A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
This quarter, make time for you, for reflection, and for community!
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
December 4, 2026 at UC Santa Cruz The Social Justice in Climate Finance Symposium brings together global communities within and beyond academia to envision how to mobilize climate financing for the benefit of frontline communities. To meet our collective climate challenges, we must reimagine how billions of dollars are invested into building resilient societies. We […]