A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. Prisons deny and censor the access of those trapped inside them—to information, to intimacy, to community, to meaningful work, to nourishment of all kinds, and perhaps most cruelly, to care. This program […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
The Center for Labor and Community and UCSC Sociology Department welcome Dr. Veronica Terriquez for a discussion on her recently published book, Learning to Lead: Youth Organizing in Immigrant Communities. The event will take place on Monday, June 1 at 12pm at the Rachel Carson Red Room. Children of immigrants make up more than one […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
The first Tuesday of each month, the Arboretum is open without charge to visitors. See dates and times UC Santa Cruz Arboretum & Botanic Garden is open. NOTE: Due to limited parking at the Arboretum and the popularity of Community Day, we greatly encourage visitors to carpool, bike, walk or use public transportation as much […]
Location: Scotts Valley Center Register for the training. This Adult First Aid/CPR/AED blended learning course equips you to recognize and care for various first aid breathing and cardiac emergencies involving adults. It is designed for individuals who need a certification that satisfies OSHA workplace or other regulatory requirements. This class is taught in a blended […]
Audiences are invited to a free spring quarter chamber music concert featuring a variety of student ensembles. — ADMISSION – Attend in person at the Music Center Recital Hall at UC Santa Cruz – Free and open to the public. – Open seating (no ticket required). – Doors are scheduled to open 30 minutes prior […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. Prisons deny and censor the access of those trapped inside them—to information, to intimacy, to community, to meaningful work, to nourishment of all kinds, and perhaps most cruelly, to care. This program […]
International Student Services & Programming invites you to our monthly Global Cafe, a space for all international-minded community members to connect. Swing by for some refreshments and an opportunity to meet other international students and scholars, as well as Global Engagement staff. Feel free to drop in at any time between 14:00 – 16:00 and […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
UCSC Jazz Combos present a spring quarter concert
Younger Lagoon Reserve tours are free and open to the public. Space is limited to 18 participants. Call 831-459-3800 or sign-up online. Virtual tours are available online. seymourcenter.ucsc.edu.
On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. Prisons deny and censor the access of those trapped inside them—to information, to intimacy, to community, to meaningful work, to nourishment of all kinds, and perhaps most cruelly, to care. This program […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
The 52nd anniversary of the UCSC Print Sale runs in conjunction with the Art Department’s Spring Open Studios. Hundreds of original prints will be for sale in a variety of media at this two-day event, including: Woodcuts Lithographs Etchings Photo-based prints Screen prints And more! All proceeds benefit art students: 80% of proceeds go to […]
Art Department students exhibit their art work throughout the studios and classrooms in the Visual Art Center at UC Santa Cruz.
Earthquake prediction has simultaneously remained both the central, unsolved problem in seismology and the issue that communities care about most—especially here in Northern California. Earth & Planetary Sciences Professor Emily Brodsky will discuss what we do and do not know about when earthquakes will happen.