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SUMMARY:M.F.A. Exhibition for Environmental Art & Social Practice (EASP)—"Picking up Shells Amid a Tsunami"
DESCRIPTION:The culminating exhibition of the Environmental Art and Social Practice (EASP) M.F.A. program at UC Santa Cruz presents new projects—Picking up Shells Amid a Tsunami 쓰나미가 밀려오는데\, 조개나 줍고 있네—developed through concentrated inquiry over a two-year period and offers a window into the artists’ unique long-term research projects that expand beyond the gallery space.\n—\nFULL SCHEDULE OF EVENTS\n– Ongoing Exhibition: Thurs..\, April 2–Sat.\, May 2\, 2026\n– Opening Celebration: Thurs.\, April 2\, 5:00–7:00 p.m.\n– Artist Roundtable: Thurs.\, April 23\, 5:00–6:00 p.m.\n—\nADMISSION\n– FREE and open to the public\n– Gallery hours are Tues.–Sun.noon–5:00 p.m (closed Mondays)\n—\nPARKING\n– Lot 124 & 125 are the closest parking lots to the event.\n– Parking is by permit or ParkMobile.\n– Refer to TAPS for more parking information.\n—\nABOUT THE EXHIBITION \nNotes from the EASP cohort: \n“The phrase evokes a scene in which\, amid an approaching catastrophe\, someone appears to be idly picking up seashells. In South Korea\, it gained political currency during the 2017 presidential impeachment protests\, when feminist\, disability rights\, and animal rights groups were criticized for bringing their demands into the demonstrations. Their interventions were dismissed as distractions—acts of “picking up shells” at a moment when the sole priority was said to be the president’s removal. \n“We choose to pick up shells nonetheless. Not because the crisis is small\, but because the shells matter. They are the body of the future\, what accumulates slowly\, what endures. One day\, shells become mountains\, and mountains become home. To pick up shells is not to turn away from urgency\, but to insist on a future beyond it. \n“This exhibition comes together through an insistence on the opposite premise: that picking up shells while disaster is at our doorstep is not a distraction\, but a necessity. What gets dismissed as marginal\, secondary\, a mere luxury\, or mistimed\, is precisely where social and political life becomes livable and where dreams\, desire and the imagination open lines of flight towards other worlds. \n“Waves can level buildings once on the shore\, dragging and revealing the damage as they recede. Rather than turning away from the storm\, we acknowledge the multilayered and epistemic devastation caused by centuries of colonial\, patriarchal\, racist violence upon people\, earth and more than human life. We witness the ongoing bifurcation of human and nature that is sedimented into our lives\, languages and social\, material\, infrastructures. \n“The act of bending down to gather shells\, ردم\,  fragments\, sounds\, 뼈\, blue bottles\, grotta\, relationships\, bodies\, cries—composes a score that moves towards forms of care through minor gestures\, embodiment\, ritual\, ofrendas\, listening and beholding.  Mundane and everyday poetics do not negate the scale of devastation and loss\, nor do they refuse engagement. Rather\, they bear witness. They reveal pathways towards endurance\, negotiation\, memory and imagination beyond colonial catastrophe. In this sense\, the exhibition reframes the tsunami not as a singular event or metaphor\, but an invitation us to behold\, actively look\, to sit within the textures of tectonic plates and energy flows\, at the conjuncture where plates meet\, in the flow of energy through tempo\, liquid\, movement\, land\, sound\, ecotone. \n“The wave does not demand one unified response. It forms part of a condition\, a form of everyday accretion\, a movement in and out of different temporalities. Picking up shells while the tsunami unfolds\, amid the tsunami\, alongside the water’s ebbs and flows\, calls us to pay attention to overlooked lives\, stories\, bodies\, memories\, flows and relations\, to transform materials so that they become reconstituted and are able to hold new and ongoing narratives that refuse to remain silent.”
URL:https://events.ucsc.edu/event/easp-2026/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260415T120000
DTEND;TZID=America/Los_Angeles:20260415T170000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-15/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-04-15/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260415T180000
DTEND;TZID=America/Los_Angeles:20260415T210000
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SUMMARY:NOIZ—April in Santa Cruz festival opening
DESCRIPTION:NOIZ: An Evening of Words\, Sounds + Ideas is a live gathering at the intersection of Hip Hop\, activism\, and the spoken word—a space where music meets testimony. Hosted by assistant professor and hip hop artist akua naru\, the evening features live student performances\, a DJ set\, and an intimate conversation with guest artist/performer Edd Wheeler: pioneering Brazilian rapper\, founding member of As Damas do Rap\, the first female Hip Hop group in Rio de Janeiro\, and practicing lawyer and organizer whose life and work embody the transformative power of the emcee as witness\, visionary\, and change agent. Wheeler is joined with collaborators akua naru\, spoken-word poet and musician Azmera Hammouri-Davis\, and a student ensemble led by Ananya Balagere and Romare Uyeda-Hale. Download and share the event flyer here. \nThis event is a co-production of the UCSC Hip Hop Lab\, Creative Technologies\, Porter College\, and the April in Santa Cruz Festival of Creative Music.\n—\nADMISSION\n– Free and open to UCSC affiliates only\n– Attend in-person at the Digital Arts Research Center\n—\nPARKING\n– Parking by UCSC permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nFULL SCHEDULE OF EVENTS\n– This year’s festival includes seven events between April 15 and May 21\, 2026\n– Additional April in Santa Cruz events and information at aprilsc.ucsc.edu\n—\nNOIZ: An Evening of Words\, Sounds + Ideas\nSOUND\, STORY\, AND RADICAL THOUGHT\n \n\nimage: photo of Edd Wheeler\n—\nThis event is open to UCSC affiliates\, consistent with state and federal law.
URL:https://events.ucsc.edu/event/aisc-noiz-04-15-26/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances,Reception
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DTSTART;TZID=America/Los_Angeles:20260415T190000
DTEND;TZID=America/Los_Angeles:20260415T210000
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SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/drop-in-draw-spr-2026/2026-04-15/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260416T110000
DTEND;TZID=America/Los_Angeles:20260416T150000
DTSTAMP:20260405T084422
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SUMMARY:2026 Spring (all-majors) Career & Internship Fair
DESCRIPTION:Undergraduate and graduate students and recent alumni interested in pursuing careers in business\, arts\, social sciences & humanities industries are welcome to attend. Get the chance to meet recruiters from many industries/firms seeking to fill internship\, full-time\, and part-time roles. Come take essential steps toward laying the foundation for your future career and potentially even land an interview! \nCurious about how to best prepare for the fair? \n1. Research the organization \nIdentify the top 3-5 companies you are interested in\, but remember to be open to different companies you may not have heard of because they may be a startup or business-to-business organization that doesn’t directly serve consumers. \nDo your research by reviewing company websites. Look for their mission\, values\, location\, and the type of available opportunities (e.g.\, internships\, full-time positions\, etc.). Company representatives are impressed by potential candidates who take the time to do this! \n2. Prepare your introduction and questions \nReflect on what it is about each company that resonates with you. Perhaps it’s the specific technology they’re developing\, the research they’re leading\, or the world problem they’re trying to solve. What relevant experiences do you have? How can you be of service to that organization? Exercise critical thinking skills to develop questions to ask recruiters and hiring managers. \n3. Dress with confidence \nEach industry and each company has different work attire expectations and organizational culture. Do your research\, ask mentors in advance for advice\, and dress to impress! \nPLEASE NOTE: You are encouraged to check in at the student registration table in order to participate in the career fair. Bring your student ID. \nThis program is open to all students consistent with state and federal law\, the UC Nondiscrimination Statement and the Nondiscrimination Policy Statement for University of California Publications Regarding Student-Related Matters. \nWant more support? \n  \n\nVisit a peer coach during drop-in hours\nSchedule a career coaching appointment with a Career Engagement Specialist\nFor PhD students looking to pursue careers in industry\, explore Beyond the Professoriate\n(Scroll over “Login to Platform” at the top navigation bar and click “Through your institution”)\nStay in the loop by following Career Success on Instagram\n\nYou will receive registration and additional information in your email from Career Success via Handshake. Please make sure to check your junk/spam folder if you are not receiving any communication. \nYou will receive registration and additional information in your email from Career Success via Handshake. Please make sure to check your junk/spam folder if you are not receiving any communication.\n\n \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications. \nQuestions? Send to csuccess@ucsc.edu or visit Career Success at Hahn 125 East Entrance\nNeed accessibility support? Let us know at slugtalent@ucsc.edu at least two weeks prior to the fair date. \n\n\n\nCareer fair registrations are made without endorsement\, direct or implied\, by Career Success or UCSC. Career Success educates students about various opportunities and ensures equity of access to campus recruiting activities for all employers who abide by our Employer Policies. Individual students are encouraged to determine which employers align with their diverse talents\, values\, and interests.
URL:https://events.ucsc.edu/event/2026-spring-all-majors-career-internship-fair/
LOCATION:Colleges Nine and John R. Lewis College Multi-purpose Room\, 615 College Nine Road\, Santa Cruz\, CA\, 95064
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DTSTART;TZID=America/Los_Angeles:20260416T120000
DTEND;TZID=America/Los_Angeles:20260416T140000
DTSTAMP:20260405T084422
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SUMMARY:Find Your Path! 2026
DESCRIPTION:“Find Your Path!” is a two-day professional development event for UC Santa Cruz Arts Division students who are interested in careers in arts and entertainment. Students are invited to network with UC Santa Cruz colleagues\, alumni\, and creative professionals to find their path to success. Keynote speaker and presentation information to be announced.\n—\nSCHEDULE OF EVENTS\nThurs. April 16\, noon–2:00 p.m\, UCSC Digital Arts Research Center (DARC) 108 and online (hybrid event)\nFri. April 17\, noon–4:30 p.m\, UCSC Digital Arts Research Center (DARC) 108 and online  (hybrid event)\n—\nADMISSION\n– UC Santa Cruz Arts Division students only\n– Register here to attend in person or online (hybrid event)\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n  \n  \n 
URL:https://events.ucsc.edu/event/find-your-path-2026/2026-04-16/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Meetings & Conferences,Training
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DTSTART;TZID=America/Los_Angeles:20260416T120000
DTEND;TZID=America/Los_Angeles:20260416T170000
DTSTAMP:20260405T084422
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LAST-MODIFIED:20260403T222026Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-16/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260416T120000
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-04-16/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260417T120000
DTEND;TZID=America/Los_Angeles:20260417T163000
DTSTAMP:20260405T084422
CREATED:20260106T204511Z
LAST-MODIFIED:20260326T213103Z
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SUMMARY:Find Your Path! 2026
DESCRIPTION:“Find Your Path!” is a two-day professional development event for UC Santa Cruz Arts Division students who are interested in careers in arts and entertainment. Students are invited to network with UC Santa Cruz colleagues\, alumni\, and creative professionals to find their path to success. Keynote speaker and presentation information to be announced.\n—\nSCHEDULE OF EVENTS\nThurs. April 16\, noon–2:00 p.m\, UCSC Digital Arts Research Center (DARC) 108 and online (hybrid event)\nFri. April 17\, noon–4:30 p.m\, UCSC Digital Arts Research Center (DARC) 108 and online  (hybrid event)\n—\nADMISSION\n– UC Santa Cruz Arts Division students only\n– Register here to attend in person or online (hybrid event)\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n  \n  \n 
URL:https://events.ucsc.edu/event/find-your-path-2026/2026-04-17/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Meetings & Conferences,Training
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Digital Arts Research Center 407 McHenry Rd Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=407 McHenry Rd:geo:-122.0603902,36.9939758
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260417T120000
DTEND;TZID=America/Los_Angeles:20260417T170000
DTSTAMP:20260405T084422
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-17/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260417T170000
DTEND;TZID=America/Los_Angeles:20260417T210000
DTSTAMP:20260405T084422
CREATED:20260402T191421Z
LAST-MODIFIED:20260403T222950Z
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SUMMARY:Night of Ideas 2026
DESCRIPTION:Enlightenment\, Now! \nJoin us for a nocturnal celebration of art\, philosophy\, and activism! \nEnlightenment\, Now! \nAs the United States approaches the 250th anniversary of its independence\, the 2026 Santa Cruz Night of Ideas invites us not to celebrate the Enlightenment\, but to interrogate it. Long associated with democracy\, progress\, and universal reason\, the Enlightenment’s legacy remains deeply ambivalent – coexisting with enduring forms of exclusion\, colonial violence\, and economic exploitation. These unresolved tensions\, strikingly visible today\, demand renewed scrutiny. \nRather than treating the Enlightenment as a closed chapter or shared inheritance\, this edition centers young local voices and civil society to ask urgent questions: whose reason matters\, whose freedoms are secured\, and whose futures are denied? \nThrough conversations\, workshops\, performances\, and visionary talks\, Enlightenment\, Now! becomes a space for lived experience and collective experimentation. Featuring contributions from local performers Crista Berryessa and Beati Quorum\, Alex Olwal’s audiovisual collaborations with AL-EK\, and Juan Ospina\, flautist and composer with Olemano\, our event will also bring together Thomas Sage Pedersen\, Ronaldo V. Wilson\, Gina Athena Ulysse\, and many other guests. The aim is not consensus\, but momentum: rethinking progress and imagining new political\, ethical\, and cultural possibilities under radically changed conditions. \nJoin us on Friday\, April 17 at the Institute of the Arts and Sciences to explore what remains of the Enlightenment\, and what it might become! \nThis event is brought to you by the Center for Public Philosophy\, with support from the Institute of the Arts and Sciences\, The Humanities Institute\, the Marc Sanders Foundation\, Villa Albertine\, and the Institut Français. \nLearn more and sign up for updates at nightofideas.org. \nNight of Ideas 2026 Schedule:\nMAIN HALL\n5:00pm: Crista Berryessa and Beati Quorum + introductory remarks by Jeanne Proust\n5:30pm: Thomas Sage Pedersen\, Staying with Discomfort. Why Our Capacity for Uncertainty Shapes the Systems We Create\n6:00pm: Community Soundscape with Beati Quorum and Sarah Cruse\n6:30pm: Gina Athena Ulysse\, Ronaldo V. Wilson & Libia Posada\, artist performances and remarks\n7:30: Juan Ospina & Olemano live performance\n8:30: Alex Olwal & AL-EK live performance + participatory dance with Brigitte Wittmer \nCONFERENCE ROOM (Room 1)\n6pm: Kyle Robertson\, Contesting the Rule of Law\n7pm: Adela Najarro\, From Body to Word: Finding Enlightenment Through Poetry\n8pm: Iris Oved\, Mind the Gap: Masks\, Goggles\, and the Search for Authenticity \nWEST ROOM (Room 2)\n6pm: Jean-Paul Gazzaneo-Duarte\, Identity Under Oppression: Lessons from Latin American Philosophy \n7pm: Sam Kahn\, Moving Beyond the Standard Story of the ‘Attention Crisis’\n8pm: Ethics Slam! Workshop for collective debate \nONGOING\nPhilo-booth: “Ask a philosopher a question!”
URL:https://events.ucsc.edu/event/night-of-ideas-2026/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Meetings & Conferences,Performances,Social Gathering
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260418T120000
DTEND;TZID=America/Los_Angeles:20260418T170000
DTSTAMP:20260405T084422
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-18/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260418T120000
DTEND;TZID=America/Los_Angeles:20260418T170000
DTSTAMP:20260405T084422
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-04-18/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260419T120000
DTEND;TZID=America/Los_Angeles:20260419T170000
DTSTAMP:20260405T084422
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-19/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260419T120000
DTEND;TZID=America/Los_Angeles:20260419T170000
DTSTAMP:20260405T084422
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-04-19/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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