Week of Events
Monday, May 25, 2026
No events on this day.
Tuesday, May 26, 2026
No events on this day.
Wednesday, May 27, 2026
No events on this day.
Thursday, May 28, 2026
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May 28, 2026UCSC Opera—Orpheus in the Underworld
UCSC Opera—Orpheus in the Underworld
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
Friday, May 29, 2026
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May 29, 2026UCSC Opera—Orpheus in the Underworld
UCSC Opera—Orpheus in the Underworld
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
Saturday, May 30, 2026
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May 30, 2026Office Hours Under the Sea
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May 30, 2026UCSC Opera—Orpheus in the Underworld
Office Hours Under the Sea
Join Ronaldo Wilson and special guests for a site-specific, endurance performance as part of there are no words, but melodies. The exhibition emerges at the intersections of Black poetics, performance, and visual art toshuttle between verbal and non-verbal forms of language, rendering the boundaries of identity and meaning slippery. Drop in and visit Wilson’s office […]
UCSC Opera—Orpheus in the Underworld
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
Sunday, May 31, 2026
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May 31, 2026UCSC Opera—Orpheus in the Underworld
UCSC Opera—Orpheus in the Underworld
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]