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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-12/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260612T133000
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LAST-MODIFIED:20260527T222739Z
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SUMMARY:Mental Health First Aid Certification
DESCRIPTION:Location: Register for the Zoom link \nBe prepared to support those around you by getting certified in Mental Health First Aid. Mental Health First Aid teaches the skills needed to recognize and respond to signs and symptoms of mental health and substance use challenges\, as well as how to provide someone with initial support until they are connected with appropriate professional help. In the course\, you learn risk factors and warning signs for mental health and addiction concerns\, strategies to help someone in crisis and non-crisis situations\, and where to turn for help. \nWe encourage all staff and faculty to take advantage of this opportunity. Whether you work directly with students or behind the scenes\, your participation in MHFA training is a crucial step in building a resilient and supportive campus community. \nRegister for the Zoom link. For more information\, please visit the Occupational Health Training website. \nFor questions or to schedule a training for your team\, please contact Occupational Health Specialist\, Elizabeth Tomlinson\, at ektomlin@ucsc.edu.
URL:https://events.ucsc.edu/event/mental-health-first-aid-certification-2-2/
LOCATION:1156 High Street\, Santa Cruz\, CA\, 95064\, United States
CATEGORIES:Training
ORGANIZER;CN="Risk Services and Occupational Health":MAILTO:ektomlin@ucsc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260613T100000
DTEND;TZID=America/Los_Angeles:20260613T160000
DTSTAMP:20260611T210415
CREATED:20260601T171225Z
LAST-MODIFIED:20260601T171225Z
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SUMMARY:NEW Exhibit at the Seymour Center\, Grand Opening June 13 - 14
DESCRIPTION:NEW Exhibit at the Seymour Center\, Grand Opening June 13 – 14\nSee More HQ is the next evolution of the Seymour Marine Discovery Center—a brand-new\, bilingual interactive hub designed to bring real-time coastal science directly to you. Designed with timely relevance in mind\, See More HQ rapidly brings you the freshest UC Santa Cruz research and most timely community solutions within days of them happening. \nJoin us on June 13 and 14 from 10 AM – 4 PM to celebrate our grand launch! We’re pulling out all the stops with a jam-packed schedule of interactive activities: \n💥 HQ Exploration Stations • 🦈 Aquarium Feeding • 🥾 Guided Outdoor Tours • 🎨 Santa Cruz Maker Studios Pop-Up • 📚 Seaside Storytime \nDon’t miss out on the fun and be among the very first to experience the new See More HQ! \nAll activities are included with admission and are free for members. \n 
URL:https://events.ucsc.edu/event/new-exhibit-at-the-seymour-center-grand-opening-june-13-14/
LOCATION:Seymour Marine Discovery Center\, 100 McAllister Way\, Santa Cruz\, CA\, 95060
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260613T120000
DTEND;TZID=America/Los_Angeles:20260613T170000
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CREATED:20260402T184659Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-13/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260613T120000
DTEND;TZID=America/Los_Angeles:20260613T170000
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LAST-MODIFIED:20260403T222113Z
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-13/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260614T100000
DTEND;TZID=America/Los_Angeles:20260614T160000
DTSTAMP:20260611T210415
CREATED:20260601T171239Z
LAST-MODIFIED:20260601T171239Z
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SUMMARY:NEW Exhibit at the Seymour Center\, Grand Opening June 13 - 14
DESCRIPTION:NEW Exhibit at the Seymour Center\, Grand Opening June 13 – 14\nSee More HQ is the next evolution of the Seymour Marine Discovery Center—a brand-new\, bilingual interactive hub designed to bring real-time coastal science directly to you. Designed with timely relevance in mind\, See More HQ rapidly brings you the freshest UC Santa Cruz research and most timely community solutions within days of them happening. \nJoin us on June 13 and 14 from 10 AM – 4 PM to celebrate our grand launch! We’re pulling out all the stops with a jam-packed schedule of interactive activities: \n💥 HQ Exploration Stations • 🦈 Aquarium Feeding • 🥾 Guided Outdoor Tours • 🎨 Santa Cruz Maker Studios Pop-Up • 📚 Seaside Storytime \nDon’t miss out on the fun and be among the very first to experience the new See More HQ! \nAll activities are included with admission and are free for members. \n 
URL:https://events.ucsc.edu/event/new-exhibit-at-the-seymour-center-grand-opening-june-13-14-2/
LOCATION:Seymour Marine Discovery Center\, 100 McAllister Way\, Santa Cruz\, CA\, 95060
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260614T120000
DTEND;TZID=America/Los_Angeles:20260614T170000
DTSTAMP:20260611T210415
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10011984-1781438400-1781456400@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-14/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260614T120000
DTEND;TZID=America/Los_Angeles:20260614T170000
DTSTAMP:20260611T210415
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011889-1781438400-1781456400@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-14/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260614T170000
DTEND;TZID=America/Los_Angeles:20260614T190000
DTSTAMP:20260611T210415
CREATED:20260210T003017Z
LAST-MODIFIED:20260424T010405Z
UID:10009168-1781456400-1781463600@events.ucsc.edu
SUMMARY:Chicanx Latiné Year-End Ceremony
DESCRIPTION:For decades\, El Centro has hosted the Chicane Latiné Year-End Ceremony—a beloved tradition that celebrates the achievements and cultural pride of Chicanx Latinx graduating students and their families. This bilingual ceremony features danzantes\, live musical performances\, and powerful keynote speakers\, all coming together to honor the strength\, resilience\, and joy of our community. \nThe Chicanx Latiné Year-End Ceremony is a community celebration organized by El Centro and is not a degree-conferring event. Graduating students are encouraged to participate in both their College Commencement and this cultural celebration. \nWe look forward to welcoming future graduates into this vibrant tradition. If you have questions about participating in an upcoming ceremony\, please email El Centro. \nRegistration for the 2026 Chicane Latiné Year-End Celebration will open on Monday\, March 30\, and close on Monday\, May 11\, at 11:59 p.m. PST. If you miss the deadline\, don’t worry—you’re still welcome to attend! Simply arrive on the day of the event with up to five guests. We won’t turn anyone away. \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications.  \n  \n  \n 
URL:https://events.ucsc.edu/event/chicanx-latine-year-end-ceremony/
LOCATION:Lower East Field
CATEGORIES:Performances,Social Gathering
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260615T130000
DTEND;TZID=America/Los_Angeles:20260615T150000
DTSTAMP:20260611T210415
CREATED:20260609T215214Z
LAST-MODIFIED:20260609T215214Z
UID:10014915-1781528400-1781535600@events.ucsc.edu
SUMMARY:Tang\, M. (STAT) - Bayesian Modeling and Scalable Inference for Count Time Series in Infectious Disease Surveillance
DESCRIPTION:Real-time monitoring of infectious disease outbreaks calls for statistical models that recover interpretable quantities such as the time-varying reproduction number from noisy count data\, track posterior uncertainty\, and run on time scales compatible with daily updates. Existing methods address these aims through separate model classes. Discretized Hawkes processes\, Poisson autoregressions\, and distributed lag models each capture self-exciting transmission through alternative parameterizations of the same conditional mean structure\, but they have been developed across separate software packages with model-specific inference routines\, which makes structural model comparison cumbersome in practice. This dissertation develops a unified Bayesian framework for count time series in disease surveillance\, organized around three threads. First\, a class of dynamic generalized transfer function models places the three modeling families inside a common modular state-space class built from six independent components. A hybrid variational algorithm combines sequential Monte Carlo on the latent trajectory with stochastic gradient ascent on the static parameters. Second\, a multivariate extension to spatially connected regions\, a Bayesian network Hawkes model\, jointly estimates time-varying source-specific reproduction numbers and a sparse transmission network learned from data through a regularized horseshoe prior. The observed reproduction number at each\nlocation is decomposed into a local component and an imported component. Posterior inference proceeds through a blocked Markov chain Monte Carlo sampler\, with a particle Laplace variational counterpart developed for routine refits at larger spatial scales. Third\, an R package implements the unified univariate framework through a compositional specification interface aligned with the six modular components\, with the two inference engines available behind a single entry point. The methods are illustrated through simulation studies and applications to daily COVID-19 case counts from Santa Cruz County and from ten California counties. \nEvent Host: Meini Tang\, Ph.D. Candidate\, Statistical Science  \nAdvisor: Raquel Prado \nZoom: https://ucsc.zoom.us/j/97990210796?pwd=e59WbsNrYgYSITmMw0OIT5f1SQThEN.1 \nPasscode:  479460
URL:https://events.ucsc.edu/event/tang-m-stat-bayesian-modeling-and-scalable-inference-for-count-time-series-in-infectious-disease-surveillance/
LOCATION:Engineering 2\, Engineering 2 1156 High Street\, Santa Cruz\, CA\, 95064
CATEGORIES:Ph.D. Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260615T180000
DTEND;TZID=America/Los_Angeles:20260615T190000
DTSTAMP:20260611T210415
CREATED:20260605T222138Z
LAST-MODIFIED:20260605T222138Z
UID:10014911-1781546400-1781550000@events.ucsc.edu
SUMMARY:Designing for Today's Digital World
DESCRIPTION:Design digital experiences people love to use.\nIn today’s rapidly evolving tech landscape\, organizations need professionals who can combine empathy\, usability\, and aesthetics to create interfaces that engage and delight users. Learn how UX and web design specialists use research‑driven methods\, prototyping tools\, and inclusive design principles to build seamless digital experiences across platforms. \nSpeaker\nJoin Nicole Sharratt\, chair of the UCSC Silicon Valley Extension User Experience & Web Design program\, for an inside look at how our courses equip you with the skills to lead user‑centered design projects—whether you’re shaping websites\, apps or digital products. \nCLAIM YOUR SEAT TODAY.
URL:https://events.ucsc.edu/event/designing-for-todays-digital-world/
LOCATION:Silicon Valley Campus\, 3175 Bowers Avenue\, Santa Clara\, CA\, 95054\, United States
CATEGORIES:Lectures & Presentations,Meetings & Conferences,Training
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260616T100000
DTEND;TZID=America/Los_Angeles:20260616T140000
DTSTAMP:20260611T210415
CREATED:20260611T171418Z
LAST-MODIFIED:20260611T171501Z
UID:10014916-1781604000-1781618400@events.ucsc.edu
SUMMARY:Just-In-Time (all-majors) Virtual Career & Internship Fair
DESCRIPTION:Undergraduate and graduate students and recent alumni interested in pursuing careers in all industries are welcome to attend. Get the chance to meet recruiters from all industries/firms seeking to fill internship\, full-time\, and part-time roles. Connect virtually and take essential steps toward laying the foundation for your future career and potentially even land an interview! \nHelpful Resources: \n\nHow to Prepare for the Fair\nHow to Prepare (video)\nGuide from Handshake\nSigning up for Sessions\nCheck Video Requirements\n\nNeed support during the fair? Career Success is here to help! Please login to “Ask a Peer” \nYou will receive registration and additional information via Handshake emails. Please make sure to check your junk/spam folder if you are not receiving the following information. \nHandshake is committed to building an accessible product\, as well as an ongoing\, sustainable process for maintaining accessibility. Please contact slugtalent@ucsc.edu if you need accessibility support at least two weeks prior to the fair date. \nWe will not cancel an event due to a power outage. If your power goes out during the fair\, please email slugtalent@ucsc.edu. \nCareer Fair registrations are made without endorsement\, direct or implied\, by Career Success or UCSC. Career Success educates students about various opportunities and ensures equity of access to campus recruiting activities for all employers who abide by our Employer Policies. Individual students are encouraged to determine which employers align with their diverse talents\, values\, and interests. \n  \n  \nYou Belong Here: The programs and services described here are open to all\, consistent with state and federal law\, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service\, faculty program\, or community event—is designed to be accessible\, inclusive\, and respectful of all identities. \nTo learn more\, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications. \n 
URL:https://events.ucsc.edu/event/just-in-time-all-majors-virtual-career-internship-fair/
LOCATION:
CATEGORIES:Lectures & Presentations,Meetings & Conferences
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260617T120000
DTEND;TZID=America/Los_Angeles:20260617T170000
DTSTAMP:20260611T210415
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10011985-1781697600-1781715600@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-17/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260617T120000
DTEND;TZID=America/Los_Angeles:20260617T170000
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CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011890-1781697600-1781715600@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-17/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260618T100000
DTEND;TZID=America/Los_Angeles:20260618T120000
DTSTAMP:20260611T210415
CREATED:20260526T162714Z
LAST-MODIFIED:20260526T162714Z
UID:10014867-1781776800-1781784000@events.ucsc.edu
SUMMARY:Carrión\, H. (CSE) - Deep Learning Algorithms for Medical Image Representation Learning and Understanding
DESCRIPTION:AI-assisted clinical decisions in medicine\, and particularly in dermatology\, demand fine-grained understanding across diverse skin tones\, body sites\, and disease types\, yet expert-annotated datasets are scarce\, demographically imbalanced\, and almost devoid of rare presentations. This dissertation develops four deep learning systems for this low-label\, low-coverage regime. We introduce HealNet\, which learns wound healing stages from longitudinal photographs without any human labels\, reaching 90.6% downstream stage-classification accuracy on a small longitudinal cohort. The Fair\, Efficient\, and Diverse Diffusion (FEDD) model then leverages powerful diffusion-model embeddings to build a skin-tone-fair\, data-efficient classifier for skin lesions\, matching or exceeding state-of-the-art performance while using only 5-20% of available labels and contributing explicit skin-tone-stratified fairness evaluation of the work. Next\, Controllable Generation of Diverse Dermatological Imagery (cgDDI) re-tasks this diffusion model to controllably synthesize skin-tone-balanced dermatological imagery\, growing a small biopsy-confirmed dataset by over 400x and reaching state-of-the-art 90.9% accuracy and improved fairness in malignancy classification\, with a +13.9% cross-dataset gain on the Fitzpatrick17k benchmark. Finally\, we introduce D-Synth and DermDepth: a synthetic dermoscopic dataset with pixel-perfect 3D ground truth and a metric-scale foundation model that closes the loop into 3D dermatology\, correcting metric scale error from over 16x to under 1.1x on real dermoscopic data and enabling single-photograph measurement of lesion reconstruction: size\, area\, and volume without specialized hardware. All data\, code\, and models are released openly to support reproducibility and ongoing fairness research. \nEvent Host:  Héctor Carrión\, Ph.D. Candidate\, Computer Science & Engineering \nAdvisor: Narges Norouzi \nZoom: https://ucsc.zoom.us/j/96678782408?pwd=71f0ObEnUMNgkZ9NYnpbFLMlg1Pdm0.1 \nPasscode: 0FMVtz
URL:https://events.ucsc.edu/event/carrion-h-cse-deep-learning-algorithms-for-medical-image-representation-learning-and-understanding/
LOCATION:
CATEGORIES:Ph.D. Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260618T100000
DTEND;TZID=America/Los_Angeles:20260618T120000
DTSTAMP:20260611T210415
CREATED:20260609T193755Z
LAST-MODIFIED:20260609T193755Z
UID:10014912-1781776800-1781784000@events.ucsc.edu
SUMMARY:Wang\, Z. (CSE) - From Static Alignment to Adaptive Safety: Toward Reliable and Capable AI Systems
DESCRIPTION:Modern AI systems are rapidly moving beyond static text generation toward capable models and agents that reason\, use tools\, store memories\, and update persistent state\, yet safety methods still often assume a fixed model whose behavior can be controlled by output-level refusal. This leaves critical gaps in understanding why aligned models fail under adversarial pressure\, how to align reasoning models without suppressing their useful capabilities\, and how to preserve safety once capability and control are externalized into editable agent state. My research proposes a static-to-adaptive safety framework for building reliable and capable AI systems: studying the mechanisms that shape behavior inside models\, using reasoning capability as a substrate for safety alignment\, and governing persistent state as agents learn and adapt over time. We instantiate this agenda through two completed works and three proposed directions. AttnGCG studies adversarial failures in aligned language models\, showing how jailbreak attacks can manipulate model attention and expose limitations of output-level safety analysis. STAR-1 studies safety alignment for large reasoning models\, showing that policy-grounded reasoning data can improve safety while largely preserving general reasoning capability. Building on these foundations\, we further study when editable agent harnesses meaningfully affect future behavior\, how persistent state creates new safety risks\, and how adaptive agents can safely update state while preserving useful learning. Together\, my research aims to move beyond static alignment alone\, toward AI systems whose safety remains reliable as their capabilities expand through reasoning and adaptation. \nEvent Host: Zijun Wang\, Ph.D. Student\, Computer Science & Engineering \nAdvisor: Cihang Xie  \nZoom ID:  962 8317 0929 \nPasscode: 687715
URL:https://events.ucsc.edu/event/wang-z-cse-from-static-alignment-to-adaptive-safety-toward-reliable-and-capable-ai-systems/
LOCATION:
CATEGORIES:Ph.D. Presentations
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260618T103000
DTEND;TZID=America/Los_Angeles:20260618T120000
DTSTAMP:20260611T210415
CREATED:20260313T185556Z
LAST-MODIFIED:20260416T170419Z
UID:10011332-1781778600-1781784000@events.ucsc.edu
SUMMARY:Younger Lagoon Reserve Tours
DESCRIPTION:Younger Lagoon Reserve tours are free and open to the public. Space is limited to 18 participants. Call 831-459-3800 or sign-up online. Virtual tours are available online. \n 
URL:https://events.ucsc.edu/event/younger-lagoon-reserve-tours/2026-06-18/
LOCATION:Seymour Marine Discovery Center\, 100 McAllister Way\, Santa Cruz\, CA\, 95060
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260618T120000
DTEND;TZID=America/Los_Angeles:20260618T123000
DTSTAMP:20260611T210415
CREATED:20260527T223817Z
LAST-MODIFIED:20260527T224950Z
UID:10014881-1781784000-1781785800@events.ucsc.edu
SUMMARY:Meal Planning for Real Life: Making Meals Easier
DESCRIPTION:Faculty & Staff Health and Well-being Program \nLocation: Register for the Zoom link \nStruggling to figure out what to eat after a long workday or always heading to the vending machine at lunch? Meal planning can help with that\, but it doesn’t have to mean spending your whole Sunday meal prepping or eating the same thing every day. \nIn this session\, you’ll learn: \n\n\nFast\, low-effort meal planning strategies for busy schedules\nAffordable and flexible meal ideas that adapt to real life\nSimple ways to prioritize nutritious meals while reducing food stress and decision fatigue\n\nJoin us in this workshop focused on making meals easier. \n\n\nThe Wellness in Action series is designed to help you improve your health in a short session with simple tips you can try in your own life. Take some time to put it in action in your own daily routines\, and come for the follow-up session two weeks later to reflect on what worked\, troubleshoot what didn’t\, and learn what’s working for others.\nIn the follow-up session on Thursday\, July 2 from 12:00 PM -12:30 PM\, you will have the opportunity to share your experience and learn from others in the group.\n\nLocation: Register for the Zoom link
URL:https://events.ucsc.edu/event/meal-planning-for-real-life-making-meals-easier/
LOCATION:1156 High Street\, Santa Cruz\, CA\, 95064\, United States
CATEGORIES:Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260618T120000
DTEND;TZID=America/Los_Angeles:20260618T170000
DTSTAMP:20260611T210415
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10011986-1781784000-1781802000@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-18/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260618T120000
DTEND;TZID=America/Los_Angeles:20260618T170000
DTSTAMP:20260611T210415
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011891-1781784000-1781802000@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-18/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260619T120000
DTEND;TZID=America/Los_Angeles:20260619T170000
DTSTAMP:20260611T210415
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10011987-1781870400-1781888400@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-19/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260620T090000
DTEND;TZID=America/Los_Angeles:20260620T120000
DTSTAMP:20260611T210415
CREATED:20260417T150156Z
LAST-MODIFIED:20260515T194858Z
UID:10013355-1781946000-1781956800@events.ucsc.edu
SUMMARY:Berry U-Pick at the UCSC Farm
DESCRIPTION:Come enjoy picking your own organic strawberries and/or blueberries at the campus farm! Our delicious\, organic berries will be plentiful this spring and we hope you can come enjoy the bounty. \nWhen: U-picks will take place on Saturdays from 9am to 12pm while supplies last. Blueberries will be available approximately through June\, and strawberries will be available into the summer season. PLEASE NOTE that u-picks will not occur on Saturday\, June 13 due to campus commencement ceremonies that will impact traffic and parking. \nWhere: Free parking will be available in the Hay Barn lot or lot 115/116 during u-pick hours. Please do not park in the dirt lot at the farm’s back gate. Please walk to the pinned location at the farm to pre-pay and collect your u-pick container(s). We will have directional signage displayed. There is one ADA parking spot on the farm. The UCSC Farm has uneven\, hilly terrain. If you require accommodations  to fully participate\, please email agroecology@ucsc.edu and we will do our best to accommodate. \nCost: UCSC students with valid ID get 25% off. \n\nStrawberry pints – $4 each\nStrawberry flats (12 pints) – $44\nBlueberry pints – $4.50 each\nBlueberry flats (12 pints) – $50\n\nPayment: Credit card payments only (you will need a smartphone to scan a QR code and enter your card info manually). \nDogs are not allowed on the UC Santa Cruz campus (service animals are OK).
URL:https://events.ucsc.edu/event/berry-u-pick-at-the-ucsc-farm/2026-06-20/
LOCATION:UCSC Farm\, 152 Farm Rd\, Santa Cruz\, CA\, 95064
CATEGORIES:Social Gathering
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260620T120000
DTEND;TZID=America/Los_Angeles:20260620T170000
DTSTAMP:20260611T210415
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10011988-1781956800-1781974800@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-20/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260620T120000
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SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-20/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260621T120000
DTEND;TZID=America/Los_Angeles:20260621T170000
DTSTAMP:20260611T210415
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
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SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-21/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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DTSTART;TZID=America/Los_Angeles:20260621T120000
DTEND;TZID=America/Los_Angeles:20260621T170000
DTSTAMP:20260611T210415
CREATED:20260402T190659Z
LAST-MODIFIED:20260403T222113Z
UID:10011893-1782043200-1782061200@events.ucsc.edu
SUMMARY:Visualizing Abolition Screening Series: Beyond Access
DESCRIPTION:On view in the IAS Screening Room is a selection of short films curated by Visualizing Abolition Visiting Faculty Fellow Dr. Pooja Rangan. \nPrisons deny and censor the access of those trapped inside them—to information\, to intimacy\, to community\, to meaningful work\, to nourishment of all kinds\, and perhaps most cruelly\, to care. This program assembles a series of films\, including works by filmmakers incarcerated in California as well as others without that lived experience. Together\, these works confront the debilitating impacts of these restrictions and reveal how the disabling logic of the prison is extended to other institutional spaces (the hospital\, the university)\, turning access into a scarce commodity by enclosing what should be held in common. Questioning the carceral and state-sponsored productions of disability and accessibility\, the short films together reveal the courage of people working despite limitations to produce collective access for one another\, described simply and beautifully by disability justice activist Leah-Lakshmi Piepzna Samarasinha as “revolutionary love without charity.” \nThanh Tran\nDying in Prison\, 2022\nHD Video (color\, sound)\, 3 minutes\nCourtesy of the artist \nCarolyn Lazard\nPre-Existing Condition\, 2019\nHD video (color\, sound)\, 6 minutes\nCourtesy of the artist and Trautwein Herleth3 \nAnthony Alejandrez\nAnother Rainy Day\, 2023\nPhone video (color\, sound)\, 3 minutes\nCourtesy of the artist \nJordan Lord\nAfter…After… (Access)\, 2018\nHD Video (color\, sound)\, 16 minutes\nCourtesy of the artist \nRahsaan “New York” Thomas\nFriendly Signs\, 2023\nVideo (color\, sound) 21 minutes\nCourtesy of Tommy Wickerd\, Empowerment Ave & System Impact Media
URL:https://events.ucsc.edu/event/visualizing-abolition-screening-series-beyond-access/2026-06-21/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260622T000000
DTEND;TZID=America/Los_Angeles:20260622T235959
DTSTAMP:20260611T210415
CREATED:20251115T003935Z
LAST-MODIFIED:20251115T003935Z
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SUMMARY:Summer Session 1\, 8-Week and 10-Week Classes Start
DESCRIPTION:Summer courses start today! Make sure you’re set with Canvas access\, dates and deadlines\, and any first-day instructions from your instructors. Find answers to common questions on our website or email summer@ucsc.edu. You can still add classes until the deadline for each session!
URL:https://events.ucsc.edu/event/summer-session-1-8-week-and-10-week-classes-start/
LOCATION:1156 High Street\, Santa Cruz\, CA\, 95064\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260623T190000
DTEND;TZID=America/Los_Angeles:20260623T200000
DTSTAMP:20260611T210415
CREATED:20260609T204856Z
LAST-MODIFIED:20260609T204856Z
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SUMMARY:Daniel Mason - Country People
DESCRIPTION:Bookshop Santa Cruz welcomes Pulitzer Prize finalist Daniel Mason (North Woods) for a reading and signing of his new novel Country People—a rollicking\, lyrical year in the life of a family as they strike out into the unknown (aka Vermont)\, leaving all of the comforts of home behind. \nMiles Krzelewski is a devoted husband\, a doting father beloved for his outlandish bedtime stories\, and the proud owner of a truffle-hunting dog in a land with no truffles. He is also a bit lost\, twelve years late with his PhD on Russian folktales and increasingly haunted by a sense that he’s become a disappointment to his family. So when his wife\, Kate\, accepts a visiting professorship at a prestigious college in the faraway forests of Vermont\, he decides that this will be the year to finally move forward with his life. Joyous\, absurd\, and life-affirming\, Country People is a luminous exploration of marriage and parenthood\, the nature of belief and the power of stories\, and the ways in which we find connection in an increasingly fragmented world. \n \nDaniel Mason is the author of The Piano Tuner\, The Winter Soldier\, A Registry of My Passage upon the Earth—a finalist for the Pulitzer Prize—and North Woods\, a New York Times and Washington Post Top Ten Book of 2023 and a finalist for the National Book Critics Circle Award. His work has been translated into twenty-eight languages\, adapted for opera and the stage\, and awarded a Guggenheim Fellowship\, the Joyce Carol Oates Prize\, and a fellowship from the National Endowment for the Arts. He is an associate professor in the Stanford University department of psychiatry. \nMore information at: Bookshop Santa Cruz – Daniel Mason \n\nCo-sponsored by The Humanities Institute at UC Santa Cruz.
URL:https://events.ucsc.edu/event/daniel-mason-country-people/
LOCATION:Bookshop Santa Cruz
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DTSTART;TZID=America/Los_Angeles:20260624T120000
DTEND;TZID=America/Los_Angeles:20260624T130000
DTSTAMP:20260611T210415
CREATED:20250923T070000Z
LAST-MODIFIED:20251001T224502Z
UID:10000286-1782302400-1782306000@events.ucsc.edu
SUMMARY:Engineering Teaching Community (Faculty)
DESCRIPTION:During the chaos of a quarter\, is it hard to find time to reflect and improve as an instructor? Would you like to be a part of an inclusive\, supportive group of engineering instructors who do this in community? ETC is for sharing teaching experiences\, classroom ideas\, research on learning\, and methods that support instructors and students. All are welcome\, and lunch is provided. Please reach out to Jenny Quynn with questions.
URL:https://events.ucsc.edu/event/engineering-teaching-community-faculty/2026-06-24/
LOCATION:Jack Baskin Engineering\, Baskin Engineering 1156 High Street\, Santa Cruz\, CA\, 95064
CATEGORIES:Meetings & Conferences,Training
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260624T120000
DTEND;TZID=America/Los_Angeles:20260624T170000
DTSTAMP:20260611T210415
CREATED:20260402T184659Z
LAST-MODIFIED:20260430T205000Z
UID:10011990-1782302400-1782320400@events.ucsc.edu
SUMMARY:Spring Exhibitions at the Institute of the Arts and Sciences
DESCRIPTION:Visit the IAS\, UCSC’s premier art galleries\, for our spring exhibitions. On view April 10–August 16\, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right\, the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj\, a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words\, But Melodies\, a mixed-media exhibition emerging at the intersections of Black poetics\, performance\, and visual art. \nThe IAS Galleries are open Wednesday-Sunday\, 12 pm – 5 pm. Admission is free to the public. \nLibia Posada: Everything is Going Right\nLibia Posada’s first solo exhibition in the United States features installations\, sculptures\, and drawings meticulously constructed from surgical instruments\, gauze bandages\, crutches\, used books\, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal\, social\, and political disorders and afflictions that currently trouble the world\, from the wars that resonate across the globe to the violences of aging in US prisons.  \nGina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements\nThe internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation\, produced in community from things collected\, found\, purchased and donated\, centers on the Haitian concept of rasanblaj\, a form of assembly and collage that transcends the formal use of materials to draw together people\, spirits\, and ideas.  \nRonaldo V. Wilson: There Are No Words\, But Melodies\nCollage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video\, painting\, and installation\, layers and folds conceal and reveal\, delving into the experience\, both bodily and emotive\, of living in times of violence.  \n 
URL:https://events.ucsc.edu/event/spring-exhibitions-at-the-institute-of-the-arts-and-sciences/2026-06-24/
LOCATION:Institute of the Arts and Sciences\, 100 Panetta Ave\, Santa Cruz\, United States
CATEGORIES:Exhibits
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