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DTSTART;TZID=America/Los_Angeles:20260527T170000
DTEND;TZID=America/Los_Angeles:20260527T193000
DTSTAMP:20260403T110540
CREATED:20260403T171521Z
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UID:10012032-1779901200-1779910200@events.ucsc.edu
SUMMARY:“So\, There We Were...” – Celebrating the Untold Stories Behind the Discoveries
DESCRIPTION:To celebrate another year of profound discoveries\, uplifting unheard voices\, and opening up the world for the next generation of students\, the Academic Senate is planning a year-end celebratory event on Wednesday\, May 27\, 5-7:30 pm (week 9)\, at the Haybarn. But lest you think this is yet one more end-of-year academic event with mind-numbing presentations and hard-to-read powerpoint slides\, think again. This Scholarly Event is an excuse for us to do what we never get to do: come together to share the real stories behind our work and\, most of all\, HAVE FUN! In this spirit we are launching a celebratory event to feature the true but unknown\, the odd\, the awkward\, and just plain unbelievable stories behind our research: \n“So\, There We Were…”\nCelebrating the Untold Stories Behind the Discoveries \nThese might be the adventures\, misadventures\, revelations\, miscues\, or simply the “you would never believe it all worked out” moments that we have all experienced but rarely talk about (at least not in public). These are the stories that our friends\, neighbors\, and students want to hear\, but never would make it into scholarly publications or presentations. These are the stories we swap with our colleagues over drinks. While this event is intended primarily for faculty\, the campus community and community members will be welcome to attend (in other words\, feel free to bring your kids\, your partner\, your neighbors). \nWe are therefore soliciting applications (or nominations if you know someone—including yourself—who really needs to share that story) to regale your colleagues with details about “that time that…(fill in the blank)\,” while showing how those hidden moments shaped what finally came out of that research. This is meant to be a lighthearted and fun event\, so while having the audience learn something about what you do and why it is SO COOL is very good\, our focus will remain on humor\, fun\, and engaging tales. As the Ig Nobel Awards put it: “First make them laugh…then make them think!” \nPresenters will give a ~10 min TED style talk. Talks must begin with the phrase “So\, there we were” (or “So\, there I was” ) and they should feature the adventurous\, the bizarre\, and ideally the humorous in your research. Absolutely no tedious powerpoints\, jargon\, or literature background review will be allowed.  \nA reception will follow. Or it may precede\, or even take place during\, the event. But rest assured\, we will be celebrating in style. Please submit your nominations following instructions below\, and we expect to see you there. \nFaculty\, for nominations of yourself (or someone else):\nPlease send to Senate@ucsc.edu\, with subject line “So there we were”\n \nFor you: By April 17\nA Title\, and a brief (no more than 500 words!) description of your proposed talk. It must begin with “So there we were” or “So there I was.” You must also include a statement that you understand this must be fun and that you understand that erudite jargon\, literature review\, or tedious explication are completely unacceptable. Any supporting details that demonstrate your enthusiasm for your subject and its presentation are welcome. \nFor someone else: Immediately! (or sooner)\nSubmit the person’s name\, email\, and the story or topic that makes you think they really should be harangued by us to apply.  \nNB: There may well be prizes. But we have not gotten quite that far yet.
URL:https://events.ucsc.edu/event/so-there-we-were-celebrating-the-untold-stories-behind-the-discoveries/
LOCATION:Hay Barn\, 94 Ranch View Road\, Santa Cruz\, CA\, 95064\, United States
CATEGORIES:Lectures & Presentations
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260527T190000
DTEND;TZID=America/Los_Angeles:20260527T210000
DTSTAMP:20260403T110540
CREATED:20260309T214850Z
LAST-MODIFIED:20260323T214348Z
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SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/drop-in-draw-spr-2026/2026-05-27/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260528T120000
DTEND;TZID=America/Los_Angeles:20260528T170000
DTSTAMP:20260403T110540
CREATED:20260402T184659Z
LAST-MODIFIED:20260402T212548Z
UID:10011971-1779969600-1779987600@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-28/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260528T120000
DTEND;TZID=America/Los_Angeles:20260528T170000
DTSTAMP:20260403T110540
CREATED:20260402T190659Z
LAST-MODIFIED:20260402T190659Z
UID:10011879-1779969600-1779987600@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-28/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260528T130000
DTEND;TZID=America/Los_Angeles:20260528T140000
DTSTAMP:20260403T110540
CREATED:20260225T174734Z
LAST-MODIFIED:20260225T174734Z
UID:10009288-1779973200-1779976800@events.ucsc.edu
SUMMARY:Black on the Block
DESCRIPTION:Join the African American Resource & Cultural Center every Thursday from 1–2 p.m.\, at the front of the Ethnic Resource Center for Black on the Block\, a weekly tabling and engagement space. \nStop by to learn about campus resources\, upcoming programs\, and ways to get involved. It’s a casual\, welcoming space to ask questions\, make connections\, and build community. All are welcome. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/black-on-the-block/2026-05-28/
LOCATION:Crown Provost House\, 660 Crown Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Crown Provost House 660 Crown Service Road Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=660 Crown Service Road:geo:-122.054609,37.0004921
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260528T193000
DTEND;TZID=America/Los_Angeles:20260528T213000
DTSTAMP:20260403T110540
CREATED:20260324T203217Z
LAST-MODIFIED:20260402T201641Z
UID:10011389-1779996600-1780003800@events.ucsc.edu
SUMMARY:UCSC Opera—Orpheus in the Underworld
DESCRIPTION:A rollicking and irreverent spoof of the Orpheus myth\, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice\, as the latter’s love affair with the god of the underworld results in Eurydice relocating to hell. Cowed by Public Opinion\, Orpheus makes an attempt to retrieve his wife from the underworld\, but Jupiter’s involvement\, along with many of the other gods of Olympus\, complicates matters further.  \nThe UCSC Orchestra ensemble and voice students are conducted by Bruce Kiesling\, with direction by Sheila Willey.\nCostumes by Brooke Jennings\, wigs by Sharon Ridge\, and set/lighting design by David Dunning.\n—\nADMISSION\n– Attend in person at the UCSC Music Center Recital Hall.\n– General admission opera tickets available online through Eventbrite.\n– Free for UCSC students (ticket required).\n– Follow the Music Department on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nFULL SCHEDULE OF EVENTS\n– Th.\, May 28\, 7:30 p.m.\n– Fr.\, May 29\, 7:30 p.m.\n– Sa.\, May 30\, 7:30 p.m.\n– Su.\, May 31\, 3:00 p.m. matinee\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant.\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law. \n  \n  \n 
URL:https://events.ucsc.edu/event/opera-orpheus/2026-05-28/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T120000
DTEND;TZID=America/Los_Angeles:20260529T170000
DTSTAMP:20260403T110540
CREATED:20260402T184659Z
LAST-MODIFIED:20260402T212548Z
UID:10011972-1780056000-1780074000@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-29/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T130000
DTEND;TZID=America/Los_Angeles:20260529T134500
DTSTAMP:20260403T110540
CREATED:20260325T185639Z
LAST-MODIFIED:20260325T185639Z
UID:10011378-1780059600-1780062300@events.ucsc.edu
SUMMARY:Productive Struggle & Study Skills
DESCRIPTION:In this workshop\, you will: Learn study strategies and why making it hard for yourself supports durable learning. \nThe Successful Slug Workshop series\, hosted by Learning Support Services Peer Coaches\, are open to all UCSC undergraduate students and focus on academic skills and tools to support your success as a student. At each workshop\, you will be introduced to a topic\, engage in active learning\, be given resources to begin implementing the same day\, and have an opportunity to learn more if you are interested. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/productive-struggle-study-skills-2/
LOCATION:Academic Resources Center (ARC)\, 408 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Undergraduate,Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260529T193000
DTEND;TZID=America/Los_Angeles:20260529T213000
DTSTAMP:20260403T110540
CREATED:20260324T203217Z
LAST-MODIFIED:20260402T201641Z
UID:10011390-1780083000-1780090200@events.ucsc.edu
SUMMARY:UCSC Opera—Orpheus in the Underworld
DESCRIPTION:A rollicking and irreverent spoof of the Orpheus myth\, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice\, as the latter’s love affair with the god of the underworld results in Eurydice relocating to hell. Cowed by Public Opinion\, Orpheus makes an attempt to retrieve his wife from the underworld\, but Jupiter’s involvement\, along with many of the other gods of Olympus\, complicates matters further.  \nThe UCSC Orchestra ensemble and voice students are conducted by Bruce Kiesling\, with direction by Sheila Willey.\nCostumes by Brooke Jennings\, wigs by Sharon Ridge\, and set/lighting design by David Dunning.\n—\nADMISSION\n– Attend in person at the UCSC Music Center Recital Hall.\n– General admission opera tickets available online through Eventbrite.\n– Free for UCSC students (ticket required).\n– Follow the Music Department on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nFULL SCHEDULE OF EVENTS\n– Th.\, May 28\, 7:30 p.m.\n– Fr.\, May 29\, 7:30 p.m.\n– Sa.\, May 30\, 7:30 p.m.\n– Su.\, May 31\, 3:00 p.m. matinee\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant.\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law. \n  \n  \n 
URL:https://events.ucsc.edu/event/opera-orpheus/2026-05-29/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260530T103000
DTEND;TZID=America/Los_Angeles:20260530T120000
DTSTAMP:20260403T110540
CREATED:20260313T185556Z
LAST-MODIFIED:20260313T185556Z
UID:10011329-1780137000-1780142400@events.ucsc.edu
SUMMARY:Younger Lagoon Reserve Tours
DESCRIPTION:Younger Lagoon Reserve tours are free and open to the public. Space is limited to 18 participants. Call 831-459-3800 or sign-up online. Virtual tours are available online. seymourcenter.ucsc.edu. \n 
URL:https://events.ucsc.edu/event/younger-lagoon-reserve-tours/2026-05-30/
LOCATION:Seymour Marine Discovery Center\, 100 McAllister Way\, Santa Cruz\, CA\, 95060
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Seymour Marine Discovery Center 100 McAllister Way Santa Cruz CA 95060;X-APPLE-RADIUS=500;X-TITLE=100 McAllister Way:geo:-122.0645023,36.9495746
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260530T120000
DTEND;TZID=America/Los_Angeles:20260530T143000
DTSTAMP:20260403T110540
CREATED:20260211T221740Z
LAST-MODIFIED:20260211T221740Z
UID:10009208-1780142400-1780151400@events.ucsc.edu
SUMMARY:Herbs and Tending the Inner Garden
DESCRIPTION:The way to care for humans and gardens have lots of similarities. We will explore the realm of self care\, health maintenance and disharmony management through the lens of herbal medicine and metaphors of organic garden management. This class will be an herb walk where we will visit common garden plants\, “weeds” and medicinal plants and learn how to use them for our self care.
URL:https://events.ucsc.edu/event/herbs-and-tending-the-inner-garden/
LOCATION:UCSC Farm\, 152 Farm Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260530T120000
DTEND;TZID=America/Los_Angeles:20260530T170000
DTSTAMP:20260403T110540
CREATED:20260402T184659Z
LAST-MODIFIED:20260402T212548Z
UID:10011973-1780142400-1780160400@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-30/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260530T120000
DTEND;TZID=America/Los_Angeles:20260530T170000
DTSTAMP:20260403T110540
CREATED:20260402T190659Z
LAST-MODIFIED:20260402T190659Z
UID:10011880-1780142400-1780160400@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-30/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260530T120000
DTEND;TZID=America/Los_Angeles:20260530T170000
DTSTAMP:20260403T110540
CREATED:20260402T212242Z
LAST-MODIFIED:20260402T212325Z
UID:10011937-1780142400-1780160400@events.ucsc.edu
SUMMARY:Office Hours Under the Sea
DESCRIPTION:Join Ronaldo Wilson and special guests for a site-specific\, endurance performance as part of there are no words\, but melodies. The exhibition emerges at the intersections of Black poetics\, performance\, and visual art toshuttle between verbal and non-verbal forms of language\, rendering the boundaries of identity and meaning slippery. \nDrop in and visit Wilson’s office hours any time between 12pm and 5pm. \nAbout the Artist: \nRonaldo V. Wilson is a poet\, interdisciplinary artist\, academic\, and the author of Narrative of the Life of the Brown Boy and the White Man\, winner of the Cave Canem Prize; Poems of the Black Object\, winner of the Thom Gunn Award for Gay Poetry and the Asian American Literary Award in Poetry; Farther Traveler: Poetry\, Prose\, Other\, and Lucy 72. His latest books are Carmelina: Figures and Virgil Kills: Stories. He is the editor of three special issues of hybrid and experimental work in Interim: A Journal of Poetry and Poetics; and Obsidian: Literature & Arts in the African Diaspora. He has shown work and performed most recently at the Center for African American Poetry and Poetics\, and The Woodberry Poetry Room at Harvard. The recipient of numerous fellowships\, including Cave Canem\, the Fine Arts Work Center in Provincetown\, MacDowell\, and The Robert Rauschenberg Foundation\, Wilson is Professor of Creative Writing and Literature at U.C. Santa Cruz\, where he directs the Creative Writing Program\, and serves on the core faculty of the Creative Critical PhD Program; principal faculty member of CRES (Critical Race and Ethnic Studies); and affiliate faculty member of DANM (Digital Arts and New Media).
URL:https://events.ucsc.edu/event/office-hours-under-the-sea/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits,Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260530T193000
DTEND;TZID=America/Los_Angeles:20260530T213000
DTSTAMP:20260403T110540
CREATED:20260324T203217Z
LAST-MODIFIED:20260402T201641Z
UID:10011391-1780169400-1780176600@events.ucsc.edu
SUMMARY:UCSC Opera—Orpheus in the Underworld
DESCRIPTION:A rollicking and irreverent spoof of the Orpheus myth\, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice\, as the latter’s love affair with the god of the underworld results in Eurydice relocating to hell. Cowed by Public Opinion\, Orpheus makes an attempt to retrieve his wife from the underworld\, but Jupiter’s involvement\, along with many of the other gods of Olympus\, complicates matters further.  \nThe UCSC Orchestra ensemble and voice students are conducted by Bruce Kiesling\, with direction by Sheila Willey.\nCostumes by Brooke Jennings\, wigs by Sharon Ridge\, and set/lighting design by David Dunning.\n—\nADMISSION\n– Attend in person at the UCSC Music Center Recital Hall.\n– General admission opera tickets available online through Eventbrite.\n– Free for UCSC students (ticket required).\n– Follow the Music Department on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nFULL SCHEDULE OF EVENTS\n– Th.\, May 28\, 7:30 p.m.\n– Fr.\, May 29\, 7:30 p.m.\n– Sa.\, May 30\, 7:30 p.m.\n– Su.\, May 31\, 3:00 p.m. matinee\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant.\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law. \n  \n  \n 
URL:https://events.ucsc.edu/event/opera-orpheus/2026-05-30/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260531T120000
DTEND;TZID=America/Los_Angeles:20260531T170000
DTSTAMP:20260403T110540
CREATED:20260402T184659Z
LAST-MODIFIED:20260402T212548Z
UID:10011974-1780228800-1780246800@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-05-31/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260531T120000
DTEND;TZID=America/Los_Angeles:20260531T170000
DTSTAMP:20260403T110540
CREATED:20260402T190659Z
LAST-MODIFIED:20260402T190659Z
UID:10011881-1780228800-1780246800@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-05-31/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260531T150000
DTEND;TZID=America/Los_Angeles:20260531T170000
DTSTAMP:20260403T110540
CREATED:20260324T203217Z
LAST-MODIFIED:20260402T201641Z
UID:10011400-1780239600-1780246800@events.ucsc.edu
SUMMARY:UCSC Opera—Orpheus in the Underworld
DESCRIPTION:A rollicking and irreverent spoof of the Orpheus myth\, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice\, as the latter’s love affair with the god of the underworld results in Eurydice relocating to hell. Cowed by Public Opinion\, Orpheus makes an attempt to retrieve his wife from the underworld\, but Jupiter’s involvement\, along with many of the other gods of Olympus\, complicates matters further.  \nThe UCSC Orchestra ensemble and voice students are conducted by Bruce Kiesling\, with direction by Sheila Willey.\nCostumes by Brooke Jennings\, wigs by Sharon Ridge\, and set/lighting design by David Dunning.\n—\nADMISSION\n– Attend in person at the UCSC Music Center Recital Hall.\n– General admission opera tickets available online through Eventbrite.\n– Free for UCSC students (ticket required).\n– Follow the Music Department on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nFULL SCHEDULE OF EVENTS\n– Th.\, May 28\, 7:30 p.m.\n– Fr.\, May 29\, 7:30 p.m.\n– Sa.\, May 30\, 7:30 p.m.\n– Su.\, May 31\, 3:00 p.m. matinee\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant.\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law. \n  \n  \n 
URL:https://events.ucsc.edu/event/opera-orpheus/2026-05-31/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260601T120000
DTEND;TZID=America/Los_Angeles:20260601T133000
DTSTAMP:20260403T110540
CREATED:20260402T185414Z
LAST-MODIFIED:20260402T185414Z
UID:10011846-1780315200-1780320600@events.ucsc.edu
SUMMARY:Book Talk: Learning to Lead with Dr. Veronica Terriquez
DESCRIPTION:The Center for Labor and Community and UCSC Sociology Department welcome Dr. Veronica Terriquez for a discussion on her recently published book\, Learning to Lead: Youth Organizing in Immigrant Communities. The event will take place on Monday\, June 1 at 12pm at the Rachel Carson Red Room. \nChildren of immigrants make up more than one in four people in the United States under the age of thirty. Amid today’s multipronged attacks on immigrant communities and growing threats to democratic participation\, these young people often encounter significant barriers to political participation. Despite these challenges\, some children of immigrants and refugees engage in nonpartisan grassroots campaigns\, addressing issues such as education\, health\, environmental justice\, immigrant rights\, housing\, and voting rights. In Learning to Lead\, sociologist Veronica Terriquez examines how youth organizing groups facilitate the civic and political engagement of low-income\, second-generation immigrant adolescents\, enabling them to collectively exercise power alongside their non-immigrant peers and adult allies. \nAbout the Author \nDr. Veronica Terriquez is professor of urban planning\, Chicana/o studies\, and Central American studies at UCLA and serves as the director of the Chicano Studies Research Center. A sociologist by training\, her research focuses on social inequality\, civic engagement\, health\, and youth transitions to adulthood among Latinx and other diverse populations. She has extensive experience working with a broad range of community stakeholders\, having partnered with youth\, labor\, arts\, education\, health and local government institutions. She is an expert in participatory action research (PAR)\, and has co-authored with colleagues and students over forty widely disseminated research reports on labor\, community\, and youth organizing. In 2021\, she received the American Association of Hispanics in Higher Education University Faculty Award and the American Sociological Association Award for Public Sociology in International Migration.\n\n 
URL:https://events.ucsc.edu/event/book-talk-learning-to-lead-with-dr-veronica-terriquez/
LOCATION:Rachel Carson College Red Room
ATTACH;FMTTYPE=image/jpeg:https://events.ucsc.edu/wp-content/uploads/2026/04/LearningToLeadBookCover.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260602T090000
DTEND;TZID=America/Los_Angeles:20260602T170000
DTSTAMP:20260403T110540
CREATED:20250121T080000Z
LAST-MODIFIED:20260112T233109Z
UID:10008374-1780390800-1780419600@events.ucsc.edu
SUMMARY:Community Day: Free Admission at the Arboretum
DESCRIPTION:The first Tuesday of each month\, the Arboretum is open without charge to visitors. See dates and times UC Santa Cruz Arboretum & Botanic Garden is open. NOTE: Due to limited parking at the Arboretum and the popularity of Community Day\, we greatly encourage visitors to carpool\, bike\, walk or use public transportation as much as possible.
URL:https://events.ucsc.edu/event/community-day-free-admission-at-the-arboretum/2026-06-02/
LOCATION:Arboretum\, 122 Arboretum Road\, Santa Cruz\, CA\, 95064
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260602T110000
DTEND;TZID=America/Los_Angeles:20260602T170000
DTSTAMP:20260403T110540
CREATED:20260326T163407Z
LAST-MODIFIED:20260326T163749Z
UID:10011793-1780398000-1780419600@events.ucsc.edu
SUMMARY:Get Certified in CPR\, First Aid\, and AED!
DESCRIPTION:Location: Scotts Valley Center\nRegister for the training. \nThis Adult First Aid/CPR/AED blended learning course equips you to recognize and care for various first aid breathing and cardiac emergencies involving adults. It is designed for individuals who need a certification that satisfies OSHA workplace or other regulatory requirements. \nThis class is taught in a blended learning format and the online portion must be completed before attending the Instructor-led skills session. A valid 2-year digital certificate for Adult First Aid/CPR/AED is issued upon completion. \nThis training will be held on-site at the Scotts Valley Center. To register\, please fill out the registration link. \nFor more information\, please visit the Occupational Health Training website. \nFor questions or to schedule a training for your team\, please contact Occupational Health Specialist\, Elizabeth Tomlinson\, at ektomlin@ucsc.edu.
URL:https://events.ucsc.edu/event/get-certified-in-cpr-first-aid-and-aed-2/2026-06-02/
LOCATION:Scotts Valley Center
CATEGORIES:Training
ORGANIZER;CN="Risk Services and Occupational Health":MAILTO:ektomlin@ucsc.edu
GEO:37.0632071;-122.0013387
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260602T190000
DTEND;TZID=America/Los_Angeles:20260602T210000
DTSTAMP:20260403T110540
CREATED:20260330T212447Z
LAST-MODIFIED:20260330T212447Z
UID:10011779-1780426800-1780434000@events.ucsc.edu
SUMMARY:UCSC Chamber Music Concert
DESCRIPTION:Audiences are invited to a free spring quarter chamber music concert featuring a variety of student ensembles.\n—\nADMISSION\n– Attend in person at the Music Center Recital Hall at UC Santa Cruz\n– Free and open to the public.\n– Open seating (no ticket required).\n– Doors are scheduled to open 30 minutes prior to event start time.\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/chamber-music-spring/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260603T120000
DTEND;TZID=America/Los_Angeles:20260603T170000
DTSTAMP:20260403T110540
CREATED:20260402T184659Z
LAST-MODIFIED:20260402T212548Z
UID:10011975-1780488000-1780506000@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-03/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260603T120000
DTEND;TZID=America/Los_Angeles:20260603T170000
DTSTAMP:20260403T110540
CREATED:20260402T190659Z
LAST-MODIFIED:20260402T190659Z
UID:10011882-1780488000-1780506000@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-03/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260603T140000
DTEND;TZID=America/Los_Angeles:20260603T160000
DTSTAMP:20260403T110540
CREATED:20260325T202453Z
LAST-MODIFIED:20260325T202453Z
UID:10011770-1780495200-1780502400@events.ucsc.edu
SUMMARY:Global Cafe: Spring 2026
DESCRIPTION:International Student Services & Programming invites you to our monthly Global Cafe\, a space for all international-minded community members to connect. Swing by for some refreshments and an opportunity to meet other international students and scholars\, as well as Global Engagement staff. Feel free to drop in at any time between 14:00 – 16:00 and stay for as long as you’d like. \nOur spring Global Cafe dates: \n\nWednesday\, April 8\nWednesday\, May 6\nWednesday\, June 3
URL:https://events.ucsc.edu/event/global-cafe-spring-2026/2026-06-03/
LOCATION:Classroom Unit\, Classroom Unit\, Santa Cruz\, CA\, 95064\, Select a Country:
CATEGORIES:Drop-In Support
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Classroom Unit Classroom Unit Santa Cruz CA 95064 Select a Country:;X-APPLE-RADIUS=500;X-TITLE=Classroom Unit:geo:-122.0568677,36.9979122
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260603T193000
DTEND;TZID=America/Los_Angeles:20260603T213000
DTSTAMP:20260403T110540
CREATED:20260330T212549Z
LAST-MODIFIED:20260330T212549Z
UID:10011780-1780515000-1780522200@events.ucsc.edu
SUMMARY:UCSC Jazz Combos
DESCRIPTION:Join the UC Santa Cruz Jazz Combos for a spring concert. Directed by Charles Hamilton.\n—\nADMISSION\n– General admission\n– Free for UCSC students (ticket required).\n– Tickets available here online through Eventbrite only.\n– Follow the Music Dept on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/ucsc-jazz-combos-spring-2026/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Music Center Recital Hall 400 McHenry Road Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=400 McHenry Road:geo:-122.0619475,36.9924036
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260604T103000
DTEND;TZID=America/Los_Angeles:20260604T120000
DTSTAMP:20260403T110540
CREATED:20260313T185556Z
LAST-MODIFIED:20260313T185556Z
UID:10011330-1780569000-1780574400@events.ucsc.edu
SUMMARY:Younger Lagoon Reserve Tours
DESCRIPTION:Younger Lagoon Reserve tours are free and open to the public. Space is limited to 18 participants. Call 831-459-3800 or sign-up online. Virtual tours are available online. seymourcenter.ucsc.edu. \n 
URL:https://events.ucsc.edu/event/younger-lagoon-reserve-tours/2026-06-04/
LOCATION:Seymour Marine Discovery Center\, 100 McAllister Way\, Santa Cruz\, CA\, 95060
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GEO:36.9495746;-122.0645023
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Seymour Marine Discovery Center 100 McAllister Way Santa Cruz CA 95060;X-APPLE-RADIUS=500;X-TITLE=100 McAllister Way:geo:-122.0645023,36.9495746
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260604T120000
DTEND;TZID=America/Los_Angeles:20260604T170000
DTSTAMP:20260403T110540
CREATED:20260402T184659Z
LAST-MODIFIED:20260402T212548Z
UID:10011976-1780574400-1780592400@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-04/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260604T120000
DTEND;TZID=America/Los_Angeles:20260604T170000
DTSTAMP:20260403T110540
CREATED:20260402T190659Z
LAST-MODIFIED:20260402T190659Z
UID:10011883-1780574400-1780592400@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-04/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260605T100000
DTEND;TZID=America/Los_Angeles:20260605T180000
DTSTAMP:20260403T110540
CREATED:20260106T210354Z
LAST-MODIFIED:20260108T231129Z
UID:10008335-1780653600-1780682400@events.ucsc.edu
SUMMARY:52nd Annual Print Sale
DESCRIPTION:The 52nd anniversary of the UCSC Print Sale runs in conjunction with the Art Department’s Spring Open Studios. Hundreds of original prints will be for sale in a variety of media at this two-day event\, including: \n\nWoodcuts\nLithographs\nEtchings\nPhoto-based prints\nScreen prints\nAnd more!\n\nAll proceeds benefit art students: 80% of proceeds go to the individual artists\, and 20% goes to support the Print Studio (thereby back to printmaking students). This once-a-year event presents an extraordinary opportunity for students to display and sell their work to the public. The event also offers an opportunity to see the exceptional quality of the printmaking program and facilities at UC Santa Cruz.\n—\nADMISSION\n– FREE and open to the public.\n—\nFULL SCHEDULE OF EVENTS\n– Print Sale: Two-day event scheduled for Fri. June 5 & Sat. June 6 from 10:00 a.m.–6:00 p.m.\n– Open Studios: One day only\, in conjunction with the Print Sale\, on Fri. June 5 noon–4:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/52nd-annual-print-sale-2/2026-06-05/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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END:VEVENT
END:VCALENDAR