Artist Roundtable for EASP M.F.A. Exhibition—"Picking up Shells Amid a Tsunami"
2026-04-23 17:00 - 18:00 (America/Los_Angeles) | Mary Porter Sesnon Art Gallery, Baskin Service Road, Santa Cruz, CA, 95064
The culminating exhibition of the Environmental Art and Social Practice (EASP) M.F.A. program at UC Santa Cruz presents new projects—Picking up Shells Amid a Tsunami 쓰나미가 밀려오는데, 조개나 줍고 있네—developed through concentrated inquiry over a two-year period and offers a window into the artists’ unique long-term research projects that expand beyond the gallery space.
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FULL SCHEDULE OF EVENTS
– Ongoing Exhibition: Thurs.., April 2–Sat., May 2, 2026
– Opening Celebration: Thurs., April 2, 5:00–7:00 p.m.
– Artist Roundtable: Thurs., April 23, 5:00–6:00 p.m.
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ADMISSION
– FREE and open to the public
– Gallery hours are Tues.–Sun.noon–5:00 p.m (closed Mondays)
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PARKING
– Lot 124 & 125 are the closest parking lots to the event.
– Parking is by permit or ParkMobile.
– Refer to TAPS for more parking information.
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ABOUT THE EXHIBITION
– More exhibition information here.
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This program is open to all members of the public consistent with state and federal law.

Spring Exhibitions at the Institute of the Arts and Sciences
2026-04-24 12:00 - 17:00, 2026-04-25 12:00 - 17:00, 2026-04-26 12:00 - 17:00, 2026-04-29 12:00 - 17:00, 2026-04-30 12:00 - 17:00, 2026-05-01 12:00 - 17:00, 2026-05-02 12:00 - 17:00, 2026-05-03 12:00 - 17:00 and 6 more dates | Institute of the Arts and Sciences, 100 Panetta Ave, Santa Cruz, United States
Visit the IAS, UCSC’s premier art galleries, for our spring exhibitions. On view April 10–August 16, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words, But Melodies, a mixed-media exhibition emerging at the intersections of Black poetics, performance, and visual art.
The IAS Galleries are open Wednesday-Sunday, 12 pm – 5 pm. Admission is free to the public.
Libia Posada: Everything is Going Right
Libia Posada’s first solo exhibition in the United States features installations, sculptures, and drawings meticulously constructed from surgical instruments, gauze bandages, crutches, used books, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal, social, and political disorders and afflictions that currently trouble the world, from the wars that resonate across the globe to the violences of aging in US prisons.
Gina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements
The internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation, produced in community from things collected, found, purchased and donated, centers on the Haitian concept of rasanblaj, a form of assembly and collage that transcends the formal use of materials to draw together people, spirits, and ideas.
Ronaldo V. Wilson: There Are No Words, But Melodies
Collage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video, painting, and installation, layers and folds conceal and reveal, delving into the experience, both bodily and emotive, of living in times of violence.

Harriet: Performing Anarchive
2026-04-24 19:00 - 21:00 | Digital Arts Research Center, 407 McHenry Rd, Santa Cruz, CA, 95064
Through motion capture, immersive sound, and real-time digital systems, CHARI (Dr. Chari Smith) performs alongside Harriet, a life-scale avatar carrying a living archive of Black sonic and vernacular memory. Drawing from Black archival traditions rooted in call-and-response, improvisation, and communal stewardship, the performance understands memory as relational and alive. Together, our movements shape the environment as the performance unfolds, images shift, sound expands, and memory surfaces in fragments.
Performing Anarchive turns the stage into a threshold between body and code, memory and possibility. It imagines a future where technology is not distant or extractive, but intimate, attentive, and alive.

Rsvp and reserve a seat via Eventbrite

Parking:
Performance Arts Lot
Permits Accepted: A, N, MC, ADA, Medical, Reserved,
Parkmobile: Zone 15158

This performance was made possible in part through grant funding from Investing in Artists: Artistic Innovation at The Center for Cultural Innovation, the Arts Division, and the Arts Research Institute.

Visualizing Abolition Screening Series: Beyond Access
2026-04-25 12:00 - 17:00, 2026-04-26 12:00 - 17:00, 2026-04-29 12:00 - 17:00, 2026-04-30 12:00 - 17:00, 2026-05-02 12:00 - 17:00, 2026-05-03 12:00 - 17:00, 2026-05-06 12:00 - 17:00, 2026-05-07 12:00 - 17:00 and 2 more dates | Institute of the Arts and Sciences, 100 Panetta Ave, Santa Cruz, United States
On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan.
Prisons deny and censor the access of those trapped inside them—to information, to intimacy, to community, to meaningful work, to nourishment of all kinds, and perhaps most cruelly, to care. This program assembles a series of films, including works by filmmakers incarcerated in California as well as others without that lived experience. Together, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital, the university), turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility, the short films together reveal the courage of people working despite limitations to produce collective access for one another, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.”
Thanh Tran
Dying in Prison, 2022
HD Video (color, sound), 3 minutes
Courtesy of the artist
Carolyn Lazard
Pre-Existing Condition, 2019
HD video (color, sound), 6 minutes
Courtesy of the artist and Trautwein Herleth3
Anthony Alejandrez
Another Rainy Day, 2023
Phone video (color, sound), 3 minutes
Courtesy of the artist
Jordan Lord
After…After… (Access), 2018
HD Video (color, sound), 16 minutes
Courtesy of the artist
Rahsaan “New York” Thomas
Friendly Signs, 2023
Video (color, sound) 21 minutes
Courtesy of Tommy Wickerd, Empowerment Ave & System Impact Media

Artist Tour with Libia Posada
2026-04-25 14:00 - 15:00 | Institute of the Arts and Sciences, 100 Panetta Ave, Santa Cruz, United States
We are thrilled to invite you to join Libia Posada, a multidisciplinary artist as well as a physician, for this artist-led tour of Everything is Going Right, the premiere solo exhibition of her work in the United States. With artworks influenced by her medical training, Posada will discuss how she engages the body as a site for the staging of human experience, both individual and collective, and a territory closely connected to the geopolitical.
Libia Posada’s work has been shown broadly internationally, including at the Museum of Modern Art of Medellín; Musée Les Abattoirs, Toulouse, France; National Museum of Colombia; and the Havana Biennial.

Drop-in Figure Drawing
2026-04-29 19:00 - 21:00, 2026-05-06 19:00 - 21:00 | Elena Baskin Visual Arts Center, Baskin Service Road, Santa Cruz, CA, 95064
Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).
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ADVISORIES
– These events contain mature content and nudity.
– Drop-In Draw is subject to the possibility of last-minute cancellation without notification, and sessions are not guaranteed.
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ADMISSION
– FREE and open to the public
– UCSC Art Department Room M-101
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FULL SCHEDULE OF EVENTS
This series occurs weekly on Wednesday evenings during spring quarter, including the following:
Wednesday April 1, 2026, 7:00–9:00 p.m.
Wednesday April 8, 2026, 7:00–9:00 p.m.
Wednesday April 15, 2026, 7:00–9:00 p.m.
Wednesday April 22, 2026, 7:00–9:00 p.m.
Wednesday April 29, 2026, 7:00–9:00 p.m.
Wednesday May 6, 2026, 7:00–9:00 p.m.
Wednesday May 13, 2026, 7:00–9:00 p.m.
Wednesday May 20, 2026, 7:00–9:00 p.m.
Wednesday May 27, 2026, 7:00–9:00 p.m.
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PARKING
– Parking by permit or ParkMobile.
– Arts Lot #126 is the closest parking lot to the event.
– Visitors with DMV placards or plates may park for free in DMV spaces, Medical spaces, or ParkMobile spaces without additional payment, or in timed zones for longer than the posted time.
– More information provided by UCSC Transportation & Parking Services (TAPS).
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This program is open to all members of the public consistent with state and federal law.

Rasanblaj as Spirit Turn: Gina Athena Ulysse in Conversation with Jennifer González
2026-05-07 18:00 - 19:30 | Institute of the Arts and Sciences, 100 Panetta Ave, Santa Cruz, United States
Please join us for a conversation between Gina Athena Ulysse and Jennifer González, discussing Ulysse’s solo exhibition Redwoods Rasanblaj: Origins & Disentanglements.
The internationally-lauded work of humanities professor Gina Athena Ulysse is on view at the IAS as an inaugural Faculty Spotlight Exhibition. The site-specific installation, produced in community from things collected, found, purchased and donated, centers on the concept developed by the artist of “rasanblaj”, a form of assembly and collage that transcends the formal use of materials to draw together people, spirits, and ideas.
The artist will be joined in conversation by noted art theorist and scholar Jennifer González, professor of history of art and visual culture.
