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SUMMARY:Coffee with Provost Aims McGuinness
DESCRIPTION:Grab a free cup of coffee* and chat with Provost Aims at Coffee with the Provost! \nMost Wednesdays through the Fall Quarter! 9:00-11:00am \nMeet us for (free) coffee\, tea\, breakfast snacks and good conversation outside the Merrill College Office\, across from the mailroom. \n*Fair trade\, organic\, local women owned Alta Organic Roasting Company
URL:https://events.ucsc.edu/event/coffee-with-provost-aims-mcguinness-2/2026-11-11/
LOCATION:Merrill College Office\, 641 Merrill Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
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DTSTART;TZID=America/Los_Angeles:20261110T123000
DTEND;TZID=America/Los_Angeles:20261110T143000
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SUMMARY:Cookies & Conversations with Provost Aims
DESCRIPTION:Meet Provost Aims and Poppy the Chihuahua outside of the Crown College Office for yummy cookies and conversation. Stay and chat or grab and go.
URL:https://events.ucsc.edu/event/cookies-conversations-with-provost-aims/2026-11-10/
LOCATION:Crown College\, Cultural Center at Merrill\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
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DTSTART;TZID=America/Los_Angeles:20261110T100000
DTEND;TZID=America/Los_Angeles:20261110T110000
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SUMMARY:Volunteer at the UCSC Arboretum
DESCRIPTION:Volunteer Information Sessions at the Arboretum \nDo you love gardens and gardening? The UCSC Arboretum & Botanic Garden has a wonderful community of staff\, students\, and volunteers\, ready to welcome you. Opportunities include staffing our gift shop & retail nursery and working to care for our gardens and greenhouses.  \nTo learn more\, join us at one of our monthly information sessions. They go for about 45 minutes and include an easy walk through the gardens.  \nTo attend\, please fill out our simple volunteer interest form at the bottom of our volunteer webpage found here: https://arboretum.ucsc.edu/get-involved/become-a-volunteer/ \nIf you need a different day and/or have mobility issues please let us know in the “Notes” section of the Interest Form. \nThank You!
URL:https://events.ucsc.edu/event/volunteer-at-the-ucsc-arboretum/2026-11-10/
LOCATION:Arboretum\, 122 Arboretum Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Volunteer
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DTSTART;TZID=America/Los_Angeles:20261109T190000
DTEND;TZID=America/Los_Angeles:20261109T190000
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SUMMARY:Matt O’Hara – The Flying Death
DESCRIPTION:Bookshop Santa Cruz and The Humanities Institute present author Matt O’Hara for a reading and signing of The Flying Death—A dramatic tale of explorers of the 1930s racing to find and harvest a poisonous Amazon vine\, and how their work plundered local tribes and spurred the invention of new medicines. \n \nYour RSVP helps us plan for your arrival and keep in touch with any changes. Thank you for registering! \nIn the fall of 1938\, a young\, frail American explorer set off down a river in the western Amazon in search of curare\, a poison he thought might save his life. Richard Gill had learned that local tribes used curare-laced blow darts to kill animals\, but it was also potentially a cure for many ailments\, including his own. He also thought he could make a fortune by connecting the knowledge of two worlds. Obsessed with curare\, he raced to make deals with Indigenous poison masters in the Amazon and pharmaceutical companies back home\, even as his Russian-born rival Boris Krukoff sought to do the same. \nIn The Flying Death\, the historian Matt O’Hara asks who and what we are willing to sacrifice in the name of discovery and profit. O’Hara brings to life Gill’s epic quest\, a stranger-than-fiction true story that moves from unexplored territory in the Amazon to rogue medical trials and cutthroat corporate boardrooms in the United States. Navigating treacherous terrain and politics\, Gill and Krukoff successfully created a veritable curare-industrial complex\, as the plant became a key element in shock therapy\, transformed surgery in the United States and across the globe\, and eventually led to a Nobel Prize. The Flying Death offers a thrilling ride across Indigenous knowledge\, scientific exploration\, and exploitation\, unearthing a story of discovery that poses searching questions about the price of progress\, who pays it\, and who gets credit. \nMatt O’Hara is a professor of history at the University of California\, Santa Cruz. He is the award-winning author of many journal articles and two books\, The History of the Future in Colonial Mexico and A Flock Divided: Race\, Religion\, and Politics in Mexico\, 1749-1857.
URL:https://events.ucsc.edu/event/matt-ohara-the-flying-death/
LOCATION:Bookshop Santa Cruz
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DTSTART;TZID=America/Los_Angeles:20261109T143000
DTEND;TZID=America/Los_Angeles:20261109T160000
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SUMMARY:Imagining Revolution in the Non-Aligned World with Dr. Jessica Stites Mor
DESCRIPTION:As a part of the Sovereignty & Solidarity Fall Speaker Series\, the Huerta Center is thrilled to host Dr. Jessica Stites Mor from The University of British Columbia. This talk will explore how Cuban photojournalism of the 1960s-1970s functioned as an infrastructure of tricontinental solidarity shaping anti-imperial vocabularies and forging new global networks of struggle. Stites Mor examines how the Cuban Revolution influenced vocabularies\, mobilization strategies and aesthetic practices to advance decolonisation in the heart of the Cold War.
URL:https://events.ucsc.edu/event/imagining-revolution-in-the-non-aligned-world/
LOCATION:Charles E. Merrill Lounge\, Rutherford House\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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DTSTART;TZID=America/Los_Angeles:20261108T120000
DTEND;TZID=America/Los_Angeles:20261108T170000
DTSTAMP:20260831T183411Z
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-11-08/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261108T120000
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-11-08/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261108T100000
DTEND;TZID=America/Los_Angeles:20261108T130000
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SUMMARY:Santa Cruz Maker Studios at the Seymour Center
DESCRIPTION:Check out Santa Cruz Maker Studios at the Seymour Center.\nHands-on Activities include: \n\nBuild and test a seawall\nMake a wooden sea creature\nOcean-themed 3D kits\nCreate felt ocean ornamentsActivities included with admission. While supplies last.
URL:https://events.ucsc.edu/event/santa-cruz-maker-studios-at-the-seymour-center/2026-11-08/
LOCATION:Seymour Marine Discovery Center\, 100 McAllister Way\, Santa Cruz\, CA\, 95060
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DTSTART;TZID=America/Los_Angeles:20261107T140000
DTEND;TZID=America/Los_Angeles:20261107T180000
DTSTAMP:20260904T220937Z
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SUMMARY:New Exhibitions Opening at Santa Cruz Barrios Unidos
DESCRIPTION:Join us at Santa Cruz Barrios Unidos to celebrate the opening of two Visualizing Abolition exhibitions: Visions From Within: Women of Resilience\, a new exhibition of art curated by Elizabeth Lozano and Anthony Alejandrez for the Visualizing Abolition Transition Fellowship Program\, and Elevar la Cultura\, a 22-foot public sculpture by artist and two-time Right of Return Fellow Victor ‘Marka27’ Quiñonez. The opening will feature panel discussions by currently and formerly incarcerated artists and organizers\, remarks by artist Victor ‘Marka27’ Quiñonez\, low riders\, live entertainment\, free food\, and more. \nVisions From Within: Women of Resilience features newly commissioned paintings\, drawings\, and works in other mediums by people currently incarcerated in the two women’s facilities in California\, Central California Facility for Women and California Institute for Women. The artists included in the show differently illuminate how they cultivate resilience—maintaining a sense of self and purpose—in circumstances designed to perpetuate harm. \n“Art\, poetry\, gardening and other ways of tapping into my creativity was essential to my own state of mind during my own thirty years of incarceration\,” explains co-curator Elizabeth Lozano. “I wanted to provide others an outlet to express their imaginations\, while they continue their journeys to also get free.” \nElevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States: \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThese exhibitions\, organized through UC Santa Cruz’s Visualizing Abolition initiative and coordinated by Anthony Alejandrez\, are part of a multi-year collaboration between SAnta Cruz Barrios Unidos and Visualizing Abolition to educate and address issues of incarceration through art and culture. \nFREE and open to the public.
URL:https://events.ucsc.edu/event/new-exhibitions-opening-at-santa-cruz-barrios-unidos/
LOCATION:Santa Cruz Barrios Unidos\, 1817 Soquel Ave\, Santa Cruz\, 95062\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261107T120000
DTEND;TZID=America/Los_Angeles:20261107T170000
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-11-07/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261107T120000
DTEND;TZID=America/Los_Angeles:20261107T170000
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-11-07/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTEND;TZID=America/Los_Angeles:20261107T120000
DTSTAMP:20260910T181642Z
CREATED:20251211T171734Z
LAST-MODIFIED:20260910T181642Z
UID:10005664-1794049200-1794052800@events.ucsc.edu
SUMMARY:First Saturday Tour at the Arboretum
DESCRIPTION:First Saturday Tours are a wonderful way to introduce yourself to the Arboretum or to deepen your knowledge of the Arboretum’s plant collections. Each tour is a little different depending on the time of year\, the interests of the tour guide\, and the people who join in. For example\, you might learn about the birds and mammals that make this land their home or about the amazing physical adaptations that plants have evolved to better deal with our extreme weather and climate conditions. Tours are free with paid admission. Admission is always free for current UCSC Students and Arboretum members.
URL:https://events.ucsc.edu/event/first-saturday-tour-at-the-arboretum/2026-11-07/
LOCATION:Arboretum\, 122 Arboretum Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261107T053000
DTEND;TZID=America/Los_Angeles:20261107T193000
DTSTAMP:20260929T001341Z
CREATED:20260929T000614Z
LAST-MODIFIED:20260929T001341Z
UID:10017585-1794029400-1794079800@events.ucsc.edu
SUMMARY:Dia de los Muertos Ceremonia 2026
DESCRIPTION:Our Día de los Muertos Ceremonia is a space to collectively honor and celebrate the lives of our loved ones. Join us for a night of danza\, prayer\, food\, music\, and community. This cultural and family event is free and open to all! \nRSVP here! \nDoors open at 4:00pm! \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.  \n 
URL:https://events.ucsc.edu/event/dia-de-los-muertos-ceremonia-2026/
LOCATION:Upper Quarry Amphitheater\, 15 McLaughlin Drive\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261106T160000
DTEND;TZID=America/Los_Angeles:20261106T164500
DTSTAMP:20260918T172836Z
CREATED:20260918T172836Z
LAST-MODIFIED:20260918T172836Z
UID:10017098-1793980800-1793983500@events.ucsc.edu
SUMMARY:Goal Setting
DESCRIPTION:In this workshop\, you will: Set SMART goals to help you get organized & on track for success. \nThe Successful Slug Workshop series\, hosted by Learning Support Services Peer Coaches\, are open to all UCSC undergraduate students and focus on academic skills and tools to support your success as a student. At each workshop\, you will be introduced to a topic\, engage in active learning\, be given resources to begin implementing the same day\, and have an opportunity to learn more if you are interested. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/goal-setting-4/
LOCATION:Academic Resources Center (ARC)\, 408 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Undergraduate,Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261106T130000
DTEND;TZID=America/Los_Angeles:20261106T170000
DTSTAMP:20260623T205606Z
CREATED:20260623T205606Z
LAST-MODIFIED:20260623T205606Z
UID:10014930-1793970000-1793984400@events.ucsc.edu
SUMMARY:23rd Annual Graduate Research Symposium
DESCRIPTION:This event celebrates and highlights the work of UCSC graduate students in all academic divisions. Any enrolled graduate student is welcome to present either a poster\, talk\, or mixed media presentation. The event is free and open to the public.
URL:https://events.ucsc.edu/event/23rd-annual-graduate-research-symposium/
LOCATION:Physical Sciences Building\, Physical Sciences Building\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261106T110000
DTEND;TZID=America/Los_Angeles:20261106T150000
DTSTAMP:20260921T222447Z
CREATED:20260921T222404Z
LAST-MODIFIED:20260921T222447Z
UID:10017122-1793962800-1793977200@events.ucsc.edu
SUMMARY:Produce Pop-Up
DESCRIPTION:Produce Pop-Up is a twice-weekly organic farmstand open to all members of the UC Santa Cruz community. The program is dedicated to increasing access to fresh\, healthy\, and affordable organic produce\, with offerings sourced from the UCSC Farm and other local organic growers. \nAcademic year hours and locations: Beginning Oct. 2 \n\nWednesdays: 11 a.m. – 3 p.m. at McHenry Library\nFridays: 11 a.m. – 3 p.m. at Science and Engineering Library\n\nHow does it work? \nJust stop by during open hours to browse and pick up fresh produce! Items are available at low or no cost to support student food access. \nStay updated on produce availability and locations by following Produce Pop-Up Instagram. For questions\, email ucscproducepopup@gmail.com or visit the Center for Agroecology website.
URL:https://events.ucsc.edu/event/produce-pop-up/2026-11-06/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261105T180000
DTEND;TZID=America/Los_Angeles:20261105T193000
DTSTAMP:20260930T181229Z
CREATED:20260930T181125Z
LAST-MODIFIED:20260930T181229Z
UID:10017631-1793901600-1793907000@events.ucsc.edu
SUMMARY:Reckoning with Redress: The Legacy of Japanese American Incarceration
DESCRIPTION:Forty-five years ago\, survivors and descendants of the WWII Japanese American incarceration\, testified before the Commission on Wartime Relocation and Internment of Civilians (CWRIC) — helping set in motion what would become one of the largest reparations efforts in U.S. history. This year’s Peggy Downes Baskin Ethics Lecture marks the 45th anniversary of the 1981 CWRIC hearings and will feature the public launch of Reckoning with Redress — a new cinematic digital history project\, along with the lecture “A Debt Owed–Korematsu\, Reparations\, and the Ever-Recycling Racial Pathology of 1619\,” given by Donald Tamaki. \n \nDoors will open for light refreshments at 5:30pm. Program begins at 6:00pm. \nThis event is free and open to the public. Seating is first come\, first served. \nParking Information \nThe Cultural Center Merrill College is located in Merrill College\, in the northeast corner of the campus core. Those walking or arriving by Metro bus or campus shuttle can take the steep path heading northeast from the Crown/Merrill bus stop. \nFor those driving from the Main Entrance\, stay on Coolidge Drive. Shortly after Coolidge turns left and becomes McLaughlin Drive\, turn right at the sign for Merrill College. At the top of the hill\, veer right. There is parking for “A\,” “B\,” and “C” permits along the right. Parking is provided free of charge courtesy of the Humanities Division. There are two accessible parking spaces if you turn left at the top of the hill and two more if you turn right. Parking attendants will be on site to issue parking permits to event attendees. \nDonald Tamaki is a Senior Counsel at the San Francisco law firm of Minami Tamaki LLP having received his BA and JD from U.C. Berkeley. \nIn the 1980’s\, Tamaki served on the pro bono legal team that reopened the 1944 Supreme Court case of Fred Korematsu\, a notorious precedent that validated forcing 125\,000 Japanese Americans into concentration camps on the claim they were spies. But almost 40 years later\, secret intelligence reports and Justice Department memos surfaced\, categorically denying that Japanese Americans were spying\, admitting there was no reason for the mass removal\, and calling the Army’s claims “intentional falsehoods.” Despite whistle-blower protests from government lawyers urging that they had a duty not to lie to the Court\, the Solicitor General stood by the Army’s claims knowing they were fabricated. The evidence was suppressed\, and much of it ordered burned. On the basis that a fraud had been committed\, Korematsu’s criminal conviction was erased. The ruling boosted the call for reparations to redress this great wrong. \nIn 2021\, California Governor Gavin Newsom appointed Tamaki to serve on the nine-member California Reparations Task Force (the Task Force) that produced the groundbreaking Final Report comprehensively documenting the cumulative impact of 246 years of enslavement\, another 100 years of Jim Crow oppression\, and decades more of segregation\, and to recommend to the Legislature what California should do to address the resulting compounding and cascading harms. \nTamaki is part of the leadership team of the Alliance for Reparations\, Reconciliation\, and Truth (ARRT)\, a multi-racial statewide coalition working to promote public awareness of the harms wrought by racial subjugation\, and to transform the Task Force’s 115 recommendations into legislation. \nHis awards include the ABA Spirit of Excellence Award (2020)\, the National Asian Pacific Bar Association Trailblazer Award (2003)\, and the State Bar of California Loren Miller Award (1987). \n\nThe Peggy Downes Baskin Ethics Lecture Series is a lively forum for the discussion and exploration of ethics-related challenges in human endeavors. The Ethics Lecture is made possible by the Peggy Downes Baskin Humanities Endowment for Interdisciplinary Ethics which enables the Humanities Division to promote a dialogue about ethics and ethics related challenges in an interdisciplinary setting. The endowment was established in honor of Peggy Downes Baskin’s longtime interest in ethical issues across the academic spectrum. \n\nThis event is open to all students\, faculty\, staff\, and members of the public consistent with University policy and state and federal law.
URL:https://events.ucsc.edu/event/reckoning-with-redress-the-legacy-of-japanese-american-incarceration/
LOCATION:Cultural Center – Merrill College\, 641 Merrill Rd\, Santa Cruz\, 95064\, United States
GEO:37.0003908;-122.0534175
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261105T172000
DTEND;TZID=America/Los_Angeles:20261105T180500
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SUMMARY:Productive Struggle & Study Skills
DESCRIPTION:In this workshop\, you will: Learn study strategies and why making it hard for yourself supports durable learning. \nThe Successful Slug Workshop series\, hosted by Learning Support Services Peer Coaches\, are open to all UCSC undergraduate students and focus on academic skills and tools to support your success as a student. At each workshop\, you will be introduced to a topic\, engage in active learning\, be given resources to begin implementing the same day\, and have an opportunity to learn more if you are interested. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/productive-struggle-study-skills-4/
LOCATION:Academic Resources Center (ARC)\, 408 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Undergraduate,Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261105T120000
DTEND;TZID=America/Los_Angeles:20261105T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016064-1793880000-1793898000@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-11-05/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261105T120000
DTEND;TZID=America/Los_Angeles:20261105T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015765-1793880000-1793898000@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-11-05/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261104T120000
DTEND;TZID=America/Los_Angeles:20261104T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016063-1793793600-1793811600@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-11-04/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261104T120000
DTEND;TZID=America/Los_Angeles:20261104T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015764-1793793600-1793811600@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-11-04/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261104T110000
DTEND;TZID=America/Los_Angeles:20261104T150000
DTSTAMP:20260921T222447Z
CREATED:20260921T222404Z
LAST-MODIFIED:20260921T222447Z
UID:10017121-1793790000-1793804400@events.ucsc.edu
SUMMARY:Produce Pop-Up
DESCRIPTION:Produce Pop-Up is a twice-weekly organic farmstand open to all members of the UC Santa Cruz community. The program is dedicated to increasing access to fresh\, healthy\, and affordable organic produce\, with offerings sourced from the UCSC Farm and other local organic growers. \nAcademic year hours and locations: Beginning Oct. 2 \n\nWednesdays: 11 a.m. – 3 p.m. at McHenry Library\nFridays: 11 a.m. – 3 p.m. at Science and Engineering Library\n\nHow does it work? \nJust stop by during open hours to browse and pick up fresh produce! Items are available at low or no cost to support student food access. \nStay updated on produce availability and locations by following Produce Pop-Up Instagram. For questions\, email ucscproducepopup@gmail.com or visit the Center for Agroecology website.
URL:https://events.ucsc.edu/event/produce-pop-up/2026-11-04/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261104T090000
DTEND;TZID=America/Los_Angeles:20261104T110000
DTSTAMP:20260922T153220Z
CREATED:20260922T153220Z
LAST-MODIFIED:20260922T153220Z
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SUMMARY:Coffee with Provost Aims McGuinness
DESCRIPTION:Grab a free cup of coffee* and chat with Provost Aims at Coffee with the Provost! \nMost Wednesdays through the Fall Quarter! 9:00-11:00am \nMeet us for (free) coffee\, tea\, breakfast snacks and good conversation outside the Merrill College Office\, across from the mailroom. \n*Fair trade\, organic\, local women owned Alta Organic Roasting Company
URL:https://events.ucsc.edu/event/coffee-with-provost-aims-mcguinness-2/2026-11-04/
LOCATION:Merrill College Office\, 641 Merrill Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261103T150000
DTEND;TZID=America/Los_Angeles:20261103T160000
DTSTAMP:20260929T204049Z
CREATED:20260929T204049Z
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SUMMARY:Optional Practical Training (OPT) Workshop
DESCRIPTION:Optional Practical Training (OPT) workshops are MANDATORY for all F-1 students who will apply for OPT\, and you MUST have attended the OPT workshop within 9 months of applying for OPT. You must attend the full workshop to receive credit. Be sure to arrive on time and stay until the end\, or you will not receive credit and will need to attend another workshop. \nZoom Link \nTo learn more about OPT\, visit the ISSP Optional Practical Training webpage.
URL:https://events.ucsc.edu/event/optional-practical-training-opt-workshop-3/
LOCATION:Zoom
CATEGORIES:Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261103T123000
DTEND;TZID=America/Los_Angeles:20261103T143000
DTSTAMP:20260923T192417Z
CREATED:20260923T192417Z
LAST-MODIFIED:20260923T192417Z
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SUMMARY:Cookies & Conversations with Provost Aims
DESCRIPTION:Meet Provost Aims and Poppy the Chihuahua outside of the Crown College Office for yummy cookies and conversation. Stay and chat or grab and go.
URL:https://events.ucsc.edu/event/cookies-conversations-with-provost-aims/2026-11-03/
LOCATION:Crown College\, Cultural Center at Merrill\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261103T120000
DTEND;TZID=America/Los_Angeles:20261103T124500
DTSTAMP:20260930T235927Z
CREATED:20260930T235927Z
LAST-MODIFIED:20260930T235927Z
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SUMMARY:Campus to Career: Job Talk with Director of Programs Faith Delgado
DESCRIPTION:Are you curious about careers in education? Join us for a job talk with Faith Delgado\, an alum who completed both a BA in Modern Literature and a Master’s in Education at UC Santa Cruz. Faith will share her professional story\, from starting her career as a teacher\, to working in her current position at an accessibility-oriented education nonprofit\, to how her time at UCSC informs what she does now. You’ll learn how to apply your skills and passion to work in the education field\, including in jobs outside of the classroom. \n  \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/campus-to-career-job-talk-with-director-of-programs-faith-delgado/
CATEGORIES:Lectures & Presentations
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LOCATION:https://ucsc.zoom.us/j/2614256373?pwd=WVdISUN0Q3ZHTXhSak5VVWN5OVc3dz09
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261103T090000
DTEND;TZID=America/Los_Angeles:20261103T170000
DTSTAMP:20260910T220755Z
CREATED:20260910T220755Z
LAST-MODIFIED:20260910T220755Z
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SUMMARY:Community Tuesday at the UCSC Arboretum
DESCRIPTION:The Arboretum opens its gates to the community free of charge the first Tuesday of every month. Come enjoy our gardens and wildlife. Don’t forget to stop by Norrie’s\, our wonderful gift shop and plant nursery (Open Tues-Sun 10 am-4 pm). Community Days are popular\, please consider carpooling or using alternative transportation. Current Arboretum members and UCSC Students always receive free admission.
URL:https://events.ucsc.edu/event/community-tuesday-at-the-ucsc-arboretum/2026-11-03/
LOCATION:Arboretum\, 122 Arboretum Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits,Social Gathering
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261102T160000
DTEND;TZID=America/Los_Angeles:20261102T170000
DTSTAMP:20261001T175836Z
CREATED:20261001T175836Z
LAST-MODIFIED:20261001T175836Z
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SUMMARY:AM Seminar: Data Analysis Workflow from Low-Code Tools to Generative and Agentic AI
DESCRIPTION:Presenter: Reza Fazel-Rezai\, Senior Science and Education Application Engineer\, MathWorks \nDescription: Please join us to learn how to accelerate data analysis using a workflow that spans low-code tools\, Generative AI\, and Agentic AI. Through live demonstrations and practical examples\, you’ll see how to import\, explore\, visualize\, model\, and process data using interactive tools that require minimal coding. The session will demonstrate how these tools can automatically generate reproducible MATLAB code\, how Generative AI can assist with code creation\, explanation\, and troubleshooting\, and how Agentic AI workflows can help plan\, execute code\, validate results\, diagnose issues\, and iteratively refine outcomes. Highlights: – Build a data analysis workflow using low-code and interactive tools. – Use Generative AI to support code generation\, explanation\, and troubleshooting. – Explore how Agentic AI can plan analysis steps\, run code\, test results\, diagnose errors\, and iterate toward reliable outcomes. \nAbout the speaker: Dr. Reza Fazel-Rezai\, with a Ph.D. and MS in Biomedical Engineering and a BS in Electrical Engineering\, brings over two decades of experience in both industry and academia. As a senior research scientist\, research team manager\, and the founding Director and tenured full Professor of Biomedical Engineering\, he has extensive expertise and background in the field. Dr. Fazel-Rezai has authored more than 200 scientific publications\, edited and published seven books\, and pursued diverse research interests in biomedical signal and image processing\, particularly through machine learning and deep learning methods. Passionate about leveraging and sharing his skills to help others achieve their goals\, he currently serves as an ABET PEV for Biomedical Engineering\, works part-time as an instructor at UC San Diego\, and is a full-time Senior Science and Education Application Engineer at MathWorks. \nThis seminar is hosted by Professor Pascale Garaud.
URL:https://events.ucsc.edu/event/am-seminar-data-analysis-workflow-from-low-code-tools-to-generative-and-agentic-ai/
LOCATION:Jack Baskin Engineering\, Baskin Engineering 1156 High Street\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Seminars
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261102T160000
DTEND;TZID=America/Los_Angeles:20261102T170000
DTSTAMP:20260921T170456Z
CREATED:20260921T170456Z
LAST-MODIFIED:20260921T170456Z
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SUMMARY:AM Seminar: Sliced Optimal Transport: From Acceleration to Bayesian Modeling
DESCRIPTION:Presenter: Enter the speaker’s name\, title\, and institution at the top of the event \nDescription: Optimal transport (OT) provides a principled way to match\, compare\, and interpolate distributions\, but its computational cost limits its use at realistic scales. I will present our recent work on reducing that cost and on using OT for statistical modeling and inference. In the first part of the talk\, I will briefly introduce optimal transport and sliced optimal transport (SOT). I will then present sliced-regularized OT\, which uses a cheap sliced plan as an informative prior for approximating the full plan\, yielding an efficient approximate OT solver. In the second part\, I will show how SOT enables new applications in statistical inference. In particular\, I will introduce distributional determinantal point processes\, which use SOT geometry to place repulsive priors on distributions\, giving a Bayesian model for clustering distributional data. Applications include image processing and the clustering of single-cell and epilepsy data. \nAbout the speaker: Dr. Khai Nguyen is an Assistant Professor in the Department of Statistics and Data Science at Texas A&M University. He received his Ph.D. in Statistics from the University of Texas at Austin and his B.Sc. in Computer Science from Hanoi University of Science and Technology. His research develops computational optimal transport\, particularly sliced methods that make large-scale transport tractable. He brings these tools to problems in machine learning and geometric data processing\, as well as to Bayesian approximate inference and nonparametric models for distributional data. \nThis seminar is hosted by Professor Yunyi Shen.
URL:https://events.ucsc.edu/event/am-seminar-sliced-optimal-transport-from-acceleration-to-bayesian-modeling/
LOCATION:Jack Baskin Engineering\, Baskin Engineering 1156 High Street\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Seminars
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