Join CARE in closing out Sexual Assault Awareness Month 2026, during Denim Day, for a space where we’ll connect as a community, hand out copies of the new volume of […]
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Join CARE in closing out Sexual Assault Awareness Month 2026, during Denim Day, for a space where we’ll connect as a community, hand out copies of the new volume of […] |
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Join percussionist Christopher Clarino in a concert of revolutionary work that invites listeners of all kinds to rethink hearing itself. This concert features a wide range of pieces—some well known and others newly commissioned—that explore sound, language, and gesture through electronics, field recordings, text, and American Sign Language (ASL). Framed in dialogue with these premieres […]
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Music On The Meadow (MOTM) presents “Episode 0: Music with the Meadow.” MOTM showcases engagement from students, artists, scientists, scholars, and culture bearers, who engage in “listening with the meadow” through genre-defying works. MOTM is a site for low-key (but not low-quality or low-impact) celebration, gathering, mourning, remembering, rethinking, unlearning. This event is presented as […]
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Where Cultures Bloom is a large-scale cultural celebration centered on community, expression, and belonging, grounded in the idea that UCSC is shaped by the diverse identities and voices of those […]
Pianists/experimentalists Amy Beal and Ben Carson, and friends in the This Never Happened Ensemble, present a concert of toys, noise, open-questions, and a love of play, including one piece involving no fewer than five concert grand pianos. Featuring the music of Shanna Sordahl, Marc Perez, Mexican composer Rodrigo Barriga Lopez, and legendary experimentalists Johanna Beyer […]
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Featured
Featured
Join us for a celebration of UCSC’s vibrant, innovative, and diverse STEM community featuring: Musical performances Dance lessons STEM-themed drag shows Inspirational talks Student organization tabling Student-led games & activities […]
Join us for an evening of call and response between Portsha Jefferson, dancer and artistic director of Rara Tou Limen, and artist-scholar Gina Athena Ulysse. Jefferson will offer a Haitian dance response to Ulysse’s art exhibition Redwoods Rasanblaj: Origins & Disentanglements and screen her short film IMAMOU: Hotô to Shore… Agbe | Agwe. Ulysse will read from […] |
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Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities. |
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Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities.
Graduate student Maisha Lani debuts new compositions composed over the course of two years in the D.M.A. Music Composition program at UC Santa Cruz. The pieces range in instrumentation and style: from a blues to a post-tonal work, consisting of vibraphone and stringed instruments, to afrobeat inspired compositions, to graphic scores and improvisation. Audiences are […]
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Join acclaimed Iranian virtuosi Siamak Barghi (kamancheh, tombak), and Arya Tavallaei (santour); Stanford University’s celebrated guzheng master Hui You; and San Francisco’s Del Sol Quartet (“excavations of beauty from the elemental”—New York Times) for an intrepid concert that explores nature, the cosmos, the “deep acoustics” of musical harmony, and an exchange of imagination and inspiration among […]
FREE and open to the public
Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities. |
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In this intimate workshop, UC Santa Cruz students, faculty, and staff are invited into conversation with poets Ronaldo V. Wilson and Terri Witek. Something held by poetry is programmed for Wilson’s multimedia exhibition, there are no words, but melodies, currently on view at the IAS. RSVP is required. Ronaldo V. Wilson is a poet, interdisciplinary artist, […]
Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities. |
1 event,
Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities. |
1 event,
Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities. |
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A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […] |
1 event,
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […] |
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Join Ronaldo Wilson and special guests for a site-specific, endurance performance as part of there are no words, but melodies. The exhibition emerges at the intersections of Black poetics, performance, and visual art toshuttle between verbal and non-verbal forms of language, rendering the boundaries of identity and meaning slippery. Drop in and visit Wilson’s office […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […] |
1 event,
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […] |