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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-21/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261021T120000
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-21/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261022T095000
DTEND;TZID=America/Los_Angeles:20261022T103500
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LAST-MODIFIED:20260918T172617Z
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SUMMARY:Productive Struggle & Study Skills
DESCRIPTION:In this workshop\, you will: Learn study strategies and why making it hard for yourself supports durable learning. \nThe Successful Slug Workshop series\, hosted by Learning Support Services Peer Coaches\, are open to all UCSC undergraduate students and focus on academic skills and tools to support your success as a student. At each workshop\, you will be introduced to a topic\, engage in active learning\, be given resources to begin implementing the same day\, and have an opportunity to learn more if you are interested. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/productive-struggle-study-skills-3/
LOCATION:Academic Resources Center (ARC)\, 408 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Undergraduate,Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261022T120000
DTEND;TZID=America/Los_Angeles:20261022T170000
DTSTAMP:20260831T182815Z
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-22/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261022T120000
DTEND;TZID=America/Los_Angeles:20261022T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-22/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261022T140000
DTEND;TZID=America/Los_Angeles:20261022T170000
DTSTAMP:20260902T173732Z
CREATED:20260902T173732Z
LAST-MODIFIED:20260902T173732Z
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SUMMARY:Wiki-a-thon  to support BIPOC Scientists and Engineers
DESCRIPTION:Wikipedia overwhelmingly recognizes the achievements of white people. Join us as we add wikipedia pages for BIPOC leaders in science and technology\, highlighting their often overlooked accomplishments and ensuring that the next generation can see role models who look like them. \n\n\n\nNo experience is necessary – just bring a laptop! \n\n\n\n\nWe will provide a list of scientists who don’t yet have pages\, or you can come up with your own! The event will begin with a short training on how to edit Wikipedia\, followed by time to write your own article on a scientist\, engineer\, or technologist of your choice. \nRSVP here \nPlease RSVP above for a Zoom link if you will be attending virtually\, or to let us know that you are coming in person. Snacks will be provided!
URL:https://events.ucsc.edu/event/wiki-a-thon-to-support-bipoc-scientists-and-engineers/
LOCATION:Jack Baskin Engineering\, Baskin Engineering 1156 High Street\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering,Training,Undergraduate,Volunteer
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261022T180000
DTEND;TZID=America/Los_Angeles:20261022T193000
DTSTAMP:20260904T220609Z
CREATED:20260904T220609Z
LAST-MODIFIED:20260904T220609Z
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SUMMARY:Rioters: Unruly Images and Freedom Experiments with Patrícia Freitas
DESCRIPTION:The Institute of the Arts and Sciences invites you to a screening of three short films by Patrícia Freitas about women and incarceration in Brazil\, followed by a conversation with the filmmaker. \nFleeing Firminas features moments of women inside the Women’s Penal Complex of Salvador in Bahia\, Brazil participating in the creative writing workshops . \nFleeing Roquelina follows writer Dona Roquelina’s release from prison. \nRioters is an in-production feature-length documentary that begins in the Lemos de Brito Penitentiary in Salvador and tells the stories of Black women from the post-abolition era in old Bahia to the present day; women who dared and continue to dare to occupy spaces that\, though still hostile to them today\, allow their art\, knowledge\, and ancestral power to resonate. \nPatrícia Freitas\, documentary filmmaker\, holds a master’s degree in literature and culture from the Federal University of Bahia (UFBA)\, and is an associate researcher at PAVIC—Researchers in Audiovisual Media\, Iconography\, and Content. In over two decades of work\, she has directed documentaries such as Ira (2004) on religious racism\, which received an honorable mention at Cinesul (2005) and the Ibero-American Film and Video Festival (2005) and was screened at the Ethnographic Film Festival (2005)\, Negros em Movimento (2005)\, about Black theater in Bahia and Rio de Janeiro; and Enquanto te espero\, a luz coalhou (2018)\, a poetic documentary screened at the Arqfilm Festival in Santiago\, Chile\, and Puebla\, Mexico\, among others. In recent years\, she has worked as an assistant director on the series Enredos da liberdade (dir. Luis Carlos de Alencar)\, currently streaming on Globoplay\, and as a researcher for the series Histórias submersas (dir. Paulo Alcântara) and Todos os sonhos (dir. Sofia Federico)\, both aired on TVE Bahia\, among others. She also served as an assistant to Joel Zito Araújo and Hermano Penna\, leading figures in Brazilian cinema.
URL:https://events.ucsc.edu/event/rioters-unruly-images-and-freedom-experiments-with-patricia-freitas/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Film Screening
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261023T132000
DTEND;TZID=America/Los_Angeles:20261023T140500
DTSTAMP:20260918T172652Z
CREATED:20260918T172652Z
LAST-MODIFIED:20260918T172652Z
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SUMMARY:Time Management
DESCRIPTION:In this workshop\, you will: Learn the ways you can manage your time and avoid procrastination/burnout. \nThe Successful Slug Workshop series\, hosted by Learning Support Services Peer Coaches\, are open to all UCSC undergraduate students and focus on academic skills and tools to support your success as a student. At each workshop\, you will be introduced to a topic\, engage in active learning\, be given resources to begin implementing the same day\, and have an opportunity to learn more if you are interested. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/time-management-5/
LOCATION:Academic Resources Center (ARC)\, 408 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Undergraduate,Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261024T090000
DTEND;TZID=America/Los_Angeles:20261024T120000
DTSTAMP:20260909T233351Z
CREATED:20260908T200100Z
LAST-MODIFIED:20260909T233351Z
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SUMMARY:UCSC Farm U-Pick
DESCRIPTION:Come enjoy picking your own organic produce at the campus farm! \nWhen: U-picks will take place on Saturdays from 9am to 12pm while supplies last. \nWhat: Enjoy farm fresh corn\, apples\, tomatoes\, flowers and more! \nWhere: Free parking will be available in the Hay Barn lot or lot 115/116 during u-pick hours. Please do not park in the dirt lot at the farm’s back gate. Please walk to the check-in table near the strawberries/flowers at the farm to pre-pay and collect your u-pick container(s). We will have directional signage displayed. \nAccessibility: The UCSC Farm has hilly and uneven terrain with gravel\, dirt\, and mulched paths. We strive to make our events as accessible as possible. If you require an accommodation or service to fully participate\, please email agroecology@ucsc.edu and we will do our best to accommodate. We recommend requesting accommodations in advance to able to provide the best experience possible\, one to two weeks prior is preferred. \nCost: UCSC students with valid ID get 25% off produce. \nPayment: Credit card payments only (you will need a smartphone to scan a QR code and enter your card info manually). \nDogs are not allowed on the UC Santa Cruz campus (service animals are OK).
URL:https://events.ucsc.edu/event/ucsc-farm-u-pick-2/2026-10-24/
LOCATION:UCSC Farm\, 152 Farm Rd\, Santa Cruz\, CA\, 95064
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END:VEVENT
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DTSTART;TZID=America/Los_Angeles:20261024T120000
DTEND;TZID=America/Los_Angeles:20261024T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-24/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261024T120000
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-24/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261025T120000
DTEND;TZID=America/Los_Angeles:20261025T140000
DTSTAMP:20260909T012826Z
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SUMMARY:Make & Take Dried Floral Pumpkin Workshop
DESCRIPTION:Learn to make a beautiful and long-lasting dried floral and succulent pumpkin that can be used as a stunning centerpiece in this “make and take” workshop\, just in time for the holidays. Instructor Amber Pearsall will demonstrate the mechanics of putting everything together and will have a couple examples to guide your inspiration. Personal artistic style is highly encouraged! You’ll be able to choose from a wide selection of dried and some fresh materials\, some that were grown at the Farm & Garden and some provided by the instructor and team. With care\, your beautiful pumpkin creation will last well into the new year! Light refreshments will be served and the atmosphere promises to be jovial\, creative and social. \nREGISTER
URL:https://events.ucsc.edu/event/make-take-dried-floral-pumpkin-workshop/
LOCATION:Hay Barn\, 94 Ranch View Road\, Santa Cruz\, CA\, 95064\, United States
CATEGORIES:Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261025T120000
DTEND;TZID=America/Los_Angeles:20261025T170000
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-25/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261025T120000
DTEND;TZID=America/Los_Angeles:20261025T170000
DTSTAMP:20260831T183411Z
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LAST-MODIFIED:20260831T183411Z
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SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-25/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20261025T130000
DTEND;TZID=America/Los_Angeles:20270725T150000
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SUMMARY:Santa Cruz Pickwick Club presents: Christie Mysteries
DESCRIPTION:Over the coming year\, Dickens Universe readers and Pickwick Club members will meet for discussions focused on these novels and their lasting influence on the mystery genre. This year’s reading series brings together four landmark works of crime fiction: The Mystery of Edwin Drood by Charles Dickens (Penguin Classics\, 2002)\, The Murder of Roger Ackroyd by Agatha Christie (William Morrow\, 2021)\, The Murder at the Vicarage by Agatha Christie (William Morrow\, 2025)\, and The Pale Horse by Agatha Christie (William Morrow\, 2011). Join Dickens enthusiasts and Pickwick Club members on Zoom for a series of discussions about these beloved books. \nRegister via Zoom \nReading Schedule:  \n\nSept 27: The Murder of Roger Ackroyd\nOct 25: The Pale Horse\nNov 22: The Murder at the Vicarage\nDec 27: The Mystery of Edwin Drood\nJan 24: The Mystery of Edwin Drood\nFeb 28: The Mystery of Edwin Drood\nMar 28: The Mystery of Edwin Drood\nApr 25: TBD\nMay 23: TBD\nJun 27: TBD\n\nRecommended Edition: We recommend the Penguin Classics edition of the novels for its appendices and notes\, but other versions are fine. First-time readers should avoid the Introduction if they don’t want spoilers. Download the novels to read at Gutenburg.org or listen at LibriVox.org. \nThe Santa Cruz Pickwick (Book) Club\, a branch of the Dickens Fellowship\, is a community of local bookworms\, students\, and teachers who meet monthly to discuss a nineteenth-century novel. The Santa Cruz Public Libraries provide support for the reading group.
URL:https://events.ucsc.edu/event/santa-cruz-pickwick-club-presents-christie-mysteries/2026-10-25/
CATEGORIES:Lectures & Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261026T132500
DTEND;TZID=America/Los_Angeles:20261026T143000
DTSTAMP:20260916T145451Z
CREATED:20260916T144214Z
LAST-MODIFIED:20260916T145451Z
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SUMMARY:Environmental Studies Seminar Series | Kimmy Waite\, CSU Los Angeles
DESCRIPTION:In person and via Zoom (Meeting ID: 978 5545 8946\, Passcode: 454736).  \nIf you are unable to stream the talk live and need to access a recorded version\, please contact Stacy Philpott at sphilpot@ucsc.edu. A UC Santa Cruz email address is required to access the recording. \nHost: Flora Lu \nSpeaker: Kimmy Waite\, CSU Los Angeles \n 
URL:https://events.ucsc.edu/event/environmental-studies-seminar-series-kimmy-waite/
LOCATION:Interdisciplinary Sciences Building\, 7487 Red Hill Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261028T110000
DTEND;TZID=America/Los_Angeles:20261028T140000
DTSTAMP:20260918T173743Z
CREATED:20260918T173743Z
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SUMMARY:2026 Graduate & Professional School Fair
DESCRIPTION:You’re invited to join us\, open to all majors! \nUndergraduate and graduate students and recent alumni interested in pursuing continuing education opportunities are invited to attend. Get the chance to meet admission representatives seeking to share insight into their respective graduate and professional school programs and discuss ways in which to stand out in the application process. \nCurious about how to best prepare for the fair? \n1. Research the organization\nIdentify your top 3-5 graduate and professional schools you’re interested in (but be sure to stay open to engaging with multiple programs at the event). Do your research by reviewing school websites (what’s the graduate program mission? values?)\, admissions process and requirements\, and perhaps check out their social media for the latest news from the university/school. Graduate and professional school representatives are impressed by potential candidates who take the time to do this!\n \n2. Prepare your introduction and questions\nReflect on what about each program resonates with you. Perhaps it’s the specific the curriculum they’re developing\, research they’re leading\, or the career path a specific degree program can lead you on. What relevant experiences do you have? How can you be of service to the graduate or professional school? Exercise critical thinking skills to develop questions to ask recruiters. \n3. Plan your time\nBe sure to manage the time you have to ensure you’re able to connect with the graduate and professional school programs you’re most interested in\, but remember to also be open to different schools you may not have heard of because they may be a smaller or out of area graduate or professional school program. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications. \nPLEASE NOTE: You are encouraged to check in at the student registration table in order to participate in the career fair. Bring your student ID. \nWant more support? \n\nVisit a peer coach during drop-in hours\nSchedule a career coaching appointment with a Career Engagement Specialist\nFor PhD students looking to pursue careers in industry\, explore Beyond the Professoriate\n(Scroll over “Login to Platform” at the top navigation bar and click “Through your institution”)\nGet career tips on demand from our Career Success YouTube video library\nStay in the loop by following Career Success on Instagram\, Facebook\, and Twitter\n\nYou will receive registration and additional information to your email from Career Success via Handshake. Please make sure to check your junk/spam folder if you are not receiving any communication.\n\nQuestions? Send to csuccess@ucsc.edu or visit Career Success at Hahn 125 East Entrance\nNeed accessibility support? Let us know at slugtalent@ucsc.edu at least two weeks prior to the fair date. \nCareer fair registrations are made without endorsement\, direct or implied\, by Career Success or UCSC. Career Success educates students about various opportunities and ensures equity of access to campus recruiting activities for all employers who abide by our Employer Policies. Individual students are encouraged to determine which employers align with their diverse talents\, values\, and interests. \n  \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/2026-graduate-professional-school-fair/2026-10-28/
LOCATION:Stevenson Event Center\, Stevenson Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Meetings & Conferences
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261028T120000
DTEND;TZID=America/Los_Angeles:20261028T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
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SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-28/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261028T120000
DTEND;TZID=America/Los_Angeles:20261028T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016059-1793188800-1793206800@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-28/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261028T173000
DTEND;TZID=America/Los_Angeles:20261028T190000
DTSTAMP:20260918T173544Z
CREATED:20260916T232241Z
LAST-MODIFIED:20260918T173544Z
UID:10017077-1793208600-1793214000@events.ucsc.edu
SUMMARY:Reshaping representation: Midterm elections and emerging district map battles
DESCRIPTION:Congressional elections are central to American democratic representation. Their importance underpins recent concerns about partisan gerrymandering in the states and makes civic participation even more critical given the narrow majorities in Congress. Indeed\, the outcome of congressional elections has significant consequences for whose voices are reflected in state and federal policymaking\, especially when both parties have used redistricting strategically to improve their electoral prospects. In advance of the 2026 midterm elections\, this event will contextualize past redistricting efforts and explore some of the most pressing threats to today’s electoral process. Our panel will discuss the long history of redistricting in the United States\, differentiate between racial gerrymandering and partisan gerrymandering\, discuss the intersection of race and partisan objectives\, highlight the role of recent state independent redistricting commissions and California’s Prop 50\, along with exclusionary changes to the Voting Rights Act and recent actions taken by the Supreme Court. You will not want to miss this informative discussion as you prepare to participate in these important elections. \nThis event is the first in a series of 2026-27 Resilient Democracy events brought to you by the Institute for Social Transformation. \nModerator \n\nMelanie Springer\, Associate Professor of Politics (UC Santa Cruz)\n\nPanelists \n\nSonal Shaw\, Chief Executive Officer at The Texas Tribune\nElspeth Wilson\, Assistant Professor in Politics/Legal Studies (UC Santa Cruz)\nErik J. Engstrom\, Professor of Political Science (UC Davis)\n\nFree and open to the public with registration (link coming soon). Questions? Contact transform@ucsc.edu. \nCo-sponsored by: UC Santa Cruz Institute for Social Transformation\, Politics Department\, Legal Studies Program\, Chancellor’s Office\, Office for Diversity\, Equity\, and Inclusion. \n\n\n\nRegister to vote! On November 3\, 2026 there will be a General Election. Make sure you are registered to vote. You can get more information on the California Secretary of State website or the Santa Cruz County Elections Department. UCSC students\, click here for information on how to vote on campus.\n\n\n\n 
URL:https://events.ucsc.edu/event/reshaping-representation-midterm-elections-and-emerging-district-map-battles/
LOCATION:Namaste Lounge\, 615 College Nine Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261029T095000
DTEND;TZID=America/Los_Angeles:20261029T103500
DTSTAMP:20260918T172732Z
CREATED:20260918T172732Z
LAST-MODIFIED:20260918T172732Z
UID:10017096-1793267400-1793270100@events.ucsc.edu
SUMMARY:Note Taking and Reading Strategies
DESCRIPTION:In this workshop\, you will: Learn reading and note-taking methods and why they work to help you learn. \nThe Successful Slug Workshop series\, hosted by Learning Support Services Peer Coaches\, are open to all UCSC undergraduate students and focus on academic skills and tools to support your success as a student. At each workshop\, you will be introduced to a topic\, engage in active learning\, be given resources to begin implementing the same day\, and have an opportunity to learn more if you are interested. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/note-taking-and-reading-strategies-5/
LOCATION:Academic Resources Center (ARC)\, 408 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Undergraduate,Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261029T110000
DTEND;TZID=America/Los_Angeles:20261029T140000
DTSTAMP:20260918T173743Z
CREATED:20260918T173743Z
LAST-MODIFIED:20260918T173743Z
UID:10017080-1793271600-1793282400@events.ucsc.edu
SUMMARY:2026 Graduate & Professional School Fair
DESCRIPTION:You’re invited to join us\, open to all majors! \nUndergraduate and graduate students and recent alumni interested in pursuing continuing education opportunities are invited to attend. Get the chance to meet admission representatives seeking to share insight into their respective graduate and professional school programs and discuss ways in which to stand out in the application process. \nCurious about how to best prepare for the fair? \n1. Research the organization\nIdentify your top 3-5 graduate and professional schools you’re interested in (but be sure to stay open to engaging with multiple programs at the event). Do your research by reviewing school websites (what’s the graduate program mission? values?)\, admissions process and requirements\, and perhaps check out their social media for the latest news from the university/school. Graduate and professional school representatives are impressed by potential candidates who take the time to do this!\n \n2. Prepare your introduction and questions\nReflect on what about each program resonates with you. Perhaps it’s the specific the curriculum they’re developing\, research they’re leading\, or the career path a specific degree program can lead you on. What relevant experiences do you have? How can you be of service to the graduate or professional school? Exercise critical thinking skills to develop questions to ask recruiters. \n3. Plan your time\nBe sure to manage the time you have to ensure you’re able to connect with the graduate and professional school programs you’re most interested in\, but remember to also be open to different schools you may not have heard of because they may be a smaller or out of area graduate or professional school program. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications. \nPLEASE NOTE: You are encouraged to check in at the student registration table in order to participate in the career fair. Bring your student ID. \nWant more support? \n\nVisit a peer coach during drop-in hours\nSchedule a career coaching appointment with a Career Engagement Specialist\nFor PhD students looking to pursue careers in industry\, explore Beyond the Professoriate\n(Scroll over “Login to Platform” at the top navigation bar and click “Through your institution”)\nGet career tips on demand from our Career Success YouTube video library\nStay in the loop by following Career Success on Instagram\, Facebook\, and Twitter\n\nYou will receive registration and additional information to your email from Career Success via Handshake. Please make sure to check your junk/spam folder if you are not receiving any communication.\n\nQuestions? Send to csuccess@ucsc.edu or visit Career Success at Hahn 125 East Entrance\nNeed accessibility support? Let us know at slugtalent@ucsc.edu at least two weeks prior to the fair date. \nCareer fair registrations are made without endorsement\, direct or implied\, by Career Success or UCSC. Career Success educates students about various opportunities and ensures equity of access to campus recruiting activities for all employers who abide by our Employer Policies. Individual students are encouraged to determine which employers align with their diverse talents\, values\, and interests. \n  \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/2026-graduate-professional-school-fair/2026-10-29/
LOCATION:Stevenson Event Center\, Stevenson Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Meetings & Conferences
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261029T120000
DTEND;TZID=America/Los_Angeles:20261029T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015761-1793275200-1793293200@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-29/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261029T120000
DTEND;TZID=America/Los_Angeles:20261029T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016060-1793275200-1793293200@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-29/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261030T100000
DTEND;TZID=America/Los_Angeles:20261030T123000
DTSTAMP:20260803T211816Z
CREATED:20260803T211816Z
LAST-MODIFIED:20260803T211816Z
UID:10015124-1793354400-1793363400@events.ucsc.edu
SUMMARY:Seymour Center Homeschool Day: Spectacular Science
DESCRIPTION:Calling all homeschool families! Join the Seymour Center on Friday\, October 30\, at 10 a.m. for a morning of hands-on science investigations\, aquarium feeds\, a scavenger hunt\, and lots more. \n• Enjoy hands-on science investigations\, crafts\, and a scavenger hunt. \n• Make an enormous whale skeleton appear in front of your eyes\, then walk inside it with our special virtual reality experience. \n• Touch live bat stars and crabs\, and learn about bone-eating zombie worms and hagfish. \n• Marvel at Ms. Blue\, a massive blue whale skeleton\, and discover how science and engineering innovations helped us restore this beloved Santa Cruz icon. \nAdmission fees apply. Special activities are included at no additional cost. \nRSVP here by October 15 to receive details and activities.
URL:https://events.ucsc.edu/event/seymour-center-homeschool-day-spectacular-science/
LOCATION:Seymour Marine Discovery Center\, 100 McAllister Way\, Santa Cruz\, CA\, 95060
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261030T160000
DTEND;TZID=America/Los_Angeles:20261030T164500
DTSTAMP:20260918T172759Z
CREATED:20260918T172759Z
LAST-MODIFIED:20260918T172759Z
UID:10017097-1793376000-1793378700@events.ucsc.edu
SUMMARY:Getting Involved in Your Campus Community
DESCRIPTION:In this workshop\, you will: Learn how to get involved with the campus community and how it supports student success. \nThe Successful Slug Workshop series\, hosted by Learning Support Services Peer Coaches\, are open to all UCSC undergraduate students and focus on academic skills and tools to support your success as a student. At each workshop\, you will be introduced to a topic\, engage in active learning\, be given resources to begin implementing the same day\, and have an opportunity to learn more if you are interested. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.
URL:https://events.ucsc.edu/event/getting-involved-in-your-campus-community-6/
LOCATION:Academic Resources Center (ARC)\, 408 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Undergraduate,Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261031T090000
DTEND;TZID=America/Los_Angeles:20261031T120000
DTSTAMP:20260909T233351Z
CREATED:20260908T200100Z
LAST-MODIFIED:20260909T233351Z
UID:10016397-1793437200-1793448000@events.ucsc.edu
SUMMARY:UCSC Farm U-Pick
DESCRIPTION:Come enjoy picking your own organic produce at the campus farm! \nWhen: U-picks will take place on Saturdays from 9am to 12pm while supplies last. \nWhat: Enjoy farm fresh corn\, apples\, tomatoes\, flowers and more! \nWhere: Free parking will be available in the Hay Barn lot or lot 115/116 during u-pick hours. Please do not park in the dirt lot at the farm’s back gate. Please walk to the check-in table near the strawberries/flowers at the farm to pre-pay and collect your u-pick container(s). We will have directional signage displayed. \nAccessibility: The UCSC Farm has hilly and uneven terrain with gravel\, dirt\, and mulched paths. We strive to make our events as accessible as possible. If you require an accommodation or service to fully participate\, please email agroecology@ucsc.edu and we will do our best to accommodate. We recommend requesting accommodations in advance to able to provide the best experience possible\, one to two weeks prior is preferred. \nCost: UCSC students with valid ID get 25% off produce. \nPayment: Credit card payments only (you will need a smartphone to scan a QR code and enter your card info manually). \nDogs are not allowed on the UC Santa Cruz campus (service animals are OK).
URL:https://events.ucsc.edu/event/ucsc-farm-u-pick-2/2026-10-31/
LOCATION:UCSC Farm\, 152 Farm Rd\, Santa Cruz\, CA\, 95064
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261031T120000
DTEND;TZID=America/Los_Angeles:20261031T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015762-1793448000-1793466000@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-31/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261031T120000
DTEND;TZID=America/Los_Angeles:20261031T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016061-1793448000-1793466000@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-31/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261101T120000
DTEND;TZID=America/Los_Angeles:20261101T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015763-1793534400-1793552400@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-11-01/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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