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SUMMARY:VMCC Talk with Maggie Cao—Sepia: Biotic Media and Ocean Worlds
DESCRIPTION:Sepia is a term used to describe inks of a rich\, brown color\, but few know that this artistic usage is taken from the animal world\, where sepia refers to a genus of cuttlefish—a nod to the long history of extracting melanin fluid from cephalopods for drawing and writing. This talk uses cuttlefish ink as a vehicle for rethinking human-ocean relations in the mid nineteenth century\, tracing flows between Victor Hugo’s maritime drawings made in the Channel Islands to paleontological discoveries and scientific illustrations on nearby coastlines. During the nineteenth century\, the expansion of fisheries and the growth of marine biology fostered public interest in the strangeness of cephalopods\, or “devil fish\,” whose inkiness was associated with artistic creation. Experiments with biotic media\, the talk argues\, were efforts to conceptualize the nonhuman environment of the ocean. \nThis event is presented as part of the Visual & Media Cultures Colloquium (VMCC) Series.\n—\nADMISSION\n– FREE and open to the public\n– Located in Porter College Rm. D245\n—\nPARKING\n– Lot 124 & 125 are the closest parking lots to the event.\n– Parking is by permit or ParkMobile.\n– Refer to TAPS for more parking information.\n—\nThis program is open to all members of the public consistent with state and federal law. \n 
URL:https://events.ucsc.edu/event/vmcc-maggie-cao/
LOCATION:Porter College\, D-Building\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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DTSTART;TZID=America/Los_Angeles:20260204T160000
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LAST-MODIFIED:20260115T205542Z
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SUMMARY:VMCC Series: Yiman Wang
DESCRIPTION:In a lecture delivered by UC Santa Cruz Professor Yiman Wang\, this talk delves into Mao-era moving image culture that featured experimentation with public health\, horticulture\, and animal husbandry to unpack what cinematic experiments were developed\, how scientific experiments were conducted\, and in what ways they were intended to intertwine with the nation-wide experiment with rebuilding the new socialist human’s psyche and a new socio-political world. The talk also explores why such conjoined experiments often fell apart\, what one might gain by recentering the unruly human and more-than-human “raw material” that were experimented on\, and ultimately\, how the environmental turn in media studies could benefit from a study of socialist trifold cinematic-scientific-socio-political experimentations.\n—\nABOUT THE SPEAKER\nYiman Wang (Ph.D.\, Graduate Program in Literature\, Duke University) is Professor and Chair of Film & Digital Media at University of California\, Santa Cruz. She is author of Remaking Chinese Cinema: Through the Prism of Shanghai\, Hong Kong and Hollywood (University of Hawaii Press 2013)\, and To Be an Actress: Labor and Performance in Anna May Wong’s Cross-Media World (University of California Press 2024). She has published numerous articles in journals and edited volumes on topics of socialist environmental media\, feminist media histories\, ethnic border-crossing stardom\, eco-cinema\, Chinese cinema\, independent documentary\, film remakes and adaptations. She is editor of a special issue of Feminist Media Histories on Asian Feminist Media (2019)\, co-editor of an InFocus Dossier on Queering Asian Media in Journal of Cinema and Media Studies (2023)\, co-editor of Chinese Animation: Multiplicities in Motion (2025)\, associate editor of Journal of Chinese Cinemas\, and co-editor of the Global East Asian Screen Cultures book series published by Bloomsbury.\n—\nADMISSION\n– FREE and open to the public\n– Located in Porter College Rm. D245\n—\nPARKING\n– Lot 124 & 125 are the closest parking lots to the event.\n– Parking is by permit or ParkMobile.\n– Refer to TAPS for more parking information.\n—\nThis program is open to all members of the public consistent with state and federal law. \n 
URL:https://events.ucsc.edu/event/vmcc-series-yiman-wang/
LOCATION:Porter College\, D-Building\, Santa Cruz\, CA\, 95064
CATEGORIES:Lectures & Presentations
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DTSTART;TZID=America/Los_Angeles:20260128T160000
DTEND;TZID=America/Los_Angeles:20260128T173500
DTSTAMP:20260414T151039
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SUMMARY:Ancestral Algorithms: Indigenous Virtual Realities & the Ethics of AI
DESCRIPTION:This talk explores how Indigenous analytic and ancestral technologies\, rooted in technē as craft\, knowledge\, and skilled practice\, inform contemporary digital forms such as Virtual Reality and AI. It traces how ancestral memory is transferred\, adapted\, and sustained across generations through decolonial and anti-colonial frameworks\, while critically engaging both the generative possibilities and the structural pitfalls of digital technologies as they shape relational\, technological futures. \nThis event is presented as part of the Creative Interventions (CI) series and is co-sponsored by the Arts Division’s Creative Technologies program and Porter College at UC Santa Cruz.\n—\nADMISSION\n– Free and open to UCSC affiliates.\n– This is an online event.\n– Registration is required here.\n—\nFULL SCHEDULE OF EVENTS\n– Event dates to be announced throughout the 2025-26 academic year.\n—\nABOUT THE SERIES\nCreative Interventions addresses the interconnected work of artists\, designers\, activists\, and knowledge workers—and the intrinsic and transformative capacity of that work to cultivate a just society. More information about the Creative Technologies program.\n—\nThis program is open to all UC Santa Cruz affiliates consistent with state and federal law.
URL:https://events.ucsc.edu/event/ancestral-algorithms/
CATEGORIES:Lectures & Presentations
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DTSTART;TZID=America/Los_Angeles:20251112T000000
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SUMMARY:Visual & Media Cultures Colloquium (VMCC) Series
DESCRIPTION:The Visual & Media Cultures Colloquium (VMCC) is an annual lecture series that brings cutting-edge scholars to speak on a broad range of subjects related to visual and media culture. The series is co-sponsored with the graduate programs in the History of Art & Visual Culture (HAVC) and the Film & Digital Media departments. Each year\, the students and a faculty coordinator are responsible for selecting\, inviting and hosting speakers from a list of suggested names submitted by their peers and HAVC faculty. Together they share the unique challenge and opportunity of creating a program that brings to campus an array of cutting-edge scholars to speak on a broad spectrum of subjects.\n—\nADMISSION\n– Open seating/admission (no ticket or registration required)\n– FREE and open to the public.\n– Refer to individual event listings for more information.\n—\nFULL SCHEDULE OF EVENTS\n– Wed.\, Nov 12\, 4:00 p.m.: Book Talk with Winnie Wong\n– Additional event dates to be announced\n—\nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/visual-media-cultures-colloquium-vmcc-series/
LOCATION:Porter College\, D-Building\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits,Lectures & Presentations
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DTSTART;TZID=America/Los_Angeles:20251016T160000
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SUMMARY:Sesnon Salon: History of Art & Visual Culture
DESCRIPTION:The Arts Division welcome students\, faculty\, staff\, and the general community to a salon-style gathering presenting the work of UC Santa Cruz’s History of Art and Visual Culture (HAVC) Department. \nAssistant Professor Clementine Bordeaux\, an enrolled member of the Sičáŋǧu Lakóta Nation (Rosebud Sioux Tribe)\, grew up on the Pine Ridge Reservation (South Dakota). Bordeaux received her Ph.D. in Culture and Performance from the World Arts and Cultures/Dance Department at the University of California\, Los Angeles. She works across multi- and interdisciplinary fields and collaborates with artists\, cultural bearers\, and community activists\, and employs Lakota concepts of ikčé\, the everyday\, and ingenuity\, to illustrate a continuum of Očéti Šakówiŋ artistic engagements. \nThis presentation offers a brief overview of her research\, which methodologically and theoretically utilizes relationality as the primary tool to communicate the interrelatedness of Lakota kinship values\, a cultural connection to other-than-human beings\, and creative practice\, as demonstrated through storytelling\, poetry\, and material culture. \nThe event will take place outdoors by the Porter Koi Pond. Light refreshments will be served. \n—\nADMISSION\nFree and open to the public.\n—\nFULL SCHEDULE OF EVENTS\nOct 16: History of Art and Visual Culture Department\nNov 20: Music Department \nJan 15: Art Department\nFeb 19: Film and Digital Media Department \nApril 16: Creative Technologies\nMay 21: Department of Performance\, Play & Design \n—\nPARKING\nLot 124 & 125 are the closest parking lots to the event.\nParking via permit or ParkMobile.\nSee TAPS for parking information. \n— \nThis program is open to all members of the public consistent with state and federal law.
URL:https://events.ucsc.edu/event/sesnon-salon-history-of-art-visual-culture/
LOCATION:Mary Porter Sesnon Art Gallery\, Baskin Service Road\, Santa Cruz\, CA\, 95064
CATEGORIES:Exhibits,Lectures & Presentations
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