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DTSTART;TZID=America/Los_Angeles:20260519T120000
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SUMMARY:Privacy’s Defender: Fight Against Digital Surveillance with Cindy Cohn
DESCRIPTION:Privacy’s Defender\nElectronic Frontier Foundation (EFF) Executive Director Cindy Cohn’s Journey Inside the Privacy Battles That Shaped Today’s Internet\nCindy Cohn has devoted her life to the fight for digital rights. She’s tangled with federal officials to keep our online conversations secure from the government’s prying eyes\, fought to ensure that you are told when your information has been turned over to the government\, and argued before judges to protect our right to speak and to share science and knowledge on the internet. \nIn Privacy’s Defender: My Thirty-Year Fight Against Digital Surveillance (MIT Press)\, Cindy weaves her own personal story with her role as a leading legal voice representing the rights and interests of technology users\, innovators\, whistleblowers\, and researchers during the Crypto Wars of the 1990s\, battles over NSA’s dragnet internet spying revealed in the 2000s\, and the fight against FBI gag orders. \nDuring this national book tour\, Cindy will be at UC Santa Cruz to give a book talk on May 19\, 2026 from 12:00-1:30 pm. \nFree and open to the public with registration.  \nRSVP HERE to attend in-person or on Zoom. \nIn-Person location: UCSC Humanities 1\, Room 210 (map link) \nVirtual: Zoom link will be sent separately \nCindy Cohn is the Executive Director of the Electronic Frontier Foundation\, which works to ensure that technology supports freedom\, justice and innovation for all the people of the world. Before becoming Executive Director a decade ago\, Cindy was the organization’s Legal Director from 2000-2015\, and led the organization’s impact litigation work on bringing balance to copyright law\, stopping mass spying and protecting freedom of expression online. She’s won many awards for her work and even more court decisions. \nUCSC co-sponsors: \nInstitute for Social Transformation\, The Humanities Institute\, Dolores Huerta Research Center for the Americas\, The Center for Information Technology Research in the Interest of Society and the Banatao Institute (CITRIS)\, and the Security Research Lab.
URL:https://events.ucsc.edu/event/privacys-defender-fight-against-digital-surveillance-with-cindy-cohn/
LOCATION:Humanities 1 Building\, 257 Cowell-Stevenson Road\, Santa Cruz\, CA\, 95064\, United States
CATEGORIES:Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260520T120000
DTEND;TZID=America/Los_Angeles:20260520T170000
DTSTAMP:20260403T143701
CREATED:20260402T184659Z
LAST-MODIFIED:20260402T212548Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-20/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260520T120000
DTEND;TZID=America/Los_Angeles:20260520T170000
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CREATED:20260402T190659Z
LAST-MODIFIED:20260403T194448Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-20/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260520T190000
DTEND;TZID=America/Los_Angeles:20260520T210000
DTSTAMP:20260403T143701
CREATED:20260309T214850Z
LAST-MODIFIED:20260323T214348Z
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SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/drop-in-draw-spr-2026/2026-05-20/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260521T090000
DTEND;TZID=America/Los_Angeles:20260521T143000
DTSTAMP:20260403T143701
CREATED:20260326T204610Z
LAST-MODIFIED:20260326T204610Z
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SUMMARY:Annual BE Student Project Showcase
DESCRIPTION:Join Baskin Engineering for our annual Student Project Showcase to celebrate the innovative work and accomplishments of undergraduate engineers in capstone courses and research pathways. The broader campus community\, parents\, and industry partners are invited to view the culmination of student work. \nThe day begins with oral presentations from nominated “best-in-class” teams and those working on industry-sponsored projects. Following this\, all students will participate in a comprehensive Poster Session featuring project outcomes with some teams including table-top demonstrations of functional hardware. \nEvent Details: \n\nDate: May 21\, 2026\nOral Presentations (Nominated/Industry Teams): 9:00 AM to 11:00 AM\, Engineering 2\, Room 180\nPoster Session (All Student Teams): 11:30 AM to 2:30 PM\, Engineering Courtyard
URL:https://events.ucsc.edu/event/be-student-project-showcase-2026/
CATEGORIES:Lectures & Presentations,Undergraduate
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260521T103000
DTEND;TZID=America/Los_Angeles:20260521T120000
DTSTAMP:20260403T143701
CREATED:20260313T185556Z
LAST-MODIFIED:20260313T185556Z
UID:10011328-1779359400-1779364800@events.ucsc.edu
SUMMARY:Younger Lagoon Reserve Tours
DESCRIPTION:Younger Lagoon Reserve tours are free and open to the public. Space is limited to 18 participants. Call 831-459-3800 or sign-up online. Virtual tours are available online. seymourcenter.ucsc.edu. \n 
URL:https://events.ucsc.edu/event/younger-lagoon-reserve-tours/2026-05-21/
LOCATION:Seymour Marine Discovery Center\, 100 McAllister Way\, Santa Cruz\, CA\, 95060
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260521T120000
DTEND;TZID=America/Los_Angeles:20260521T124500
DTSTAMP:20260403T143701
CREATED:20260325T185638Z
LAST-MODIFIED:20260325T185638Z
UID:10011372-1779364800-1779367500@events.ucsc.edu
SUMMARY:Note Taking and Reading Strategies
DESCRIPTION:In this workshop\, you will: Learn reading and note-taking methods and why they work to help you learn. \nThe Successful Slug Workshop series\, hosted by Learning Support Services Peer Coaches\, are open to all UCSC undergraduate students and focus on academic skills and tools to support your success as a student. At each workshop\, you will be introduced to a topic\, engage in active learning\, be given resources to begin implementing the same day\, and have an opportunity to learn more if you are interested. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/note-taking-and-reading-strategies/
LOCATION:Academic Resources Center (ARC)\, 408 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Undergraduate,Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260521T120000
DTEND;TZID=America/Los_Angeles:20260521T170000
DTSTAMP:20260403T143701
CREATED:20260402T184659Z
LAST-MODIFIED:20260402T212548Z
UID:10011966-1779364800-1779382800@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-21/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260521T120000
DTEND;TZID=America/Los_Angeles:20260521T170000
DTSTAMP:20260403T143701
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T194448Z
UID:10011875-1779364800-1779382800@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-21/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260521T130000
DTEND;TZID=America/Los_Angeles:20260521T140000
DTSTAMP:20260403T143701
CREATED:20260225T174734Z
LAST-MODIFIED:20260225T174734Z
UID:10009287-1779368400-1779372000@events.ucsc.edu
SUMMARY:Black on the Block
DESCRIPTION:Join the African American Resource & Cultural Center every Thursday from 1–2 p.m.\, at the front of the Ethnic Resource Center for Black on the Block\, a weekly tabling and engagement space. \nStop by to learn about campus resources\, upcoming programs\, and ways to get involved. It’s a casual\, welcoming space to ask questions\, make connections\, and build community. All are welcome. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/black-on-the-block/2026-05-21/
LOCATION:Crown Provost House\, 660 Crown Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
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GEO:37.0004921;-122.054609
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260521T170000
DTEND;TZID=America/Los_Angeles:20260521T200000
DTSTAMP:20260403T143701
CREATED:20260403T193222Z
LAST-MODIFIED:20260403T193222Z
UID:10012037-1779382800-1779393600@events.ucsc.edu
SUMMARY:College Night: Sanrio
DESCRIPTION:Oakes and Rachel Carson Colleges\, in collaboration with UCSC Dining\, present a Sanrio-themed college night. Join us Thursday\, May 21\, from 5–8 p.m. at the Rachel Carson/Oakes Dining Hall for a night of fun\, community\, and a special themed menu. Standard dining hall entry pricing applies\, and all students\, faculty\, and staff are invited. \nPlease note: The dining hall will be closed from 2–5 p.m. for event preparation. \nLearn more about College Nights at dining.ucsc.edu/events. \n___________________________________________________________________________________________________________________ \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.How to Use the Statement Across Communication Channels
URL:https://events.ucsc.edu/event/college-night-sanrio/
LOCATION:Rachel Carson/Oakes Dining Hall
CATEGORIES:Social Gathering
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260521T193000
DTEND;TZID=America/Los_Angeles:20260521T213000
DTSTAMP:20260403T143701
CREATED:20260401T204643Z
LAST-MODIFIED:20260403T162533Z
UID:10011842-1779391800-1779399000@events.ucsc.edu
SUMMARY:Of Nature and the Cosmos—April in Santa Cruz
DESCRIPTION:Join acclaimed Iranian virtuosi Siamak Barghi (kamancheh\, tombak)\, and Arya Tavallaei (santour); Stanford University’s celebrated guzheng master Hui You; and San Francisco’s Del Sol Quartet (“excavations of beauty from the elemental”—New York Times) for an intrepid concert that explores nature\, the cosmos\, the “deep acoustics” of musical harmony\, and an exchange of imagination and inspiration among Iranian\, Chinese\, and European improvisation practices. Featuring the music of Iranian composer Nina Barzegar (“each [Barzegar’s music] slid into … mellifluous melody … heedless-sounding glissandos\, you wondered if the center would hold. But Barzegar’s compositional command kept it together.”—New York Times)\, icon of Central California experimentalism\, Ben Johnston\, and well-known Santa Cruz composers Ben Dorfan\, Christopher Pierandozzi Everingham\, and Jinwei Sun. \nThis event is presented as part of the April in Santa Cruz Festival of Creative Music.\n—\nADMISSION\n– Free and open to the public per advance registration only\n– Attend in-person at the Music Center Performance Studio 131 at UC Santa Cruz\n– Advance registration required due to limited seating; link to be announced\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant when present\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nFULL SCHEDULE OF EVENTS\n– This year’s festival includes seven events between April 15 and May 21\, 2026\n– Additional April in Santa Cruz events and information at aprilsc.ucsc.edu\n—\nOF NATURE AND THE COSMOS\nSAN FRANCISCO’S DEL SOL QUARTET WITH IRANIAN AND CHINESE VIRTUOSOS\n\nimage: photo of Del Sol Quarter by photographer RJ.Muna\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/aisc-del-sol-05-21-26/
LOCATION:Music Center Performance Studio 131\, Santa Cruz\, CA\, 95064\, United States
CATEGORIES:Concerts,Performances
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DTSTART;TZID=America/Los_Angeles:20260522T120000
DTEND;TZID=America/Los_Angeles:20260522T140000
DTSTAMP:20260403T143701
CREATED:20260402T211754Z
LAST-MODIFIED:20260402T211940Z
UID:10011936-1779451200-1779458400@events.ucsc.edu
SUMMARY:Something held by poetry
DESCRIPTION:In this intimate workshop\, UC Santa Cruz students\, faculty\, and staff are invited into conversation with poets Ronaldo V. Wilson and Terri Witek. Something held by poetry is programmed for Wilson’s multimedia exhibition\, there are no words\, but melodies\, currently on view at the IAS. \nRSVP is required. \n\n\nRonaldo V. Wilson is a poet\, interdisciplinary artist\, academic\, and the author of Narrative of the Life of the Brown Boy and the White Man\, winner of the Cave Canem Prize; Poems of the Black Object\, winner of the Thom Gunn Award for Gay Poetry and the Asian American Literary Award in Poetry; Farther Traveler: Poetry\, Prose\, Other\, and Lucy 72. His latest books are Carmelina: Figures and Virgil Kills: Stories. He is the editor of three special issues of hybrid and experimental work in Interim: A Journal of Poetry and Poetics; and Obsidian: Literature & Arts in the African Diaspora. Wilson is Professor of Creative Writing and Literature at U.C. Santa Cruz\, where he directs the Creative Writing Program\, and serves on the core faculty of the Creative Critical PhD Program; principal faculty member of CRES (Critical Race and Ethnic Studies); and affiliate faculty member of DANM (Digital Arts and New Media). \n\n\n\n\nTerri Witek’s most recent books include her 2026 eco-poetics collection with Amaranth Borsuk\, W/\ SH\, which loops two rain prophets\, both women\, into a crisis between future worlds\, and 2023’s Something’s Missing in This Museum (Anhinga Press). A translation by\nDona Mayoora of 2018’s The Rape Kit into Malayalam is forthcoming. Her work has been included in many anthologies\, including 2 from 2021: JUDITH: Women Making Visual Poetry (Timglaset Editions ) and the WAAVe Global Gallery (Hysterical Books). Witek’s solo and\ncollaborative work has been featured in a wide variety of text venues\, including Fence\, The Colorado Review\, Hampden-Sydney Poetry Review\, American Poetry Review\, Poetry\, Slate\, Hudson Review\, Lana Turner\, The New Republic\, and UTSANGA .
URL:https://events.ucsc.edu/event/something-held-by-poetry/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits,Lectures & Presentations,Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260522T120000
DTEND;TZID=America/Los_Angeles:20260522T170000
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CREATED:20260402T184659Z
LAST-MODIFIED:20260402T212548Z
UID:10011967-1779451200-1779469200@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-22/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260523T120000
DTEND;TZID=America/Los_Angeles:20260523T170000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-23/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260523T120000
DTEND;TZID=America/Los_Angeles:20260523T170000
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CREATED:20260402T190659Z
LAST-MODIFIED:20260403T194448Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-23/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260524T120000
DTEND;TZID=America/Los_Angeles:20260524T170000
DTSTAMP:20260403T143701
CREATED:20260402T184659Z
LAST-MODIFIED:20260402T212548Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-24/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260524T120000
DTEND;TZID=America/Los_Angeles:20260524T170000
DTSTAMP:20260403T143701
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T194448Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-24/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260524T130000
DTEND;TZID=America/Los_Angeles:20260524T150000
DTSTAMP:20260403T143701
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LAST-MODIFIED:20251002T180146Z
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SUMMARY:Santa Cruz Pickwick Club presents: Bleak House
DESCRIPTION:Spontaneous human combustion! Evil lawyers! Detectives! Family intrigue! These all come together in Charles Dickens’s masterwork\, Bleak House. This year\, we will spend the year reading the 2026 Dickens Universe novel. Join Dickens enthusiasts and Pickwick Club members on Zoom for a series of discussions about this beloved book. \nRegister via Zoom \nReading Schedule:  \n\nOCT 26: Chapters 8-13\nNOV 23: Chapters 14-19\nDEC 28: No meeting\nJAN 25: Chapters 20-25\nFEB 22: Chpaters 26-32\nMAR 22: Chapters 33-38\nAPR 26: Chapters 39-46\nMAY 24: Chapters 47-53\nJUN 28: Chapters 54-67 (End)\n\nRecommended Edition: We recommend the Penguin Classics edition of the novel for its appendices and notes\, but other versions are fine. First-time readers should avoid the Introduction if they don’t want spoilers. Download the novel to read at Gutenburg.org or listen to it at LibriVox.org. \nThe Santa Cruz Pickwick (Book) Club\, a branch of the Dickens Fellowship\, is a community of local bookworms\, students\, and teachers who meet monthly to discuss a nineteenth-century novel. The Santa Cruz Public Libraries provide support for the reading group.
URL:https://events.ucsc.edu/event/santa-cruz-pickwick-club-presents-bleak-house-2/2026-05-24/
CATEGORIES:Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260527T110000
DTEND;TZID=America/Los_Angeles:20260527T123000
DTSTAMP:20260403T143701
CREATED:20260330T203942Z
LAST-MODIFIED:20260330T203942Z
UID:10011815-1779879600-1779885000@events.ucsc.edu
SUMMARY:CSE Colloquium - Learning to Image: Computational Microscopy for Dynamic Systems
DESCRIPTION:Presenter: Laura Waller\, UC Berkeley \nAbstract: \nComputational imaging jointly designs hardware and algorithms to push beyond the classical limits of imaging\, enabling measurement of new quantities (e.g. 3D\, phase\, and super-resolution) with simple\, inexpensive hardware. These approaches have already transformed consumer photography; our goal is to achieve a similar transformation in scientific microscopy. \nIn this talk\, I will show how end-to-end learning is reshaping the design of imaging systems\, from programmable illumination with LED arrays to compact\, lensless cameras built from Scotch tape. By combining physical models with neural networks\, we can jointly learn how to capture data\, reconstruct images\, and self-calibrate systems that would otherwise be too complex to model. However\, many computational methods rely on multiple measurements\, limiting their use for live\, dynamic samples. I will introduce new space-time algorithms based on implicit neural representations (INRs) that jointly recover structure and motion\, correct artifacts\, and enable high-resolution imaging in regimes where traditional approaches fail. \nBio: \nLaura Waller is the Charles A. Desoer Professor of Electrical Engineering and Computer Sciences at UC Berkeley. She received B.S.\, M.Eng. and Ph.D. degrees from the Massachusetts Institute of Technology in 2004\, 2005 and 2010. After that\, she was a Postdoctoral Researcher and Lecturer of Physics at Princeton University from 2010-2012. She is a Packard Fellow for Science & Engineering\, Moore Foundation Data-driven Investigator\, OSA Fellow\, and Chan-Zuckerberg Biohub Investigator. She has received the Carol D. Soc Distinguished Graduate Mentoring Award\, OSA Adolph Lomb Medal\, the SPIE Early Career Award and the Max Planck-Humboldt Medal. \nHosted by: Professor Alvaro Cardenas \nLocation: Engineering 2\, Room E2-180 (Refreshments such as fruit\, pastries\, coffee\, and tea will be provided.) \nZoom Option: https://ucsc.zoom.us/j/93445911992?pwd=YkJ2TQtF79h0PcNXbEcpZLbpK0coiY.1&jst=3
URL:https://events.ucsc.edu/event/cse-colloquium-learning-to-image-computational-microscopy-for-dynamic-systems/
LOCATION:Engineering 2\, Engineering 2 1156 High Street\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Seminars
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260527T120000
DTEND;TZID=America/Los_Angeles:20260527T130000
DTSTAMP:20260403T143701
CREATED:20250923T070000Z
LAST-MODIFIED:20251001T224502Z
UID:10000284-1779883200-1779886800@events.ucsc.edu
SUMMARY:Engineering Teaching Community (Faculty)
DESCRIPTION:During the chaos of a quarter\, is it hard to find time to reflect and improve as an instructor? Would you like to be a part of an inclusive\, supportive group of engineering instructors who do this in community? ETC is for sharing teaching experiences\, classroom ideas\, research on learning\, and methods that support instructors and students. All are welcome\, and lunch is provided. Please reach out to Jenny Quynn with questions.
URL:https://events.ucsc.edu/event/engineering-teaching-community-faculty/2026-05-27/
LOCATION:Jack Baskin Engineering\, Baskin Engineering 1156 High Street\, Santa Cruz\, CA\, 95064
CATEGORIES:Meetings & Conferences,Training
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260527T120000
DTEND;TZID=America/Los_Angeles:20260527T170000
DTSTAMP:20260403T143701
CREATED:20260402T184659Z
LAST-MODIFIED:20260402T212548Z
UID:10011970-1779883200-1779901200@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-27/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260527T120000
DTEND;TZID=America/Los_Angeles:20260527T170000
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CREATED:20260402T190659Z
LAST-MODIFIED:20260403T194448Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-27/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260527T170000
DTEND;TZID=America/Los_Angeles:20260527T193000
DTSTAMP:20260403T143701
CREATED:20260403T171521Z
LAST-MODIFIED:20260403T171626Z
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SUMMARY:“So\, There We Were...” – Celebrating the Untold Stories Behind the Discoveries
DESCRIPTION:To celebrate another year of profound discoveries\, uplifting unheard voices\, and opening up the world for the next generation of students\, the Academic Senate is planning a year-end celebratory event on Wednesday\, May 27\, 5-7:30 pm (week 9)\, at the Haybarn. But lest you think this is yet one more end-of-year academic event with mind-numbing presentations and hard-to-read powerpoint slides\, think again. This Scholarly Event is an excuse for us to do what we never get to do: come together to share the real stories behind our work and\, most of all\, HAVE FUN! In this spirit we are launching a celebratory event to feature the true but unknown\, the odd\, the awkward\, and just plain unbelievable stories behind our research: \n“So\, There We Were…”\nCelebrating the Untold Stories Behind the Discoveries \nThese might be the adventures\, misadventures\, revelations\, miscues\, or simply the “you would never believe it all worked out” moments that we have all experienced but rarely talk about (at least not in public). These are the stories that our friends\, neighbors\, and students want to hear\, but never would make it into scholarly publications or presentations. These are the stories we swap with our colleagues over drinks. While this event is intended primarily for faculty\, the campus community and community members will be welcome to attend (in other words\, feel free to bring your kids\, your partner\, your neighbors). \nWe are therefore soliciting applications (or nominations if you know someone—including yourself—who really needs to share that story) to regale your colleagues with details about “that time that…(fill in the blank)\,” while showing how those hidden moments shaped what finally came out of that research. This is meant to be a lighthearted and fun event\, so while having the audience learn something about what you do and why it is SO COOL is very good\, our focus will remain on humor\, fun\, and engaging tales. As the Ig Nobel Awards put it: “First make them laugh…then make them think!” \nPresenters will give a ~10 min TED style talk. Talks must begin with the phrase “So\, there we were” (or “So\, there I was” ) and they should feature the adventurous\, the bizarre\, and ideally the humorous in your research. Absolutely no tedious powerpoints\, jargon\, or literature background review will be allowed.  \nA reception will follow. Or it may precede\, or even take place during\, the event. But rest assured\, we will be celebrating in style. Please submit your nominations following instructions below\, and we expect to see you there. \nFaculty\, for nominations of yourself (or someone else):\nPlease send to Senate@ucsc.edu\, with subject line “So there we were”\n \nFor you: By April 17\nA Title\, and a brief (no more than 500 words!) description of your proposed talk. It must begin with “So there we were” or “So there I was.” You must also include a statement that you understand this must be fun and that you understand that erudite jargon\, literature review\, or tedious explication are completely unacceptable. Any supporting details that demonstrate your enthusiasm for your subject and its presentation are welcome. \nFor someone else: Immediately! (or sooner)\nSubmit the person’s name\, email\, and the story or topic that makes you think they really should be harangued by us to apply.  \nNB: There may well be prizes. But we have not gotten quite that far yet.
URL:https://events.ucsc.edu/event/so-there-we-were-celebrating-the-untold-stories-behind-the-discoveries/
LOCATION:Hay Barn\, 94 Ranch View Road\, Santa Cruz\, CA\, 95064\, United States
CATEGORIES:Lectures & Presentations
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DTSTART;TZID=America/Los_Angeles:20260527T170000
DTEND;TZID=America/Los_Angeles:20260527T200000
DTSTAMP:20260403T143701
CREATED:20260403T192648Z
LAST-MODIFIED:20260403T192648Z
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SUMMARY:College Night: Performing Arts of the World
DESCRIPTION:College Nine and John R. Lewis College\, in collaboration with UCSC Dining\, present “Performing Arts of the World”\, featuring performances from various student orgs. Join us Wednesday\, May 27 from 5–8 p.m. at the College Nine/John R. Lewis Dining Hall for a night of activities\, fun\, community\, and a special themed menu. Standard dining hall entry pricing applies\, and all students\, faculty\, and staff are invited. \nPlease note: The dining hall will be closed from 2–5 p.m. for event preparation. \nLearn more about College Nights at dining.ucsc.edu/events. \n__________________________________________________________________________________________________ \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.How to Use the Statement Across Communication Channels
URL:https://events.ucsc.edu/event/college-night-performing-arts-of-the-world/
LOCATION:College Nine and John R. Lewis Dining Hall
CATEGORIES:Social Gathering
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260527T190000
DTEND;TZID=America/Los_Angeles:20260527T210000
DTSTAMP:20260403T143701
CREATED:20260309T214850Z
LAST-MODIFIED:20260323T214348Z
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SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/drop-in-draw-spr-2026/2026-05-27/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260528T120000
DTEND;TZID=America/Los_Angeles:20260528T170000
DTSTAMP:20260403T143701
CREATED:20260402T184659Z
LAST-MODIFIED:20260402T212548Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-28/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260528T120000
DTEND;TZID=America/Los_Angeles:20260528T170000
DTSTAMP:20260403T143701
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T194448Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-28/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260528T130000
DTEND;TZID=America/Los_Angeles:20260528T140000
DTSTAMP:20260403T143701
CREATED:20260225T174734Z
LAST-MODIFIED:20260225T174734Z
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SUMMARY:Black on the Block
DESCRIPTION:Join the African American Resource & Cultural Center every Thursday from 1–2 p.m.\, at the front of the Ethnic Resource Center for Black on the Block\, a weekly tabling and engagement space. \nStop by to learn about campus resources\, upcoming programs\, and ways to get involved. It’s a casual\, welcoming space to ask questions\, make connections\, and build community. All are welcome. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/black-on-the-block/2026-05-28/
LOCATION:Crown Provost House\, 660 Crown Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260528T193000
DTEND;TZID=America/Los_Angeles:20260528T213000
DTSTAMP:20260403T143701
CREATED:20260324T203217Z
LAST-MODIFIED:20260402T201641Z
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SUMMARY:UCSC Opera—Orpheus in the Underworld
DESCRIPTION:A rollicking and irreverent spoof of the Orpheus myth\, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice\, as the latter’s love affair with the god of the underworld results in Eurydice relocating to hell. Cowed by Public Opinion\, Orpheus makes an attempt to retrieve his wife from the underworld\, but Jupiter’s involvement\, along with many of the other gods of Olympus\, complicates matters further.  \nThe UCSC Orchestra ensemble and voice students are conducted by Bruce Kiesling\, with direction by Sheila Willey.\nCostumes by Brooke Jennings\, wigs by Sharon Ridge\, and set/lighting design by David Dunning.\n—\nADMISSION\n– Attend in person at the UCSC Music Center Recital Hall.\n– General admission opera tickets available online through Eventbrite.\n– Free for UCSC students (ticket required).\n– Follow the Music Department on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nFULL SCHEDULE OF EVENTS\n– Th.\, May 28\, 7:30 p.m.\n– Fr.\, May 29\, 7:30 p.m.\n– Sa.\, May 30\, 7:30 p.m.\n– Su.\, May 31\, 3:00 p.m. matinee\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant.\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law. \n  \n  \n 
URL:https://events.ucsc.edu/event/opera-orpheus/2026-05-28/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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END:VEVENT
END:VCALENDAR