Join us for a celebration of UCSC’s vibrant, innovative, and diverse STEM community featuring: Musical performances Dance lessons STEM-themed drag shows Inspirational talks Student organization tabling Student-led games & activities […]
Join us for an evening of call and response between Portsha Jefferson, dancer and artistic director of Rara Tou Limen, and artist-scholar Gina Athena Ulysse. Jefferson will offer a Haitian dance response to Ulysse’s art exhibition Redwoods Rasanblaj: Origins & Disentanglements and screen her short film IMAMOU: Hotô to Shore… Agbe | Agwe. Ulysse will read from […]
UCSC Concert Choir
Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities.
Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities.
UCSC Music Ensemble
Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities.
Graduate student Maisha Lani debuts new compositions composed over the course of two years in the D.M.A. Music Composition program at UC Santa Cruz. The pieces range in instrumentation and style: from a blues to a post-tonal work, consisting of vibraphone and stringed instruments, to afrobeat inspired compositions, to graphic scores and improvisation. Audiences are […]
Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities.
Join acclaimed Iranian virtuosi Siamak Barghi (kamancheh, tombak), and Arya Tavallaei (santour); Stanford University’s celebrated guzheng master Hui You; and San Francisco’s Del Sol Quartet (“excavations of beauty from the elemental”—New York Times) for an intrepid concert that explores nature, the cosmos, the “deep acoustics” of musical harmony, and an exchange of imagination and inspiration among […]
In this intimate workshop, UC Santa Cruz students, faculty, and staff are invited into conversation with poets Ronaldo V. Wilson and Terri Witek. Something held by poetry is programmed for Wilson’s multimedia exhibition, there are no words, but melodies, currently on view at the IAS. RSVP is required. Ronaldo V. Wilson is a poet, interdisciplinary artist, […]
Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities.
Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities.
Through their belief in Ifá and the divine, three generations of women grow their relationships with each other and navigate living within their African diasporic identities.
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
Join Ronaldo Wilson and special guests for a site-specific, endurance performance as part of there are no words, but melodies. The exhibition emerges at the intersections of Black poetics, performance, and visual art toshuttle between verbal and non-verbal forms of language, rendering the boundaries of identity and meaning slippery. Drop in and visit Wilson’s office […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance. This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the […]
Audiences are invited to a free spring quarter chamber music concert featuring a variety of student ensembles. — ADMISSION – Attend in person at the Music Center Recital Hall at UC Santa Cruz – Free and open to the public. – Open seating (no ticket required). – Doors are scheduled to open 30 minutes prior […]