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  • a person holding another in a rescue carry

    Carlos Motta: When Time Stands Still

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Carlos Motta’s When Time Stands Still, the artist’s second solo show with the IAS, features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. The selection of artworks in the exhibition explore the unsettling experience of living in a time that seems […]

  • close up of face painted on pyramid of ice coolers

    Victor ‘Marka27’ Quiñonez: Ni de Aquí, Ni de Allá

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de Aquí, Ni de Allá (Not From Here, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing […]

  • a person holding another in a rescue carry

    Carlos Motta: When Time Stands Still

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Carlos Motta’s When Time Stands Still, the artist’s second solo show with the IAS, features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. The selection of artworks in the exhibition explore the unsettling experience of living in a time that seems […]

  • close up of face painted on pyramid of ice coolers

    Victor ‘Marka27’ Quiñonez: Ni de Aquí, Ni de Allá

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de Aquí, Ni de Allá (Not From Here, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing […]

  • a person holding another in a rescue carry

    Carlos Motta: When Time Stands Still

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Carlos Motta’s When Time Stands Still, the artist’s second solo show with the IAS, features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. The selection of artworks in the exhibition explore the unsettling experience of living in a time that seems […]

  • close up of face painted on pyramid of ice coolers

    Victor ‘Marka27’ Quiñonez: Ni de Aquí, Ni de Allá

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de Aquí, Ni de Allá (Not From Here, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing […]

  • a person holding another in a rescue carry

    Carlos Motta: When Time Stands Still

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Carlos Motta’s When Time Stands Still, the artist’s second solo show with the IAS, features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. The selection of artworks in the exhibition explore the unsettling experience of living in a time that seems […]

  • close up of face painted on pyramid of ice coolers

    Victor ‘Marka27’ Quiñonez: Ni de Aquí, Ni de Allá

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de Aquí, Ni de Allá (Not From Here, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing […]

  • a person holding another in a rescue carry

    Carlos Motta: When Time Stands Still

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Carlos Motta’s When Time Stands Still, the artist’s second solo show with the IAS, features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. The selection of artworks in the exhibition explore the unsettling experience of living in a time that seems […]

  • close up of face painted on pyramid of ice coolers

    Victor ‘Marka27’ Quiñonez: Ni de Aquí, Ni de Allá

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de Aquí, Ni de Allá (Not From Here, Not From There) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks  that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing […]

  • a person holding another in a rescue carry

    Carlos Motta: When Time Stands Still

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Carlos Motta’s When Time Stands Still, the artist’s second solo show with the IAS, features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of […]

  • a person holding another in a rescue carry

    Carlos Motta: When Time Stands Still

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Carlos Motta’s When Time Stands Still, the artist’s second solo show with the IAS, features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of […]

  • a person holding another in a rescue carry

    Carlos Motta: When Time Stands Still

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Carlos Motta’s When Time Stands Still, the artist’s second solo show with the IAS, features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of […]

  • a person holding another in a rescue carry

    Carlos Motta: When Time Stands Still

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Carlos Motta’s When Time Stands Still, the artist’s second solo show with the IAS, features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of […]

  • a person holding another in a rescue carry

    Carlos Motta: When Time Stands Still

    Featured Visualizing Abolition
    Institute of the Arts and Sciences 100 Panetta Ave, Santa Cruz, United States

    Carlos Motta’s When Time Stands Still, the artist’s second solo show with the IAS, features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of […]