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SUMMARY:Santa Cruz Pickwick Club presents: Christie Mysteries
DESCRIPTION:Over the coming year\, Dickens Universe readers and Pickwick Club members will meet for discussions focused on these novels and their lasting influence on the mystery genre. This year’s reading series brings together four landmark works of crime fiction: The Mystery of Edwin Drood by Charles Dickens (Penguin Classics\, 2002)\, The Murder of Roger Ackroyd by Agatha Christie (William Morrow\, 2021)\, The Murder at the Vicarage by Agatha Christie (William Morrow\, 2025)\, and The Pale Horse by Agatha Christie (William Morrow\, 2011). Join Dickens enthusiasts and Pickwick Club members on Zoom for a series of discussions about these beloved books. \nRegister via Zoom \nReading Schedule:  \n\nSept 27: The Murder of Roger Ackroyd\nOct 25: The Pale Horse\nNov 22: The Murder at the Vicarage\nDec 27: The Mystery of Edwin Drood\nJan 24: The Mystery of Edwin Drood\nFeb 28: The Mystery of Edwin Drood\nMar 28: The Mystery of Edwin Drood\nApr 25: TBD\nMay 23: TBD\nJun 27: TBD\n\nRecommended Edition: We recommend the Penguin Classics edition of the novels for its appendices and notes\, but other versions are fine. First-time readers should avoid the Introduction if they don’t want spoilers. Download the novels to read at Gutenburg.org or listen at LibriVox.org. \nThe Santa Cruz Pickwick (Book) Club\, a branch of the Dickens Fellowship\, is a community of local bookworms\, students\, and teachers who meet monthly to discuss a nineteenth-century novel. The Santa Cruz Public Libraries provide support for the reading group.
URL:https://events.ucsc.edu/event/santa-cruz-pickwick-club-presents-christie-mysteries/2026-09-27/
LOCATION:CA
CATEGORIES:Lectures & Presentations
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DTSTART;TZID=America/Los_Angeles:20261010T093000
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DTSTAMP:20260928T230033Z
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SUMMARY:SF Tech Week Hackathon @ UCSC SVC
DESCRIPTION:One weekend. One room. Three tracks: Robotics\, Cloud AI\, and Local AI. Build something real with AI — alongside students\, engineers\, founders\, and neighbors from across the Bay Area. Bring an idea\, a laptop\, and a willingness to ship. We’ll provide the rest: mentors\, models\, meals\, and a stage to demo what you made. Open to students\, career switchers\, hobbyists\, and anyone curious about building with AI. No prior experience required. Registration closes Sept 30 and is limited and on a first-come\, first-served basis. See hack.dev for more details. This event is a part of #SFTechWeek—a week of events hosted by VCs and startups to bring together the tech ecosystem. \n 
URL:https://events.ucsc.edu/event/sf-tech-week-hackathon-ucsc-svc/
LOCATION:Silicon Valley Campus\, 3175 Bowers Avenue\, Santa Clara\, CA\, 95054\, United States
CATEGORIES:Competition
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DTSTART;TZID=America/Los_Angeles:20261011T120000
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-11/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261011T120000
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-11/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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SUMMARY:El Centro Fall Welcome: La Bienvenida Dominguero
DESCRIPTION:Through music\, arts\, food\, storytelling\, and intentional relationship-building\, Bienvenida cultivates comunidad while honoring El Centro’s mission of affirming Chicanx and Latine communities. Open to all UCSC students\, Bienvenida is sponsored by El Centro: Chicanx Latinx Resource Center\, Kresge and Porter Colleges\, and the Center for Leadership and Involvement. \nRSVP: bit.ly/BIENVENIDA-26 \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications. 
URL:https://events.ucsc.edu/event/el-centro-fall-welcome-la-bienvenida-dominguero/
LOCATION:Oakes Lower Lawn\, Oakes College\, Santa Cruz\, CA\, 95064
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SUMMARY:Min Jin Lee - American Hagwon
DESCRIPTION:Bookshop Santa Cruz and The Humanities Institute welcome Min Jin Lee\, the National Book Award finalist and New York Times bestselling author of Pachinko\, who returns with American Hagwon—a breathtaking contemporary epic\, by turns sweeping and intimate\, that reckons with ambition and moderation\, lust and loyalty\, personal dreams and familial duty. \n“With her gift for wonderfully empathetic storytelling\, this is a profoundly generous and humane novel about duty\, family\, and the dream of a better life…. I was fully absorbed by the fates of the Koh family and\, as the novel worked its cumulative magic\, deeply moved by this masterful tale of sacrifice\, familial devotion\, and\, ultimately\, acceptance.” —Douglas Stuart\, author of John of John and Shuggie Bain\, winner of the Booker Prize \n \n“Min Jin Lee brings grand ambition\, fierce heart\, and the tenderest hope to a novel I didn’t want to end.” —Roxane Gay\, bestselling author of Bad Feminist and Hunger \nIn schools and churches\, hotel rooms and nail salons\, law firms and fried-fish shops; in cramped\, dingy apartments and luxury\, gated communities\, the men\, women\, and children in American Hagwon struggle to find satisfaction and meaning in a world that seems to grow less forgiving with each passing year. Once comfortably middle class in Korea\, John and Helen Koh and their three children—Bo\, DH\, and Mido—find their lives upended\, first by a shocking betrayal by John’s oldest friend\, then by the 1997 Asian financial crisis. \nDesperately striving to regain their footing\, they leave Seoul for Sydney and eventually settle in Southern California—where new vistas of opportunity open up for the children as their parents\, strangers in a strange land\, must adjust to a new life in which their experience and education mean little\, and they set their sights on whatever it takes to provide for their children’s futures. The Kohs\, their friends\, relatives\, and even their foes move in and out of each other’s lives as they navigate new courses across the years\, always nursing the almost all-consuming faith that education will lead the next generation to success and security. \nIn American Hagwon\, Min Jin Lee has crafted an unforgettable\, panoramic novel where the smallest of gestures can have enormous repercussions\, where the bonds of family and of memory twist and fray but rarely break\, and where willful self-sacrifice—for the benefit of loved ones and even strangers—is a kind of prayer. \n \nMin Jin Lee is the author of the novels Free Food for Millionaires and Pachinko\, a finalist for the National Book Award\, runner-up for the Dayton Literary Peace Prize\, and a New York Times “100 Best Books of the Century.” She serves as the New York State Author Laureate from 2025 through 2027. She is the 2024 recipient of The Fitzgerald Prize for Literary Excellence. Lee has received the Manhae Grand Prize for Literature\, the Bucheon Diaspora Literary Award\, and the Samsung Happiness for Tomorrow Award for Creativity from South Korea. She is the recipient of fellowships in Fiction from the Guggenheim Foundation\, the Harvard Radcliffe Institute\, and the New York Foundation for the Arts. Lee is an inductee of the New York Foundation for the Arts Hall of Fame and the New York State Writers Hall of Fame. She lives in Harlem with her family.
URL:https://events.ucsc.edu/event/min-jin-lee-american-hagwon/
LOCATION:Rio Theater\, 1205 Soquel Avenue\, Santa Cruz\, 95062\, United States
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