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DTSTART;TZID=America/Los_Angeles:20260522T120000
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SUMMARY:Something held by poetry
DESCRIPTION:In this intimate workshop\, UC Santa Cruz students\, faculty\, and staff are invited into conversation with poets Ronaldo V. Wilson and Terri Witek. Something held by poetry is programmed for Wilson’s multimedia exhibition\, there are no words\, but melodies\, currently on view at the IAS. \nRSVP is required. \n\n\nRonaldo V. Wilson is a poet\, interdisciplinary artist\, academic\, and the author of Narrative of the Life of the Brown Boy and the White Man\, winner of the Cave Canem Prize; Poems of the Black Object\, winner of the Thom Gunn Award for Gay Poetry and the Asian American Literary Award in Poetry; Farther Traveler: Poetry\, Prose\, Other\, and Lucy 72. His latest books are Carmelina: Figures and Virgil Kills: Stories. He is the editor of three special issues of hybrid and experimental work in Interim: A Journal of Poetry and Poetics; and Obsidian: Literature & Arts in the African Diaspora. Wilson is Professor of Creative Writing and Literature at U.C. Santa Cruz\, where he directs the Creative Writing Program\, and serves on the core faculty of the Creative Critical PhD Program; principal faculty member of CRES (Critical Race and Ethnic Studies); and affiliate faculty member of DANM (Digital Arts and New Media). \n\n\n\n\nTerri Witek’s most recent books include her 2026 eco-poetics collection with Amaranth Borsuk\, W/\ SH\, which loops two rain prophets\, both women\, into a crisis between future worlds\, and 2023’s Something’s Missing in This Museum (Anhinga Press). A translation by Dona Mayoora of 2018’s The Rape Kit into Malayalam is forthcoming. Her work has been included in many anthologies\, including 2 from 2021: JUDITH: Women Making Visual Poetry (Timglaset Editions ) and the WAAVe Global Gallery (Hysterical Books). Witek’s solo and collaborative work has been featured in a wide variety of text venues\, including Fence\, The Colorado Review\, Hampden-Sydney Poetry Review\, American Poetry Review\, Poetry\, Slate\, Hudson Review\, Lana Turner\, The New Republic\, and UTSANGA .
URL:https://events.ucsc.edu/event/something-held-by-poetry/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits,Lectures & Presentations,Performances
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DTSTART;TZID=America/Los_Angeles:20260522T120000
DTEND;TZID=America/Los_Angeles:20260522T170000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-22/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260522T150000
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SUMMARY:Opening Reception: Envisioning Health for All Photo Exhibit!
DESCRIPTION:Please join us for an Opening Reception of two student photo exhibits\, focusing on health justice.  Students across all divisions\, undergrad or grad\, visually explore global and community health. Photography is a powerful way to represent our care and concern for health justice beyond the university. \nExhibit will be held in conjunction with “Between Two Worlds\,”a Photovoice exhibition funded by the UCSC Center for Economic Justice and Action (CEJA). We hope you can join us! \n  \n 
URL:https://events.ucsc.edu/event/opening-reception-envisioning-health-for-all-photo-exhibit/
LOCATION:McHenry Library\, 1156 High St\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits,Reception
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