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SUMMARY:ReView
DESCRIPTION:Mary Porter Sesnon Art Gallery\nAugust 13-September 19\, 2026 \nOpening celebration and Artist Talk\nSaturday\, August 15\, 2-4:30 p.m\nLight refreshments will be served. \nSummer Gallery Hours: Thursday-Saturday\, 1-5pm \nReView: UC Santa Cruz Arts Alumni Exhibition features Arts Division alumni from the Monterey and San Francisco Bay Areas. Curated by Valéria Miranda\, the Sesnon’s Director\, ReView includes a wide variety of media and techniques highlighting the diversity of contemporary practice of alumni who graduated from 1972 to 2025. The exhibition title alludes to the portfolio critique process and suggests ideas of reflection and reevaluation—whether revisiting past work\, rethinking materials\, or tracing how a practice evolves over time. \nThis exhibition celebrates the creative path of artists who began their journeys at UC Santa Cruz. United by shared roots yet defined by distinct paths\, the participating alumni reflect the lasting influence of the Arts Division programs. Their works speak to the spirit of inquiry\, experimentation\, and perseverance that has long shaped the university’s artistic community. \nReView presents an opportunity for the campus and larger community to see the professional practice of these artists who continue to build on the creative foundation that they received at UCSC and to inspire our current students\, offering visualization of their own future artistic journeys after graduation. \nReView offers a unique opportunity for returning alumni to celebrate their creative expressions while reconnecting with classmates and the university community. \nAdmission is free and open to the public.  \nMore Information
URL:https://events.ucsc.edu/event/review-3/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260912T010000
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SUMMARY:ReView
DESCRIPTION:Mary Porter Sesnon Art Gallery\nAugust 13-September 19\, 2026 \nOpening celebration and Artist Talk\nSaturday\, August 15\, 2-4:30 p.m\nLight refreshments will be served. \nSummer Gallery Hours: Thursday-Saturday\, 1-5pm \nReView: UC Santa Cruz Arts Alumni Exhibition features Arts Division alumni from the Monterey and San Francisco Bay Areas. Curated by Valéria Miranda\, the Sesnon’s Director\, ReView includes a wide variety of media and techniques highlighting the diversity of contemporary practice of alumni who graduated from 1972 to 2025. The exhibition title alludes to the portfolio critique process and suggests ideas of reflection and reevaluation—whether revisiting past work\, rethinking materials\, or tracing how a practice evolves over time. \nThis exhibition celebrates the creative path of artists who began their journeys at UC Santa Cruz. United by shared roots yet defined by distinct paths\, the participating alumni reflect the lasting influence of the Arts Division programs. Their works speak to the spirit of inquiry\, experimentation\, and perseverance that has long shaped the university’s artistic community. \nReView presents an opportunity for the campus and larger community to see the professional practice of these artists who continue to build on the creative foundation that they received at UCSC and to inspire our current students\, offering visualization of their own future artistic journeys after graduation. \nReView offers a unique opportunity for returning alumni to celebrate their creative expressions while reconnecting with classmates and the university community. \nAdmission is free and open to the public.  \nMore Information
URL:https://events.ucsc.edu/event/review-3/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260913T010000
DTEND;TZID=America/Los_Angeles:20260914T005959
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SUMMARY:ReView
DESCRIPTION:Mary Porter Sesnon Art Gallery\nAugust 13-September 19\, 2026 \nOpening celebration and Artist Talk\nSaturday\, August 15\, 2-4:30 p.m\nLight refreshments will be served. \nSummer Gallery Hours: Thursday-Saturday\, 1-5pm \nReView: UC Santa Cruz Arts Alumni Exhibition features Arts Division alumni from the Monterey and San Francisco Bay Areas. Curated by Valéria Miranda\, the Sesnon’s Director\, ReView includes a wide variety of media and techniques highlighting the diversity of contemporary practice of alumni who graduated from 1972 to 2025. The exhibition title alludes to the portfolio critique process and suggests ideas of reflection and reevaluation—whether revisiting past work\, rethinking materials\, or tracing how a practice evolves over time. \nThis exhibition celebrates the creative path of artists who began their journeys at UC Santa Cruz. United by shared roots yet defined by distinct paths\, the participating alumni reflect the lasting influence of the Arts Division programs. Their works speak to the spirit of inquiry\, experimentation\, and perseverance that has long shaped the university’s artistic community. \nReView presents an opportunity for the campus and larger community to see the professional practice of these artists who continue to build on the creative foundation that they received at UCSC and to inspire our current students\, offering visualization of their own future artistic journeys after graduation. \nReView offers a unique opportunity for returning alumni to celebrate their creative expressions while reconnecting with classmates and the university community. \nAdmission is free and open to the public.  \nMore Information
URL:https://events.ucsc.edu/event/review-3/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260914T010000
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SUMMARY:ReView
DESCRIPTION:Mary Porter Sesnon Art Gallery\nAugust 13-September 19\, 2026 \nOpening celebration and Artist Talk\nSaturday\, August 15\, 2-4:30 p.m\nLight refreshments will be served. \nSummer Gallery Hours: Thursday-Saturday\, 1-5pm \nReView: UC Santa Cruz Arts Alumni Exhibition features Arts Division alumni from the Monterey and San Francisco Bay Areas. Curated by Valéria Miranda\, the Sesnon’s Director\, ReView includes a wide variety of media and techniques highlighting the diversity of contemporary practice of alumni who graduated from 1972 to 2025. The exhibition title alludes to the portfolio critique process and suggests ideas of reflection and reevaluation—whether revisiting past work\, rethinking materials\, or tracing how a practice evolves over time. \nThis exhibition celebrates the creative path of artists who began their journeys at UC Santa Cruz. United by shared roots yet defined by distinct paths\, the participating alumni reflect the lasting influence of the Arts Division programs. Their works speak to the spirit of inquiry\, experimentation\, and perseverance that has long shaped the university’s artistic community. \nReView presents an opportunity for the campus and larger community to see the professional practice of these artists who continue to build on the creative foundation that they received at UCSC and to inspire our current students\, offering visualization of their own future artistic journeys after graduation. \nReView offers a unique opportunity for returning alumni to celebrate their creative expressions while reconnecting with classmates and the university community. \nAdmission is free and open to the public.  \nMore Information
URL:https://events.ucsc.edu/event/review-3/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260915T010000
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SUMMARY:ReView
DESCRIPTION:Mary Porter Sesnon Art Gallery\nAugust 13-September 19\, 2026 \nOpening celebration and Artist Talk\nSaturday\, August 15\, 2-4:30 p.m\nLight refreshments will be served. \nSummer Gallery Hours: Thursday-Saturday\, 1-5pm \nReView: UC Santa Cruz Arts Alumni Exhibition features Arts Division alumni from the Monterey and San Francisco Bay Areas. Curated by Valéria Miranda\, the Sesnon’s Director\, ReView includes a wide variety of media and techniques highlighting the diversity of contemporary practice of alumni who graduated from 1972 to 2025. The exhibition title alludes to the portfolio critique process and suggests ideas of reflection and reevaluation—whether revisiting past work\, rethinking materials\, or tracing how a practice evolves over time. \nThis exhibition celebrates the creative path of artists who began their journeys at UC Santa Cruz. United by shared roots yet defined by distinct paths\, the participating alumni reflect the lasting influence of the Arts Division programs. Their works speak to the spirit of inquiry\, experimentation\, and perseverance that has long shaped the university’s artistic community. \nReView presents an opportunity for the campus and larger community to see the professional practice of these artists who continue to build on the creative foundation that they received at UCSC and to inspire our current students\, offering visualization of their own future artistic journeys after graduation. \nReView offers a unique opportunity for returning alumni to celebrate their creative expressions while reconnecting with classmates and the university community. \nAdmission is free and open to the public.  \nMore Information
URL:https://events.ucsc.edu/event/review-3/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260916T010000
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SUMMARY:ReView
DESCRIPTION:Mary Porter Sesnon Art Gallery\nAugust 13-September 19\, 2026 \nOpening celebration and Artist Talk\nSaturday\, August 15\, 2-4:30 p.m\nLight refreshments will be served. \nSummer Gallery Hours: Thursday-Saturday\, 1-5pm \nReView: UC Santa Cruz Arts Alumni Exhibition features Arts Division alumni from the Monterey and San Francisco Bay Areas. Curated by Valéria Miranda\, the Sesnon’s Director\, ReView includes a wide variety of media and techniques highlighting the diversity of contemporary practice of alumni who graduated from 1972 to 2025. The exhibition title alludes to the portfolio critique process and suggests ideas of reflection and reevaluation—whether revisiting past work\, rethinking materials\, or tracing how a practice evolves over time. \nThis exhibition celebrates the creative path of artists who began their journeys at UC Santa Cruz. United by shared roots yet defined by distinct paths\, the participating alumni reflect the lasting influence of the Arts Division programs. Their works speak to the spirit of inquiry\, experimentation\, and perseverance that has long shaped the university’s artistic community. \nReView presents an opportunity for the campus and larger community to see the professional practice of these artists who continue to build on the creative foundation that they received at UCSC and to inspire our current students\, offering visualization of their own future artistic journeys after graduation. \nReView offers a unique opportunity for returning alumni to celebrate their creative expressions while reconnecting with classmates and the university community. \nAdmission is free and open to the public.  \nMore Information
URL:https://events.ucsc.edu/event/review-3/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260917T010000
DTEND;TZID=America/Los_Angeles:20260918T005959
DTSTAMP:20260901T223547Z
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SUMMARY:ReView
DESCRIPTION:Mary Porter Sesnon Art Gallery\nAugust 13-September 19\, 2026 \nOpening celebration and Artist Talk\nSaturday\, August 15\, 2-4:30 p.m\nLight refreshments will be served. \nSummer Gallery Hours: Thursday-Saturday\, 1-5pm \nReView: UC Santa Cruz Arts Alumni Exhibition features Arts Division alumni from the Monterey and San Francisco Bay Areas. Curated by Valéria Miranda\, the Sesnon’s Director\, ReView includes a wide variety of media and techniques highlighting the diversity of contemporary practice of alumni who graduated from 1972 to 2025. The exhibition title alludes to the portfolio critique process and suggests ideas of reflection and reevaluation—whether revisiting past work\, rethinking materials\, or tracing how a practice evolves over time. \nThis exhibition celebrates the creative path of artists who began their journeys at UC Santa Cruz. United by shared roots yet defined by distinct paths\, the participating alumni reflect the lasting influence of the Arts Division programs. Their works speak to the spirit of inquiry\, experimentation\, and perseverance that has long shaped the university’s artistic community. \nReView presents an opportunity for the campus and larger community to see the professional practice of these artists who continue to build on the creative foundation that they received at UCSC and to inspire our current students\, offering visualization of their own future artistic journeys after graduation. \nReView offers a unique opportunity for returning alumni to celebrate their creative expressions while reconnecting with classmates and the university community. \nAdmission is free and open to the public.  \nMore Information
URL:https://events.ucsc.edu/event/review-3/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260918T010000
DTEND;TZID=America/Los_Angeles:20260919T005959
DTSTAMP:20260901T223547Z
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SUMMARY:ReView
DESCRIPTION:Mary Porter Sesnon Art Gallery\nAugust 13-September 19\, 2026 \nOpening celebration and Artist Talk\nSaturday\, August 15\, 2-4:30 p.m\nLight refreshments will be served. \nSummer Gallery Hours: Thursday-Saturday\, 1-5pm \nReView: UC Santa Cruz Arts Alumni Exhibition features Arts Division alumni from the Monterey and San Francisco Bay Areas. Curated by Valéria Miranda\, the Sesnon’s Director\, ReView includes a wide variety of media and techniques highlighting the diversity of contemporary practice of alumni who graduated from 1972 to 2025. The exhibition title alludes to the portfolio critique process and suggests ideas of reflection and reevaluation—whether revisiting past work\, rethinking materials\, or tracing how a practice evolves over time. \nThis exhibition celebrates the creative path of artists who began their journeys at UC Santa Cruz. United by shared roots yet defined by distinct paths\, the participating alumni reflect the lasting influence of the Arts Division programs. Their works speak to the spirit of inquiry\, experimentation\, and perseverance that has long shaped the university’s artistic community. \nReView presents an opportunity for the campus and larger community to see the professional practice of these artists who continue to build on the creative foundation that they received at UCSC and to inspire our current students\, offering visualization of their own future artistic journeys after graduation. \nReView offers a unique opportunity for returning alumni to celebrate their creative expressions while reconnecting with classmates and the university community. \nAdmission is free and open to the public.  \nMore Information
URL:https://events.ucsc.edu/event/review-3/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260919T010000
DTEND;TZID=America/Los_Angeles:20260920T005959
DTSTAMP:20260901T223547Z
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SUMMARY:ReView
DESCRIPTION:Mary Porter Sesnon Art Gallery\nAugust 13-September 19\, 2026 \nOpening celebration and Artist Talk\nSaturday\, August 15\, 2-4:30 p.m\nLight refreshments will be served. \nSummer Gallery Hours: Thursday-Saturday\, 1-5pm \nReView: UC Santa Cruz Arts Alumni Exhibition features Arts Division alumni from the Monterey and San Francisco Bay Areas. Curated by Valéria Miranda\, the Sesnon’s Director\, ReView includes a wide variety of media and techniques highlighting the diversity of contemporary practice of alumni who graduated from 1972 to 2025. The exhibition title alludes to the portfolio critique process and suggests ideas of reflection and reevaluation—whether revisiting past work\, rethinking materials\, or tracing how a practice evolves over time. \nThis exhibition celebrates the creative path of artists who began their journeys at UC Santa Cruz. United by shared roots yet defined by distinct paths\, the participating alumni reflect the lasting influence of the Arts Division programs. Their works speak to the spirit of inquiry\, experimentation\, and perseverance that has long shaped the university’s artistic community. \nReView presents an opportunity for the campus and larger community to see the professional practice of these artists who continue to build on the creative foundation that they received at UCSC and to inspire our current students\, offering visualization of their own future artistic journeys after graduation. \nReView offers a unique opportunity for returning alumni to celebrate their creative expressions while reconnecting with classmates and the university community. \nAdmission is free and open to the public.  \nMore Information
URL:https://events.ucsc.edu/event/review-3/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261002T120000
DTEND;TZID=America/Los_Angeles:20261002T170000
DTSTAMP:20260831T182815Z
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LAST-MODIFIED:20260831T182815Z
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-02/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261002T120000
DTEND;TZID=America/Los_Angeles:20261002T170000
DTSTAMP:20260831T183411Z
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-02/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-03/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261003T120000
DTEND;TZID=America/Los_Angeles:20261003T170000
DTSTAMP:20260831T183411Z
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-03/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-04/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-04/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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SUMMARY:Community Tuesday at the UCSC Arboretum
DESCRIPTION:The Arboretum opens its gates to the community free of charge the first Tuesday of every month. Come enjoy our gardens and wildlife. Don’t forget to stop by Norrie’s\, our wonderful gift shop and plant nursery (Open Tues-Sun 10 am-4 pm). Community Days are popular\, please consider carpooling or using alternative transportation. Current Arboretum members and UCSC Students always receive free admission.
URL:https://events.ucsc.edu/event/community-tuesday-at-the-ucsc-arboretum/2026-10-06/
LOCATION:Arboretum\, 122 Arboretum Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits,Social Gathering
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DTSTART;TZID=America/Los_Angeles:20261007T120000
DTEND;TZID=America/Los_Angeles:20261007T170000
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-07/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261007T120000
DTEND;TZID=America/Los_Angeles:20261007T170000
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-07/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-08/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTEND;TZID=America/Los_Angeles:20261008T170000
DTSTAMP:20260831T183411Z
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-08/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261009T200000
DTEND;TZID=America/Los_Angeles:20261009T230000
DTSTAMP:20260929T214126Z
CREATED:20260929T214126Z
LAST-MODIFIED:20260929T214126Z
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SUMMARY:SPAM New Media Festival - Night Two: Jean Carla Rodea + Abram Stern & Dorothy R. Santos + EPOCH
DESCRIPTION:SPAM New Media Festival launches it’s California edition of their annual festival with performances by interdisciplinary artist Jean Carla Rodea\, collaborative duo Abram Stern & Dorothy R. Santos\, and new Santa Cruz-based project EPOCH. \nJean Carla Rodea \n\n\nJean Carla Rodea is an interdisciplinary artist with a research-based practice\, originally from Mexico City and currently based between San Francisco\, CA\, and Brooklyn\, NY. Their work spans music\, sound\, vocality\, performance\, poetry\, photography\, video\, and sculpture\, moving fluidly between solo projects and collaborative\, cross-disciplinary environments. They draw from shifting identities\, immigration\, ritual\, performance\, ecology\, construction work\, and improvisation\, engaging deeply with time-based media and the diverse spaces where these interactions take place. A central focus of their practice is the exploration of critical socio-political issues\, including the politics of the body\, gender\, memory\, and imbalanced human relationships. They are particularly invested in how time is constructed through memory\, and how those memories—whether embodied or embedded within spaces—are recorded\, fragmented\, and continually reconstructed. This investigation opens pathways for fiction and speculative dimensions to disrupt and challenge dominant narratives. Archival research is a recurring methodology in their work\, encompassing both institutional and personal archives. From these materials\, they craft speculative histories\, responding to documents\, physical traces\, and spaces. In their engagement with the archive\, they embody multiple performative roles: witness\, observer\, participant\, and researcher\, each inhabiting the temporary sites where events unfold. \nDorothy R. Santos\, Ph. D.\nDorothy R. Santos\, Ph. D. (she/they) is a Filipino-American writer\, artist\, and media scholar. She earned her Ph.D. in Film and Digital Media with a designated emphasis in Computational Media from the University of California\, Santa Cruz. She is an Assistant Professor of Teaching focused on Art\, Justice\, and Digital Media in the Art Department and Core Faculty for the Creative Technologies program at the University of California\, Santa Cruz. \n\n\nAbram Stern\nAbram Stern\, MFA. Ph.D.\, (they/he) is an artist and scholar whose work builds upon collections of government-produced media and metadata. They interrogate the material produced by public bureaucracies and the infrastructures that mediate our experiences of them. Their artwork has been exhibited at / (Slash)\, the Institute of Contemporary Art at Maine College of Art and Design\, Real Art Ways\, the Beall Center for Arts and Technology\, Works|San Jose\, and New Langton Arts. Abram served as an education fellow for the Visualizing Abolition initiative at the Institute of Arts and Sciences at UC Santa Cruz\, a public humanities fellow for The Humanities Institute\, and a research fellow for the CITRIS Data and Democracy Institute. Their work has been published in Media-N: Journal of the New Media Caucus and Information Polity. Abram’s projects and collaborations have been supported by funding from the Sunlight Foundation\, the Knight Foundation\, the National Science Foundation\, the Mozilla Foundation\, and the University of California Humanities Research Institute. They hold a Ph.D. in Film and Digital Media from the University of California\, Santa Cruz\, a Master’s in Fine Art of Digital Art and New Media\, and a Bachelor of Fine Arts degree in Digital Media from the San Francisco Art Institute.\n\nEPOCH\nSome say EPOCH was born from a recording that should not have survived. Others say EPOCH has always existed\, that before there was an archive\, there was EPOCH.\n\nEPOCH is a composer of temporal fragments\, emerging from the space between one moment and the next. They appear wherever the past begins to speak through the future. They travel through the remains of recorded time\, gathering ancestral voices\, signals from abandoned machines\, and other fragments left behind.\n\nEPOCH is a myth. EPOCH is a presence. EPOCH is a response. EPOCH is an answer.\n\nEPOCH. EPOCH. EPOCH. EPOCH…
URL:https://events.ucsc.edu/event/spam-new-media-festival-night-two-jean-carla-rodea-abram-stern-dorothy-r-santos-epoch/
LOCATION:Indexical\, 1050 River St. #119\, Santa Cruz\, 95060\, United States
CATEGORIES:Concerts,Exhibits,Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261010T120000
DTEND;TZID=America/Los_Angeles:20261010T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-10/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261010T120000
DTEND;TZID=America/Los_Angeles:20261010T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-10/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261010T210000
DTEND;TZID=America/Los_Angeles:20261010T233000
DTSTAMP:20260929T214109Z
CREATED:20260929T214109Z
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SUMMARY:SPAM New Media Festival Night 2: Sunken Cages + Rohan Chander & Scott Li + Ava Koohbor
DESCRIPTION:SPAM New Media Festival continues with performances by electronic percussionist Sunken Cages\, collaborative duo Rohan Chander & Scott Li\, and artist / instrument builder Ava Koohbor. \n\nAbout the Artists\nSunken Cages is the project of Indian-born drummer/electronic music producer Ravish Momin. He has studied with US Jazz master-drummer Andrew Cyrille and has worked as a sideman with a wide array of musicians including US Jazz legend Kalaparush Maurice McIntyre (AACM/Chicago) and pop-star Shakira. In the past\, he led Tarana\, a shapeshifting global-Jazz group\, on international and domestic stages for 14 years. His current collaborative projects include ‘Turning Jewels Into Water’ (with Haitian electronic music pioneer Val Jeanty)\, a duo with dragonchild (Ethio-American saxophonist DA Mekonnen) and a trio with dancer Ishita Mili and video-artist Art Jones. He has recently produced tracks with South African Gqom group Phelimuncasi (Nyege Nyege Records)\, Saxophonist Maria Valencia (Meridian Brothers)\, producers Makossiri (Hakuna Kulala\, Kenya)\, Saskia (QTV\, Brazil)\, Kush Arora (Discrepant\, US)\, Baba Sy (Jokkoo Collective\, Spain/Senegal) and Rani Jambak (Indonesia\, Yes No Wave.)\n\nRohan Chander is a media artist\, electronic musician\, and performance artist with an interest in recombinatory approaches to sound and aesthetic. Rooted in political and personal inquiry\, he often draws from sample-based artforms\, performance art\, speculative fiction\, and historical research. His work has been described as “hypersensory” (Washington Post)\, “remarkably alive” (The Wire Magazine)\, and of “transcendent metamorphosis” (I Care If You Listen). Under his solo DIY project BAKUDI SCREAM\, I won the Gaudeamus Prize for Music Composition in 2022.\n\n\nScott Li is a NYC-based violinist\, composer\, producer\, improviser\, filmmaker\, and electroacoustic sound artist blending the Romantic classical chamber music tradition with deeply emotive\, boundary-pushing electronic music. Li‘s music is first and foremost epistolary—love letters to the world and the people around us\, the memories we share\, and the feelings we carry with us. Hailed by The Crossfader as “one of the pioneers of the next generation’s classical music”\, Li’s work fuses visceral string playing\, modular synthesis\, live processing\, fixed media\, film\, photography\, dance\, and poetry with a classical chamber music sensibility to “create a simultaneous understanding of The Beautiful and The Sublime\, while exhibiting unparalleled emotional induction.” (The Crossfader\, 2019) Half of the newly formed “Warp Duo” with electroacoustic improviser Levi Lu\, Li is an explorer of haunting and ethereal sounds and a collaborator of a diverse group of musicians\, filmmakers\, visual artists\, poets\, and dancers\, with work ranging from modern pop production to full-blown experimental noise music. Collaborations have included works premiered at New World Symphony’s BLUE Project series in 2022\, The University of Michigan’s Dance Department alongside Vim Vigor Dance\, as well as a commission from Pathos Percussion Trio. Li has performed at numerous renowned stages across the country\, including the Park Avenue Armory\, Big Ears\, New World Symphony Center in Miami\, REDCAT\, Dripping\, the Jazz Gallery in NYC\, Rhizome DC and internationally at A L’ARME! Festival and Cologne Jazz Fest\, supporting bassoonist and composer Joy Guidry. Li currently works at the Juilliard School as a full-time recording engineer.\n\n\nAva Koohbor works between sculpture and instrument\, poetry and circuitry\, memory and electronics\, Tehran and San Francisco. Her practice explores sound as a field of relations\, where listening\, making\, and material continually reorganize one another. Her work takes shape through instruments\, performances\, installations\, exhibitions\, and books. Her latest book\, Of Flesh and Frequency: A Poetics of Sound Making\, was published by Lithic Press in 2026.
URL:https://events.ucsc.edu/event/spam-new-media-festival-night-2-sunken-cages-rohan-chander-scott-li-ava-koohbor/
LOCATION:Indexical\, 1050 River St. #119\, Santa Cruz\, 95060\, United States
CATEGORIES:Exhibits,Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261011T120000
DTEND;TZID=America/Los_Angeles:20261011T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-11/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261011T120000
DTEND;TZID=America/Los_Angeles:20261011T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-11/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261014T120000
DTEND;TZID=America/Los_Angeles:20261014T170000
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-14/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261014T120000
DTEND;TZID=America/Los_Angeles:20261014T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-14/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261015T000000
DTEND;TZID=America/Los_Angeles:20261205T235959
DTSTAMP:20260922T171843Z
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SUMMARY:Exhibition—The Audacity to Create\, works by BIPOC UC Santa Cruz alumni
DESCRIPTION:The Audacity to Create is an alumni exhibition showcasing the work of UC Santa Cruz Black\, Indigenous\, and People of Color (BIPOC) alumni Alejandra Chavez\, Jorge Gomez-Gonzalez \, Katie Dorame\, Seráb Serabia\, Aleya Caballero\, Edward Ramirez\, Josselyne Morales\, and Marceline Valentine. \nADMISSION \n\nAttend in person at the Mary Porter Sesnon Art Gallery at UC Santa Cruz\nFREE and open to the public.\nGallery hours: Tues.–Sat.\, noon–5:00 p.m.\nGallery accessibility and visitor information here.\n\nFULL SCHEDULE OF EVENTS \n\nOngoing exhibition: Thurs.\, Oct. 15–Sat.\, Dec. 5\, noon–5:00 p.m.\nReception: Sat.\, Oct. 17\, 2:00–4:30 p.m.\nArtist talk: Sat.\, Nov. 7\, 2:00–3:30 p.m.\n\nPARKING \n\nLots 124 & 125 are the closest parking lots to the Gallery.\nParking is by permit or Aims Mobile Pay (AMP).\nCore West parking structure and West Remote Lot 127 are free/no permit required on weekends.\nLearn more about parking at UCSC via Transportation & Parking Services (TAPS).\n\n### \nThis program is open to the general public consistent with state and federal law.
URL:https://events.ucsc.edu/event/exhibition-audacity/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-15/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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