BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Events - ECPv6.17.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://events.ucsc.edu
X-WR-CALDESC:Events for Events
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20250309T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20251102T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20260308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20261101T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20270314T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20271107T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261014T110000
DTEND;TZID=America/Los_Angeles:20261014T150000
DTSTAMP:20260915T233233Z
CREATED:20260915T232212Z
LAST-MODIFIED:20260915T233233Z
UID:10017057-1791975600-1791990000@events.ucsc.edu
SUMMARY:2026 Fall STEM Career & Internship Fair
DESCRIPTION:Here is a chance to meet tech recruiters in person! \nIf you are interested in pursuing a career in science\, technology\, engineering\, mathematics or research\, then take advantage of this opportunity to meet recruiters from companies looking to fill various positions (both technical and non-technical). Learn more about internships and full-time career opportunities. Undergraduate students\, graduate students\, and recent alumni are all welcome to attend! \nCurious about how to best prepare for the fair? \n1. Research the organization \nIdentify the top 3-5 companies you are interested in\, but remember to be open to different companies you may not have heard of because they may be a startup or business-to-business organization that doesn’t directly serve consumers. \nDo your research by reviewing company websites. Look for their mission\, values\, location\, and the type of available opportunities (e.g.\, internships\, full-time positions\, etc.). Company representatives are impressed by potential candidates who take the time to do this! \n2. Prepare your introduction and questions \nReflect on what it is about each company that resonates with you. Perhaps it’s the specific technology they’re developing\, the research they’re leading\, or the world problem they’re trying to solve. What relevant experiences do you have? How can you be of service to that organization? Exercise critical thinking skills to develop questions to ask recruiters and hiring managers. \n3. Dress with confidence \nEach industry and each company has different work attire expectations and organizational culture. Do your research\, ask mentors in advance for advice\, and dress to impress! \nPLEASE NOTE: You are encouraged to check in at the student registration table in order to participate in the career fair. Bring your student ID. \nWant more support? \n\nVisit a peer coach during drop-in hours\nSchedule a career coaching appointment with a Career Engagement Specialist\nFor PhD students looking to pursue careers in industry\, explore Beyond the Professoriate\n(Scroll over “Login to Platform” at the top navigation bar and click “Through your institution”)\nGet career tips on demand from our Career Success YouTube video library\nStay in the loop by following Career Success on Instagram\n\nYou will receive registration and additional information in your email from Career Success via Handshake. Please make sure to check your junk/spam folder if you are not receiving any communication.\n \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications. \nQuestions? Send to csuccess@ucsc.edu or visit Career Success at Hahn 125 East Entrance\nNeed accessibility support? Let us know at slugtalent@ucsc.edu at least two weeks prior to the fair date. \nCareer fair registrations are made without endorsement\, direct or implied\, by Career Success or UCSC. Career Success educates students about various opportunities and ensures equity of access to campus recruiting activities for all employers who abide by our Employer Policies. Individual students are encouraged to determine which employers align with their diverse talents\, values\, and interests.
URL:https://events.ucsc.edu/event/2026-fall-stem-career-internship-fair/
LOCATION:Stevenson Event Center\, Stevenson Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Meetings & Conferences
ATTACH;FMTTYPE=image/jpeg:https://events.ucsc.edu/wp-content/uploads/2026/09/1.jpg
GEO:36.996897;-122.0512963
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Stevenson Event Center Stevenson Service Road Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=Stevenson Service Road:geo:-122.0512963,36.996897
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261014T120000
DTEND;TZID=America/Los_Angeles:20261014T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015752-1791979200-1791997200@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-14/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261014T120000
DTEND;TZID=America/Los_Angeles:20261014T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016051-1791979200-1791997200@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-14/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261015T120000
DTEND;TZID=America/Los_Angeles:20261015T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015753-1792065600-1792083600@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-15/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261015T120000
DTEND;TZID=America/Los_Angeles:20261015T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016052-1792065600-1792083600@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-15/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261017T120000
DTEND;TZID=America/Los_Angeles:20261017T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015754-1792238400-1792256400@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-17/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261017T120000
DTEND;TZID=America/Los_Angeles:20261017T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016053-1792238400-1792256400@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-17/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261018T120000
DTEND;TZID=America/Los_Angeles:20261018T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015755-1792324800-1792342800@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-18/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261018T120000
DTEND;TZID=America/Los_Angeles:20261018T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016054-1792324800-1792342800@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-18/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261021T090000
DTEND;TZID=America/Los_Angeles:20261021T110000
DTSTAMP:20260922T153220Z
CREATED:20260922T153220Z
LAST-MODIFIED:20260922T153220Z
UID:10017299-1792573200-1792580400@events.ucsc.edu
SUMMARY:Coffee with Provost Aims McGuinness
DESCRIPTION:Grab a free cup of coffee* and chat with Provost Aims at Coffee with the Provost! \nMost Wednesdays through the Fall Quarter! 9:00-11:00am \nMeet us for (free) coffee\, tea\, breakfast snacks and good conversation outside the Merrill College Office\, across from the mailroom. \n*Fair trade\, organic\, local women owned Alta Organic Roasting Company
URL:https://events.ucsc.edu/event/coffee-with-provost-aims-mcguinness-2/2026-10-21/
LOCATION:Merrill College Office\, 641 Merrill Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/09/image-1.png
GEO:37.0003908;-122.0534175
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Merrill College Office 641 Merrill Road Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=641 Merrill Road:geo:-122.0534175,37.0003908
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261021T120000
DTEND;TZID=America/Los_Angeles:20261021T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015756-1792584000-1792602000@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-21/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261021T120000
DTEND;TZID=America/Los_Angeles:20261021T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016055-1792584000-1792602000@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-21/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261022T120000
DTEND;TZID=America/Los_Angeles:20261022T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015757-1792670400-1792688400@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-22/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261022T120000
DTEND;TZID=America/Los_Angeles:20261022T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016056-1792670400-1792688400@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-22/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261024T120000
DTEND;TZID=America/Los_Angeles:20261024T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015758-1792843200-1792861200@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-24/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261024T120000
DTEND;TZID=America/Los_Angeles:20261024T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016057-1792843200-1792861200@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-24/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261025T120000
DTEND;TZID=America/Los_Angeles:20261025T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015759-1792929600-1792947600@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-25/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261025T120000
DTEND;TZID=America/Los_Angeles:20261025T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016058-1792929600-1792947600@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-25/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261028T090000
DTEND;TZID=America/Los_Angeles:20261028T110000
DTSTAMP:20260922T153220Z
CREATED:20260922T153220Z
LAST-MODIFIED:20260922T153220Z
UID:10017300-1793178000-1793185200@events.ucsc.edu
SUMMARY:Coffee with Provost Aims McGuinness
DESCRIPTION:Grab a free cup of coffee* and chat with Provost Aims at Coffee with the Provost! \nMost Wednesdays through the Fall Quarter! 9:00-11:00am \nMeet us for (free) coffee\, tea\, breakfast snacks and good conversation outside the Merrill College Office\, across from the mailroom. \n*Fair trade\, organic\, local women owned Alta Organic Roasting Company
URL:https://events.ucsc.edu/event/coffee-with-provost-aims-mcguinness-2/2026-10-28/
LOCATION:Merrill College Office\, 641 Merrill Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/09/image-1.png
GEO:37.0003908;-122.0534175
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Merrill College Office 641 Merrill Road Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=641 Merrill Road:geo:-122.0534175,37.0003908
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261028T120000
DTEND;TZID=America/Los_Angeles:20261028T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015760-1793188800-1793206800@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-28/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261028T120000
DTEND;TZID=America/Los_Angeles:20261028T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016059-1793188800-1793206800@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-28/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261029T120000
DTEND;TZID=America/Los_Angeles:20261029T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015761-1793275200-1793293200@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-29/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261029T120000
DTEND;TZID=America/Los_Angeles:20261029T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016060-1793275200-1793293200@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-29/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261031T120000
DTEND;TZID=America/Los_Angeles:20261031T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015762-1793448000-1793466000@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-10-31/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261031T120000
DTEND;TZID=America/Los_Angeles:20261031T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016061-1793448000-1793466000@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-10-31/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261101T120000
DTEND;TZID=America/Los_Angeles:20261101T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015763-1793534400-1793552400@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-11-01/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261101T120000
DTEND;TZID=America/Los_Angeles:20261101T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016062-1793534400-1793552400@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-11-01/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261104T090000
DTEND;TZID=America/Los_Angeles:20261104T110000
DTSTAMP:20260922T153220Z
CREATED:20260922T153220Z
LAST-MODIFIED:20260922T153220Z
UID:10017301-1793782800-1793790000@events.ucsc.edu
SUMMARY:Coffee with Provost Aims McGuinness
DESCRIPTION:Grab a free cup of coffee* and chat with Provost Aims at Coffee with the Provost! \nMost Wednesdays through the Fall Quarter! 9:00-11:00am \nMeet us for (free) coffee\, tea\, breakfast snacks and good conversation outside the Merrill College Office\, across from the mailroom. \n*Fair trade\, organic\, local women owned Alta Organic Roasting Company
URL:https://events.ucsc.edu/event/coffee-with-provost-aims-mcguinness-2/2026-11-04/
LOCATION:Merrill College Office\, 641 Merrill Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/09/image-1.png
GEO:37.0003908;-122.0534175
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Merrill College Office 641 Merrill Road Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=641 Merrill Road:geo:-122.0534175,37.0003908
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261104T120000
DTEND;TZID=America/Los_Angeles:20261104T170000
DTSTAMP:20260831T182815Z
CREATED:20260831T182814Z
LAST-MODIFIED:20260831T182815Z
UID:10015764-1793793600-1793811600@events.ucsc.edu
SUMMARY:Carlos Motta: When Time Stands Still
DESCRIPTION:Carlos Motta’s When Time Stands Still\, the artist’s second solo show with the IAS\, features new and recent installations\, videos\, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. \nThe selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool\, a siren\, a witness\, a victim) reappear in the current moment as containers of time\, bringing the past of imperialism\, colonization\, and displacement into a present marked by the rise of anti-immigration politics\, climate injustice\, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves\, if gruelingly\, in an endurance-based video performance\, No One\, 2025. For forty-six minutes\, the artist undertakes to keep his eyes open\, witnessing\, withstanding\, confronting\, and resisting the bombardment of images\, both historical and otherwise\, that normalize harm. In another video work\, Gravity\, 2024\, performers enact rescue carries\, supporting each other until they can’t bear the weight. Together\, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. \nWhen Time Stands Still is organized as part of Visualizing Abolition\, an arts-based initiative that reaches across prison borders to create a future free of prisons. \n\n\n\nCarlos Motta (b. 1978\, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal\, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts\, Columbus\, OH ; Röda Sten Konsthall\, Gothenburg\, Sweden; Galeria Vermelho\, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern\, London; and New Museum\, New York (2012). He has also participated in major biennials\, including the Venice Biennale; Berlin Biennale; Bienal de São Paulo; and the Gwangju Biennale. Motta is Associate Professor of Interdisciplinary Art\, Fine Arts Department\, Pratt Institute\, Brooklyn.
URL:https://events.ucsc.edu/event/carlos-motta-when-time-stands-still/2026-11-04/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/webp:https://events.ucsc.edu/wp-content/uploads/2026/08/2134623807-2f419e792292df8800e1430e9918f2f46f5764bfc085c7a8dbd2d03c3a3440d8-d.webp
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261104T120000
DTEND;TZID=America/Los_Angeles:20261104T170000
DTSTAMP:20260831T183411Z
CREATED:20260831T183410Z
LAST-MODIFIED:20260831T183411Z
UID:10016063-1793793600-1793811600@events.ucsc.edu
SUMMARY:Victor ‘Marka27’ Quiñonez: Ni de Aquí\, Ni de Allá
DESCRIPTION:Organized in partnership with the Center for Art and Advocacy\, located in Brooklyn\, New York\, Ni de Aquí\, Ni de Allá (Not From Here\, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging\, including altars\, an elaborately immersive botanica\, paintings referencing visual symbolism drawn from textiles\, graffiti and community traditions\, and\, in a series called I.C.E. Scream\, large\, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities)\, these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade.  \nAccompanying the exhibition\, Elevar la Cultura\, an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles\, sacred symbols\, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7\, 2026- March 7\, 2027. As Quiñonez explains\, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States:  \n “Most people see the cooler as a tool for leisure…for barbecues\, tailgating\, and celebrations. But for immigrant communities\, the cooler is a tool and symbol for opportunity and independence. In every major city\, you see families and vendors selling fruit\, food\, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living\,” the artist shares. \nThe Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí\, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025\, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from its second venue\, the University of North Texas\, where it had been installed just one week prior to it being censored.  \nVictor ‘Marka27’ Quiñonez is a renowned international visual artist who is known for his diverse works that intersect contemporary art\, graffiti\, vinyl toys\, fashion and design and art activism. Quiñonez has exhibited globally and collaborated with major brands while creating landmark public art in cities across the U.S. He is a Frieze Los Angeles Impact Prize winner (2025) and a Right of Return and Art for Justice Fellow (2023\, 2024).
URL:https://events.ucsc.edu/event/victor-marka27-quinonez-ni-de-aqui-ni-de-alla/2026-11-04/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
ATTACH;FMTTYPE=image/png:https://events.ucsc.edu/wp-content/uploads/2026/08/Screenshot-2026-08-28-at-1.56.24-PM.png
GEO:36.9557939;-122.0505546
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Institute of the Arts and Sciences 100 Panetta Ave Santa Cruz United States;X-APPLE-RADIUS=500;X-TITLE=100 Panetta Ave:geo:-122.0505546,36.9557939
END:VEVENT
END:VCALENDAR