• UCSC Opera—Orpheus in the Underworld

    UCSC Opera—Orpheus in the Underworld
    Music Center Recital Hall 400 McHenry Road, Santa Cruz, CA

    A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]

  • UCSC Opera—Orpheus in the Underworld

    UCSC Opera—Orpheus in the Underworld
    Music Center Recital Hall 400 McHenry Road, Santa Cruz, CA

    A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]

  • Visualizing Abolition Screening Series: Beyond Access

    Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. Prisons deny and censor the access of those trapped inside them—to information, to intimacy, to community, to meaningful work, to nourishment of all kinds, and perhaps most cruelly, to care. This program […]

  • UCSC Opera—Orpheus in the Underworld

    UCSC Opera—Orpheus in the Underworld
    Music Center Recital Hall 400 McHenry Road, Santa Cruz, CA

    A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]

  • Visualizing Abolition Screening Series: Beyond Access

    Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. Prisons deny and censor the access of those trapped inside them—to information, to intimacy, to community, to meaningful work, to nourishment of all kinds, and perhaps most cruelly, to care. This program […]

  • UCSC Opera—Orpheus in the Underworld

    UCSC Opera—Orpheus in the Underworld
    Music Center Recital Hall 400 McHenry Road, Santa Cruz, CA

    A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]

  • Summer Session 1, 8-Week and 10-Week Classes Start

    Summer courses start today! Make sure you’re set with Canvas access, dates and deadlines, and any first-day instructions from your instructors. Find answers to common questions on our website or email summer@ucsc.edu. You can still add classes until the deadline for each session!

  • UCSC Opera—Orpheus in the Underworld

    UCSC Opera—Orpheus in the Underworld
    Music Center Recital Hall 400 McHenry Road, Santa Cruz, CA

    A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]

  • UCSC Opera—Orpheus in the Underworld

    UCSC Opera—Orpheus in the Underworld
    Music Center Recital Hall 400 McHenry Road, Santa Cruz, CA

    A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]

  • Visualizing Abolition Screening Series: Beyond Access

    Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. Prisons deny and censor the access of those trapped inside them—to information, to intimacy, to community, to meaningful work, to nourishment of all kinds, and perhaps most cruelly, to care. This program […]

  • UCSC Opera—Orpheus in the Underworld

    UCSC Opera—Orpheus in the Underworld
    Music Center Recital Hall 400 McHenry Road, Santa Cruz, CA

    A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]

  • Visualizing Abolition Screening Series: Beyond Access

    Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. Prisons deny and censor the access of those trapped inside them—to information, to intimacy, to community, to meaningful work, to nourishment of all kinds, and perhaps most cruelly, to care. This program […]

  • UCSC Opera—Orpheus in the Underworld

    UCSC Opera—Orpheus in the Underworld
    Music Center Recital Hall 400 McHenry Road, Santa Cruz, CA

    A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]

  • UCSC Opera—Orpheus in the Underworld

    UCSC Opera—Orpheus in the Underworld
    Music Center Recital Hall 400 McHenry Road, Santa Cruz, CA

    A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]

  • Younger Lagoon Reserve Tours

    Younger Lagoon Reserve Tours
    Seymour Marine Discovery Center 100 McAllister Way, Santa Cruz, CA

    Younger Lagoon Reserve tours are free and open to the public. Space is limited to 18 participants. Call 831-459-3800 or sign-up online. Virtual tours are available online. seymourcenter.ucsc.edu.  

    Free
  • Visualizing Abolition Screening Series: Beyond Access

    Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. Prisons deny and censor the access of those trapped inside them—to information, to intimacy, to community, to meaningful work, to nourishment of all kinds, and perhaps most cruelly, to care. This program […]

  • UCSC Opera—Orpheus in the Underworld

    UCSC Opera—Orpheus in the Underworld
    Music Center Recital Hall 400 McHenry Road, Santa Cruz, CA

    A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]

  • Visualizing Abolition Screening Series: Beyond Access

    Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. Prisons deny and censor the access of those trapped inside them—to information, to intimacy, to community, to meaningful work, to nourishment of all kinds, and perhaps most cruelly, to care. This program […]