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SUMMARY:Harriet: Performing an Archive
DESCRIPTION:Through motion capture\, immersive sound\, and real-time digital systems\, CHARI performs alongside Harriet\, a life-scale avatar carrying a living archive of Black sonic and vernacular memory. Drawing from Black archival traditions rooted in call-and-response\, improvisation\, and communal stewardship\, the performance understands memory as relational and alive. Together\, our movements shape the environment as the performance unfolds\, images shift\, sound expands\, and memory surfaces in fragments. Performing An Archive turns the stage into a threshold between body and code\, memory and possibility. It imagines a future where technology is not distant or extractive\, but intimate\, attentive\, and alive. This performance was made possible in part through grant funding from Investing in Artists: Artistic Innovation at the Center for Cultural Innovation\, the Arts Division\, and the Arts Research Institute.\n—\nADVISORIES\n– This presentation uses haze/fog effects and may contain loud noises\n—\nADMISSION\n– Attend in person at the “Dark Lab” (DARC 108) in the Digital Arts Research Center on the first floor\, just inside the front entrance.\n– FREE and open to UCSC affiliates\n– Advance registration recommended via Eventbrite\n– Doors open 30 minutes prior to event start time\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all UC Santa Cruz affiliates consistent with state and federal law. \n  \n  \n 
URL:https://events.ucsc.edu/event/harriet-performing-an-archive/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Performances
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DTSTART;TZID=America/Los_Angeles:20260424T180000
DTEND;TZID=America/Los_Angeles:20260424T200000
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SUMMARY:Palaver Strings—April in Santa Cruz
DESCRIPTION:Kuumbwa Jazz\, Cabrillo Festival of Contemporary Music\, and the Arts Division at UC Santa Cruz partner to present: A Change is Gonna Come\, featuring Palaver Strings and tenor Nicholas Phan. \nGrammy award-winning tenor Nicholas Phan joins Portland\, Maine-based ensemble Palaver Strings\, in a program that explores our country’s rich legacy of protest songs. Repertoire includes traditional songs of protest and music inspired by social movements and historical events\, including Akenya Seymour’s “Fear the Lamb\,” and Errollyn Wallen’s Protest Songs\, both commissioned by the ensemble\, and premiers written for this program by UC Santa Cruz composers Lukáš Janata and Siamak Barghi. Spanning genres\, eras\, and movements\, A Change Is Gonna Come confronts our past and present and celebrates protest as one of our most precious rights. \nThis event is a co-production of the Cabrillo Festival of Contemporary Music and April in Santa Cruz Festival of Creative Music.\n—\nADMISSION\n– Tickets and information here on the Kuumbwa website\n– Attend in-person at the Kuumbwa Jazz Center in downtown Santa Cruz\n—\nFULL SCHEDULE OF EVENTS\n– This year’s festival includes seven events between April 15 and May 21\, 2026\n– Additional April in Santa Cruz events and information at aprilsc.ucsc.edu\n—\nA CHANGE IS GONNA COME\nPALAVER STRINGS WITH NICHOLAS PHAN \n\nimage: photo of Palaver Strings\n—
URL:https://events.ucsc.edu/event/aisc-palaver-strings-04-24-26/
LOCATION:Kuumbwa Jazz Center\, 320-2 Cedar St\, Santa Cruz\, 95060\, United States
CATEGORIES:Concerts,Performances
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DTSTART;TZID=America/Los_Angeles:20260424T120000
DTEND;TZID=America/Los_Angeles:20260424T170000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-24/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260423T180000
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SUMMARY:Artist Talk with Federico Cuatlacuatl
DESCRIPTION:We invite you to join us for a film screeening and discussion with artist Federico Cuatlacuatl. This will be the west coast premiere of  QUEMAR LAS PATAS DEL IMPERIO (to burn the feet of the empire)\, Cuatlacuatl’s newest work. \nFederico Cuatlacuatl (b. San Francisco Coapan\, Cholula\, Puebla -México) is Horace W. Goldsmith Distinguished Teaching Associate Professor in the Humanities in the Department of Art at the University of Virginia and currently a research Fellow at the University of Heidelberg in Germany. Cuatlacuatl’s aesthetic oeuvre addresses Nahua Indigenous immigration\, social art practice\, and cultural sustainability. Building on his own experience as formerly undocumented immigrant and DACA holder\, his creative practice collides Indigeneity\, immigration\, and temporalities. At the core of his most recent research and artistic production is the intersection of transborder Indigeneity\, Nahua diasporic resilience\, and Nahua futurisms. His work has been featured in international film festivals and exhibitions globally including: the Max Ernst Museum\, the Kode Museum of Art in Norway\, the KINDL Centre for Contemporary Art in Berlin\, the BFI London Film Festival\,  the Larnaca Biennale in Cyprus\, the National Museum of Anthropology in Mexico City\, the Museum of Art Såo Paulo in Brazil\, Virginia Museum of Contemporary Art\, the Sculpture Center in Ohio\, the Contemporary Arts Center in New Orleans\, and the Tucson Museum of Art. Cuatlacuatl is a co-founder of the UNDOC+Collective and the founder of the Rasquache Artist Residency in Puebla\, México.
URL:https://events.ucsc.edu/event/artist-talk-with-federico-cuatlacuatl/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Film Screening,Lectures & Presentations,Screening
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DTSTART;TZID=America/Los_Angeles:20260423T170000
DTEND;TZID=America/Los_Angeles:20260423T180000
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SUMMARY:Artist Roundtable for EASP M.F.A. Exhibition—"Picking up Shells Amid a Tsunami"
DESCRIPTION:The culminating exhibition of the Environmental Art and Social Practice (EASP) M.F.A. program at UC Santa Cruz presents new projects—Picking up Shells Amid a Tsunami 쓰나미가 밀려오는데\, 조개나 줍고 있네—developed through concentrated inquiry over a two-year period and offers a window into the artists’ unique long-term research projects that expand beyond the gallery space.\n—\nFULL SCHEDULE OF EVENTS\n– Ongoing Exhibition: Thurs..\, April 2–Sat.\, May 2\, 2026\n– Opening Celebration: Thurs.\, April 2\, 5:00–7:00 p.m.\n– Artist Roundtable: Thurs.\, April 23\, 5:00–6:00 p.m.\n—\nADMISSION\n– FREE and open to the public\n– Gallery hours are Tues.–Sun.noon–5:00 p.m (closed Mondays)\n—\nPARKING\n– Lot 124 & 125 are the closest parking lots to the event.\n– Parking is by permit or ParkMobile.\n– Refer to TAPS for more parking information.\n—\nABOUT THE EXHIBITION\n– More exhibition information here.\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/roundtable-easp-mfa-2026/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits,Lectures & Presentations,Social Gathering
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DTSTART;TZID=America/Los_Angeles:20260423T120000
DTEND;TZID=America/Los_Angeles:20260423T170000
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-04-23/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260423T120000
DTEND;TZID=America/Los_Angeles:20260423T170000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-23/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260422T190000
DTEND;TZID=America/Los_Angeles:20260422T210000
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SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/drop-in-draw-spr-2026/2026-04-22/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260422T120000
DTEND;TZID=America/Los_Angeles:20260422T170000
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-04-22/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260422T120000
DTEND;TZID=America/Los_Angeles:20260422T170000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-22/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260422T100000
DTEND;TZID=America/Los_Angeles:20260422T220000
DTSTAMP:20260425T044822
CREATED:20260407T005335Z
LAST-MODIFIED:20260407T005714Z
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SUMMARY:Arts & Ecology Festival: Creative Resistance
DESCRIPTION:On Earth Day\, UC Santa Cruz launches the inaugural Arts & Ecology Festival: Creative Resistance\, a campus-wide gathering that refuses to treat climate change as a problem of carbon alone. Instead\, it brings together artists\, scientists\, students\, and community partners to engage the deeper conditions of the crisis\, and to open space for cultural\, political\, and imaginative transformations grounded in repair\, reciprocity\, and collective futures. \nTaking place at the Digital Arts Research Center (DARC)\, the festival unfolds as a full day of exhibitions\, film screenings\, performances\, workshops\, talks\, and public engagement. Developed through an open call that drew an overwhelming response across disciplines\, the program reflects a growing field of practitioners working across environmental research\, land-based knowledge\, climate resistance\, and practices of repair that move beyond dominant institutional and economic frameworks. Tacos Los Reyes food truck will be on site during the festival. \nThe UC Santa Cruz Arts & Ecology Festival is sponsored by UCSC Art Department\, OpenLab Collaborative Research Center\, and UC Climate Action Arts Network\, with support from the University of California\, Office of the President’s Multicampus Research Programs and Initiatives grant program.\n—\nADMISSION\n– Free and open to the public\n—\nFULL SCHEDULE OF EVENTS\nEarth Day Festival\nWed.\, April 22\, 10:00 a.m.–10:00 p.m.\nvarious locations throughout the Digital Arts Research Center (DARC)\nEarth Week Film Screenings\nMon.. April 20–Fri.\, April 24\, 10:00 a.m.–5:00 p.m.\nLight Lab Gallery at the Digital Arts Research Center (DARC)\nMore information here at the festival website.\n—\nPARKING\n– Parking by UCSC permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/arts-and-ecology-festival-2026/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Conference,Exhibits,Film Screening,Lectures & Presentations,Meetings & Conferences,Performances,Reception,Screening,Social Gathering
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DTEND;TZID=America/Los_Angeles:20260420T213000
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SUMMARY:The Tallest Dwarf—film screening and talk with Julie Wyman
DESCRIPTION:UC Santa Cruz affiliates are invited to a screening and discussion with filmmaker Julie Forrest Wyman. The Tallest Dwarf charts the filmmaker’s quest to find her place within the little people (LP) community at a moment when dwarf identity is poised to radically change. Wyman’s work engages issues of embodiment\, body image\, and the possibilities and problematics of media spectatorship—all informed by her experience of living with hypochondroplasia dwarfism. Julie Wyman will be in conversation after the screening with Pooja Rangan (Professor of English and Film and Media Studies at Amherst College and Visiting Scholar of Visualizing Abolition) and Cynthia Ling Lee (Associate Professor of Performance\, Play & Design\, UC Santa Cruz). \nCo-organized/co-sponsored by the Arts Division’s Film & Digital Media Department\,  “Abolition Medicine and Disability Justice“—a collaborative initiative of five UC campuses\, including Riverside\, Irvine\, Los Angeles\, Santa Cruz\, and San Francisco\, to addresses health disparities in institutions and policy—and The Humanities Institute at UC Santa Cruz.\n—\nADMISSION\n– Free and open to UC Santa Cruz affiliates only\n– Attend in person at Communications Studio C\n—\nPARKING\n– Parking via UCSC permit or ParkMobile\n– Core West is the lot closest to the event\n—\nABOUT THE FILM\nAs Wyman unpacks the rumors of “partial dwarfism” in her family\, she finds that hers is the last of a body type she has inherited. She joins forces with a group of dwarf artists to confront the legacy of being fetishized and put on display. Together they create films that reclaim a complicated history and speak back to the echoes of eugenics in the newly emerging pharmaceutical interventions that make little people taller. Through its personal and expanding perspective\, the film invites audiences to a new way of seeing.\n—\nABOUT THE FILMMAKER\nJulie Forrest Wyman’s 2012 documentary STRONG! premiered at AFI Silverdocs and was broadcast nationally on PBS’s Emmy award-winning series\, Independent Lens\, where it won the series’ Audience Award. Wyman’s work has been awarded support from Sundance\, Sandbox\, IDA\, SF Film Society\, Points North\, ITVS\, the Creative Capital Foundation\, The Princess Grace Foundation\, California Humanities\, and NEH. She has been a fellow at the UC Davis Feminist Research Institute and a resident of SF Film Society’s Filmhouse\, Siena Art Institute\, Logan Nonfiction and Points North. Her films\, including FatMob (2016)\, Buoyant (2005)\, and A Boy Named Sue (2000)\, have aired on Showtime\, MTV’s LOGO-TV\, and have been exhibited on five continents. She serves as Associate Professor of Cinema and Digital Media at UC Davis.\n—\nDownload and share the event flyer here.\n—\nphotographer credit: Gabriella Garcia-Pardo; image description: A group of six LP (little people) performers regard their paper body cut outs on the wall. \n 
URL:https://events.ucsc.edu/event/film-wyman/
LOCATION:Communications Building\, 7487 Red Hill Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Film Screening,Lectures & Presentations,Screening
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DTSTART;TZID=America/Los_Angeles:20260419T120000
DTEND;TZID=America/Los_Angeles:20260419T170000
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-04-19/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260419T120000
DTEND;TZID=America/Los_Angeles:20260419T170000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-19/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260418T120000
DTEND;TZID=America/Los_Angeles:20260418T170000
DTSTAMP:20260425T044823
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-04-18/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260418T120000
DTEND;TZID=America/Los_Angeles:20260418T170000
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-18/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260417T170000
DTEND;TZID=America/Los_Angeles:20260417T210000
DTSTAMP:20260425T044823
CREATED:20260402T191421Z
LAST-MODIFIED:20260413T221832Z
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SUMMARY:Night of Ideas 2026
DESCRIPTION:Enlightenment\, Now! \nJoin us for a nocturnal celebration of art\, philosophy\, and activism! \nEnlightenment\, Now! \nAs the United States approaches the 250th anniversary of its independence\, the 2026 Santa Cruz Night of Ideas invites us not to celebrate the Enlightenment\, but to interrogate it. Long associated with democracy\, progress\, and universal reason\, the Enlightenment’s legacy remains deeply ambivalent – coexisting with enduring forms of exclusion\, colonial violence\, and economic exploitation. These unresolved tensions\, strikingly visible today\, demand renewed scrutiny. \nRather than treating the Enlightenment as a closed chapter or shared inheritance\, this edition centers young local voices and civil society to ask urgent questions: whose reason matters\, whose freedoms are secured\, and whose futures are denied? \nThrough conversations\, workshops\, performances\, and visionary talks\, Enlightenment\, Now! becomes a space for lived experience and collective experimentation. Featuring contributions from local performers Crista Berryessa and Beati Quorum\, Alex Olwal’s audiovisual collaborations with AL-EK\, and Juan Ospina\, flautist and composer with Olemano\, our event will also bring together Thomas Sage Pedersen\, Ronaldo V. Wilson\, Gina Athena Ulysse\, and many other guests. The aim is not consensus\, but momentum: rethinking progress and imagining new political\, ethical\, and cultural possibilities under radically changed conditions. \nJoin us on Friday\, April 17 at the Institute of the Arts and Sciences to explore what remains of the Enlightenment\, and what it might become! \nThis event is brought to you by the Center for Public Philosophy\, with support from the Institute of the Arts and Sciences\, The Humanities Institute\, the Marc Sanders Foundation\, Villa Albertine\, and the Institut Français. \nLearn more and sign up for updates at nightofideas.org. \nNight of Ideas 2026 Schedule:\nMAIN HALL\n5:00pm: Crista Berryessa and Beati Quorum + introductory remarks by Jeanne Proust\n5:30pm: Thomas Sage Pedersen\, Staying with Discomfort. Why Our Capacity for Uncertainty Shapes the Systems We Create\n6:00pm: Community Soundscape with Beati Quorum and Sarah Cruse\n6:30pm: Gina Athena Ulysse\, Ronaldo V. Wilson & Libia Posada\, artist performances and remarks\n7:30: Juan Ospina & Olemano live performance\n8:30: Alex Olwal & AL-EK live performance + participatory dance with Brigitte Wittmer \nCONFERENCE ROOM (Room 1)\n6pm: Kyle Robertson\, Contesting the Rule of Law\n7pm: Adela Najarro\, From Body to Word: Finding Enlightenment Through Poetry\n8pm: Iris Oved\, Mind the Gap: Masks\, Goggles\, and the Search for Authenticity \nWEST ROOM (Room 2)\n6pm: Jean-Paul Gazzaneo-Duarte\, Identity Under Oppression: Lessons from Latin American Philosophy \n7pm: Sam Kahn\, Moving Beyond the Standard Story of the ‘Attention Crisis’\n8pm: Ethics Slam! Workshop for collective debate \nONGOING\nPhilo-booth: “Ask a philosopher a question!”
URL:https://events.ucsc.edu/event/night-of-ideas-2026/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Meetings & Conferences,Performances,Social Gathering
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DTSTART;TZID=America/Los_Angeles:20260417T120000
DTEND;TZID=America/Los_Angeles:20260417T170000
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LAST-MODIFIED:20260403T222026Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-17/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260417T120000
DTEND;TZID=America/Los_Angeles:20260417T163000
DTSTAMP:20260425T044823
CREATED:20260106T204511Z
LAST-MODIFIED:20260415T190238Z
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SUMMARY:Find Your Path! 2026
DESCRIPTION:“Find Your Path!” is a two-day professional development event for UC Santa Cruz Arts Division students who are interested in careers in arts and entertainment. Students are invited to network with UC Santa Cruz colleagues\, alumni\, and creative professionals to find their path to success. Learn more about the speakers here. \nSCHEDULE OF EVENTS \nDay One\nThurs. April 16\, noon–2:00 p.m\, UCSC Digital Arts Research Center (DARC) 108 and online (hybrid event)\n– Keynote address: Sarah Sanford\, UC Santa Cruz Teaching Professor\, On Building Careers in Arts Education\n– UCSC Career Success presentation: developing a stand-out resume\, cover letter\, portfolio\, and more\n– Light refreshments served \nDay Two\nFri. April 17\, noon–4:30 p.m\, UCSC Digital Arts Research Center (DARC) 108 and online  (hybrid event)\n– Lunch and introduction begin at noon.\n– Career panel discussions with creative industry professionals\n– Join any or all four panel sessions:\n1. Working in the Entertainment Industry: 12:10 PM- 1:05 PM\n2. Careers in Museums and Performance Spaces: 1:10 PM-2:05 PM\n3. Careers in Games\, Design\, and Digital Media: 2:20 PM-3:15 PM\n4. Arts\, Organizing\, and Social Impact: 3:20 PM- 4:15 PM\n—\nADMISSION\n– UC Santa Cruz Arts Division students only\n– Register here to attend in person or online (hybrid event)\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n  \n  \n 
URL:https://events.ucsc.edu/event/find-your-path-2026/2026-04-17/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Meetings & Conferences,Training
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260416T120000
DTEND;TZID=America/Los_Angeles:20260416T170000
DTSTAMP:20260425T044823
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011855-1776340800-1776358800@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-04-16/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260416T120000
DTEND;TZID=America/Los_Angeles:20260416T170000
DTSTAMP:20260425T044823
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-16/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260416T120000
DTEND;TZID=America/Los_Angeles:20260416T140000
DTSTAMP:20260425T044823
CREATED:20260106T204511Z
LAST-MODIFIED:20260415T190238Z
UID:10008292-1776340800-1776348000@events.ucsc.edu
SUMMARY:Find Your Path! 2026
DESCRIPTION:“Find Your Path!” is a two-day professional development event for UC Santa Cruz Arts Division students who are interested in careers in arts and entertainment. Students are invited to network with UC Santa Cruz colleagues\, alumni\, and creative professionals to find their path to success. Learn more about the speakers here. \nSCHEDULE OF EVENTS \nDay One\nThurs. April 16\, noon–2:00 p.m\, UCSC Digital Arts Research Center (DARC) 108 and online (hybrid event)\n– Keynote address: Sarah Sanford\, UC Santa Cruz Teaching Professor\, On Building Careers in Arts Education\n– UCSC Career Success presentation: developing a stand-out resume\, cover letter\, portfolio\, and more\n– Light refreshments served \nDay Two\nFri. April 17\, noon–4:30 p.m\, UCSC Digital Arts Research Center (DARC) 108 and online  (hybrid event)\n– Lunch and introduction begin at noon.\n– Career panel discussions with creative industry professionals\n– Join any or all four panel sessions:\n1. Working in the Entertainment Industry: 12:10 PM- 1:05 PM\n2. Careers in Museums and Performance Spaces: 1:10 PM-2:05 PM\n3. Careers in Games\, Design\, and Digital Media: 2:20 PM-3:15 PM\n4. Arts\, Organizing\, and Social Impact: 3:20 PM- 4:15 PM\n—\nADMISSION\n– UC Santa Cruz Arts Division students only\n– Register here to attend in person or online (hybrid event)\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n  \n  \n 
URL:https://events.ucsc.edu/event/find-your-path-2026/2026-04-16/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Meetings & Conferences,Training
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260416T110000
DTEND;TZID=America/Los_Angeles:20260416T150000
DTSTAMP:20260425T044823
CREATED:20260304T005400Z
LAST-MODIFIED:20260305T171512Z
UID:10009391-1776337200-1776351600@events.ucsc.edu
SUMMARY:2026 Spring (all-majors) Career & Internship Fair
DESCRIPTION:Undergraduate and graduate students and recent alumni interested in pursuing careers in business\, arts\, social sciences & humanities industries are welcome to attend. Get the chance to meet recruiters from many industries/firms seeking to fill internship\, full-time\, and part-time roles. Come take essential steps toward laying the foundation for your future career and potentially even land an interview! \nCurious about how to best prepare for the fair? \n1. Research the organization \nIdentify the top 3-5 companies you are interested in\, but remember to be open to different companies you may not have heard of because they may be a startup or business-to-business organization that doesn’t directly serve consumers. \nDo your research by reviewing company websites. Look for their mission\, values\, location\, and the type of available opportunities (e.g.\, internships\, full-time positions\, etc.). Company representatives are impressed by potential candidates who take the time to do this! \n2. Prepare your introduction and questions \nReflect on what it is about each company that resonates with you. Perhaps it’s the specific technology they’re developing\, the research they’re leading\, or the world problem they’re trying to solve. What relevant experiences do you have? How can you be of service to that organization? Exercise critical thinking skills to develop questions to ask recruiters and hiring managers. \n3. Dress with confidence \nEach industry and each company has different work attire expectations and organizational culture. Do your research\, ask mentors in advance for advice\, and dress to impress! \nPLEASE NOTE: You are encouraged to check in at the student registration table in order to participate in the career fair. Bring your student ID. \nThis program is open to all students consistent with state and federal law\, the UC Nondiscrimination Statement and the Nondiscrimination Policy Statement for University of California Publications Regarding Student-Related Matters. \nWant more support? \n  \n\nVisit a peer coach during drop-in hours\nSchedule a career coaching appointment with a Career Engagement Specialist\nFor PhD students looking to pursue careers in industry\, explore Beyond the Professoriate\n(Scroll over “Login to Platform” at the top navigation bar and click “Through your institution”)\nStay in the loop by following Career Success on Instagram\n\nYou will receive registration and additional information in your email from Career Success via Handshake. Please make sure to check your junk/spam folder if you are not receiving any communication. \nYou will receive registration and additional information in your email from Career Success via Handshake. Please make sure to check your junk/spam folder if you are not receiving any communication.\n\n \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications. \nQuestions? Send to csuccess@ucsc.edu or visit Career Success at Hahn 125 East Entrance\nNeed accessibility support? Let us know at slugtalent@ucsc.edu at least two weeks prior to the fair date. \n\n\n\nCareer fair registrations are made without endorsement\, direct or implied\, by Career Success or UCSC. Career Success educates students about various opportunities and ensures equity of access to campus recruiting activities for all employers who abide by our Employer Policies. Individual students are encouraged to determine which employers align with their diverse talents\, values\, and interests.
URL:https://events.ucsc.edu/event/2026-spring-all-majors-career-internship-fair/
LOCATION:Colleges Nine and John R. Lewis College Multi-purpose Room\, 615 College Nine Road\, Santa Cruz\, CA\, 95064
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260415T190000
DTEND;TZID=America/Los_Angeles:20260415T210000
DTSTAMP:20260425T044823
CREATED:20260309T214850Z
LAST-MODIFIED:20260323T214348Z
UID:10011355-1776279600-1776286800@events.ucsc.edu
SUMMARY:Drop-in Figure Drawing
DESCRIPTION:Drop-In Draw provides a live model and room monitor. There is no formal lesson and only dry media is allowed (no paints).\n—\nADVISORIES\n– These events contain mature content and nudity.\n– Drop-In Draw is subject to the possibility of last-minute cancellation without notification\, and sessions are not guaranteed.\n—\nADMISSION\n– FREE and open to the public\n– UCSC Art Department Room M-101\n—\nFULL SCHEDULE OF EVENTS\nThis series occurs weekly on Wednesday evenings during spring quarter\, including the following: \nWednesday April 1\, 2026\, 7:00–9:00 p.m.\nWednesday April 8\, 2026\, 7:00–9:00 p.m.\nWednesday April 15\, 2026\, 7:00–9:00 p.m.\nWednesday April 22\, 2026\, 7:00–9:00 p.m.\nWednesday April 29\, 2026\, 7:00–9:00 p.m.\nWednesday May 6\, 2026\, 7:00–9:00 p.m.\nWednesday May 13\, 2026\, 7:00–9:00 p.m.\nWednesday May 20\, 2026\, 7:00–9:00 p.m.\nWednesday May 27\, 2026\, 7:00–9:00 p.m.\n—\nPARKING\n– Parking by permit or ParkMobile.\n– Arts Lot #126 is the closest parking lot to the event.\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS).\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/drop-in-draw-spr-2026/2026-04-15/
LOCATION:Elena Baskin Visual Arts Center\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260415T180000
DTEND;TZID=America/Los_Angeles:20260415T210000
DTSTAMP:20260425T044823
CREATED:20260401T185239Z
LAST-MODIFIED:20260407T210906Z
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SUMMARY:NOIZ—April in Santa Cruz festival opening
DESCRIPTION:NOIZ: An Evening of Words\, Sounds + Ideas is a live gathering at the intersection of Hip Hop\, activism\, and the spoken word—a space where music meets testimony. Hosted by assistant professor and hip hop artist akua naru\, the evening features live student performances\, a DJ set\, and an intimate conversation with guest artist/performer Edd Wheeler: pioneering Brazilian rapper\, founding member of As Damas do Rap\, the first female Hip Hop group in Rio de Janeiro\, and practicing lawyer and organizer whose life and work embody the transformative power of the emcee as witness\, visionary\, and change agent. Wheeler is joined with collaborators akua naru\, spoken-word poet and musician Azmera Hammouri-Davis\, and a student ensemble led by Ananya Balagere and Romare Uyeda-Hale. Download and share the event flyer here. \nThis event is a co-production of the UCSC Hip Hop Lab\, Creative Technologies\, Porter College\, and the April in Santa Cruz Festival of Creative Music.\n—\nADMISSION\n– Free and open to UCSC affiliates only\n– Attend in-person at the Digital Arts Research Center\n—\nPARKING\n– Parking by UCSC permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nFULL SCHEDULE OF EVENTS\n– This year’s festival includes seven events between April 15 and May 21\, 2026\n– Additional April in Santa Cruz events and information at aprilsc.ucsc.edu\n—\nNOIZ: An Evening of Words\, Sounds + Ideas\nSOUND\, STORY\, AND RADICAL THOUGHT\n \n\nimage: photo of Edd Wheeler\n—\nThis event is open to UCSC affiliates\, consistent with state and federal law.
URL:https://events.ucsc.edu/event/aisc-noiz-04-15-26/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Concerts,Performances,Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260415T120000
DTEND;TZID=America/Los_Angeles:20260415T170000
DTSTAMP:20260425T044823
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011854-1776254400-1776272400@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-04-15/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260415T120000
DTEND;TZID=America/Los_Angeles:20260415T170000
DTSTAMP:20260425T044823
CREATED:20260402T184659Z
LAST-MODIFIED:20260403T222026Z
UID:10011940-1776254400-1776272400@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-04-15/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260414T190000
DTEND;TZID=America/Los_Angeles:20260414T210000
DTSTAMP:20260425T044823
CREATED:20260325T031759Z
LAST-MODIFIED:20260409T165048Z
UID:10011312-1776193200-1776200400@events.ucsc.edu
SUMMARY:Emeriti Faculty Lecture\, Spring 2026
DESCRIPTION:Puppets\, Performance\, Percussion: Asia-Pacific Interculturalism\, Avant-gardism\, and the Center for World Music\nAs the West Coast exploded with the Summer of Love and Vietnam War protests\, the Center for World Music’s concept of “bimusicality” brought Asian performance masters and American avant-gardists to train American students. Julie Taymor’s The Lion King on Broadway and Lou Harrison’s Coyote Stories are just two intercultural results. The teachings of Balasaraswati\, Ravi Shankar\, Ali Akbar Khan\, Undang Sumarna\, and Ki Tjokrowasito\, prompted intercultural revolutions in West Coast performance\, practice\, and university curriculums\, including at UC Santa Cruz. \nRegister to attend in-person or virtual\nDoors open at 6:30 p.m. for guests attending in person\nLecture: 7 p.m.\nFollowed by a reception for in person guests\nFree and open to the public\nParking is $11 \nPresented by the UC Santa Cruz Emeriti Association \n  \nKathy Foley is distinguished research professor emerita at UC Santa Cruz. She is a member of honor for UNIMA-International\, joining previous puppeteers such as Jim Henson. She has edited the Asian Theatre Journal\, curated exhibits for the National Geographic Society\, and performed at Indonesian National Wayang (puppetry) Festivals\, the Asian Art Museum\, and the Smithsonian. Her research has been supported by Fulbright\, Yale Institute of Sacred Music\, and Edward A. Dickson Emeriti awards. She is also a Punch and Judy professor.
URL:https://events.ucsc.edu/event/emeriti-faculty-lecture-spring-2026/
LOCATION:Music Center Recital Hall\, 400 McHenry Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260413T180000
DTEND;TZID=America/Los_Angeles:20260413T200000
DTSTAMP:20260425T044823
CREATED:20260413T203358Z
LAST-MODIFIED:20260413T203358Z
UID:10012109-1776103200-1776110400@events.ucsc.edu
SUMMARY:NOIZ: An Evening of Words\, Sounds + Ideas
DESCRIPTION:Hosted by Assistant Professor and hip hop artist akua naru\, the evening features live student performances\, a DJ set\, and an intimate conversation with guest artist/performer Edd Wheeler: pioneering Brazilian rapper\, founding member of As Damas do Rap\, the first female Hip Hop group in Rio de Janeiro\, and practicing lawyer and organizer whose life and work embody the transformative power of the emcee as witness\, visionary\, and change agent. NOIZ invites the community into a night of sound\, story\, and radical thought.\nThese events are made possible through a dynamic collaboration across the UC Santa Cruz community\, bringing together Creative Technologies\, the Department of Music\, the Hip Hop Lab\, the Office for DEI\, and Porter College.\n—\nADMISSION\n– FREE and open to UCSC affiliates\n– MUST RSVP HERE\n– IN PERSON at DARC 108\n– VIRTUAL OPTION via RSVP\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all UC Santa Cruz affiliates consistent with state and federal law. \n 
URL:https://events.ucsc.edu/event/noiz-an-evening-of-words-sounds-ideas/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations,Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260413T160000
DTEND;TZID=America/Los_Angeles:20260413T173500
DTSTAMP:20260425T044823
CREATED:20260413T202828Z
LAST-MODIFIED:20260413T202828Z
UID:10012108-1776096000-1776101700@events.ucsc.edu
SUMMARY:Creative Interventions: Technology + Organizing for Women in Hip Hop
DESCRIPTION:Azmera Hammouri-Davis\, akua naru\, and Edd Wheeler come together in conversation\, offering a critical and creative dialogue that sets the stage for the evening ahead. This talk precedes the live NOIZ performance.\n—\nADMISSION\n– FREE and open to UCSC affiliates\n– IN PERSON at DARC 108\n– VIRTUAL OPTION: must RSVP HERE\n—\nPARKING\n– Parking by permit or ParkMobile\n– Arts Lot #126 is the closest parking lot to the event\n– Visitors with DMV placards or plates may park for free in DMV spaces\, Medical spaces\, or ParkMobile spaces without additional payment\, or in timed zones for longer than the posted time.\n– More information provided by UCSC Transportation & Parking Services (TAPS)\n—\nThis program is open to all UC Santa Cruz affiliates consistent with state and federal law. \n 
URL:https://events.ucsc.edu/event/creative-interventions-technology-organizing-for-women-in-hip-hop/
LOCATION:Digital Arts Research Center\, 407 McHenry Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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GEO:36.9939758;-122.0603902
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Digital Arts Research Center 407 McHenry Rd Santa Cruz CA 95064;X-APPLE-RADIUS=500;X-TITLE=407 McHenry Rd:geo:-122.0603902,36.9939758
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