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DTSTART;TZID=America/Los_Angeles:20260402T120000
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SUMMARY:M.F.A. Exhibition for Environmental Art & Social Practice (EASP)—"Picking up Shells Amid a Tsunami"
DESCRIPTION:The culminating exhibition of the Environmental Art and Social Practice (EASP) M.F.A. program at UC Santa Cruz presents new projects—Picking up Shells Amid a Tsunami 쓰나미가 밀려오는데\, 조개나 줍고 있네—developed through concentrated inquiry over a two-year period and offers a window into the artists’ unique long-term research projects that expand beyond the gallery space.\n—\nFULL SCHEDULE OF EVENTS\n– Ongoing Exhibition: Thurs..\, April 2–Sat.\, May 2\, 2026\n– Opening Celebration: Thurs.\, April 2\, 5:00–7:00 p.m.\n– Artist Roundtable: Thurs.\, April 23\, 5:00–6:00 p.m.\n—\nADMISSION\n– FREE and open to the public\n– Gallery hours are Tues.–Sun.noon–5:00 p.m (closed Mondays)\n—\nPARKING\n– Lot 124 & 125 are the closest parking lots to the event.\n– Parking is by permit or ParkMobile.\n– Refer to TAPS for more parking information.\n—\nABOUT THE EXHIBITION \nNotes from the EASP cohort: \n“The phrase evokes a scene in which\, amid an approaching catastrophe\, someone appears to be idly picking up seashells. In South Korea\, it gained political currency during the 2017 presidential impeachment protests\, when feminist\, disability rights\, and animal rights groups were criticized for bringing their demands into the demonstrations. Their interventions were dismissed as distractions—acts of “picking up shells” at a moment when the sole priority was said to be the president’s removal. \n“We choose to pick up shells nonetheless. Not because the crisis is small\, but because the shells matter. They are the body of the future\, what accumulates slowly\, what endures. One day\, shells become mountains\, and mountains become home. To pick up shells is not to turn away from urgency\, but to insist on a future beyond it. \n“This exhibition comes together through an insistence on the opposite premise: that picking up shells while disaster is at our doorstep is not a distraction\, but a necessity. What gets dismissed as marginal\, secondary\, a mere luxury\, or mistimed\, is precisely where social and political life becomes livable and where dreams\, desire and the imagination open lines of flight towards other worlds. \n“Waves can level buildings once on the shore\, dragging and revealing the damage as they recede. Rather than turning away from the storm\, we acknowledge the multilayered and epistemic devastation caused by centuries of colonial\, patriarchal\, racist violence upon people\, earth and more than human life. We witness the ongoing bifurcation of human and nature that is sedimented into our lives\, languages and social\, material\, infrastructures. \n“The act of bending down to gather shells\, ردم\,  fragments\, sounds\, 뼈\, blue bottles\, grotta\, relationships\, bodies\, cries—composes a score that moves towards forms of care through minor gestures\, embodiment\, ritual\, ofrendas\, listening and beholding.  Mundane and everyday poetics do not negate the scale of devastation and loss\, nor do they refuse engagement. Rather\, they bear witness. They reveal pathways towards endurance\, negotiation\, memory and imagination beyond colonial catastrophe. In this sense\, the exhibition reframes the tsunami not as a singular event or metaphor\, but an invitation us to behold\, actively look\, to sit within the textures of tectonic plates and energy flows\, at the conjuncture where plates meet\, in the flow of energy through tempo\, liquid\, movement\, land\, sound\, ecotone. \n“The wave does not demand one unified response. It forms part of a condition\, a form of everyday accretion\, a movement in and out of different temporalities. Picking up shells while the tsunami unfolds\, amid the tsunami\, alongside the water’s ebbs and flows\, calls us to pay attention to overlooked lives\, stories\, bodies\, memories\, flows and relations\, to transform materials so that they become reconstituted and are able to hold new and ongoing narratives that refuse to remain silent.”
URL:https://events.ucsc.edu/event/easp-2026/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260422T190000
DTEND;TZID=America/Los_Angeles:20260422T210000
DTSTAMP:20260421T061908
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LAST-MODIFIED:20260323T214348Z
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SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/drop-in-draw-spr-2026/2026-04-22/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260423T103000
DTEND;TZID=America/Los_Angeles:20260423T120000
DTSTAMP:20260421T061908
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SUMMARY:Survivor Circles: Healing After Trauma
DESCRIPTION:CARE’s Healing After Trauma survivor circles are an in-person\, drop-in space to share and connect on the glimmers & struggles of recovering from harmful sexual experiences. Guided and led by CARE advocates\, each week’s session will offer an opportunity to engage with a different alternative healing modality – from sound healing\, to art therapy\, collective rest\, and more.\n\n\nFill out an Interest Form for more information. \n\nPlease note: The interest form is not required for attendance\, nor a registration form – registration is not necessary for these events.\n\n\n\nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. To learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications. 
URL:https://events.ucsc.edu/event/survivor-circles-healing-after-trauma/2026-04-23/
LOCATION:Hahn Student Services\, Hahn Student Services\, Santa Cruz\, CA\, 95064
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DTSTART;TZID=America/Los_Angeles:20260424T190000
DTEND;TZID=America/Los_Angeles:20260424T210000
DTSTAMP:20260421T061908
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LAST-MODIFIED:20260413T230839Z
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SUMMARY:Harriet: Performing Anarchive
DESCRIPTION:Through motion capture\, immersive sound\, and real-time digital systems\, CHARI (Dr. Chari Smith) performs alongside Harriet\, a life-scale avatar carrying a living archive of Black sonic and vernacular memory. Drawing from Black archival traditions rooted in call-and-response\, improvisation\, and communal stewardship\, the performance understands memory as relational and alive. Together\, our movements shape the environment as the performance unfolds\, images shift\, sound expands\, and memory surfaces in fragments. \nPerforming Anarchive turns the stage into a threshold between body and code\, memory and possibility. It imagines a future where technology is not distant or extractive\, but intimate\, attentive\, and alive. \n\nRsvp and reserve a seat via Eventbrite \n\n\n\nParking: \nPerformance Arts Lot\nPermits Accepted: A\, N\, MC\, ADA\, Medical\, Reserved\,\nParkmobile: Zone 15158\n\n\nThis performance was made possible in part through grant funding from Investing in Artists: Artistic Innovation at The Center for Cultural Innovation\, the Arts Division\, and the Arts Research Institute.
URL:https://events.ucsc.edu/event/harriet-performing-anarchive/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits,Performances
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DTSTART;TZID=America/Los_Angeles:20260424T190000
DTEND;TZID=America/Los_Angeles:20260424T211500
DTSTAMP:20260421T061908
CREATED:20260415T171637Z
LAST-MODIFIED:20260415T171637Z
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SUMMARY:Harriet: Performing an Archive
DESCRIPTION:Through motion capture\, immersive sound\, and real-time digital systems\, CHARI perform alongside Harriet\, a life-scale avatar carrying a living archive of Black sonic and vernacular memory. Drawing from Black archival traditions rooted in call-and-response\, improvisation\, and communal stewardship\, the performance understands memory as relational and alive. Together\, our movements shape the environment as the performance unfolds\, images shift\, sound expands\, and memory surfaces in fragments. Performing An Archive turns the stage into a threshold between body and code\, memory and possibility. It imagines a future where technology is not distant or extractive\, but intimate\, attentive\, and alive. This performance was made possible in part through grant funding from Investing in Artists: Artistic Innovation at The Center for Cultural Innovation\, The Arts Division\, and the Arts Research Institute.\n—\nADMISSION\n– FREE and open to Arts Division Staff & Faculty\n– RSVP REQUIRED: reserve a seat via Eventbrite\n– The event will be held in the DARC Lab (black box) in the Digital Arts Research Center on the first floor\, just inside the front entrance.\n– Doors will open at 7pm\, and the show will start at 7:30pm\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all UC Santa Cruz affiliates consistent with state and federal law. \n  \n  \n 
URL:https://events.ucsc.edu/event/harriet-performing-an-archive/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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DTSTART;TZID=America/Los_Angeles:20260429T190000
DTEND;TZID=America/Los_Angeles:20260429T210000
DTSTAMP:20260421T061908
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SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/drop-in-draw-spr-2026/2026-04-29/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260430T103000
DTEND;TZID=America/Los_Angeles:20260430T120000
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SUMMARY:Survivor Circles: Healing After Trauma
DESCRIPTION:CARE’s Healing After Trauma survivor circles are an in-person\, drop-in space to share and connect on the glimmers & struggles of recovering from harmful sexual experiences. Guided and led by CARE advocates\, each week’s session will offer an opportunity to engage with a different alternative healing modality – from sound healing\, to art therapy\, collective rest\, and more.\n\n\nFill out an Interest Form for more information. \n\nPlease note: The interest form is not required for attendance\, nor a registration form – registration is not necessary for these events.\n\n\n\nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. To learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications. 
URL:https://events.ucsc.edu/event/survivor-circles-healing-after-trauma/2026-04-30/
LOCATION:Hahn Student Services\, Hahn Student Services\, Santa Cruz\, CA\, 95064
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