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SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/drop-in-draw-spr-2026/2026-05-27/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260528T120000
DTEND;TZID=America/Los_Angeles:20260528T170000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-28/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-28/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260529T120000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-29/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260530T120000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-30/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260530T120000
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LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-30/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260530T120000
DTEND;TZID=America/Los_Angeles:20260530T170000
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SUMMARY:Office Hours Under the Sea
DESCRIPTION:Join Ronaldo Wilson and special guests for a site-specific\, endurance performance as part of there are no words\, but melodies. The exhibition emerges at the intersections of Black poetics\, performance\, and visual art toshuttle between verbal and non-verbal forms of language\, rendering the boundaries of identity and meaning slippery. \nDrop in and visit Wilson’s office hours any time between 12pm and 5pm. \nAbout the Artist: \nRonaldo V. Wilson is a poet\, interdisciplinary artist\, academic\, and the author of Narrative of the Life of the Brown Boy and the White Man\, winner of the Cave Canem Prize; Poems of the Black Object\, winner of the Thom Gunn Award for Gay Poetry and the Asian American Literary Award in Poetry; Farther Traveler: Poetry\, Prose\, Other\, and Lucy 72. His latest books are Carmelina: Figures and Virgil Kills: Stories. He is the editor of three special issues of hybrid and experimental work in Interim: A Journal of Poetry and Poetics; and Obsidian: Literature & Arts in the African Diaspora. He has shown work and performed most recently at the Center for African American Poetry and Poetics\, and The Woodberry Poetry Room at Harvard. The recipient of numerous fellowships\, including Cave Canem\, the Fine Arts Work Center in Provincetown\, MacDowell\, and The Robert Rauschenberg Foundation\, Wilson is Professor of Creative Writing and Literature at U.C. Santa Cruz\, where he directs the Creative Writing Program\, and serves on the core faculty of the Creative Critical PhD Program; principal faculty member of CRES (Critical Race and Ethnic Studies); and affiliate faculty member of DANM (Digital Arts and New Media).
URL:https://events.ucsc.edu/event/office-hours-under-the-sea/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits,Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260531T120000
DTEND;TZID=America/Los_Angeles:20260531T170000
DTSTAMP:20260404T103459
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-31/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260531T120000
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-31/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260603T120000
DTEND;TZID=America/Los_Angeles:20260603T170000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-03/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260603T120000
DTEND;TZID=America/Los_Angeles:20260603T170000
DTSTAMP:20260404T103459
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-03/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260604T120000
DTEND;TZID=America/Los_Angeles:20260604T170000
DTSTAMP:20260404T103459
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
UID:10011976-1780574400-1780592400@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-04/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260604T120000
DTEND;TZID=America/Los_Angeles:20260604T170000
DTSTAMP:20260404T103459
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011883-1780574400-1780592400@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-04/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260605T100000
DTEND;TZID=America/Los_Angeles:20260605T180000
DTSTAMP:20260404T103459
CREATED:20260106T210354Z
LAST-MODIFIED:20260108T231129Z
UID:10008335-1780653600-1780682400@events.ucsc.edu
SUMMARY:52nd Annual Print Sale
DESCRIPTION:The 52nd anniversary of the UCSC Print Sale runs in conjunction with the Art Department’s Spring Open Studios. Hundreds of original prints will be for sale in a variety of media at this two-day event\, including: \n\nWoodcuts\nLithographs\nEtchings\nPhoto-based prints\nScreen prints\nAnd more!\n\nAll proceeds benefit art students: 80% of proceeds go to the individual artists\, and 20% goes to support the Print Studio (thereby back to printmaking students). This once-a-year event presents an extraordinary opportunity for students to display and sell their work to the public. The event also offers an opportunity to see the exceptional quality of the printmaking program and facilities at UC Santa Cruz.\n—\nADMISSION\n– FREE and open to the public.\n—\nFULL SCHEDULE OF EVENTS\n– Print Sale: Two-day event scheduled for Fri. June 5 & Sat. June 6 from 10:00 a.m.–6:00 p.m.\n– Open Studios: One day only\, in conjunction with the Print Sale\, on Fri. June 5 noon–4:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/52nd-annual-print-sale-2/2026-06-05/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260605T120000
DTEND;TZID=America/Los_Angeles:20260605T160000
DTSTAMP:20260404T103459
CREATED:20251013T060832Z
LAST-MODIFIED:20260106T200953Z
UID:10004806-1780660800-1780675200@events.ucsc.edu
SUMMARY:Spring 2026 Open Studios
DESCRIPTION:Art Department students exhibit their art work throughout studios and classrooms at the Elena Baskin Visual Arts Center at UC Santa Cruz. The Open Studios event features student art work in a variety of media\, including:\n– Drawing\n– Painting\n– Print media\n– Sculpture\n– Photography\n– Environmental art\n– Electronic art/new media\n—\nADMISSION\nFREE and open to the public.\n—\nPARKING\n– Parking by permit or ParkMobile: Purchase a permit in advance at the TAPS office or use the ParkMobile app\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/spring-2026-open-studios/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260605T120000
DTEND;TZID=America/Los_Angeles:20260605T170000
DTSTAMP:20260404T103459
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
UID:10011977-1780660800-1780678800@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-05/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260606T100000
DTEND;TZID=America/Los_Angeles:20260606T180000
DTSTAMP:20260404T103459
CREATED:20260106T210354Z
LAST-MODIFIED:20260108T231129Z
UID:10008336-1780740000-1780768800@events.ucsc.edu
SUMMARY:52nd Annual Print Sale
DESCRIPTION:The 52nd anniversary of the UCSC Print Sale runs in conjunction with the Art Department’s Spring Open Studios. Hundreds of original prints will be for sale in a variety of media at this two-day event\, including: \n\nWoodcuts\nLithographs\nEtchings\nPhoto-based prints\nScreen prints\nAnd more!\n\nAll proceeds benefit art students: 80% of proceeds go to the individual artists\, and 20% goes to support the Print Studio (thereby back to printmaking students). This once-a-year event presents an extraordinary opportunity for students to display and sell their work to the public. The event also offers an opportunity to see the exceptional quality of the printmaking program and facilities at UC Santa Cruz.\n—\nADMISSION\n– FREE and open to the public.\n—\nFULL SCHEDULE OF EVENTS\n– Print Sale: Two-day event scheduled for Fri. June 5 & Sat. June 6 from 10:00 a.m.–6:00 p.m.\n– Open Studios: One day only\, in conjunction with the Print Sale\, on Fri. June 5 noon–4:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/52nd-annual-print-sale-2/2026-06-06/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260606T120000
DTEND;TZID=America/Los_Angeles:20260606T170000
DTSTAMP:20260404T103459
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
UID:10011978-1780747200-1780765200@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-06/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260606T120000
DTEND;TZID=America/Los_Angeles:20260606T170000
DTSTAMP:20260404T103459
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011884-1780747200-1780765200@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-06/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260607T120000
DTEND;TZID=America/Los_Angeles:20260607T170000
DTSTAMP:20260404T103459
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
UID:10011979-1780833600-1780851600@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-07/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260607T120000
DTEND;TZID=America/Los_Angeles:20260607T170000
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-07/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260610T120000
DTEND;TZID=America/Los_Angeles:20260610T170000
DTSTAMP:20260404T103459
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
UID:10011980-1781092800-1781110800@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-10/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260610T120000
DTEND;TZID=America/Los_Angeles:20260610T170000
DTSTAMP:20260404T103459
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011886-1781092800-1781110800@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-10/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260611T120000
DTEND;TZID=America/Los_Angeles:20260611T170000
DTSTAMP:20260404T103459
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
UID:10011981-1781179200-1781197200@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-11/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260611T120000
DTEND;TZID=America/Los_Angeles:20260611T170000
DTSTAMP:20260404T103500
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011887-1781179200-1781197200@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-11/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260612T120000
DTEND;TZID=America/Los_Angeles:20260612T170000
DTSTAMP:20260404T103500
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
UID:10011982-1781265600-1781283600@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-12/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260613T120000
DTEND;TZID=America/Los_Angeles:20260613T170000
DTSTAMP:20260404T103500
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
UID:10011983-1781352000-1781370000@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-13/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260613T120000
DTEND;TZID=America/Los_Angeles:20260613T170000
DTSTAMP:20260404T103500
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011888-1781352000-1781370000@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-13/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260614T120000
DTEND;TZID=America/Los_Angeles:20260614T170000
DTSTAMP:20260404T103500
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
UID:10011984-1781438400-1781456400@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-14/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260614T120000
DTEND;TZID=America/Los_Angeles:20260614T170000
DTSTAMP:20260404T103500
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011889-1781438400-1781456400@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-14/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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