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DTSTART;TZID=America/Los_Angeles:20260402T120000
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DTSTAMP:20260409T085700
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SUMMARY:M.F.A. Exhibition for Environmental Art & Social Practice (EASP)—"Picking up Shells Amid a Tsunami"
DESCRIPTION:The culminating exhibition of the Environmental Art and Social Practice (EASP) M.F.A. program at UC Santa Cruz presents new projects—Picking up Shells Amid a Tsunami 쓰나미가 밀려오는데\, 조개나 줍고 있네—developed through concentrated inquiry over a two-year period and offers a window into the artists’ unique long-term research projects that expand beyond the gallery space.\n—\nFULL SCHEDULE OF EVENTS\n– Ongoing Exhibition: Thurs..\, April 2–Sat.\, May 2\, 2026\n– Opening Celebration: Thurs.\, April 2\, 5:00–7:00 p.m.\n– Artist Roundtable: Thurs.\, April 23\, 5:00–6:00 p.m.\n—\nADMISSION\n– FREE and open to the public\n– Gallery hours are Tues.–Sun.noon–5:00 p.m (closed Mondays)\n—\nPARKING\n– Lot 124 & 125 are the closest parking lots to the event.\n– Parking is by permit or ParkMobile.\n– Refer to TAPS for more parking information.\n—\nABOUT THE EXHIBITION \nNotes from the EASP cohort: \n“The phrase evokes a scene in which\, amid an approaching catastrophe\, someone appears to be idly picking up seashells. In South Korea\, it gained political currency during the 2017 presidential impeachment protests\, when feminist\, disability rights\, and animal rights groups were criticized for bringing their demands into the demonstrations. Their interventions were dismissed as distractions—acts of “picking up shells” at a moment when the sole priority was said to be the president’s removal. \n“We choose to pick up shells nonetheless. Not because the crisis is small\, but because the shells matter. They are the body of the future\, what accumulates slowly\, what endures. One day\, shells become mountains\, and mountains become home. To pick up shells is not to turn away from urgency\, but to insist on a future beyond it. \n“This exhibition comes together through an insistence on the opposite premise: that picking up shells while disaster is at our doorstep is not a distraction\, but a necessity. What gets dismissed as marginal\, secondary\, a mere luxury\, or mistimed\, is precisely where social and political life becomes livable and where dreams\, desire and the imagination open lines of flight towards other worlds. \n“Waves can level buildings once on the shore\, dragging and revealing the damage as they recede. Rather than turning away from the storm\, we acknowledge the multilayered and epistemic devastation caused by centuries of colonial\, patriarchal\, racist violence upon people\, earth and more than human life. We witness the ongoing bifurcation of human and nature that is sedimented into our lives\, languages and social\, material\, infrastructures. \n“The act of bending down to gather shells\, ردم\,  fragments\, sounds\, 뼈\, blue bottles\, grotta\, relationships\, bodies\, cries—composes a score that moves towards forms of care through minor gestures\, embodiment\, ritual\, ofrendas\, listening and beholding.  Mundane and everyday poetics do not negate the scale of devastation and loss\, nor do they refuse engagement. Rather\, they bear witness. They reveal pathways towards endurance\, negotiation\, memory and imagination beyond colonial catastrophe. In this sense\, the exhibition reframes the tsunami not as a singular event or metaphor\, but an invitation us to behold\, actively look\, to sit within the textures of tectonic plates and energy flows\, at the conjuncture where plates meet\, in the flow of energy through tempo\, liquid\, movement\, land\, sound\, ecotone. \n“The wave does not demand one unified response. It forms part of a condition\, a form of everyday accretion\, a movement in and out of different temporalities. Picking up shells while the tsunami unfolds\, amid the tsunami\, alongside the water’s ebbs and flows\, calls us to pay attention to overlooked lives\, stories\, bodies\, memories\, flows and relations\, to transform materials so that they become reconstituted and are able to hold new and ongoing narratives that refuse to remain silent.”
URL:https://events.ucsc.edu/event/easp-2026/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260409T160000
DTEND;TZID=America/Los_Angeles:20260409T170000
DTSTAMP:20260409T085700
CREATED:20260324T165104Z
LAST-MODIFIED:20260326T224017Z
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SUMMARY:Arts Internship Scholarship Info Session
DESCRIPTION:UC Santa Cruz students are invited to an info session to review the Arts Division’s internship scholarship application process and address frequently asked questions. More information about the scholarship here.\n—\nADMISSION\n– This event is for currently enrolled UC Santa Cruz Arts Division students only\n– Attend in person or online\n– In-person attendance limited to the first 15 students\n– Pizza provided to those attending in-person\n– Register here   \n 
URL:https://events.ucsc.edu/event/arts-info-session/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Meetings & Conferences,Training
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DTSTART;TZID=America/Los_Angeles:20260410T120000
DTEND;TZID=America/Los_Angeles:20260410T170000
DTSTAMP:20260409T085700
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-10/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260410T120000
DTEND;TZID=America/Los_Angeles:20260410T170000
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-04-10/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260410T170000
DTEND;TZID=America/Los_Angeles:20260410T200000
DTSTAMP:20260409T085700
CREATED:20260402T190048Z
LAST-MODIFIED:20260403T223059Z
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SUMMARY:Celebration of Spring Exhibitions at the IAS
DESCRIPTION:Join us to celebrate the opening of three new exhibitions at the IAS: \nLibia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe artists will be in attendance. The event will also feature music by DJ Monk Earl and empanadas from Fonda Feliz. The exhibitions and opening event are free and open to the public.
URL:https://events.ucsc.edu/event/celebration-of-spring-exhibitions-at-the-ias/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260412T150000
DTEND;TZID=America/Los_Angeles:20260412T150000
DTSTAMP:20260409T085700
CREATED:20260330T182006Z
LAST-MODIFIED:20260407T212339Z
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SUMMARY:Student Recital—Maddison Ramirez\, soprano
DESCRIPTION:Maddison Ramirez\, soprano\, presents their Bachelor of Music (B.M.) recital\, with music from Renaissance\, Romantic\, and Modern eras. Accompanied by Luke Shepherd\, piano; Faith Lanam\, harpsichord\, Denali Zia\, cello\, and various additional vocalists. Download and share the event flyer here.\n—\nADMISSION\n– Attend in person at the Music Center Recital Hall at UC Santa Cruz.\n– FREE and open to the public.\n– Doors open 30 min. before the scheduled event start time.\n– Reception directly follows the recital.\n—\nPARKING\n– Parking by UCSC permit\, ParkMobile\, or $11 cash/check/credit via the on-site parking attendant at the event.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law. \n  \n 
URL:https://events.ucsc.edu/event/student-recital-maddison-ramirez/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260414T190000
DTEND;TZID=America/Los_Angeles:20260414T210000
DTSTAMP:20260409T085700
CREATED:20260325T031759Z
LAST-MODIFIED:20260406T222649Z
UID:10011312-1776193200-1776200400@events.ucsc.edu
SUMMARY:Emeriti Faculty Lecture\, Spring 2026
DESCRIPTION:Puppets\, Performance\, Percussion: Asia-Pacific Interculturalism\, Avant-gardism\, and the Center for World Music\nAs the West Coast exploded with the Summer of Love and Vietnam War protests\, the Center for World Music’s concept of “bimusicality” brought Asian performance masters and American avant-gardists to train American students. Julie Taymor’s The Lion King on Broadway and Lou Harrison’s Coyote Stories are just two intercultural results. The teachings of Balasaraswati\, Ravi Shankar\, Ali Akbar Khan\, Undang Sumarna\, and Ki Tjokrowasito\, prompted intercultural revolutions in West Coast performance\, practice\, and university curriculums\, including at UC Santa Cruz. \nRegister to attend in-person or virtual\nDoors open at 6:30 p.m. for guests attending in person\nLecture: 7 p.m.\nFollowed by a reception for in person guests\nFree and open to the public\nParking is $6 \nPresented by the UC Santa Cruz Emeriti Association \n  \nKathy Foley is distinguished research professor emerita at UC Santa Cruz. She is a member of honor for UNIMA-International\, joining previous puppeteers such as Jim Henson. She has edited the Asian Theatre Journal\, curated exhibits for the National Geographic Society\, and performed at Indonesian National Wayang (puppetry) Festivals\, the Asian Art Museum\, and the Smithsonian. Her research has been supported by Fulbright\, Yale Institute of Sacred Music\, and Edward A. Dickson Emeriti awards. She is also a Punch and Judy professor.
URL:https://events.ucsc.edu/event/emeriti-faculty-lecture-spring-2026/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260415T180000
DTEND;TZID=America/Los_Angeles:20260415T210000
DTSTAMP:20260409T085700
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LAST-MODIFIED:20260407T210906Z
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SUMMARY:NOIZ—April in Santa Cruz festival opening
DESCRIPTION:NOIZ: An Evening of Words\, Sounds + Ideas is a live gathering at the intersection of Hip Hop\, activism\, and the spoken word—a space where music meets testimony. Hosted by assistant professor and hip hop artist akua naru\, the evening features live student performances\, a DJ set\, and an intimate conversation with guest artist/performer Edd Wheeler: pioneering Brazilian rapper\, founding member of As Damas do Rap\, the first female Hip Hop group in Rio de Janeiro\, and practicing lawyer and organizer whose life and work embody the transformative power of the emcee as witness\, visionary\, and change agent. Wheeler is joined with collaborators akua naru\, spoken-word poet and musician Azmera Hammouri-Davis\, and a student ensemble led by Ananya Balagere and Romare Uyeda-Hale. Download and share the event flyer here. \nThis event is a co-production of the UCSC Hip Hop Lab\, Creative Technologies\, Porter College\, and the April in Santa Cruz Festival of Creative Music.\n—\nADMISSION\n– Free and open to UCSC affiliates only\n– Attend in-person at the Digital Arts Research Center\n—\nPARKING\n– Parking by UCSC permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nFULL SCHEDULE OF EVENTS\n– This year’s festival includes seven events between April 15 and May 21\, 2026\n– Additional April in Santa Cruz events and information at aprilsc.ucsc.edu\n—\nNOIZ: An Evening of Words\, Sounds + Ideas\nSOUND\, STORY\, AND RADICAL THOUGHT\n \n\nimage: photo of Edd Wheeler\n—\nThis event is open to UCSC affiliates\, consistent with state and federal law.
URL:https://events.ucsc.edu/event/aisc-noiz-04-15-26/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances,Reception
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DTSTART;TZID=America/Los_Angeles:20260415T190000
DTEND;TZID=America/Los_Angeles:20260415T210000
DTSTAMP:20260409T085700
CREATED:20260309T214850Z
LAST-MODIFIED:20260323T214348Z
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SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/drop-in-draw-spr-2026/2026-04-15/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260416T110000
DTEND;TZID=America/Los_Angeles:20260416T150000
DTSTAMP:20260409T085700
CREATED:20260304T005400Z
LAST-MODIFIED:20260305T171512Z
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SUMMARY:2026 Spring (all-majors) Career & Internship Fair
DESCRIPTION:Undergraduate and graduate students and recent alumni interested in pursuing careers in business\, arts\, social sciences & humanities industries are welcome to attend. Get the chance to meet recruiters from many industries/firms seeking to fill internship\, full-time\, and part-time roles. Come take essential steps toward laying the foundation for your future career and potentially even land an interview! \nCurious about how to best prepare for the fair? \n1. Research the organization \nIdentify the top 3-5 companies you are interested in\, but remember to be open to different companies you may not have heard of because they may be a startup or business-to-business organization that doesn’t directly serve consumers. \nDo your research by reviewing company websites. Look for their mission\, values\, location\, and the type of available opportunities (e.g.\, internships\, full-time positions\, etc.). Company representatives are impressed by potential candidates who take the time to do this! \n2. Prepare your introduction and questions \nReflect on what it is about each company that resonates with you. Perhaps it’s the specific technology they’re developing\, the research they’re leading\, or the world problem they’re trying to solve. What relevant experiences do you have? How can you be of service to that organization? Exercise critical thinking skills to develop questions to ask recruiters and hiring managers. \n3. Dress with confidence \nEach industry and each company has different work attire expectations and organizational culture. Do your research\, ask mentors in advance for advice\, and dress to impress! \nPLEASE NOTE: You are encouraged to check in at the student registration table in order to participate in the career fair. Bring your student ID. \nThis program is open to all students consistent with state and federal law\, the UC Nondiscrimination Statement and the Nondiscrimination Policy Statement for University of California Publications Regarding Student-Related Matters. \nWant more support? \n  \n\nVisit a peer coach during drop-in hours\nSchedule a career coaching appointment with a Career Engagement Specialist\nFor PhD students looking to pursue careers in industry\, explore Beyond the Professoriate\n(Scroll over “Login to Platform” at the top navigation bar and click “Through your institution”)\nStay in the loop by following Career Success on Instagram\n\nYou will receive registration and additional information in your email from Career Success via Handshake. Please make sure to check your junk/spam folder if you are not receiving any communication. \nYou will receive registration and additional information in your email from Career Success via Handshake. Please make sure to check your junk/spam folder if you are not receiving any communication.\n\n \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications. \nQuestions? Send to csuccess@ucsc.edu or visit Career Success at Hahn 125 East Entrance\nNeed accessibility support? Let us know at slugtalent@ucsc.edu at least two weeks prior to the fair date. \n\n\n\nCareer fair registrations are made without endorsement\, direct or implied\, by Career Success or UCSC. Career Success educates students about various opportunities and ensures equity of access to campus recruiting activities for all employers who abide by our Employer Policies. Individual students are encouraged to determine which employers align with their diverse talents\, values\, and interests.
URL:https://events.ucsc.edu/event/2026-spring-all-majors-career-internship-fair/
LOCATION:Colleges Nine and John R. Lewis College Multi-purpose Room\, 615 College Nine Road\, Santa Cruz\, CA\, 95064
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260416T120000
DTEND;TZID=America/Los_Angeles:20260416T140000
DTSTAMP:20260409T085700
CREATED:20260106T204511Z
LAST-MODIFIED:20260408T193839Z
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SUMMARY:Find Your Path! 2026
DESCRIPTION:“Find Your Path!” is a two-day professional development event for UC Santa Cruz Arts Division students who are interested in careers in arts and entertainment. Students are invited to network with UC Santa Cruz colleagues\, alumni\, and creative professionals to find their path to success.  \nSCHEDULE OF EVENTS \nDay One\nThurs. April 16\, noon–2:00 p.m\, UCSC Digital Arts Research Center (DARC) 108 and online (hybrid event)\n– Keynote address: Sarah Sanford\, UC Santa Cruz Teaching Professor\, On Building Careers in Arts Education\n– UCSC Career Success presentation: developing a stand-out resume\, cover letter\, portfolio\, and more\n– Light refreshments served \nDay Two\nFri. April 17\, noon–4:30 p.m\, UCSC Digital Arts Research Center (DARC) 108 and online  (hybrid event)\n– Lunch and introduction begin at noon.\n– Career panel discussions with creative industry professionals\n– Join any or all four panel sessions:\n1. Working in the Entertainment Industry: 12:10 PM- 1:05 PM\n2. Careers in Museums and Performance Spaces: 1:10 PM-2:05 PM\n3. Careers in Games\, Design\, and Digital Media: 2:20 PM-3:15 PM\n4. Arts\, Organizing\, and Social Impact: 3:20 PM- 4:15 PM\n—\nADMISSION\n– UC Santa Cruz Arts Division students only\n– Register here to attend in person or online (hybrid event)\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n  \n  \n 
URL:https://events.ucsc.edu/event/find-your-path-2026/2026-04-16/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Meetings & Conferences,Training
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260417T170000
DTEND;TZID=America/Los_Angeles:20260417T210000
DTSTAMP:20260409T085700
CREATED:20260402T191421Z
LAST-MODIFIED:20260403T222950Z
UID:10011926-1776445200-1776459600@events.ucsc.edu
SUMMARY:Night of Ideas 2026
DESCRIPTION:Enlightenment\, Now! \nJoin us for a nocturnal celebration of art\, philosophy\, and activism! \nEnlightenment\, Now! \nAs the United States approaches the 250th anniversary of its independence\, the 2026 Santa Cruz Night of Ideas invites us not to celebrate the Enlightenment\, but to interrogate it. Long associated with democracy\, progress\, and universal reason\, the Enlightenment’s legacy remains deeply ambivalent – coexisting with enduring forms of exclusion\, colonial violence\, and economic exploitation. These unresolved tensions\, strikingly visible today\, demand renewed scrutiny. \nRather than treating the Enlightenment as a closed chapter or shared inheritance\, this edition centers young local voices and civil society to ask urgent questions: whose reason matters\, whose freedoms are secured\, and whose futures are denied? \nThrough conversations\, workshops\, performances\, and visionary talks\, Enlightenment\, Now! becomes a space for lived experience and collective experimentation. Featuring contributions from local performers Crista Berryessa and Beati Quorum\, Alex Olwal’s audiovisual collaborations with AL-EK\, and Juan Ospina\, flautist and composer with Olemano\, our event will also bring together Thomas Sage Pedersen\, Ronaldo V. Wilson\, Gina Athena Ulysse\, and many other guests. The aim is not consensus\, but momentum: rethinking progress and imagining new political\, ethical\, and cultural possibilities under radically changed conditions. \nJoin us on Friday\, April 17 at the Institute of the Arts and Sciences to explore what remains of the Enlightenment\, and what it might become! \nThis event is brought to you by the Center for Public Philosophy\, with support from the Institute of the Arts and Sciences\, The Humanities Institute\, the Marc Sanders Foundation\, Villa Albertine\, and the Institut Français. \nLearn more and sign up for updates at nightofideas.org. \nNight of Ideas 2026 Schedule:\nMAIN HALL\n5:00pm: Crista Berryessa and Beati Quorum + introductory remarks by Jeanne Proust\n5:30pm: Thomas Sage Pedersen\, Staying with Discomfort. Why Our Capacity for Uncertainty Shapes the Systems We Create\n6:00pm: Community Soundscape with Beati Quorum and Sarah Cruse\n6:30pm: Gina Athena Ulysse\, Ronaldo V. Wilson & Libia Posada\, artist performances and remarks\n7:30: Juan Ospina & Olemano live performance\n8:30: Alex Olwal & AL-EK live performance + participatory dance with Brigitte Wittmer \nCONFERENCE ROOM (Room 1)\n6pm: Kyle Robertson\, Contesting the Rule of Law\n7pm: Adela Najarro\, From Body to Word: Finding Enlightenment Through Poetry\n8pm: Iris Oved\, Mind the Gap: Masks\, Goggles\, and the Search for Authenticity \nWEST ROOM (Room 2)\n6pm: Jean-Paul Gazzaneo-Duarte\, Identity Under Oppression: Lessons from Latin American Philosophy \n7pm: Sam Kahn\, Moving Beyond the Standard Story of the ‘Attention Crisis’\n8pm: Ethics Slam! Workshop for collective debate \nONGOING\nPhilo-booth: “Ask a philosopher a question!”
URL:https://events.ucsc.edu/event/night-of-ideas-2026/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Meetings & Conferences,Performances,Social Gathering
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260420T190000
DTEND;TZID=America/Los_Angeles:20260420T213000
DTSTAMP:20260409T085700
CREATED:20260326T215603Z
LAST-MODIFIED:20260402T215208Z
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SUMMARY:The Tallest Dwarf—film screening and talk with Julie Wyman
DESCRIPTION:UC Santa Cruz affiliates are invited to a screening and discussion with filmmaker Julie Forrest Wyman. The Tallest Dwarf charts the filmmaker’s quest to find her place within the little people (LP) community at a moment when dwarf identity is poised to radically change. Wyman’s work engages issues of embodiment\, body image\, and the possibilities and problematics of media spectatorship—all informed by her experience of living with hypochondroplasia dwarfism. Julie Wyman will be in conversation after the screening with Pooja Rangan (Professor of English and Film and Media Studies at Amherst College and Visiting Scholar of Visualizing Abolition) and Cynthia Ling Lee (Associate Professor of Performance\, Play & Design\, UC Santa Cruz). \nCo-organized/co-sponsored by the Arts Division’s Film & Digital Media Department\,  “Abolition Medicine and Disability Justice“—a collaborative initiative of five UC campuses\, including Riverside\, Irvine\, Los Angeles\, Santa Cruz\, and San Francisco\, to addresses health disparities in institutions and policy—and The Humanities Institute at UC Santa Cruz.\n—\nADMISSION\n– Free and open to UC Santa Cruz affiliates only\n– Attend in person at Communications Studio C\n—\nPARKING\n– Parking via UCSC permit or ParkMobile\n– Core West is the lot closest to the event\n—\nABOUT THE FILM\nAs Wyman unpacks the rumors of “partial dwarfism” in her family\, she finds that hers is the last of a body type she has inherited. She joins forces with a group of dwarf artists to confront the legacy of being fetishized and put on display. Together they create films that reclaim a complicated history and speak back to the echoes of eugenics in the newly emerging pharmaceutical interventions that make little people taller. Through its personal and expanding perspective\, the film invites audiences to a new way of seeing.\n—\nABOUT THE FILMMAKER\nJulie Forrest Wyman’s 2012 documentary STRONG! premiered at AFI Silverdocs and was broadcast nationally on PBS’s Emmy award-winning series\, Independent Lens\, where it won the series’ Audience Award. Wyman’s work has been awarded support from Sundance\, Sandbox\, IDA\, SF Film Society\, Points North\, ITVS\, the Creative Capital Foundation\, The Princess Grace Foundation\, California Humanities\, and NEH. She has been a fellow at the UC Davis Feminist Research Institute and a resident of SF Film Society’s Filmhouse\, Siena Art Institute\, Logan Nonfiction and Points North. Her films\, including FatMob (2016)\, Buoyant (2005)\, and A Boy Named Sue (2000)\, have aired on Showtime\, MTV’s LOGO-TV\, and have been exhibited on five continents. She serves as Associate Professor of Cinema and Digital Media at UC Davis.\n—\nDownload and share the event flyer here.\n—\nphotographer credit: Gabriella Garcia-Pardo; image description: A group of six LP (little people) performers regard their paper body cut outs on the wall. \n 
URL:https://events.ucsc.edu/event/film-wyman/
LOCATION:Communications Building\, 7487 Red Hill Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Film Screening,Lectures & Presentations,Screening
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260422T100000
DTEND;TZID=America/Los_Angeles:20260422T220000
DTSTAMP:20260409T085700
CREATED:20260407T005335Z
LAST-MODIFIED:20260407T005714Z
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SUMMARY:Arts & Ecology Festival: Creative Resistance
DESCRIPTION:On Earth Day\, UC Santa Cruz launches the inaugural Arts & Ecology Festival: Creative Resistance\, a campus-wide gathering that refuses to treat climate change as a problem of carbon alone. Instead\, it brings together artists\, scientists\, students\, and community partners to engage the deeper conditions of the crisis\, and to open space for cultural\, political\, and imaginative transformations grounded in repair\, reciprocity\, and collective futures. \nTaking place at the Digital Arts Research Center (DARC)\, the festival unfolds as a full day of exhibitions\, film screenings\, performances\, workshops\, talks\, and public engagement. Developed through an open call that drew an overwhelming response across disciplines\, the program reflects a growing field of practitioners working across environmental research\, land-based knowledge\, climate resistance\, and practices of repair that move beyond dominant institutional and economic frameworks. Tacos Los Reyes food truck will be on site during the festival. \nThe UC Santa Cruz Arts & Ecology Festival is sponsored by UCSC Art Department\, OpenLab Collaborative Research Center\, and UC Climate Action Arts Network\, with support from the University of California\, Office of the President’s Multicampus Research Programs and Initiatives grant program.\n—\nADMISSION\n– Free and open to the public\n—\nFULL SCHEDULE OF EVENTS\nEarth Day Festival\nWed.\, April 22\, 10:00 a.m.–10:00 p.m.\nvarious locations throughout the Digital Arts Research Center (DARC)\nEarth Week Film Screenings\nMon.. April 20–Fri.\, April 24\, 10:00 a.m.–5:00 p.m.\nLight Lab Gallery at the Digital Arts Research Center (DARC)\nMore information here at the festival website.\n—\nPARKING\n– Parking by UCSC permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/arts-and-ecology-festival-2026/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Conference,Exhibits,Film Screening,Lectures & Presentations,Meetings & Conferences,Performances,Reception,Screening,Social Gathering
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260423T170000
DTEND;TZID=America/Los_Angeles:20260423T180000
DTSTAMP:20260409T085700
CREATED:20260324T154908Z
LAST-MODIFIED:20260324T192133Z
UID:10011366-1776963600-1776967200@events.ucsc.edu
SUMMARY:Artist Roundtable for EASP M.F.A. Exhibition—"Picking up Shells Amid a Tsunami"
DESCRIPTION:The culminating exhibition of the Environmental Art and Social Practice (EASP) M.F.A. program at UC Santa Cruz presents new projects—Picking up Shells Amid a Tsunami 쓰나미가 밀려오는데\, 조개나 줍고 있네—developed through concentrated inquiry over a two-year period and offers a window into the artists’ unique long-term research projects that expand beyond the gallery space.\n—\nFULL SCHEDULE OF EVENTS\n– Ongoing Exhibition: Thurs..\, April 2–Sat.\, May 2\, 2026\n– Opening Celebration: Thurs.\, April 2\, 5:00–7:00 p.m.\n– Artist Roundtable: Thurs.\, April 23\, 5:00–6:00 p.m.\n—\nADMISSION\n– FREE and open to the public\n– Gallery hours are Tues.–Sun.noon–5:00 p.m (closed Mondays)\n—\nPARKING\n– Lot 124 & 125 are the closest parking lots to the event.\n– Parking is by permit or ParkMobile.\n– Refer to TAPS for more parking information.\n—\nABOUT THE EXHIBITION\n– More exhibition information here.\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/roundtable-easp-mfa-2026/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits,Lectures & Presentations,Social Gathering
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260423T180000
DTEND;TZID=America/Los_Angeles:20260423T193000
DTSTAMP:20260409T085700
CREATED:20260402T192714Z
LAST-MODIFIED:20260403T222851Z
UID:10011927-1776967200-1776972600@events.ucsc.edu
SUMMARY:Artist Talk with Federico Cuatlacuatl
DESCRIPTION:We invite you to join us for a film screeening and discussion with artist Federico Cuatlacuatl. This will be the west coast premiere of  QUEMAR LAS PATAS DEL IMPERIO (to burn the feet of the empire)\, Cuatlacuatl’s newest work. \nFederico Cuatlacuatl (b. San Francisco Coapan\, Cholula\, Puebla -México) is Horace W. Goldsmith Distinguished Teaching Associate Professor in the Humanities in the Department of Art at the University of Virginia and currently a research Fellow at the University of Heidelberg in Germany. Cuatlacuatl’s aesthetic oeuvre addresses Nahua Indigenous immigration\, social art practice\, and cultural sustainability. Building on his own experience as formerly undocumented immigrant and DACA holder\, his creative practice collides Indigeneity\, immigration\, and temporalities. At the core of his most recent research and artistic production is the intersection of transborder Indigeneity\, Nahua diasporic resilience\, and Nahua futurisms. His work has been featured in international film festivals and exhibitions globally including: the Max Ernst Museum\, the Kode Museum of Art in Norway\, the KINDL Centre for Contemporary Art in Berlin\, the BFI London Film Festival\,  the Larnaca Biennale in Cyprus\, the National Museum of Anthropology in Mexico City\, the Museum of Art Såo Paulo in Brazil\, Virginia Museum of Contemporary Art\, the Sculpture Center in Ohio\, the Contemporary Arts Center in New Orleans\, and the Tucson Museum of Art. Cuatlacuatl is a co-founder of the UNDOC+Collective and the founder of the Rasquache Artist Residency in Puebla\, México.
URL:https://events.ucsc.edu/event/artist-talk-with-federico-cuatlacuatl/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Film Screening,Lectures & Presentations,Screening
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260424T010000
DTEND;TZID=America/Los_Angeles:20260427T005959
DTSTAMP:20260409T085700
CREATED:20251119T184335Z
LAST-MODIFIED:20260305T171412Z
UID:10005206-1776992400-1777251599@events.ucsc.edu
SUMMARY:Alumni Reunion Weekend 2026
DESCRIPTION:Join your classmates back at UC Santa Cruz for Alumni Reunion Weekend\, April 24–26\, 2026. This annual celebration honors the pioneering classes of 1965–1976 and the mark you have left on our campus and the world. \nReconnect with classmates\, celebrate your achievements\, and enjoy time among the redwoods. Whether you never left or you haven’t returned to Santa Cruz since graduation\, we hope to see you there for this spectacular reunion weekend. \nMark your calendar and plan to return to campus\, April 24-26\, 2026.
URL:https://events.ucsc.edu/event/alumni-reunion-weekend-2026/
LOCATION:CA
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260424T010000
DTEND;TZID=America/Los_Angeles:20260430T005959
DTSTAMP:20260409T085700
CREATED:20260407T161938Z
LAST-MODIFIED:20260407T162824Z
UID:10012051-1776992400-1777510799@events.ucsc.edu
SUMMARY:Slug48—Student Film Competition\, Screening\, and Awards Ceremony
DESCRIPTION:The third annual Slug48 returns with a 48-hour film competition—open to all UC Santa Cruz students. A 48-hour film is one that is written\, shot\, edited\, and all music composed within a 48-hour time period. Teams and strategies for filming may be formed ahead of time\, but nothing can be written\, and no footage can be shot\, until the clock is ticking. Slug48 was founded in 2024 thanks to the support and enthusiasm of UC Santa Cruz alumnus Kevin Nolting\, former editor at Pixar Animation Studios\, where he edited the Academy Award-winning films Up!; Inside Out; and Soul. \nABOUT THE EVENT \nCompetition Opens\nFri.\, April 24\, 5:00 p.m. | UCSC Communications 139\n– parameters assigned (a theme\, a prop\, a line of dialogue that must be in the film to ensure nothing was shot ahead of time)\n– filming begins\n– open to all UCSC students\n– advanced registration recommended here; however students can sign up at the Competition Opens event \nCompetition Closes\nSun. April 26\, 5:00 p.m.\n– filming concludes\n– submit the finished film \nFilm Screening & Awards Ceremony\nWed.\, April 29\, event time to be announced | Kresge 3105\n– films judged by a panel of celebrity judges\, chaired by Kevin Nolting\n– open admission for friends/family of the filmmakers and UCSC affiliates \nDownload and share the event flyer here.
URL:https://events.ucsc.edu/event/slug48/
LOCATION:CA
CATEGORIES:Award(s) Ceremony,Competition,Film Screening,Reception
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260425T140000
DTEND;TZID=America/Los_Angeles:20260425T150000
DTSTAMP:20260409T085700
CREATED:20260402T200519Z
LAST-MODIFIED:20260403T222629Z
UID:10011930-1777125600-1777129200@events.ucsc.edu
SUMMARY:Artist Tour with Libia Posada
DESCRIPTION:We are thrilled to invite you to join Libia Posada\, a multidisciplinary artist as well as a physician\, for this artist-led tour of Everything is Going Right\, the premiere solo exhibition of her work in the United States. With artworks influenced by her medical training\, Posada will discuss how she engages the body as a site for the staging of human experience\, both individual and collective\, and a territory closely connected to the geopolitical. \nLibia Posada’s work has been shown broadly internationally\, including at the Museum of Modern Art of Medellín; Musée Les Abattoirs\, Toulouse\, France; National Museum of Colombia; and the Havana Biennial.
URL:https://events.ucsc.edu/event/artist-tour-with-libia-posada/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits,Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260505T183000
DTEND;TZID=America/Los_Angeles:20260505T193000
DTSTAMP:20260409T085700
CREATED:20260407T195239Z
LAST-MODIFIED:20260408T202826Z
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SUMMARY:The 60th Faculty Research Lecture\, featuring Professor Patty Gallagher\, department of Performance\, Play & Design
DESCRIPTION:Character: A Nongenue’s Guide to a Beautiful Life in the Theatre \nThis talk explores the predicament and privilege of the character actor. What acts of creativity and compassion are necessary to embody the oddball\, the creature\, the clown? \nPatty Gallagher‘s research and performance practice focuses on the concept of the Stranger in a Strange Land. Using examples from Beckett\, Shakespeare\, Homer\, and Balinese performance\, she will discuss how to imbue outsider characters with heart and dignity. Ultimately the transformative work of the “non-genue” actor is a space of beauty and wonder. \nTuesday\, May 5\, 2026 \nUCSC Theater Arts Center Mainstage\, 411 Kerr Rd\, Santa Cruz\, CA 95064 \n6:30 PM – 7:30 PM\, Cake reception to follow \nAbout this event: \n\nThis event is free and open to the public. Seating will begin at 6:00 p.m\nThe lecture will be held in person and also available to view via livestream.\nRegistration link\n\nParking: \n\nParking permits will be available for purchase for $11 cash/credit in the Performing Arts lot 126.\nPark Mobile options are available in this same lot. Please follow the event signage at the base of campus and a parking attendant will assist you.\nUCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits. More information provided by UCSC Transportation & Parking Services (TAPS)
URL:https://events.ucsc.edu/event/the-60th-faculty-research-lecture-featuring-professor-patty-gallagher-department-of-performance-play-design/
LOCATION:Theater Arts Mainstage\, 411 Kerr Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260505T193000
DTEND;TZID=America/Los_Angeles:20260505T213000
DTSTAMP:20260409T085700
CREATED:20260325T215347Z
LAST-MODIFIED:20260409T011808Z
UID:10011394-1778009400-1778016600@events.ucsc.edu
SUMMARY:UCSC Orchestra
DESCRIPTION:Join the UC Santa Cruz Orchestra\, conducted by Bruce Kiesling\, for a Spring concert.\n—\nADMISSION\n– General admission\n– Free for UCSC students (ticket required).\n– Tickets will be available here online through Eventbrite only.\n– Follow the Music Dept on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/ucsc-orchestra-spring-2026/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260507T180000
DTEND;TZID=America/Los_Angeles:20260507T193000
DTSTAMP:20260409T085700
CREATED:20260402T204209Z
LAST-MODIFIED:20260403T222745Z
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SUMMARY:Rasanblaj as Spirit Turn: Gina Athena Ulysse in Conversation with Jennifer González
DESCRIPTION:Please join us for a conversation between Gina Athena Ulysse and Jennifer González\, discussing Ulysse’s solo exhibition Redwoods Rasanblaj: Origins & Disentanglements. \nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view at the IAS as an inaugural Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the concept developed by the artist of “rasanblaj”\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas. \nThe artist will be joined in conversation by noted art theorist and scholar Jennifer González\, professor of history of art and visual culture.
URL:https://events.ucsc.edu/event/rasanblaj-as-spirit-turn-gina-athena-ulysse-in-conversation-with-jennifer-gonzalez/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits,Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260508T193000
DTEND;TZID=America/Los_Angeles:20260508T213000
DTSTAMP:20260409T085700
CREATED:20260325T232827Z
LAST-MODIFIED:20260409T012029Z
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SUMMARY:UCSC Wind Ensemble
DESCRIPTION:Join the UC Santa Cruz Wind Ensemble for a spring concert.\n—\nADMISSION\n– General admission.\n– Free for UCSC students (ticket required).\n– Tickets available through Eventbrite only.\n– Follow the Music Dept on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/ucsc-wind-ensemble-spring-2026/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260515T173000
DTEND;TZID=America/Los_Angeles:20260515T190000
DTSTAMP:20260409T085700
CREATED:20260402T205151Z
LAST-MODIFIED:20260403T222442Z
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SUMMARY:Rasanblé/Rasanblaj: Call & Response
DESCRIPTION:Join us for an evening of call and response between Portsha Jefferson\, dancer and artistic director of Rara Tou Limen\, and artist-scholar Gina Athena Ulysse. Jefferson will offer a Haitian dance response to Ulysse’s art exhibition Redwoods Rasanblaj: Origins & Disentanglements and screen her short film IMAMOU: Hotô to Shore… Agbe | Agwe. Ulysse will read from her memoir\, Loving Haiti\, Loving Vodou. A dialogue between Jefferson and Ulysse will follow.  
URL:https://events.ucsc.edu/event/rasanble-rasanblaj-call-response/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits,Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260515T193000
DTEND;TZID=America/Los_Angeles:20260515T213000
DTSTAMP:20260409T085700
CREATED:20260325T234236Z
LAST-MODIFIED:20260409T012549Z
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SUMMARY:UCSC Concert Choir
DESCRIPTION:UCSC Concert Choir performs in a spring quarter concert.\n—\nADMISSION\n– General admission.\n– Free for UCSC students (ticket required).\n– Tickets available online through Eventbrite only.\n– Follow the Music Dept on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/ucsc-concert-choir-spring-2026/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260515T193000
DTEND;TZID=America/Los_Angeles:20260515T213000
DTSTAMP:20260409T085700
CREATED:20260407T171736Z
LAST-MODIFIED:20260408T203124Z
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SUMMARY:Who Can I Run To?\, by Alyssa Windom—2026 Dharma Grace Creative Writing Award and Theatrical Production
DESCRIPTION:Through their belief in Ifá and the divine\, three generations of women grow their relationships with each other and navigate living within their African diasporic identities in undergraduate student Alyssa Windom‘s award-winning script\, Who Can I Run To? Windom is a 3rd year History of Art and Visual Culture (HAVC) major with the Arts Division at UC Santa Cruz and is the recipient of the 2026 Dharma Grace Creative Writing Award. The award includes a full theatrical production of their script. \nIn a modern\, undisclosed time and a familiar yet unvisited space within the Americas\, the audience meets four women\, Lucia\, Esme\, Naia\, and Aviva\, three generations of the Sandorson family. The play follows each woman as they navigate how to live within the African diaspora\, as well as grow their relationships with each other. Families are complex\, but audiences learn this family does not have to figure out this life alone. Their belief in Ifá\, and the divine\, connects each woman with a guiding orisha that aids them in discovering themselves and their life paths. \nWho Can I Run To? is directed by Theater Arts graduate student Darren Jackson-Wilkins.\n—\nADVISORIES\n– May contain mature themes.\n– To request accessibility accommodations\, or for more information\, contact theaterartstickets@ucsc.edu.\n—\nADMISSION\n– Attend in person at UCSC’s Theater Arts Second Stage.\n– Free for UCSC undergrads (ticket required).\n– General admission “Pay What You Like” options $5–20.\n– Tickets issued through Eventbrite only.\n– Follow the Dept. of Performance\, Play & Design on Eventbrite for notifications and updates.\n– A limited number of tickets/seats may be available at the door\, even after online ticket sales end or reach full capacity.\n– Doors are scheduled to open 30 minutes prior to event start time.\n—\nFULL SCHEDULE OF EVENTS\nThis production has seven performances over two weekends between May 15 and May 24\, 2026\, with 7:30 p.m. evening performances Thurs.–Sat.\, and Sun. matinees at 2:00 p.m.\, including:\n– Fri. May 15\, 7:30 p.m.\n– Sat. May 16\, 7:30 p.m.\n– Sun. May 17\, 2:00 p.m. matinee\n– Thu. May 21\, 7:30 p.m.\n– Fri. May 22\, 7:30 p.m.\n– Sat. May 23\, 7:30 p.m.\n– Sun. May 24\, 2:00 p.m. matinee\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nABOUT THE PLAYWRIGHT\nThe 2026 Dharma Grace Creative Writing Award recipient\, Alyssa Windom\, is currently the chair of the Student Union Governance Board and co-Chair of the Black Student Union at UC Santa Cruz. Outside of organizing\, she is a resident advisor for African\, Black and Caribbean housing\, a volunteer with Engaging Education\, a frequenter in Cultural Arts and Diversity Resource Center (CADrc) spaces—such as Rainbow Theater and the African American Theater Arts Troupe—and is a member of Kasama\, a Filipino Ballroom Dance Troupe. Windom is a 3rd year History of Art and Visual Culture major at UC Santa Cruz.\n—\nABOUT THE AWARD\nEstablished in 2005\, the Dharma-Grace Foundation Creative Writing Award Fund\, an endowed fund\, provides an award for an outstanding script\, written by a junior or senior undergraduate student (from any discipline) who is in good academic standing. The award is designated to provide funding for a full production of the script. Eligible candidates for the award are selected by a faculty committee of the Department of Performance\, Play & Design and recommended to the Dean of the Division of Arts for final approval. UCSC students interested in submitting a dramatic work to the 2028 award cycle are invited to learn more at the PPD website here.\n—\nThis program is open to all members of the public consistent with state and federal law. \n 
URL:https://events.ucsc.edu/event/dharma-grace-2026/2026-05-15/
LOCATION:Second Stage\, Second Stage\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260516T193000
DTEND;TZID=America/Los_Angeles:20260516T213000
DTSTAMP:20260409T085700
CREATED:20260330T211933Z
LAST-MODIFIED:20260408T224237Z
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SUMMARY:La Alegria del Mariachi with guest artist Lupita Infante
DESCRIPTION:Audiences are invited to Alegria Del Mariachi\, featuring international guest artist/composer Lupita Infante\, granddaughter of the legendary Pedro Infante\, and students performing with the UCSC Mariachi Ensemble and Mariachi Eterno de UCSC.\n—\nADMISSION\n– Attend in person at the Music Center Recital Hall at UC Santa Cruz.\n– Free for UCSC students (ticket required).\n– General admission tickets $5–12.\n– Tickets online through Eventbrite only.\n– Follow the Music Dept on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/la-alegria-del-mariachi/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260517T150000
DTEND;TZID=America/Los_Angeles:20260517T150000
DTSTAMP:20260409T085700
CREATED:20260408T024014Z
LAST-MODIFIED:20260408T214739Z
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SUMMARY:DMA Recital—Maisha Lani
DESCRIPTION:Graduate student Maisha Lani debuts new compositions composed over the course of two years in the D.M.A. Music Composition program at UC Santa Cruz. The pieces range in instrumentation and style: from a blues to a post-tonal work\, consisting of vibraphone and stringed instruments\, to afrobeat inspired compositions\, to graphic scores and improvisation. Audiences are invited to an afternoon of emotional exploration and incantations in this graduate student recital.\n—\nADMISSION\n– Attend in person at the Music Center Recital Hall at UC Santa Cruz.\n– FREE and open to the public.\n– Doors open 30 min. before the scheduled event start time.\n– Reception directly follows the recital.\n—\nPARKING\n– Parking by UCSC permit\, ParkMobile\, or $11 cash/check/credit via the on-site parking attendant at the event.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law. \n  \n 
URL:https://events.ucsc.edu/event/dma-recital-maisha-lani/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260522T120000
DTEND;TZID=America/Los_Angeles:20260522T140000
DTSTAMP:20260409T085700
CREATED:20260402T211754Z
LAST-MODIFIED:20260403T222321Z
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SUMMARY:Something held by poetry
DESCRIPTION:In this intimate workshop\, UC Santa Cruz students\, faculty\, and staff are invited into conversation with poets Ronaldo V. Wilson and Terri Witek. Something held by poetry is programmed for Wilson’s multimedia exhibition\, there are no words\, but melodies\, currently on view at the IAS. \nRSVP is required. \n\n\nRonaldo V. Wilson is a poet\, interdisciplinary artist\, academic\, and the author of Narrative of the Life of the Brown Boy and the White Man\, winner of the Cave Canem Prize; Poems of the Black Object\, winner of the Thom Gunn Award for Gay Poetry and the Asian American Literary Award in Poetry; Farther Traveler: Poetry\, Prose\, Other\, and Lucy 72. His latest books are Carmelina: Figures and Virgil Kills: Stories. He is the editor of three special issues of hybrid and experimental work in Interim: A Journal of Poetry and Poetics; and Obsidian: Literature & Arts in the African Diaspora. Wilson is Professor of Creative Writing and Literature at U.C. Santa Cruz\, where he directs the Creative Writing Program\, and serves on the core faculty of the Creative Critical PhD Program; principal faculty member of CRES (Critical Race and Ethnic Studies); and affiliate faculty member of DANM (Digital Arts and New Media). \n\n\n\n\nTerri Witek’s most recent books include her 2026 eco-poetics collection with Amaranth Borsuk\, W/\ SH\, which loops two rain prophets\, both women\, into a crisis between future worlds\, and 2023’s Something’s Missing in This Museum (Anhinga Press). A translation by Dona Mayoora of 2018’s The Rape Kit into Malayalam is forthcoming. Her work has been included in many anthologies\, including 2 from 2021: JUDITH: Women Making Visual Poetry (Timglaset Editions ) and the WAAVe Global Gallery (Hysterical Books). Witek’s solo and collaborative work has been featured in a wide variety of text venues\, including Fence\, The Colorado Review\, Hampden-Sydney Poetry Review\, American Poetry Review\, Poetry\, Slate\, Hudson Review\, Lana Turner\, The New Republic\, and UTSANGA .
URL:https://events.ucsc.edu/event/something-held-by-poetry/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits,Lectures & Presentations,Performances
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260528T193000
DTEND;TZID=America/Los_Angeles:20260528T213000
DTSTAMP:20260409T085700
CREATED:20260324T203217Z
LAST-MODIFIED:20260402T201641Z
UID:10011389-1779996600-1780003800@events.ucsc.edu
SUMMARY:UCSC Opera—Orpheus in the Underworld
DESCRIPTION:A rollicking and irreverent spoof of the Orpheus myth\, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice\, as the latter’s love affair with the god of the underworld results in Eurydice relocating to hell. Cowed by Public Opinion\, Orpheus makes an attempt to retrieve his wife from the underworld\, but Jupiter’s involvement\, along with many of the other gods of Olympus\, complicates matters further.  \nThe UCSC Orchestra ensemble and voice students are conducted by Bruce Kiesling\, with direction by Sheila Willey.\nCostumes by Brooke Jennings\, wigs by Sharon Ridge\, and set/lighting design by David Dunning.\n—\nADMISSION\n– Attend in person at the UCSC Music Center Recital Hall.\n– General admission opera tickets available online through Eventbrite.\n– Free for UCSC students (ticket required).\n– Follow the Music Department on Eventbrite for notices and updates.\n– Doors are scheduled to open 30 minutes prior to event start time.\n– Ticket holders not seated at least 5 minutes before the advertised start time may forfeit their ticket/seat and no refund will be issued.\n—\nFULL SCHEDULE OF EVENTS\n– Th.\, May 28\, 7:30 p.m.\n– Fr.\, May 29\, 7:30 p.m.\n– Sa.\, May 30\, 7:30 p.m.\n– Su.\, May 31\, 3:00 p.m. matinee\n—\nPARKING\n– Parking by permit\, ParkMobile\, or $11 cash/credit via the on-site parking attendant.\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all members of the public consistent with state and federal law. \n  \n  \n 
URL:https://events.ucsc.edu/event/opera-orpheus/2026-05-28/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances
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END:VEVENT
END:VCALENDAR