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DTSTART;TZID=America/Los_Angeles:20260520T120000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-20/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260520T120000
DTEND;TZID=America/Los_Angeles:20260520T170000
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CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-20/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260520T173000
DTEND;TZID=America/Los_Angeles:20260520T190000
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LAST-MODIFIED:20260430T194940Z
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SUMMARY:VMCC Talk with Salar Mameni—Blood of Tulips
DESCRIPTION:What counts as life in the midst of war\, genocide\, and planetary destruction? What is death and how do ideas around martyrdom and sacrifice contribute to our understanding of sacred ecologies? In this talk\, Mameni engages these questions based on research for his second book project focusing on ecologies of war and martyrdom in the SWANA region. \nABOUT THE SERIES\nThe Visual & Media Cultures Colloquium (VMCC) is an annual lecture series that brings cutting-edge scholars to speak on a broad range of subjects related to visual and media culture. The series is co-sponsored with the graduate programs in the History of Art & Visual Culture (HAVC) and the Arts Division.\n—\nADMISSION\n– Attend in person.\n– Porter College D245\n– FREE and open to the public.\n—\nThis program is open to the public consistent with state and federal law.\n—\nSave\, download\, and share the event flyer here: \nimage: blood of tulips by salar\n 
URL:https://events.ucsc.edu/event/vmcc-mameni/
LOCATION:Porter College\, D-Building\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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DTSTART;TZID=America/Los_Angeles:20260520T190000
DTEND;TZID=America/Los_Angeles:20260520T210000
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SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/drop-in-draw-spr-2026/2026-05-20/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260520T190000
DTEND;TZID=America/Los_Angeles:20260520T213000
DTSTAMP:20260518T173216
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SUMMARY:Tripoli: A Tale of Three Cities—reception\, screening\, and discussion with the filmmmaker
DESCRIPTION:While living abroad\, a filmmaker returns to Tripoli\, Lebanon\, to confront a hometown that once rejected him as a queer child. With a microphone in hand\, he walks around coffee shops\, public squares\, and a park to ask the city’s inhabitants about their cultural and social beliefs and their embrace of new ideas. Gradually\, he meets a group of marginalized individuals whose eccentric life choices contradict the general lifestyle in this religiously and socially conservative city. Through intimate conversations with a communist activist\, a queer music producer\, and other unconventional characters\, Tripoli: A Tale of Three Cities explores the complicated relations one forms with a hometown in crisis. This contemplative urban symphony paints a picture of a city trapped in a self-spun web\, paralyzed by a deep economic crisis\, a faltering revolution\, and a looming doomsday.\n \nUC Santa Cruz affiliates are invited to a screening of the film\, followed by a discussion between UCSC alum\, Raed Rafei\, and Professor of Film and Digital Media\, Peter Limbrick.\n—\nADMISSION\n– Attend in person at the Communications Studio C\n– FREE and open to UCSC affiliates\n—\nFULL SCHEDULE OF EVENTS\n5:30 p.m.—Reception in Communications 139\n7:00 p.m.—Film Screening and Discussion in Studio C\n—\nPARKING\n– Parking by UCSC permit or ParkMobile.\n– Baskin Engineering Lot #139A and Core West are the closest parking lots to the Communications Building.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all UC Santa Cruz affiliates consistent with state and federal law.
URL:https://events.ucsc.edu/event/tripoli-a-tale-of-three-cities/
LOCATION:Communications Building\, 7487 Red Hill Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Film Screening,Lectures & Presentations
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DTSTART;TZID=America/Los_Angeles:20260521T120000
DTEND;TZID=America/Los_Angeles:20260521T170000
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CREATED:20260402T184659Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-21/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260521T120000
DTEND;TZID=America/Los_Angeles:20260521T170000
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LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-21/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260521T193000
DTEND;TZID=America/Los_Angeles:20260521T193000
DTSTAMP:20260518T173216
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LAST-MODIFIED:20260518T205042Z
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SUMMARY:Who Can I Run To?\, by Alyssa Windom—2026 Dharma Grace Creative Writing Award and Theatrical Production
DESCRIPTION:Through their belief in Ifá and the divine\, three generations of women grow their relationships with each other and navigate living within their African diasporic identities in undergraduate student Alyssa Windom‘s award-winning script\, Who Can I Run To? Windom is a 3rd year History of Art and Visual Culture (HAVC) major with the Arts Division at UC Santa Cruz and is the recipient of the 2026 Dharma Grace Creative Writing Award. The award includes a full theatrical production of their script. \nIn a modern\, undisclosed time and a familiar yet unvisited space within the Americas\, the audience meets four women\, Lucia\, Esme\, Naia\, and Aviva\, three generations of the Sanderson family. The play follows each woman as they navigate how to live within the African diaspora\, as well as grow their relationships with each other. Families are complex\, but audiences learn this family does not have to figure out this life alone. Their belief in Ifá\, and the divine\, connects each woman with a guiding orisha that aids them in discovering themselves and their life paths. \nWho Can I Run To? is directed by Theater Arts graduate student Darren Jackson-Wilkins.\nThe character of Mrs. Sanderson is played by hip hop artist\, poet\, producer\, playwright\, performer\, and Assistant Professor akua naru from the UCSC Music Department. \nThere will be music and light refreshments on opening night and a talk-back with the production team after each Saturday performance.\n—\nADVISORIES\n– Content includes: strobe lighting effects\, electronic cigarettes\, loud noises\, and strong language.\n– This presentation is approximately 1hr. 15 min. with no intermission.\n– To request accessibility accommodations\, or for more information\, contact theaterartstickets@ucsc.edu.\n—\nADMISSION\n– Attend in person at UCSC’s Theater Arts Second Stage.\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” options $5–20.\n– Tickets issued  online through Eventbrite only.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n—\nFULL SCHEDULE OF EVENTS\nThis production has seven performances over two weekends between May 15 and May 24\, 2026\, with 7:30 p.m. evening performances Thurs.–Sat.\, and Sun. matinees at 2:00 p.m.\, including:\n– Fri. May 15\, 7:30 p.m. (7:00 p.m. opening night celebration before the show)\n– Sat. May 16\, 7:30 p.m. (9:30 p.m. talk-back after the show)\n– Sun. May 17\, 2:00 p.m. matinee\n– Thu. May 21\, 7:30 p.m.\n– Fri. May 22\, 7:30 p.m.\n– Sat. May 23\, 7:30 p.m. (9:30 p.m. talk-back after the show)\n– Sun. May 24\, 2:00 p.m. matinee\n—\nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant when present in the lot; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services.\n—\nABOUT THE PLAYWRIGHT\nThe 2026 Dharma Grace Creative Writing Award recipient\, Alyssa Windom\, is currently the chair of the Student Union Governance Board and co-Chair of the Black Student Union at UC Santa Cruz. Outside of organizing\, she is a resident advisor for African\, Black and Caribbean housing\, a volunteer with Engaging Education\, a frequenter in Cultural Arts and Diversity Resource Center (CADrc) spaces—such as Rainbow Theater and the African American Theater Arts Troupe—and is a member of Kasama\, a Filipino Ballroom Dance Troupe. Windom is a 3rd year History of Art and Visual Culture major at UC Santa Cruz.\n—\nABOUT THE AWARD\nEstablished in 2005\, the Dharma-Grace Foundation Creative Writing Award Fund\, an endowed fund\, provides an award for an outstanding script\, written by a junior or senior undergraduate student (from any discipline) who is in good academic standing. The award is designated to provide funding for a full production of the script. Eligible candidates for the award are selected by a faculty committee of the Department of Performance\, Play & Design and recommended to the Dean of the Division of Arts for final approval. UCSC students interested in submitting a dramatic work to the 2028 award cycle are invited to learn more at the PPD website here.\n—\nThis program is open to all members of the public consistent with state and federal law. \n 
URL:https://events.ucsc.edu/event/dharma-grace-2026/2026-05-21/
LOCATION:Second Stage\, Second Stage\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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DTSTART;TZID=America/Los_Angeles:20260521T193000
DTEND;TZID=America/Los_Angeles:20260521T213000
DTSTAMP:20260518T173216
CREATED:20260401T204643Z
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SUMMARY:Of Nature and the Cosmos—April in Santa Cruz
DESCRIPTION:Join acclaimed Iranian virtuosi Siamak Barghi (kamancheh\, tombak)\, and Arya Tavallaei (santour); Stanford University’s celebrated guzheng master Hui You; and San Francisco’s Del Sol Quartet (“excavations of beauty from the elemental”—New York Times) for an intrepid concert that explores nature\, the cosmos\, the “deep acoustics” of musical harmony\, and an exchange of imagination and inspiration among Iranian\, Chinese\, and European improvisation practices. Featuring the music of Iranian composer Nina Barzegar (“each [Barzegar’s music] slid into … mellifluous melody … heedless-sounding glissandos\, you wondered if the center would hold. But Barzegar’s compositional command kept it together.”—New York Times)\, icon of Central California experimentalism\, Ben Johnston\, and well-known Santa Cruz composers Ben Dorfan\, Christopher Pierandozzi Everingham\, and Jinwei Sun. \nThis event is presented as part of the April in Santa Cruz Festival of Creative Music.\n—\nADMISSION\n– Free and open to the public per advance registration only\n– Attend in-person at the Music Center Performance Studio 131 at UC Santa Cruz\n– Registration required via Eventbrite due to limited seating\n—\nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant when present in the lot; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services.\n—\nFULL SCHEDULE OF EVENTS\n– This year’s festival includes seven events between April 15 and May 21\, 2026\n– Additional April in Santa Cruz events and information at aprilsc.ucsc.edu\n—\nOF NATURE AND THE COSMOS\nSAN FRANCISCO’S DEL SOL QUARTET WITH IRANIAN AND CHINESE VIRTUOSOS\n\nimage: photo of Del Sol Quarter by photographer RJ.Muna\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/aisc-del-sol-05-21-26/
LOCATION:Music Center Performance Studio 131\, Santa Cruz\, CA\, 95064\, United States
CATEGORIES:Concerts,Performances
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DTSTART;TZID=America/Los_Angeles:20260522T120000
DTEND;TZID=America/Los_Angeles:20260522T140000
DTSTAMP:20260518T173216
CREATED:20260402T211754Z
LAST-MODIFIED:20260403T222321Z
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SUMMARY:Something held by poetry
DESCRIPTION:In this intimate workshop\, UC Santa Cruz students\, faculty\, and staff are invited into conversation with poets Ronaldo V. Wilson and Terri Witek. Something held by poetry is programmed for Wilson’s multimedia exhibition\, there are no words\, but melodies\, currently on view at the IAS. \nRSVP is required. \n\n\nRonaldo V. Wilson is a poet\, interdisciplinary artist\, academic\, and the author of Narrative of the Life of the Brown Boy and the White Man\, winner of the Cave Canem Prize; Poems of the Black Object\, winner of the Thom Gunn Award for Gay Poetry and the Asian American Literary Award in Poetry; Farther Traveler: Poetry\, Prose\, Other\, and Lucy 72. His latest books are Carmelina: Figures and Virgil Kills: Stories. He is the editor of three special issues of hybrid and experimental work in Interim: A Journal of Poetry and Poetics; and Obsidian: Literature & Arts in the African Diaspora. Wilson is Professor of Creative Writing and Literature at U.C. Santa Cruz\, where he directs the Creative Writing Program\, and serves on the core faculty of the Creative Critical PhD Program; principal faculty member of CRES (Critical Race and Ethnic Studies); and affiliate faculty member of DANM (Digital Arts and New Media). \n\n\n\n\nTerri Witek’s most recent books include her 2026 eco-poetics collection with Amaranth Borsuk\, W/\ SH\, which loops two rain prophets\, both women\, into a crisis between future worlds\, and 2023’s Something’s Missing in This Museum (Anhinga Press). A translation by Dona Mayoora of 2018’s The Rape Kit into Malayalam is forthcoming. Her work has been included in many anthologies\, including 2 from 2021: JUDITH: Women Making Visual Poetry (Timglaset Editions ) and the WAAVe Global Gallery (Hysterical Books). Witek’s solo and collaborative work has been featured in a wide variety of text venues\, including Fence\, The Colorado Review\, Hampden-Sydney Poetry Review\, American Poetry Review\, Poetry\, Slate\, Hudson Review\, Lana Turner\, The New Republic\, and UTSANGA .
URL:https://events.ucsc.edu/event/something-held-by-poetry/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits,Lectures & Presentations,Performances
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DTSTART;TZID=America/Los_Angeles:20260522T120000
DTEND;TZID=America/Los_Angeles:20260522T170000
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LAST-MODIFIED:20260430T205000Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-22/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260522T193000
DTEND;TZID=America/Los_Angeles:20260522T193000
DTSTAMP:20260518T173217
CREATED:20260407T171736Z
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SUMMARY:Who Can I Run To?\, by Alyssa Windom—2026 Dharma Grace Creative Writing Award and Theatrical Production
DESCRIPTION:Through their belief in Ifá and the divine\, three generations of women grow their relationships with each other and navigate living within their African diasporic identities in undergraduate student Alyssa Windom‘s award-winning script\, Who Can I Run To? Windom is a 3rd year History of Art and Visual Culture (HAVC) major with the Arts Division at UC Santa Cruz and is the recipient of the 2026 Dharma Grace Creative Writing Award. The award includes a full theatrical production of their script. \nIn a modern\, undisclosed time and a familiar yet unvisited space within the Americas\, the audience meets four women\, Lucia\, Esme\, Naia\, and Aviva\, three generations of the Sanderson family. The play follows each woman as they navigate how to live within the African diaspora\, as well as grow their relationships with each other. Families are complex\, but audiences learn this family does not have to figure out this life alone. Their belief in Ifá\, and the divine\, connects each woman with a guiding orisha that aids them in discovering themselves and their life paths. \nWho Can I Run To? is directed by Theater Arts graduate student Darren Jackson-Wilkins.\nThe character of Mrs. Sanderson is played by hip hop artist\, poet\, producer\, playwright\, performer\, and Assistant Professor akua naru from the UCSC Music Department. \nThere will be music and light refreshments on opening night and a talk-back with the production team after each Saturday performance.\n—\nADVISORIES\n– Content includes: strobe lighting effects\, electronic cigarettes\, loud noises\, and strong language.\n– This presentation is approximately 1hr. 15 min. with no intermission.\n– To request accessibility accommodations\, or for more information\, contact theaterartstickets@ucsc.edu.\n—\nADMISSION\n– Attend in person at UCSC’s Theater Arts Second Stage.\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” options $5–20.\n– Tickets issued  online through Eventbrite only.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n—\nFULL SCHEDULE OF EVENTS\nThis production has seven performances over two weekends between May 15 and May 24\, 2026\, with 7:30 p.m. evening performances Thurs.–Sat.\, and Sun. matinees at 2:00 p.m.\, including:\n– Fri. May 15\, 7:30 p.m. (7:00 p.m. opening night celebration before the show)\n– Sat. May 16\, 7:30 p.m. (9:30 p.m. talk-back after the show)\n– Sun. May 17\, 2:00 p.m. matinee\n– Thu. May 21\, 7:30 p.m.\n– Fri. May 22\, 7:30 p.m.\n– Sat. May 23\, 7:30 p.m. (9:30 p.m. talk-back after the show)\n– Sun. May 24\, 2:00 p.m. matinee\n—\nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant when present in the lot; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services.\n—\nABOUT THE PLAYWRIGHT\nThe 2026 Dharma Grace Creative Writing Award recipient\, Alyssa Windom\, is currently the chair of the Student Union Governance Board and co-Chair of the Black Student Union at UC Santa Cruz. Outside of organizing\, she is a resident advisor for African\, Black and Caribbean housing\, a volunteer with Engaging Education\, a frequenter in Cultural Arts and Diversity Resource Center (CADrc) spaces—such as Rainbow Theater and the African American Theater Arts Troupe—and is a member of Kasama\, a Filipino Ballroom Dance Troupe. Windom is a 3rd year History of Art and Visual Culture major at UC Santa Cruz.\n—\nABOUT THE AWARD\nEstablished in 2005\, the Dharma-Grace Foundation Creative Writing Award Fund\, an endowed fund\, provides an award for an outstanding script\, written by a junior or senior undergraduate student (from any discipline) who is in good academic standing. The award is designated to provide funding for a full production of the script. Eligible candidates for the award are selected by a faculty committee of the Department of Performance\, Play & Design and recommended to the Dean of the Division of Arts for final approval. UCSC students interested in submitting a dramatic work to the 2028 award cycle are invited to learn more at the PPD website here.\n—\nThis program is open to all members of the public consistent with state and federal law. \n 
URL:https://events.ucsc.edu/event/dharma-grace-2026/2026-05-22/
LOCATION:Second Stage\, Second Stage\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260522T193000
DTEND;TZID=America/Los_Angeles:20260522T210000
DTSTAMP:20260518T173217
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SUMMARY:Mojada: A Medea in Los Angeles\, directed by Kinan Valdez
DESCRIPTION:Blending Euripides’ classic Medea with Mexican folklore\, Luis Alfaro examines the tragedy behind America’s immigration system and the destiny of one family caught in its grip. Directed by Kinan Valdez. \nADVISORIES\n–  Content advisory: includes violence\, adult language\, mature themes\, and mention of sexual violence\n– This presentation is 90 minutes in length with no intermission.\n– Seating is limited and will reach full capacity.\n– Ticket holders not seated at least five minutes before the advertised start time may forfeit their ticket/seat\, and no refund will be issued.\n– Parking impacts may be significant on Fri-Sun during Week 2 of this production in Lot 126 due to other overlapping events expected to reach full capacity. \nADMISSION\n– Tickets issued online through Eventbrite only.\n– Attend in person at Theater Arts eXperimental Theater at UC Santa Cruz.\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” options for $10\, $15\, or $20.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– Doors are scheduled to open 30 minutes prior to event start time. \nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant when present in the lot; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services. \nFull Schedule of Events \nThis production includes seven performances over the course of two weeks\, including the following dates/times:\n– Fri\, May 22\, 7:30 p.m.\n– Sat\, May 23\, 7:30 p.m.\n– Sun\, May 24\, 2:00 p.m. matinee\n– Thu\, May 28\, 7:30 p.m.\n– Fri\, May 29\, 7:30 p.m.\n– Sat\, May 30\, 7:30 p.m.\n– Sun\, May 31\, 2:00 p.m. matinee\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/mojada/2026-05-22/
LOCATION:Experimental Theater\, Theater Arts Center\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260523T120000
DTEND;TZID=America/Los_Angeles:20260523T170000
DTSTAMP:20260518T173217
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-23/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260523T120000
DTEND;TZID=America/Los_Angeles:20260523T170000
DTSTAMP:20260518T173217
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-23/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260523T140000
DTEND;TZID=America/Los_Angeles:20260523T153000
DTSTAMP:20260518T173217
CREATED:20260413T222441Z
LAST-MODIFIED:20260413T222647Z
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SUMMARY:All This Safety is Killing Us w/ Aminah Elster\, Jennifer James\, and Carlos Martinez
DESCRIPTION:Join us for a conversation between Black feminist abolitionist\, advocate\, and researcher Aminah Elster\, Black Feminist scholar Jennifer James\, UCSF\, and public health and medical anthropology reseaarcher Carlos Martinez\, ucsc\,  on the intersection of prison abolition and healthcare. This conversation draws on research from the co-edited volume All This Safety Is Killing Us: Health Justice Beyond Prisons\, Police\, and Borders\, to which Elster and James contributed the chapter “Medical Neglect as Carceral Violence.”
URL:https://events.ucsc.edu/event/all-this-safety-is-killing-us-w-aminah-elster-jennifer-james-and-carlos-martinez/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260523T193000
DTEND;TZID=America/Los_Angeles:20260523T193000
DTSTAMP:20260518T173217
CREATED:20260407T171736Z
LAST-MODIFIED:20260518T205042Z
UID:10012059-1779564600-1779564600@events.ucsc.edu
SUMMARY:Who Can I Run To?\, by Alyssa Windom—2026 Dharma Grace Creative Writing Award and Theatrical Production
DESCRIPTION:Through their belief in Ifá and the divine\, three generations of women grow their relationships with each other and navigate living within their African diasporic identities in undergraduate student Alyssa Windom‘s award-winning script\, Who Can I Run To? Windom is a 3rd year History of Art and Visual Culture (HAVC) major with the Arts Division at UC Santa Cruz and is the recipient of the 2026 Dharma Grace Creative Writing Award. The award includes a full theatrical production of their script. \nIn a modern\, undisclosed time and a familiar yet unvisited space within the Americas\, the audience meets four women\, Lucia\, Esme\, Naia\, and Aviva\, three generations of the Sanderson family. The play follows each woman as they navigate how to live within the African diaspora\, as well as grow their relationships with each other. Families are complex\, but audiences learn this family does not have to figure out this life alone. Their belief in Ifá\, and the divine\, connects each woman with a guiding orisha that aids them in discovering themselves and their life paths. \nWho Can I Run To? is directed by Theater Arts graduate student Darren Jackson-Wilkins.\nThe character of Mrs. Sanderson is played by hip hop artist\, poet\, producer\, playwright\, performer\, and Assistant Professor akua naru from the UCSC Music Department. \nThere will be music and light refreshments on opening night and a talk-back with the production team after each Saturday performance.\n—\nADVISORIES\n– Content includes: strobe lighting effects\, electronic cigarettes\, loud noises\, and strong language.\n– This presentation is approximately 1hr. 15 min. with no intermission.\n– To request accessibility accommodations\, or for more information\, contact theaterartstickets@ucsc.edu.\n—\nADMISSION\n– Attend in person at UCSC’s Theater Arts Second Stage.\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” options $5–20.\n– Tickets issued  online through Eventbrite only.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n—\nFULL SCHEDULE OF EVENTS\nThis production has seven performances over two weekends between May 15 and May 24\, 2026\, with 7:30 p.m. evening performances Thurs.–Sat.\, and Sun. matinees at 2:00 p.m.\, including:\n– Fri. May 15\, 7:30 p.m. (7:00 p.m. opening night celebration before the show)\n– Sat. May 16\, 7:30 p.m. (9:30 p.m. talk-back after the show)\n– Sun. May 17\, 2:00 p.m. matinee\n– Thu. May 21\, 7:30 p.m.\n– Fri. May 22\, 7:30 p.m.\n– Sat. May 23\, 7:30 p.m. (9:30 p.m. talk-back after the show)\n– Sun. May 24\, 2:00 p.m. matinee\n—\nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant when present in the lot; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services.\n—\nABOUT THE PLAYWRIGHT\nThe 2026 Dharma Grace Creative Writing Award recipient\, Alyssa Windom\, is currently the chair of the Student Union Governance Board and co-Chair of the Black Student Union at UC Santa Cruz. Outside of organizing\, she is a resident advisor for African\, Black and Caribbean housing\, a volunteer with Engaging Education\, a frequenter in Cultural Arts and Diversity Resource Center (CADrc) spaces—such as Rainbow Theater and the African American Theater Arts Troupe—and is a member of Kasama\, a Filipino Ballroom Dance Troupe. Windom is a 3rd year History of Art and Visual Culture major at UC Santa Cruz.\n—\nABOUT THE AWARD\nEstablished in 2005\, the Dharma-Grace Foundation Creative Writing Award Fund\, an endowed fund\, provides an award for an outstanding script\, written by a junior or senior undergraduate student (from any discipline) who is in good academic standing. The award is designated to provide funding for a full production of the script. Eligible candidates for the award are selected by a faculty committee of the Department of Performance\, Play & Design and recommended to the Dean of the Division of Arts for final approval. UCSC students interested in submitting a dramatic work to the 2028 award cycle are invited to learn more at the PPD website here.\n—\nThis program is open to all members of the public consistent with state and federal law. \n 
URL:https://events.ucsc.edu/event/dharma-grace-2026/2026-05-23/
LOCATION:Second Stage\, Second Stage\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260523T193000
DTEND;TZID=America/Los_Angeles:20260523T210000
DTSTAMP:20260518T173217
CREATED:20260420T205512Z
LAST-MODIFIED:20260518T205723Z
UID:10012134-1779564600-1779570000@events.ucsc.edu
SUMMARY:Mojada: A Medea in Los Angeles\, directed by Kinan Valdez
DESCRIPTION:Blending Euripides’ classic Medea with Mexican folklore\, Luis Alfaro examines the tragedy behind America’s immigration system and the destiny of one family caught in its grip. Directed by Kinan Valdez. \nADVISORIES\n–  Content advisory: includes violence\, adult language\, mature themes\, and mention of sexual violence\n– This presentation is 90 minutes in length with no intermission.\n– Seating is limited and will reach full capacity.\n– Ticket holders not seated at least five minutes before the advertised start time may forfeit their ticket/seat\, and no refund will be issued.\n– Parking impacts may be significant on Fri-Sun during Week 2 of this production in Lot 126 due to other overlapping events expected to reach full capacity. \nADMISSION\n– Tickets issued online through Eventbrite only.\n– Attend in person at Theater Arts eXperimental Theater at UC Santa Cruz.\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” options for $10\, $15\, or $20.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– Doors are scheduled to open 30 minutes prior to event start time. \nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant when present in the lot; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services. \nFull Schedule of Events \nThis production includes seven performances over the course of two weeks\, including the following dates/times:\n– Fri\, May 22\, 7:30 p.m.\n– Sat\, May 23\, 7:30 p.m.\n– Sun\, May 24\, 2:00 p.m. matinee\n– Thu\, May 28\, 7:30 p.m.\n– Fri\, May 29\, 7:30 p.m.\n– Sat\, May 30\, 7:30 p.m.\n– Sun\, May 31\, 2:00 p.m. matinee\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/mojada/2026-05-23/
LOCATION:Experimental Theater\, Theater Arts Center\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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DTSTART;TZID=America/Los_Angeles:20260524T120000
DTEND;TZID=America/Los_Angeles:20260524T170000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-24/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260524T120000
DTEND;TZID=America/Los_Angeles:20260524T170000
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LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-24/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260524T140000
DTEND;TZID=America/Los_Angeles:20260524T140000
DTSTAMP:20260518T173217
CREATED:20260407T171736Z
LAST-MODIFIED:20260518T205042Z
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SUMMARY:Who Can I Run To?\, by Alyssa Windom—2026 Dharma Grace Creative Writing Award and Theatrical Production
DESCRIPTION:Through their belief in Ifá and the divine\, three generations of women grow their relationships with each other and navigate living within their African diasporic identities in undergraduate student Alyssa Windom‘s award-winning script\, Who Can I Run To? Windom is a 3rd year History of Art and Visual Culture (HAVC) major with the Arts Division at UC Santa Cruz and is the recipient of the 2026 Dharma Grace Creative Writing Award. The award includes a full theatrical production of their script. \nIn a modern\, undisclosed time and a familiar yet unvisited space within the Americas\, the audience meets four women\, Lucia\, Esme\, Naia\, and Aviva\, three generations of the Sanderson family. The play follows each woman as they navigate how to live within the African diaspora\, as well as grow their relationships with each other. Families are complex\, but audiences learn this family does not have to figure out this life alone. Their belief in Ifá\, and the divine\, connects each woman with a guiding orisha that aids them in discovering themselves and their life paths. \nWho Can I Run To? is directed by Theater Arts graduate student Darren Jackson-Wilkins.\nThe character of Mrs. Sanderson is played by hip hop artist\, poet\, producer\, playwright\, performer\, and Assistant Professor akua naru from the UCSC Music Department. \nThere will be music and light refreshments on opening night and a talk-back with the production team after each Saturday performance.\n—\nADVISORIES\n– Content includes: strobe lighting effects\, electronic cigarettes\, loud noises\, and strong language.\n– This presentation is approximately 1hr. 15 min. with no intermission.\n– To request accessibility accommodations\, or for more information\, contact theaterartstickets@ucsc.edu.\n—\nADMISSION\n– Attend in person at UCSC’s Theater Arts Second Stage.\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” options $5–20.\n– Tickets issued  online through Eventbrite only.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n—\nFULL SCHEDULE OF EVENTS\nThis production has seven performances over two weekends between May 15 and May 24\, 2026\, with 7:30 p.m. evening performances Thurs.–Sat.\, and Sun. matinees at 2:00 p.m.\, including:\n– Fri. May 15\, 7:30 p.m. (7:00 p.m. opening night celebration before the show)\n– Sat. May 16\, 7:30 p.m. (9:30 p.m. talk-back after the show)\n– Sun. May 17\, 2:00 p.m. matinee\n– Thu. May 21\, 7:30 p.m.\n– Fri. May 22\, 7:30 p.m.\n– Sat. May 23\, 7:30 p.m. (9:30 p.m. talk-back after the show)\n– Sun. May 24\, 2:00 p.m. matinee\n—\nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant when present in the lot; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services.\n—\nABOUT THE PLAYWRIGHT\nThe 2026 Dharma Grace Creative Writing Award recipient\, Alyssa Windom\, is currently the chair of the Student Union Governance Board and co-Chair of the Black Student Union at UC Santa Cruz. Outside of organizing\, she is a resident advisor for African\, Black and Caribbean housing\, a volunteer with Engaging Education\, a frequenter in Cultural Arts and Diversity Resource Center (CADrc) spaces—such as Rainbow Theater and the African American Theater Arts Troupe—and is a member of Kasama\, a Filipino Ballroom Dance Troupe. Windom is a 3rd year History of Art and Visual Culture major at UC Santa Cruz.\n—\nABOUT THE AWARD\nEstablished in 2005\, the Dharma-Grace Foundation Creative Writing Award Fund\, an endowed fund\, provides an award for an outstanding script\, written by a junior or senior undergraduate student (from any discipline) who is in good academic standing. The award is designated to provide funding for a full production of the script. Eligible candidates for the award are selected by a faculty committee of the Department of Performance\, Play & Design and recommended to the Dean of the Division of Arts for final approval. UCSC students interested in submitting a dramatic work to the 2028 award cycle are invited to learn more at the PPD website here.\n—\nThis program is open to all members of the public consistent with state and federal law. \n 
URL:https://events.ucsc.edu/event/dharma-grace-2026/2026-05-24/
LOCATION:Second Stage\, Second Stage\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260524T140000
DTEND;TZID=America/Los_Angeles:20260524T160000
DTSTAMP:20260518T173217
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SUMMARY:Mojada: A Medea in Los Angeles\, directed by Kinan Valdez
DESCRIPTION:Blending Euripides’ classic Medea with Mexican folklore\, Luis Alfaro examines the tragedy behind America’s immigration system and the destiny of one family caught in its grip. Directed by Kinan Valdez. \nADVISORIES\n–  Content advisory: includes violence\, adult language\, mature themes\, and mention of sexual violence\n– This presentation is 90 minutes in length with no intermission.\n– Seating is limited and will reach full capacity.\n– Ticket holders not seated at least five minutes before the advertised start time may forfeit their ticket/seat\, and no refund will be issued.\n– Parking impacts may be significant on Fri-Sun during Week 2 of this production in Lot 126 due to other overlapping events expected to reach full capacity. \nADMISSION\n– Tickets issued online through Eventbrite only.\n– Attend in person at Theater Arts eXperimental Theater at UC Santa Cruz.\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” options for $10\, $15\, or $20.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– Doors are scheduled to open 30 minutes prior to event start time. \nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant when present in the lot; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services. \nFull Schedule of Events \nThis production includes seven performances over the course of two weeks\, including the following dates/times:\n– Fri\, May 22\, 7:30 p.m.\n– Sat\, May 23\, 7:30 p.m.\n– Sun\, May 24\, 2:00 p.m. matinee\n– Thu\, May 28\, 7:30 p.m.\n– Fri\, May 29\, 7:30 p.m.\n– Sat\, May 30\, 7:30 p.m.\n– Sun\, May 31\, 2:00 p.m. matinee\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/mojada/2026-05-24/
LOCATION:Experimental Theater\, Theater Arts Center\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260527T120000
DTEND;TZID=America/Los_Angeles:20260527T133000
DTSTAMP:20260518T173217
CREATED:20260505T190156Z
LAST-MODIFIED:20260507T171532Z
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SUMMARY:Film Screening—Let the City Speak: The Sonic Journey of Quetzal—Arts Dean's Speaker Series
DESCRIPTION:Audiences are invited to Let the City Speak: The Sonic Journey of Quetzal—a conversation and panel discussion with filmmaker Akira Boch and Quetzal members Martha Gonzalez and Quetzal Flores. Introduced by Interim Dean and Professor of Film and Digital Media Lawrence Andrews. Conversation and panel discussion with UCSC Professors Russell Rodriguez and Felicity Amaya Schaeffer (4:00–6:00 p.m.) with reception (6:00–6:30 p.m.) immediately following the panel.\n—\nABOUT THE SERIES\nThis event is presented as part of the “Arts Dean’s Speaker Series\,” an annual event focused on bringing together scholarship and practice related to critical issues of our time in the Arts\, in order to expand our students’ imaginations on what is possible\, the importance of ambition and aspiration and tackling real structural problems and exclusions in our society and in the arts.\n—\nADMISSION\n– FREE and open to the public.\n– REGISTER ON EVENTBRITE here for the 4:00 p.m. panel event due to limited venue capacity.\n– Attend in person in the Dark Lab (DARC 108) at the Digital Arts Research Center at UC Santa Cruz.\n– Doors open 30 minutes prior to the scheduled event start time.\n—\nFULL SCHEDULE OF EVENTS\nnoon–1:30 p.m.: Film screening of Let the City Speak: The Sonic Journey of Quetzal (no registration needed for the screening)\n4:00–6:30 p.m.: Conversation and panel discussion with UCSC Professors Russell Rodriguez and Felicity Amaya Schaeffer (4:00–6:00 p.m.) with reception (6:00–6:30 p.m.) immediately following the panel.\n\n—\nPARKING\n– Parking by UCSC permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/panel-deans-speaker-series-2026/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Film Screening,Lectures & Presentations,Performances,Reception,Screening
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260527T120000
DTEND;TZID=America/Los_Angeles:20260527T170000
DTSTAMP:20260518T173217
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-27/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260527T120000
DTEND;TZID=America/Los_Angeles:20260527T170000
DTSTAMP:20260518T173217
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-27/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260527T160000
DTEND;TZID=America/Los_Angeles:20260527T183000
DTSTAMP:20260518T173217
CREATED:20260428T230844Z
LAST-MODIFIED:20260507T171508Z
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SUMMARY:Panel Discussion—Let the City Speak: The Sonic Journey of Quetzal—Arts Dean's Speaker Series
DESCRIPTION:Audiences are invited to Let the City Speak: The Sonic Journey of Quetzal—a conversation and panel discussion with filmmaker Akira Boch and Quetzal members Martha Gonzalez and Quetzal Flores. Introduced by Interim Dean and Professor of Film and Digital Media Lawrence Andrews. Conversation and panel discussion with UCSC Professors Russell Rodriguez and Felicity Amaya Schaeffer (4:00–6:00 p.m.) with reception (6:00–6:30 p.m.) immediately following the panel.\n—\nABOUT THE SERIES\nThis event is presented as part of the “Arts Dean’s Speaker Series\,” an annual event focused on bringing together scholarship and practice related to critical issues of our time in the Arts\, in order to expand our students’ imaginations on what is possible\, the importance of ambition and aspiration and tackling real structural problems and exclusions in our society and in the arts.\n—\nADMISSION\n– FREE and open to the public.\n– REGISTER ON EVENTBRITE here for the 4:00 p.m. panel event due to limited venue capacity.\n– Attend in person in the Dark Lab (DARC 108) at the Digital Arts Research Center at UC Santa Cruz.\n– Doors open 30 minutes prior to the scheduled event start time.\n—\nFULL SCHEDULE OF EVENTS\nnoon–1:30 p.m.: Film screening of Let the City Speak: The Sonic Journey of Quetzal (no registration needed for the screening)\n4:00–6:30 p.m.: Conversation and panel discussion with UCSC Professors Russell Rodriguez and Felicity Amaya Schaeffer (4:00–6:00 p.m.) with reception (6:00–6:30 p.m.) immediately following the panel.\n\n—\nPARKING\n– Parking by UCSC permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/arts-deans-speaker-series-2026/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Film Screening,Lectures & Presentations,Performances,Reception,Screening
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DTSTART;TZID=America/Los_Angeles:20260527T190000
DTEND;TZID=America/Los_Angeles:20260527T210000
DTSTAMP:20260518T173217
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SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/drop-in-draw-spr-2026/2026-05-27/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260528T120000
DTEND;TZID=America/Los_Angeles:20260528T170000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-28/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260528T120000
DTEND;TZID=America/Los_Angeles:20260528T170000
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LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-28/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260528T193000
DTEND;TZID=America/Los_Angeles:20260528T210000
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SUMMARY:Mojada: A Medea in Los Angeles\, directed by Kinan Valdez
DESCRIPTION:Blending Euripides’ classic Medea with Mexican folklore\, Luis Alfaro examines the tragedy behind America’s immigration system and the destiny of one family caught in its grip. Directed by Kinan Valdez. \nADVISORIES\n–  Content advisory: includes violence\, adult language\, mature themes\, and mention of sexual violence\n– This presentation is 90 minutes in length with no intermission.\n– Seating is limited and will reach full capacity.\n– Ticket holders not seated at least five minutes before the advertised start time may forfeit their ticket/seat\, and no refund will be issued.\n– Parking impacts may be significant on Fri-Sun during Week 2 of this production in Lot 126 due to other overlapping events expected to reach full capacity. \nADMISSION\n– Tickets issued online through Eventbrite only.\n– Attend in person at Theater Arts eXperimental Theater at UC Santa Cruz.\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” options for $10\, $15\, or $20.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– Doors are scheduled to open 30 minutes prior to event start time. \nPARKING\n– Arts Lot #126 is the closest parking lot to the event.\n– $5 ParkMobile Arts Special Event flat rate; cash/credit via parking attendant when present in the lot; or by valid UCSC permit.\n– Before arriving to UCSC\, we recommend downloading the ParkMobile App on Google Play or Apple App Store and setting up a profile with license plate and payment information.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services. \nFull Schedule of Events \nThis production includes seven performances over the course of two weeks\, including the following dates/times:\n– Fri\, May 22\, 7:30 p.m.\n– Sat\, May 23\, 7:30 p.m.\n– Sun\, May 24\, 2:00 p.m. matinee\n– Thu\, May 28\, 7:30 p.m.\n– Fri\, May 29\, 7:30 p.m.\n– Sat\, May 30\, 7:30 p.m.\n– Sun\, May 31\, 2:00 p.m. matinee\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/mojada/2026-05-28/
LOCATION:Experimental Theater\, Theater Arts Center\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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