for the world we are actually in. \nUCI’s Simon Penny takes us to the heart of the problem. While for most\, the Eaton Fire is a dim memory\, Penny is (still) an evacuee.  In Jan ‘25\, nearly 10\,000 buildings burned in the Eaton fire\, and a similar number remain contaminated and uninhabitable. Likely the most toxic urban fire in US history\, the Eaton Fire is a harbinger of a growing new phenomenon: Wildland Urban Interface (WUI) fires\, where plastics and electronics in buildings and vehicles create novel environmental toxins\, which in LA were driven across the city by winds of over 100 mph. \nResidents are often unaware of the presence of high levels of toxins\, carcinogens\, and forever chemicals such fires produce.  Community members face huge bills for abatement and remediation\, while insurance companies issue denials to long-time policyholders and curtail coverage of properties in newly declared “fire zones.” State agencies\, similarly\, have failed to recognize or respond to the scale of the problem.  In the absence of state support\, community-activist and citizen-science organizations have emerged to advocate for victims. Simon will offer a firsthand account of what thousands are experiencing\, abandoned by insurance companies\, multiple state agencies\, and the very algorithms of risk and restitution that underpin the entire fragile edifice of property and value.  \nUCSC’s Mike Beck directs our attention to the coastal risks growing due to climate change\, development\, and habitat loss.  Mike’s team assesses coastal risks\, values the adaptation benefits of nature\, and identifies innovative solutions to reduce risks to people\, property and nature.  In identifying innovative solutions\, Mike has worked closely with the risk industry to incorporate nature in risk models\, develop reef insurance\, and new investment opportunities through wetland resilience credits.  Mike will describe recent successes in these partnerships as well as shortcomings in public and private progress in risk reduction and climate adaptation efforts. \nThe Center for the Study of the Force Majeure’s Josh Harrison argues that the insurance industry’s retreat from climate risk is not a market failure but a systems failure\, one that reveals how deeply insurance functions as social infrastructure. His talk will examine why the current pricing and underwriting model is structurally blind to prevention\, what that blindness costs communities that can least afford it\, and what a different institutional architecture might look like.
URL:https://events.ucsc.edu/event/insurance-risk-and-resilience-in-a-changing-world/
LOCATION:https://ucsc.zoom.us/j/6845462150?pwd=NHdiREFjZWRkaXNEYmh5Sm1Sakx6Zz09&omn=92322393861
CATEGORIES:Lectures & Presentations
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ORGANIZER;CN="UCSC Climate Action Now and the Earth Futures Institute":MAILTO:clifacstaff@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T120000
DTEND;TZID=America/Los_Angeles:20260529T170000
DTSTAMP:20260529T160332
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-29/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T120000
DTEND;TZID=America/Los_Angeles:20260529T170000
DTSTAMP:20260529T160332
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SUMMARY:Rules Are Not Neutral: Play As Sense-Making\, Acts Of Resistance\, And Imagining Otherwise
DESCRIPTION:This exhibition brings together a range of analog games – including board\, card\, role-playing\, and other participatory works – that engage social and political realities in different ways. The works span widely circulated commercial games to independently produced projects\, one-of-a-kind artworks by artists\, faculty\, alumni\, and students\, and materials drawn from UC Santa Cruz Special Collections and Archives. \nIn part\, the exhibition challenges the persistent assumption that games and play are detached from social and political life. On the contrary\, game designers and artists across diverse perspectives and positions have long used play to engage questions of social systems\, lived experience\, and how power operates. This exhibition does not attempt to represent that full spectrum. Instead\, it brings together a particular set of works that foreground how games can make systems visible\, intervene in them\, and imagine alternatives. \nAll games embody values\, whether intentional or not.  \n– Mary Flanagan\, game designer and scholar \nAcross all of these works\, games are not only forms of entertainment\, though they may be that as well. They are encountered in multiple ways: as objects\, as systems\, as artworks\, and as experiences that unfold unpredictably through interaction. In each case\, rules and constraints shape what participants can do. In these different forms\, the works stage systems – such as housing and land ownership\, capitalism\, race and identity\, civil rights and protest\, fascism\, and colonialism – in ways that are simplified and easy to see\, opening space to recognize similar structures beyond the game. In this sense\, the works suggest that rules are not neutral – they organize experience\, distribute power\, and produce meaning. \nGames are the art of agency. \n– C. Thi Nguyen\, philosopher \nThe exhibition is intentionally dense. This abundance reflects the breadth of ways games operate across contexts\, from activism and education to art and everyday life. While it celebrates creativity and difference\, it also asks how these works engage critically with the structures that shape our lives.  \nSome works use rules to model systems\, helping players understand how those systems operate. Others use play to rehearse action\, asking players to practice navigating or challenging those systems. Still others turn toward speculation\, inviting players to imagine alternative futures\, worlds\, and the systems that might shape them.  \nThe imagination is an instrument of change. \n– Ursula K. Le Guin\, author \nThe focus on analog games reflects how they foreground materiality and shared physical presence. Played face-to-face\, handled\, read aloud\, and experienced together\, these works show how rules operate not in abstraction\, but through lived\, embodied experience. \nUltimately\, the exhibition asks us to consider not only how games represent the world\, but how they shape our engagement with it – and how through play\, the social and political systems they model might be understood\, challenged\, and reimagined. \nGames are not apolitical. \n– Kishonna L. Gray\, media scholar \n  \nGallery Reception\nMay 15 from 1 to 4pm at the Eloise Pickard Smith Gallery \n  \nArt Friday\nHands-on art activities drawing from the current exhibition.\nALL ARE WELCOME regardless of skill level. Art supplies and free snacks are provided!
URL:https://events.ucsc.edu/event/rules-are-not-neutral-play-as-sense-making-acts-of-resistance-and-imagining-otherwise/2026-05-29/
LOCATION:Eloise Pickard Smith Gallery\, 11 Cowell Service Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
ORGANIZER;CN="Eloise Pickard Smith Gallery":MAILTO:epsgal@ucsc.edu
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T130000
DTEND;TZID=America/Los_Angeles:20260529T134500
DTSTAMP:20260529T160332
CREATED:20260325T185639Z
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SUMMARY:Productive Struggle & Study Skills
DESCRIPTION:In this workshop\, you will: Learn study strategies and why making it hard for yourself supports durable learning. \nThe Successful Slug Workshop series\, hosted by Learning Support Services Peer Coaches\, are open to all UCSC undergraduate students and focus on academic skills and tools to support your success as a student. At each workshop\, you will be introduced to a topic\, engage in active learning\, be given resources to begin implementing the same day\, and have an opportunity to learn more if you are interested. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/productive-struggle-study-skills-2/
LOCATION:Academic Resources Center (ARC)\, 408 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Undergraduate,Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T132000
DTEND;TZID=America/Los_Angeles:20260529T142500
DTSTAMP:20260529T160332
CREATED:20260521T182802Z
LAST-MODIFIED:20260521T182802Z
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SUMMARY:BME80G Seminar – Katherine Bonini\, “Rethinking Familial Risk in Genomic Medicine: Ethical Approaches to Cascade Screening”
DESCRIPTION:Presenter: Katherine Bonini\, Senior Genetic Counselor @ Icahn School of Medicine at Mount Sinai \n  \nDescription: It has long been argued that families are central to genomic medicine. Genomic risk\, diagnosis\, and management are rarely confined to a single individual\, and separating patients’ interests from those of their relatives is often neither straightforward nor desirable. Despite this\, healthcare systems in the United States continue to operationalize care at the level of the individual. This tension is especially evident in cascade screening\, the process of identifying\, notifying\, and offering genetic testing to relatives of a proband with a hereditary condition. Cascade screening can enable earlier diagnosis\, guide preventive care\, and reduce morbidity and mortality\, but its implementation raises important ethical questions.\nIn this talk\, we will examine how current approaches to familial risk communication place responsibility on patients to notify relatives\, often resulting in incomplete reach and missed opportunities for prevention. We will then consider alternative approaches\, including system-led contact models in which health systems directly notify at-risk relatives with proband consent. Drawing on public health ethics frameworks\, we will discuss a proposed framework demonstrating how system-led models may be ethically justified when specific criteria are met\, including considerations of public input\, opt-out mechanisms\, and a focus on actionable conditions. This talk will encourage consideration of how genomic care can be structured to better balance individual rights with broader responsibilities to families and public health. \n  \nBio: Katherine (Kate) Bonini\, MS\, MA\, CGC is a Senior Genetic Counselor and Core Faculty member in the Institute for Genomic Health at the Icahn School of Medicine at Mount Sinai. Her work focuses on the ethical\, legal\, and social implications of integrating emerging genomic technologies into clinical care\, with particular emphasis on implementation science and equitable translation of genomic advances into practice. She has contributed to several major NHGRI-funded initiatives\, including the Clinical Sequencing Evidence-Generating Research (CSER) Consortium\, the Electronic Medical Records and Genomics (eMERGE) Network\, and the Human Pangenome Reference Consortium (HPRC). \nKate is an active leader within the National Society of Genetic Counselors\, where she previously served as Chair of the Research Special Interest Group and Chair of the Public Policy Committee. She is also a member of the Mount Sinai Clinical Ethics Committee\, where she contributes to institutional discussions on complex ethical issues in patient care and research. \nShe received her MS in Genetic Counseling and MA in Medical Humanities and Bioethics from Northwestern University’s Feinberg School of Medicine. \nHosted by: Professor Karen Miga\, BME Department
URL:https://events.ucsc.edu/event/bme80g-seminar-katherine-bonini-rethinking-familial-risk-in-genomic-medicine-ethical-approaches-to-cascade-screening-2/
LOCATION:Jack Baskin Auditorium\, 191 Baskin Cir\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Seminars
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T140000
DTEND;TZID=America/Los_Angeles:20260529T160000
DTSTAMP:20260529T160332
CREATED:20260512T162505Z
LAST-MODIFIED:20260512T163221Z
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SUMMARY:Zhu\, R. (ECE) - From Neuromorphic Principles to Efficient Neural Language Architectures
DESCRIPTION:This dissertation investigates how neuromorphic and brain-inspired principles can guide the design of efficient neural language architectures. It addresses two central limitations of modern Transformer-based language models: memory growth with context length and high computational cost from dense matrix multiplication. Through studies of spiking neural networks\, linear-recurrent language models\, hybrid attention architectures\, MatMul-free models\, and looped language models\, the dissertation develops practical approaches for bounded-memory and bounded-compute language modeling. The central conclusion is that recurrent state\, temporal decay\, sparse computation\, and parameter reuse can provide useful design principles for scalable language models\, even when they are abstracted beyond literal biological spiking. \nEvent Host: Ridger Zhu\, Ph.D. Candidate\, Electrical & Computer Engineering  \nAdvisor: Jason Eshraghian \nZoom: https://ucsc.zoom.us/j/96672322005?pwd=3MSitgbm5WboIENbf1hKpxwXnt9VXh.1
URL:https://events.ucsc.edu/event/zhu-r-ece-from-neuromorphic-principles-to-efficient-neural-language-architectures/
LOCATION:Engineering 2\, Engineering 2 1156 High Street\, Santa Cruz\, CA\, 95064
CATEGORIES:Ph.D. Presentations
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T180000
DTEND;TZID=America/Los_Angeles:20260529T190000
DTSTAMP:20260529T160332
CREATED:20260511T184328Z
LAST-MODIFIED:20260520T175502Z
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SUMMARY:Stanley Flatté Memorial Lecture: Chaos\, black holes\, and quantum mechanics
DESCRIPTION:CHAOS\, BLACK HOLES\, AND QUANTUM MECHANICS \nThe world is a chaotic place. Even if we know the rules of nature\, we often find it difficult to predict the future – forecasting the weather is a notorious example. Recently\, we have understood that chaos plays a central role in the behavior of black holes\, some of the most striking objects in our universe. We will describe these developments and indicate some new insights they have led to in our quest to unify quantum mechanics and the theory of gravity. \nAbout the speaker: Stephen Shenker has been on the faculty of the University of Chicago and Rutgers University\, and is currently the Richard Herschel Weiland Professor at Stanford University. He is a theoretical physicist who has worked on problems ranging from the theory of phase transitions to the nonperturbative formulation of quantum gravity. He is a recipient of a MacArthur Fellowship\, the Onsager Prize and the Dirac Medal\, and is a member of the American Academy of Arts and Sciences and the National Academy of Sciences. From 1998 to 2009\, he was the Director of the Stanford Institute for Theoretical Physics. \nFriday\, May 29\, 2026 \nThe 418 Project\, 155 River St S\, Santa Cruz\, CA 95060 \n6:00 PM – 7:00 PM\, Refreshments provided prior to talk at 5 PM. \nThis event is free and open to the public.
URL:https://events.ucsc.edu/event/stanley-flatte-memorial-lecture-chaos-black-holes-and-quantum-mechanics/
LOCATION:The 418 Project\, 155 River St S\, Santa Cruz\, CA\, 95060\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T180000
DTEND;TZID=America/Los_Angeles:20260529T213000
DTSTAMP:20260529T160332
CREATED:20260428T211841Z
LAST-MODIFIED:20260529T011534Z
UID:10013973-1780077600-1780090200@events.ucsc.edu
SUMMARY:Making an Exoneree Showcase
DESCRIPTION:Audiences are invited to Making an Exoneree\, a reception and film screening featuring the premiere of five student-made short documentaries that reveal the facts—and falsehoods—of wrongful conviction cases from around the country. Over the Winter and Spring quarters\, 15 UCSC undergraduate students in the Making an Exoneree course dedicated themselves to uncovering the truth about these cases. The final short films unravel the unjust convictions of Aaron Addison\, Dennis Littleton\, Ken Middleton\, Frank Perkins\, and Taunee Smith\, who have spent a combined 126 years in prison.The students hope that by sharing these stories\, they can help correct this injustice and bring innocent people home.\n—\nADVISORIES\n– Mature themes or content\, No intermission\, Strong language.\n—\nADMISSION\n– FREE and open to the public\n– Attend in person or online\n– ONLINE LINK HERE\n– Reception at 6:00 p.m.\n– Screenings at 7:00 p.m.\n—\nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant when present in the lot; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must get their permits in advance; attendants will only sell non-affiliate rates\n– More information provided by UCSC Transportation & Parking Services.\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/making-an-exoneree-showcase/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Film Screening,Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T190000
DTEND;TZID=America/Los_Angeles:20260529T203000
DTSTAMP:20260529T160332
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LAST-MODIFIED:20260429T190219Z
UID:10014368-1780081200-1780086600@events.ucsc.edu
SUMMARY:UCSC MEIP XXIII\, May 29\, 30\, and 31st\, at 7:00 PM in the Stevenson Event Center-Performances in French\, Japanese and Spanish. FREE-ALL WELCOME
DESCRIPTION:UCSC Free Performance Miriam Ellis International Playhouse \n  \nUCSC – STEVENSON EVENT CENTER (Stevenson College) \n  \nMEIP XXII \nMay 29\, 30\, and 31st\, at 7:00 PM \nStevenson Event Center at UCSC \n  \nFREE STAGE PERFORMANCES IN FRENCH\, JAPANESE\, AND SPANISH WITH ENGLISH TITLES \nFROM STUDENTS OF UCSC! \nFor its 23rd season\, the Miriam Ellis International Playhouse will present fully-staged performances in French\, Japanese\, and Spanish\, with English super-titles projected above the stage. The program will be directed by Language lecturers and performed by Language students. \nFrench: Dur dur la torture (Pure Torture)\, written by the students\, directed by Renée Cailloux. \nJapanese: “きぼうのうた” (Song of Hope)\, directed by Naoko Yamamoto. \nSpanish: “Noble campaña” (A Lofty Cause)\, Based on a short story by Gregorio López y Fuentes directed by Carolina Castillo-Trelles and Sandra Malone. \nEvent Location: Stevenson Event Center\, UCSC – FREE \nFor more information\, contact Renée Cailloux at meip@ucsc.edu
URL:https://events.ucsc.edu/event/ucsc-meip-xxiii-may-29-30-and-31st-at-700-pm-in-the-stevenson-event-center-performances-in-french-japanese-and-spanish-free-all-welcome/2026-05-29/
LOCATION:Stevenson Event Center\, Stevenson Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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DTSTART;TZID=America/Los_Angeles:20260529T193000
DTEND;TZID=America/Los_Angeles:20260529T210000
DTSTAMP:20260529T160332
CREATED:20260420T205512Z
LAST-MODIFIED:20260520T215231Z
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SUMMARY:Mojada: A Medea in Los Angeles\, directed by Kinan Valdez
DESCRIPTION:Blending Euripides’ classic Medea with Mexican folklore\, Luis Alfaro examines the tragedy behind America’s immigration system and the destiny of one family caught in its grip. Directed by Kinan Valdez. \nADVISORIES\n–  Content advisory: includes violence\, adult language\, mature themes\, and mention of sexual violence\n– This presentation is 90 minutes in length with no intermission.\n– Seating is limited and will reach full capacity.\n– Ticket holders not seated at least five minutes before the advertised start time may forfeit their ticket/seat\, and no refund will be issued.\n– Parking impacts may be significant on Fri-Sun during Week 2 of this production in Lot 126 due to other overlapping events expected to reach full capacity. \nADMISSION\n– Tickets issued online through Eventbrite only.\n– Attend in person at Theater Arts eXperimental Theater at UC Santa Cruz.\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” options for $10\, $15\, or $20.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– Doors are scheduled to open 30 minutes prior to event start time. \nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant when present in the lot; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must get their permits in advance; attendants will only sell non-affiliate rates\n– More information provided by UCSC Transportation & Parking Services. \nFull Schedule of Events \nThis production includes seven performances over the course of two weeks\, including the following dates/times:\n– Fri\, May 22\, 7:30 p.m.\n– Sat\, May 23\, 7:30 p.m.\n– Sun\, May 24\, 2:00 p.m. matinee\n– Thu\, May 28\, 7:30 p.m.\n– Fri\, May 29\, 7:30 p.m.\n– Sat\, May 30\, 7:30 p.m.\n– Sun\, May 31\, 2:00 p.m. matinee\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/mojada/2026-05-29/
LOCATION:Experimental Theater\, Theater Arts Center\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T193000
DTEND;TZID=America/Los_Angeles:20260529T213000
DTSTAMP:20260529T160332
CREATED:20260324T203217Z
LAST-MODIFIED:20260520T162714Z
UID:10011390-1780083000-1780090200@events.ucsc.edu
SUMMARY:UCSC Opera—Orpheus in the Underworld
DESCRIPTION:A rollicking and irreverent spoof of the Orpheus myth\, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice\, as the latter’s love affair with the god of the underworld results in Eurydice relocating to hell. Cowed by Public Opinion\, Orpheus makes an attempt to retrieve his wife from the underworld\, but Jupiter’s involvement\, along with many of the other gods of Olympus\, complicates matters further.  \nThe UCSC Orchestra ensemble and voice students are conducted by Bruce Kiesling\, with direction by Sheila Willey.\nCostumes by Brooke Jennings\, wigs by Sharon Ridge and Jessica Carter\, and set/lighting design by David Dunning.\n—\nADMISSION\n– Attend in person at the UCSC Music Center Recital Hall.\n– General admission opera tickets available online through Eventbrite.\n– Free for UCSC students (ticket required).\n– Follow the Music Department on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nFULL SCHEDULE OF EVENTS\n– Th.\, May 28\, 7:30 p.m.\n– Fr.\, May 29\, 7:30 p.m.\n– Sa.\, May 30\, 7:30 p.m.\n– Su.\, May 31\, 3:00 p.m. matinee\n—\nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant in Lot 126; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services.\n—\nThis program is open to all members of the public consistent with state and federal law. \n  \n  \n 
URL:https://events.ucsc.edu/event/opera-orpheus/2026-05-29/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T193000
DTEND;TZID=America/Los_Angeles:20260529T213000
DTSTAMP:20260529T160332
CREATED:20260518T212848Z
LAST-MODIFIED:20260518T213929Z
UID:10014709-1780083000-1780090200@events.ucsc.edu
SUMMARY:SOAR— Los Mejicas Grupo Folklórico
DESCRIPTION:Come enjoy Los Mejicas’ 54th Anniversary Spring Show: Aqui Estamos y No Nos Vamos\, Con Amor a Mi Mexico on Friday\, May 29th and Saturday\, May 30 at the UCSC Theater Arts Mainstage.\n—\nADMISSION\n– Doors open at 7:00 p.m.\, and the show begins at 7:30 p.m.\n– Please note that seating is not assigned— it’s first come\, first served.\n– TICKET RESERVATION LINK HERE\n– We only accept cash.\n– If you’re picking up your tickets at tabling\, you can pay at that time.\n– If you plan to pick up your tickets at the door on the day of the show\, they MUST be paid for in advance by your dancer/point of contact.\n– Any reserved but unpaid tickets\, after Wednesday May 27th\, will be considered unreserved and made available for purchase at the door.\n– Email losmejicas@gmail.com for any accessibility accommodations.\n—\nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant when present in the lot; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services.\n—\nThis program is open to all members of the public consistent with state and federal law. \n  \n 
URL:https://events.ucsc.edu/event/grupo-folklorico-los-mejicas/2026-05-29/
LOCATION:Theater Arts Mainstage\, 411 Kerr Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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